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[ SOUNDING GAVEL ]

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>>Michael Sheeley: GOOD

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AFTERNOON.

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WELCOME TO THE SEPTEMBER 15

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MEETING OF THE VILLAGE OF ESTERO

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PLANNING, ZONING AND DESIGN

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BOARD.

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OUR FIRST ITEM OF BUSINESS IS

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THE PLEDGE OF ALLEGIANCE, IF

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YOU'D ALL PLEASE JOIN ME IN THE

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PLEDGE.

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[PLEDGE OF ALLEGIANCE]

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>>Kristin Jeannin: HERE.

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>> JONES IS ABSENT TODAY.

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>>Al Paivandy: HERE.

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>>Michael Sheeley: HERE.

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>>James Tatooles: HERE.

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>> BOARD MEMBER WALLACE IS

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ABSENT TODAY.

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BOARD MEMBER WILLIAMS?

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CHAIRMAN GARGANO IS ABSENT

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TODAY.

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>>Michael Sheeley: THANK YOU.

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YES, I'M STANDING IN FOR OUR

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CHAIRMAN TONIGHT.

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ON THE AGENDA, THE NEXT ITEM IS

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APPROVAL OF THE AGENDA.

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WE HAVE A CHANGE TO THE AGENDA.

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AT THE REQUEST OF THE

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APPLICANTS.

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SOMEBODY COULDN'T BE HERE QUITE

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ON TIME.

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SO WE ARE GOING IN THE ORDER OF

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7A ON THE AGENDA, PUBLIC

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INFORMATION MEETING, AND THEN

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NUMBER 6, AND THEN 7B.

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JUST SO EVERYBODY KNOWS,

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TONIGHT, THE BOARD WILL TAKE NO

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ACTIONS ON ANY CASES.

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WE'LL HAVE NO VOTES.

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TONIGHT WE HAVE PUBLIC

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INFORMATION MEETINGS AND

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WORKSHOPS.

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SO THEY ARE ONLY FOR INFORMATION

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FOR US AND FOR THE PUBLIC.

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CAN I HAVE A MOTION ON THE

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AGENDA, PLEASE?

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>>James Tatooles: I'LL SO MOVE.

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>>Al Paivandy: SECOND.

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>>Michael Sheeley: ALL IN FAVOR

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SAY AYE.

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OPPOSED, LIKE SIGN.

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MOTION CARRIES.

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THE NEXT ITEM IS THE CONSENT

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AGENDA, WHICH IS THE APPROVAL OF

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THE PREVIOUS JULY 21st MEETING

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MINUTES.

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CAN I HAVE A MOTION FOR THAT,

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PLEASE?

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>>Dan Williams: SO MOVED.

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>>James Tatooles: I'LL SECOND.

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>>Michael Sheeley: ALL IN FAVOR

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SAY AYE.

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OPPOSED, LIKE SIGN.

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MOTION CARRIES.

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THE FIRST ITEM TONIGHT WILL BE

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NUMBER 7, THE PUBLIC INFORMATION

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MEETING FOR 7A, HOME BASE

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ESTERO.

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MICHAEL OR WHO WILL START IT?

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AYMEE, VERY GOOD.

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>>Aymee Chavez: GOOD EVENING,

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BOARD MEMBERS.

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LIKE MIKE SAID, THE FIRST ITEM

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ON TONIGHT'S AGENDA IS A PUBLIC

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INFORMATION MEETING FOR HOME

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BASE ESTERO.

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THE APPROXIMATELY TWO-ACRE SITE

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IS LOCATED AT THE CORNER OF

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EVERBLADES PARKWAY AND BEN HILL

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GRIFFIN PARKWAY WITHIN THE

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SOUTHERN PORTION OF UNIVERSITY

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HIGHLANDS 2.

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HOME BASE IS A NATIONAL

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NONPROFIT ORGANIZATION DEDICATED

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TO HELPING VETERANS, SERVICE

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MEMBERS, AND THEIR FAMILIES.

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THE APPLICANT IS PROPOSING A

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TWO-STORY APPROXIMATELY 26,000

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SQUARE FOOT STAND-ALONE VETERANS

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WELLNESS CENTER ON THE CURRENTLY

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VACANT SITE.

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THE APPLICANT HAS NOT YET

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SUBMITTED A DEVELOPMENT ORDER

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APPLICATION.

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HOWEVER, THEY HAVE PREPARED A

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PowerPoint PRESENTATION FOR

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TONIGHT THAT PROVIDES BACKGROUND

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ON THE ORGANIZATION AND AN

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OVERVIEW OF WHAT THEY ARE

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PROPOSING FOR THE SITE.

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PLEASE NOTE THAT BOARD MEMBER

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JIM WALLACE PROVIDED WRITTEN

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COMMENTS IN ADVANCE FOR THE

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MEETING.

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IF THERE ARE NO QUESTIONS, I'LL

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TURN IT OVER TO ISABEL WITH

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SUFFOLK TO BEGIN THE

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PRESENTATION.

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>>Michael Sheeley: THANK YOU.

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>> GOOD EVENING, EVERYBODY.

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THANK YOU SO MUCH.

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MY NAME IS ISABELA RAMOS WITH

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SUFFOLK DESIGN.

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WE ARE THE PROPOSING ARCHITECT

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AS PART OF THE PROJECT.

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ON THE TEAM TODAY, WE HAVE

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BUYER'S REPRESENTATIVES OF THE

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PROJECT.

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>> EXCUSE ME.

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COULD YOU SPEAK CLOSER TO THE

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MIKE, PLEASE?

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>> SORRY ABOUT THAT.

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WE HAVE A COUPLE OF OTHER

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MEMBERS OF THE TEAM.

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WE HAVE AS PART OF HOME BASE, WE

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HAVE ARMANDO DIAZ WHO WILL BE

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SPEAKING HERE SHORTLY.

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HE WILL BE THE END USER FOR THIS

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PROJECT.

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WE ALSO HAVE DEAN MARTIN WITH

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TDM.

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EASY THE CIVIL ENGINEER ON THE

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PROJECT.

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WE HAVE JOSH KELLY.

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HE IS THE LANDSCAPE ARCHITECT OF

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THE PROJECT.

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WITH THAT, WE'LL GO AHEAD AND

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GET STARTED.

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A LITTLE BIT OF THE AGENDA FOR

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TODAY, AS AYMEE NOTED, WE WANTED

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TO PRESENT A LITTLE BIT MORE

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ABOUT THE PROJECT, THE MISSION,

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AND REALLY WHAT THE INTENT FOR

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THIS BUILDING IS.

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AS PART OF PROJECT INTRODUCTION,

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I'LL ASK ARMANDO WITH HOME BASE

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TO COME AND TALK ABOUT THE

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ORGANIZATION.

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>>Michael Sheeley: THANK YOU.

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>> GOOD AFTERNOON, FOLKS.

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ARMANDO.

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I'M THE SENIOR DIRECTOR FOR HOME

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BASE.

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HOME BASE IS A

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NATIONAL
NONPROFIT ORGANIZATION

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COFOUNDED BY THE RED SOX

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FOUNDATION AND MASSACHUSETTS

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GENERAL HOSPITAL.

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WE'RE BASED OUT OF BOSTON BUT

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HAVE BEEN OPERATING HERE IN

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SOUTHWEST FLORIDA AND FLORIDA

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FOR ALMOST 13 YEARS.

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WE HAVE DEDICATED TO HELPING

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VETERAN SERVICE MEMBERS AND

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THEIR FAMILIES WHO ARE ALL THE

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CLIENTS THAT WE SERVE WITHIN OUR

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NONPROFIT.

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WE HELP THEM THROUGH A SERIES OF

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PROGRAMS.

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EVERYTHING FROM KIND OF

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COUNSELING TO HELP DEAL WITH THE

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INVISIBLE WOUNDS, PHYSICAL

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FITNESS AND PHYSICAL REHAB TO

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DEAL WITH THE PHYSICAL WOUNDS

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THAT VETERANS AND THEIR FAMILY

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MEMBERS FACE WHEN THEY COME HOME

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AS WELL AS SOCIAL BASED NEEDS.

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WE'VE BEEN OPERATING HERE IN

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SOUTHWEST FLORIDA.

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THIS IS REALLY KIND OF OUR

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HEADQUARTERS FOR ALL OF OUR

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OPERATIONS IN FLORIDA.

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WE HAVE PROGRAMS HERE.

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PROGRAMS IN TAMPA, AS WELL AS

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PROGRAMS ALL ALONG THE

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PANHANDLE.

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BUT WE'VE BEEN HERE ABOUT 13

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YEARS OPERATING IN PARTNERSHIP

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WITH A LOT OF ORGANIZATIONS THAT

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YOU'RE FAMILIAR WITH, SUCH AS

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FLORIDA GULF COAST UNIVERSITY,

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LEE HEALTH, DAVID LAWRENCE

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CENTER, TAMPA GENERAL HOSPITAL,

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FLORIDA DEPARTMENT OF VETERANS

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AFFAIRS.

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WE'RE LARGELY PHILANTHROPICALLY

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FUNDED BUT ALSO DO RECEIVE

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FUNDING FROM THE STATE OF

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FLORIDA TO SUPPORT THESE

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EFFORTS, AND WE'RE SO DEDICATED

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TO THIS WORK HERE IN FLORIDA

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BECAUSE WE KNOW THAT FLORIDA HAS

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1.5 MILLION VETERANS THAT CALL

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THIS STATE HOME.

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SOUTHWEST FLORIDA IS HOME TO

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WELL OVER 100,000 OF THOSE

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VETERANS.

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WE ARE THE THIRD MOST POPULACE

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STATE WHEN IT COMES TO VETERANS

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BEHIND CALIFORNIA AND TEXAS.

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ADJUST PER CAPITA, WE ARE THE

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MOST DENSE OF THE THREE.

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FLORIDA TENDS TO LEAD THE WAY

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WHEN IT COMES TO VETERAN SUICIDE

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AVERAGING JUST OVER 600 A YEAR.

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THE WORK THAT WE'VE BEEN DOING

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HERE IS HELPING TO BATTLE THOSE,

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THE SUICIDES AND THE DIFFERENT

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ONGOING EPIDEMIC WE KNOW THAT

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VETERANS AND THEIR FAMILIES FACE

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WHEN THEY COME HOME THROUGH WHAT

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WE CALL A COMMUNITY EMPOWERMENT

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MODEL.

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HOME BASE DOESN'T HAVE OUR OWN

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CLINICS, OUR OWN HOSPITALS, OUR

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OWN THINGS THAT WE DO.

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WE PARTNER WITH ORGANIZATIONS

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LIKE LEE HEALTH AND HELP THEM

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DELIVER WHAT WE CALL VETERAN

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CENTERED CARE.

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LEE HEALTH ALREADY DELIVERS

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GREAT HEALTH CARE.

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WE HELP THEM DELIVER VETERAN

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CENTERED HEALTH CARE.

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AND THEN WE GO OUT AND FIND THE

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VETERANS IN THE COMMUNITY WHO

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ARE SUFFERING FROM THESE WOUNDS,

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AND WE GET THEM IN THE DOOR AND

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WE HELP THEM WITH DELIVERING

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THAT CARE.

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IN THE PAST, ALMOST 13 YEARS,

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WE'VE REACHED OVER 5,000

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VETERANS AND FAMILY MEMBERS

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ACROSS THE STATE WITH THE

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MAJORITY OF THEM BEING RIGHT

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HERE IN SOUTHWEST FLORIDA, AS

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YOU CAN SEE FROM THAT HEAT MAP

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UP THERE, THE DARK BLUE AREA

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BECAUSE OF THE WORK WE'VE DONE

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RIGHT HERE.

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THE PURPOSE OF THIS PROJECT AND

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THIS BUILDING, FOR THE LAST 13

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YEARS, WE'VE OPERATED PRETTY

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LEAN.

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OUT OF OUR OWN HOMES, OUT OF

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SHARED OFFICE SPACE WE ACQUIRED

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FROM OUR PARTNERS AT FLORIDA

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GULF COAST UNIVERSITY.

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HONORARY DIRECTOR GENERAL

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FRACTION WOULD SAY, STOLE A

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GREAT LINE FROM WINSTON

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CHURCHILL.

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WE ARE AT THE END OF THE

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BEGINNING AND READY TO MOVE TO

266
00:07:59,483 --> 00:08:00,279
THE NEXT STAGE.

267
00:08:00,279 --> 00:08:01,313
DEVELOP A FACILITY THAT CAN

268
00:08:01,313 --> 00:08:02,555
SERVE AS HEADQUARTERS FOR ALL OF

269
00:08:02,556 --> 00:08:03,590
OUR OPERATIONS HERE IN FLORIDA.

270
00:08:03,590 --> 00:08:05,591
WE ARE HERE TODAY TO TALK A

271
00:08:05,592 --> 00:08:07,021
LITTLE BIT ABOUT THAT PROJECT

272
00:08:07,022 --> 00:08:08,738
AND TO DIVE INTO THAT PROJECT,

273
00:08:08,739 --> 00:08:10,741
I'M GOING TO HAND IT BACK OVER

274
00:08:10,741 --> 00:08:12,171
TO THE SUFFOLK TEAM AND

275
00:08:12,172 --> 00:08:12,458
ISABELLA.

276
00:08:12,458 --> 00:08:14,998
THANK YOU.

277
00:08:14,998 --> 00:08:15,753
>> THANK YOU VERY MUCH.

278
00:08:15,754 --> 00:08:17,441
NOW WE'RE GOING TO MOVE INTO THE

279
00:08:17,442 --> 00:08:18,647
PART OF THE PRESENTATION A

280
00:08:18,647 --> 00:08:19,852
LITTLE BIT MORE ABOUT THE

281
00:08:19,853 --> 00:08:21,058
PROJECT AND THE SITE ITSELF.

282
00:08:21,058 --> 00:08:24,009
WITH THAT, WE WANTED TO START

283
00:08:24,009 --> 00:08:26,468
HERE WITH A PROPOSED DESIGN

284
00:08:26,469 --> 00:08:26,960
APPROACH.

285
00:08:26,960 --> 00:08:29,504
FOR CONTEXT, THE SITE IS LOCATED

286
00:08:29,506 --> 00:08:31,626
ALONG BEN HILL GRIFFIN PARKWAY

287
00:08:31,628 --> 00:08:33,748
ON THE EAST ALONG EVERBLADES

288
00:08:33,750 --> 00:08:36,294
PARKWAY ON THE SOUTH AND TIBURON

289
00:08:36,296 --> 00:08:37,568
ON THE WEST.

290
00:08:37,569 --> 00:08:39,591
IT'S KIND OF THE GREEN PARCEL

291
00:08:39,593 --> 00:08:41,615
THAT YOU SEE THAT IS CURRENTLY

292
00:08:41,618 --> 00:08:42,629
AN UNDEVELOPED AREA.

293
00:08:42,630 --> 00:08:44,344
AND THIS PROPOSED SITE WOULD BE

294
00:08:44,344 --> 00:08:46,058
ON THE BOTTOM THIRD PORTION OF

295
00:08:46,059 --> 00:08:46,344
IT.

296
00:08:46,345 --> 00:08:48,247
AS YOU CAN ALSO SEE, IT IS VERY

297
00:08:48,247 --> 00:08:49,435
CLOSE TO THE HERTZ ARENA.

298
00:08:49,436 --> 00:08:52,004
THIS WOULD BE THE PROPOSED AREA

299
00:08:52,005 --> 00:08:53,289
OF THE PROJECT.

300
00:08:53,289 --> 00:08:55,926
SO WHEN WE DIVE IN A LITTLE BIT

301
00:08:55,926 --> 00:08:57,575
MORE ABOUT THE PROJECT ITSELF,

302
00:08:57,578 --> 00:08:59,879
IT IS GOING TO BE A TWO-STORY

303
00:08:59,879 --> 00:09:00,208
BUILDING.

304
00:09:00,212 --> 00:09:02,501
NEW GROUND CONSTRUCTION.

305
00:09:02,502 --> 00:09:04,026
ABOUT 26,000 SQUARE FEET ON BOTH

306
00:09:04,026 --> 00:09:04,280
SPACES.

307
00:09:04,280 --> 00:09:05,947
IT IS A FOOTPRINT OF ABOUT

308
00:09:05,947 --> 00:09:06,781
13,000 SQUARE FEET.

309
00:09:06,782 --> 00:09:08,862
THE INTENT IS THAT THE BUILDING

310
00:09:08,862 --> 00:09:10,595
ITSELF, ALONG WITH THE MAIN

311
00:09:10,597 --> 00:09:12,332
LANDSCAPE BUFFER WOULD BE TOWARD

312
00:09:12,332 --> 00:09:14,414
THE PLAN RIGHT WHICH IS ALONG

313
00:09:14,414 --> 00:09:15,802
BEN HILL GRIFFIN PARKWAY.

314
00:09:15,802 --> 00:09:17,786
AND THEN YOU WOULD HAVE A

315
00:09:17,786 --> 00:09:19,441
SURFACE LOT ALONG PLAN LEFT

316
00:09:19,443 --> 00:09:21,093
ALONG TIBURON WAY WHERE THE

317
00:09:21,093 --> 00:09:21,753
ACCESS IS.

318
00:09:21,755 --> 00:09:25,262
WITH THAT, I'LL TURN IT OVER TO

319
00:09:25,263 --> 00:09:27,768
DEAN MARTIN WITH THE CIVIL

320
00:09:27,770 --> 00:09:28,772
ENGINEERING PLANS.

321
00:09:28,772 --> 00:09:29,750
>> GOOD AFTERNOON.

322
00:09:29,750 --> 00:09:38,646
DEAN MARTIN, TDM CONSULTING.

323
00:09:38,646 --> 00:09:40,624
JUST WANT TO SHARE A COUPLE OF

324
00:09:40,625 --> 00:09:41,473
SLIDES WITH YOU.

325
00:09:41,475 --> 00:09:43,071
THE FIRST SLIDE IS OUR SITE

326
00:09:43,073 --> 00:09:43,605
DIMENSION PLAN.

327
00:09:43,605 --> 00:09:45,925
I JUST WANT TO POINT OUT THAT WE

328
00:09:45,925 --> 00:09:47,375
ARE PROPOSING ONE ACCESS POINT

329
00:09:47,375 --> 00:09:48,535
OFF OF TIBURON WAY.

330
00:09:48,535 --> 00:09:50,443
IT'S A SHARED ACCESS WITH THE

331
00:09:50,443 --> 00:09:52,033
PARCEL TO THE NORTH THAT'S

332
00:09:52,033 --> 00:09:52,669
COMING IN.

333
00:09:52,669 --> 00:09:54,187
THEY ALREADY HAVE A D.O., I

334
00:09:54,189 --> 00:09:55,707
UNDERSTAND, TO COME IN FOR A

335
00:09:55,710 --> 00:09:55,963
PROJECT.

336
00:09:55,963 --> 00:09:58,138
WE'RE DOING THAT TO ELIMINATE --

337
00:09:59,123 --> 00:10:00,639
TO MINIMIZE CONFLICTING TURNING

338
00:10:00,640 --> 00:10:02,156
MOVEMENTS ALONG TIBURON WAY.

339
00:10:02,158 --> 00:10:05,327
WE THINK THAT WOULD BE A MORE

340
00:10:05,327 --> 00:10:07,139
SAFE ENVIRONMENT FOR OUR

341
00:10:07,141 --> 00:10:10,306
CUSTOMERS TO COME IN AND BE SAFE

342
00:10:10,306 --> 00:10:11,663
ABOUT THEIR ENTRANCE.

343
00:10:11,665 --> 00:10:17,478
WE'RE ALSO PROPOSING A COUPLE OF

344
00:10:17,478 --> 00:10:19,415
PEDESTRIAN CONNECTIONS.

345
00:10:19,416 --> 00:10:22,251
ONE ALONG THE SOUTH GOING TO BEN

346
00:10:22,253 --> 00:10:24,683
HILL GRIFFIN AND THEN ONE COMING

347
00:10:24,685 --> 00:10:27,115
OUT OF THE BUILDING COMING DOWN

348
00:10:27,116 --> 00:10:28,331
TO EVERBLADES PARKWAY.

349
00:10:28,332 --> 00:10:30,085
SO PEDESTRIANS CAN ACCESS AS

350
00:10:30,085 --> 00:10:30,436
WELL.

351
00:10:30,438 --> 00:10:34,687
OUR DUMPSTER IS OVER HERE.

352
00:10:34,692 --> 00:10:37,631
IT'S HARD TO SEE RIGHT THERE

353
00:10:37,631 --> 00:10:40,570
WHERE THE HAND IS, WITH THE

354
00:10:40,571 --> 00:10:41,060
ARROW.

355
00:10:41,060 --> 00:10:44,665
OTHER THING I WANT TO POINT OUT,

356
00:10:44,668 --> 00:10:47,758
WE ARE PROPOSING A T TURNAROUND

357
00:10:47,761 --> 00:10:50,851
FOR EMERGENCY ACCESS UP HERE IN

358
00:10:50,854 --> 00:10:52,399
THE NORTHEAST CORNER.

359
00:10:52,400 --> 00:10:55,572
THEN THE SECOND SLIDE I WANTED

360
00:10:55,572 --> 00:10:58,746
TO SHOW YOU WAS JUST OUR

361
00:10:58,748 --> 00:11:00,859
PROPOSED LIGHTING PLAN WITH

362
00:11:00,859 --> 00:11:03,501
PHOTOMETRICS SHOWING THAT WE ARE

363
00:11:03,503 --> 00:11:06,146
PROPOSING ENOUGH LIGHTING TO BE

364
00:11:06,146 --> 00:11:09,318
SAFE FOR EVERYONE ON THE SITE,

365
00:11:09,319 --> 00:11:12,491
BUT ALSO WE'RE PROPOSING IN A

366
00:11:12,492 --> 00:11:15,663
POSITION SO IT DOESN'T HAVE ANY

367
00:11:15,663 --> 00:11:17,778
LIGHT TRESPASS FOR THE

368
00:11:17,780 --> 00:11:20,421
RIGHT-OF-WAY OR OUR NEIGHBORS TO

369
00:11:20,421 --> 00:11:21,478
THE NORTH.

370
00:11:21,479 --> 00:11:36,772
JOSH KELLY WILL COME UP AND TALK

371
00:11:36,772 --> 00:11:41,142
ABOUT LANDSCAPING.

372
00:11:41,144 --> 00:11:43,250
>> GOOD AFTERNOON.

373
00:11:43,252 --> 00:11:45,160
THE LANDSCAPING IS PRETTY

374
00:11:45,160 --> 00:11:47,067
STRAIGHTFORWARD ON THIS PROJECT.

375
00:11:47,067 --> 00:11:49,557
THE CODE THAT'S IN PLACE IS

376
00:11:49,559 --> 00:11:50,389
FAIRLY ROBUST.

377
00:11:50,389 --> 00:11:52,637
I THINK IT'S GOING TO BE A VERY

378
00:11:52,639 --> 00:11:53,201
NICE PLAN.

379
00:11:53,202 --> 00:11:57,338
THE PROJECT SITS IN A MIXED USE

380
00:11:57,338 --> 00:12:01,473
OVERLAY AND IS PART OF A PUD.

381
00:12:01,474 --> 00:12:05,961
THERE IS A VERY SPECIFIC BUFFER

382
00:12:05,961 --> 00:12:10,449
ON BEN HILL GRIFFIN PARKWAY THAT

383
00:12:10,450 --> 00:12:14,935
HAS LAYERED TREES AND PALMS AND

384
00:12:14,935 --> 00:12:18,675
SOME EXTRA SHRUBS, HEDGEROWS AND

385
00:12:18,675 --> 00:12:21,667
THEN SOME GROUND COVER.

386
00:12:21,668 --> 00:12:23,821
IT'S A VERY NICE BUFFER.

387
00:12:23,821 --> 00:12:26,940
THE BUFFERS ALONG EVERGLADES

388
00:12:26,940 --> 00:12:29,280
PARKWAY AND TIBURON --

389
00:12:29,939 --> 00:12:31,447
EVERBLADES PARKWAY AND TIBURON

390
00:12:31,449 --> 00:12:32,957
ARE STANDARD BUFFER WITH

391
00:12:32,959 --> 00:12:34,844
HEDGEROW AND FIVE TREES PER

392
00:12:34,847 --> 00:12:35,224
HUNDRED.

393
00:12:35,224 --> 00:12:37,074
THERE ARE SOME EXISTING TREES

394
00:12:37,076 --> 00:12:38,926
THAT WE'RE GOING TO INCORPORATE

395
00:12:38,927 --> 00:12:40,037
WHERE WE CAN.

396
00:12:40,038 --> 00:12:42,840
AND THEN AROUND THE BUILDING, WE

397
00:12:42,840 --> 00:12:45,174
CHOSE TO ACCENTUATE WITH LARGER

398
00:12:45,174 --> 00:12:45,641
PALMS.

399
00:12:45,641 --> 00:12:48,717
THEY WILL BE ROYAL PALMS AND

400
00:12:48,717 --> 00:12:51,281
SOME SOLITAIRE PALMS THAT ARE

401
00:12:51,283 --> 00:12:52,306
VERY ELEGANT.

402
00:12:52,306 --> 00:12:55,005
THE BUILDING PERIMETER PLANTINGS

403
00:12:55,007 --> 00:12:58,381
ARE GOING TO BE MULTILAYERED

404
00:12:58,383 --> 00:13:02,433
WITH SOME EXOTICS IN THERE THAT

405
00:13:02,436 --> 00:13:05,811
MOSTLY THE LANDSCAPE IS NATIVE

406
00:13:05,813 --> 00:13:06,488
MATERIAL.

407
00:13:06,488 --> 00:13:07,800
WE'RE TRYING TO DO AS MUCH

408
00:13:07,800 --> 00:13:08,676
XERISCAPE AS WE CAN.

409
00:13:08,678 --> 00:13:10,969
THE IRRIGATION IS GOING TO BE

410
00:13:10,969 --> 00:13:12,115
VIA A WELL.

411
00:13:12,118 --> 00:13:15,327
IT'S GOING TO BE A DRIP

412
00:13:15,327 --> 00:13:16,397
IRRIGATION SYSTEM.

413
00:13:16,398 --> 00:13:20,203
USING XERISCAPE PRINCIPLES.

414
00:13:20,203 --> 00:13:23,719
THE LIGHTING WE'VE WORKED

415
00:13:23,720 --> 00:13:24,599
AROUND.

416
00:13:24,599 --> 00:13:29,903
THE SOD I BELIEVE IS GOING TO BE

417
00:13:29,906 --> 00:13:34,547
BAHIA SOD SO WE CAN KEEP THE

418
00:13:34,549 --> 00:13:37,864
IRRIGATION USE LOW AND THE

419
00:13:37,866 --> 00:13:39,192
MAINTENANCE LOW.

420
00:13:39,193 --> 00:13:40,135
>> ALL RIGHT.

421
00:13:40,136 --> 00:13:41,965
SO THE LAST PORTION THAT WE

422
00:13:41,965 --> 00:13:44,100
WANTED TO GET INTO, AS WE TALKED

423
00:13:44,101 --> 00:13:46,231
ABOUT THE SITE, WE WANT TO WALK

424
00:13:46,231 --> 00:13:47,755
YOU THROUGH THE ARCHITECTURE OF

425
00:13:47,757 --> 00:13:49,281
THE BUILDING ITSELF AND WHAT

426
00:13:49,281 --> 00:13:51,109
THIS WILL LOOK LIKE WITHIN THE

427
00:13:51,110 --> 00:13:52,023
VILLAGE OF ESTERO.

428
00:13:52,024 --> 00:13:54,158
SO, GIVING YOU A LITTLE BIT OF

429
00:13:54,158 --> 00:13:55,378
PERSPECTIVE, ON YOUR RIGHT-HAND

430
00:13:55,378 --> 00:13:57,205
SIDE YOU HAVE BEN HILL GRIFFIN

431
00:13:57,205 --> 00:13:57,509
PARKWAY.

432
00:13:57,511 --> 00:13:59,569
ON THE LEFT-HAND SIDE YOU WOULD

433
00:13:59,570 --> 00:14:00,599
HAVE EVERBLADES PARKWAY.

434
00:14:00,599 --> 00:14:01,895
THIS WOULD BE THE MOST PROMINENT

435
00:14:01,897 --> 00:14:02,761
CORNER OF THE BUILDING.

436
00:14:02,763 --> 00:14:04,785
A FEW THINGS WE WANTED TO POINT

437
00:14:04,785 --> 00:14:05,941
OUT, AS JOSH MENTIONED,

438
00:14:05,942 --> 00:14:07,097
LANDSCAPING IS VERY IMPORTANT.

439
00:14:07,097 --> 00:14:09,286
THERE'S CURRENTLY A LOT OF

440
00:14:09,286 --> 00:14:11,037
EXISTING TREES SURROUNDING THIS

441
00:14:11,037 --> 00:14:11,913
PARTICULAR CORNER.

442
00:14:11,913 --> 00:14:13,769
THE INTENT IS TO KEEP AS MUCH AS

443
00:14:13,769 --> 00:14:15,161
WE CAN AND MINIMIZE IMPACT TO

444
00:14:15,162 --> 00:14:15,626
THE DEVELOPMENT.

445
00:14:15,626 --> 00:14:17,396
AS WE LOOK AT THE ARCHITECTURAL

446
00:14:17,397 --> 00:14:18,872
CHARACTER OF IT, WE'VE BEEN

447
00:14:18,873 --> 00:14:20,053
INSPIRED BY THE MEDITERRANEAN

448
00:14:20,054 --> 00:14:21,529
STYLE THAT YOU CAN SEE

449
00:14:21,529 --> 00:14:22,414
THROUGHOUT THE VILLAGE.

450
00:14:22,415 --> 00:14:24,261
AND THIS IS REFLECTED IN A

451
00:14:24,261 --> 00:14:25,493
COUPLE OF DIFFERENT AREAS.

452
00:14:25,495 --> 00:14:29,498
THE FIRST ONE IS THE COLOR

453
00:14:29,500 --> 00:14:32,169
PALETTE, USING SOME NEUTRAL

454
00:14:32,174 --> 00:14:35,514
COLORS, WHICH WE HAVE RIGHT

455
00:14:35,516 --> 00:14:36,184
HERE.

456
00:14:36,184 --> 00:14:38,123
SO THESE WOULD BE KIND OF THE

457
00:14:38,125 --> 00:14:39,787
TWO MAIN COLOR PALETTES THAT WE

458
00:14:39,789 --> 00:14:41,728
WOULD GO OFF OF AND PLAY ON

459
00:14:41,729 --> 00:14:42,283
ARCHITECTURAL STYLE.

460
00:14:42,284 --> 00:14:44,622
A LOT OF THE MAIN BUILDING WILL

461
00:14:44,624 --> 00:14:45,292
BE STUCCO.

462
00:14:45,292 --> 00:14:47,258
SO IT FITS WELL WITHIN THE

463
00:14:47,258 --> 00:14:47,914
FLORIDA ENVIRONMENT.

464
00:14:47,916 --> 00:14:49,724
A COUPLE OF OTHER AREAS WE

465
00:14:49,724 --> 00:14:50,930
WANTED TO HIGHLIGHT, THE

466
00:14:50,933 --> 00:14:52,443
MECHANICAL EQUIPMENT WILL ALL BE

467
00:14:52,443 --> 00:14:55,161
ON THE ROOF AND IT WILL BE IN A

468
00:14:55,161 --> 00:14:55,765
SINKEN WELL.

469
00:14:55,765 --> 00:14:57,893
IT WILL NOT BE VISIBLE FROM THE

470
00:14:57,895 --> 00:14:58,503
STREET LEVEL.

471
00:14:58,504 --> 00:15:00,310
IT'S ALL KIND OF RECESSED INTO

472
00:15:00,311 --> 00:15:00,913
THE ROOF.

473
00:15:00,913 --> 00:15:03,210
THE ROOF ITSELF WILL HAVE BARREL

474
00:15:03,210 --> 00:15:05,507
TILE TO MATCH WITH THE VILLAGE

475
00:15:05,508 --> 00:15:06,654
OF ESTERO ARCHITECTURAL

476
00:15:06,654 --> 00:15:07,419
PREFERRED METHOD.

477
00:15:07,421 --> 00:15:09,353
AS WE GO AROUND THE BUILDING,

478
00:15:09,354 --> 00:15:10,964
IMPORTANT THING TO NOTE, ALL

479
00:15:10,965 --> 00:15:12,897
FOUR SIDES OF THE BUILDING ARE

480
00:15:12,898 --> 00:15:14,508
TREATED AS THE FRONT DOOR.

481
00:15:14,509 --> 00:15:16,231
THERE IS NO BACK OF THE

482
00:15:16,231 --> 00:15:16,518
BUILDING.

483
00:15:16,518 --> 00:15:18,870
I WILL SHOW YOU THIS IN ANOTHER

484
00:15:18,871 --> 00:15:20,215
VIEW IN A MINUTE.

485
00:15:20,216 --> 00:15:23,192
AS WE LOOK AT THE USE OF THIS

486
00:15:23,195 --> 00:15:25,055
BUILDING, AS ARMANDO WITH HOME

487
00:15:25,056 --> 00:15:27,288
BASE MENTIONED, THIS IS REALLY A

488
00:15:27,290 --> 00:15:28,778
COMMUNITY WELLNESS BUILDING FOR

489
00:15:28,779 --> 00:15:30,267
THE VILLAGE OF ESTERO,

490
00:15:30,269 --> 00:15:31,757
ESPECIALLY FOR ITS VETERAN.

491
00:15:31,758 --> 00:15:33,232
ON THE LEFT-HAND SIDE OF THE

492
00:15:33,232 --> 00:15:34,459
BUILDING, YOU'LL SEE A PLAZA.

493
00:15:34,461 --> 00:15:36,987
THIS WILL BE A VETERANS MEMORIAL

494
00:15:36,989 --> 00:15:39,094
PLAZA WITH A PROPOSED FOUNTAIN.

495
00:15:39,096 --> 00:15:41,902
BE ABLE TO BE A GOOD SPACE FOR

496
00:15:41,902 --> 00:15:43,306
THE COMMUNITY GATHERING, AND

497
00:15:43,308 --> 00:15:45,760
THEN WE WILL ALSO HAVE A FLAG

498
00:15:45,760 --> 00:15:48,216
PARK WHICH YOU CAN SEE ON THE

499
00:15:48,217 --> 00:15:50,322
CORNER OF THE BUILDING WITH ALL

500
00:15:50,322 --> 00:15:52,075
THE FLAGS OF THE DIFFERENT

501
00:15:52,077 --> 00:15:53,477
MILITARY BRANCHES WILL BE

502
00:15:53,477 --> 00:15:53,827
DISPLAYED.

503
00:15:53,830 --> 00:15:56,044
AS WE GO TOWARDS THE ACCESS

504
00:15:56,044 --> 00:15:58,627
TIBURON WAY, THIS IS IF YOU WERE

505
00:15:58,627 --> 00:16:00,839
TO BE DRIVING INTO THE BUILDING.

506
00:16:00,840 --> 00:16:02,926
AS I MENTIONED BEFORE, ALL OF

507
00:16:02,926 --> 00:16:05,012
THE SIDES OF THE BUILDING HAVE

508
00:16:05,014 --> 00:16:06,398
CONSIDERED A GOOD ARCHITECTURAL

509
00:16:06,398 --> 00:16:06,744
CHARACTER.

510
00:16:06,749 --> 00:16:09,177
A COUPLE OF SELECT ITEMS

511
00:16:09,177 --> 00:16:10,635
REGARDING THE MEDITERRANEAN

512
00:16:10,637 --> 00:16:13,545
STYLE HAVE TO DO WITH OVERHANGS,

513
00:16:13,545 --> 00:16:15,487
ESPECIALLY FOR ENTRANCES, MAKING

514
00:16:15,489 --> 00:16:17,431
WAYFINDING EASY, PROVIDING SHADE

515
00:16:17,431 --> 00:16:18,886
IN CERTAIN AREAS.

516
00:16:18,889 --> 00:16:20,834
A COUPLE OF OTHER THINGS IS ALSO

517
00:16:20,835 --> 00:16:21,668
THE ROOF BRACKETS.

518
00:16:21,670 --> 00:16:23,809
IT'S A LITTLE HARD TO SEE ON

519
00:16:23,809 --> 00:16:25,645
THIS IMAGE BUT IT WILL BE

520
00:16:25,648 --> 00:16:26,561
INCORPORATED THROUGHOUT THE

521
00:16:26,561 --> 00:16:28,389
ENTIRETY OF THE BUILDING TO MAKE

522
00:16:28,392 --> 00:16:29,614
SURE THE ARCHITECTURAL STYLES

523
00:16:29,614 --> 00:16:30,532
ARE TIED TOGETHER.

524
00:16:30,535 --> 00:16:32,882
WHEN YOU LOOK AT THE TWO TOWERS,

525
00:16:32,885 --> 00:16:34,898
THE TWO TOWERS THAT WE HAVE

526
00:16:34,905 --> 00:16:36,921
CURRENTLY ARE GOING TO BE USED

527
00:16:36,924 --> 00:16:38,604
FOR VERTICAL CIRCULATION, SO WE

528
00:16:38,606 --> 00:16:40,622
HAVE ONE ELEVATOR, AND WE HAVE

529
00:16:40,625 --> 00:16:41,969
THE STAIRS AS WELL.

530
00:16:41,971 --> 00:16:45,051
AND THE INTENT IS TO USE, AS WE

531
00:16:45,053 --> 00:16:47,363
SAID, KIND OF STUCCO ON THESE

532
00:16:47,365 --> 00:16:49,290
COLORS THROUGHOUT, BUT ALSO HAVE

533
00:16:49,292 --> 00:16:51,987
A LITTLE BIT OF AN ACCENT AREA

534
00:16:51,989 --> 00:16:54,299
WITH SOME STONE TO MAKE SURE

535
00:16:54,300 --> 00:16:56,995
THAT IT ALL TIES TOGETHER IN THE

536
00:16:56,997 --> 00:16:57,767
ARCHITECTURAL CHARACTER.

537
00:16:57,768 --> 00:17:00,386
THE LAST TWO SLIDES WE WANTED TO

538
00:17:00,389 --> 00:17:01,511
SHOW THE ELEVATIONS.

539
00:17:01,513 --> 00:17:04,057
THEY PORTRAY THE 2D VISUAL FROM

540
00:17:04,059 --> 00:17:04,907
THE RENDERINGS.

541
00:17:04,907 --> 00:17:06,636
THE MAIN ITEM WE WANTED TO SHOW

542
00:17:06,639 --> 00:17:07,627
HERE IS THE HEIGHT.

543
00:17:07,629 --> 00:17:09,813
SO THE OVERALL HEIGHT OF THE

544
00:17:09,813 --> 00:17:11,633
BUILDING THROUGHOUT IS GOING TO

545
00:17:11,633 --> 00:17:14,179
BE AROUND 37 FEET AND A HALF,

546
00:17:14,179 --> 00:17:16,363
THE HIGHEST POINT, ONLY AT THE

547
00:17:16,363 --> 00:17:18,547
TWO TOWERS IS ABOUT 40 FEET.

548
00:17:18,548 --> 00:17:20,199
FOR CONTEXT, THE BUILDINGS

549
00:17:20,201 --> 00:17:22,265
ACROSS THE STREET ON EVERBLADES

550
00:17:22,268 --> 00:17:25,159
ARE ANYWHERE FROM 30 TO 35 FEET

551
00:17:25,162 --> 00:17:25,575
TALL.

552
00:17:25,575 --> 00:17:27,560
SCALE-WISE, IT'S GOING TO BE

553
00:17:27,560 --> 00:17:29,942
WITHIN THE SIMILAR SCALE OF THE

554
00:17:29,942 --> 00:17:31,132
CURRENT EXISTING CONDITIONS.

555
00:17:31,132 --> 00:17:33,344
AS WE MOVE TO THE OTHER TWO

556
00:17:33,344 --> 00:17:34,924
ELEVATIONS, YOU'LL SEE A VARIETY

557
00:17:34,925 --> 00:17:36,505
OF GLASS AND GLAZING HERE.

558
00:17:36,505 --> 00:17:39,263
THIS GLASS WAS GOING TO BE RATED

559
00:17:39,263 --> 00:17:41,233
FOR CODE AND IMPACT HURRICANE.

560
00:17:41,233 --> 00:17:44,208
IT'S GOING TO BE A CLEAR GLASS,

561
00:17:44,209 --> 00:17:44,634
NON-REFLECTIVE.

562
00:17:44,634 --> 00:17:47,105
IT'S GOING TO BE TYING INTO THE

563
00:17:47,106 --> 00:17:48,165
ARCHITECTURAL OVERALL CHARACTER.

564
00:17:48,165 --> 00:17:50,405
WE WILL ALSO HAVE BUILDING

565
00:17:50,407 --> 00:17:52,647
LIGHTING, WHICH WILL RIGHT NOW

566
00:17:52,649 --> 00:17:54,441
CONCEPTUALLY WE'RE INTENDING TO

567
00:17:54,443 --> 00:17:56,683
BE THESE VERTICAL LIGHT WALL

568
00:17:56,685 --> 00:17:58,477
PACKS ON THE WALL.

569
00:17:58,479 --> 00:18:00,667
THEY WILL TIE TO THE OVERALL

570
00:18:00,667 --> 00:18:02,127
MEDITERRANEAN STYLE OF THE

571
00:18:02,129 --> 00:18:03,585
ARCHITECTURE OF THE BUILDING.

572
00:18:03,585 --> 00:18:06,332
WITH THAT, WE WANT TO JUST THANK

573
00:18:06,332 --> 00:18:08,687
YOU FOR YOUR TIME AND YOUR

574
00:18:08,689 --> 00:18:09,080
APPRECIATION.

575
00:18:09,081 --> 00:18:10,490
WE HAVE ONE MORE SLIDE.

576
00:18:10,490 --> 00:18:12,344
I'M SORRY.

577
00:18:12,345 --> 00:18:13,635
ONE MORE SLIDE ABOUT THE

578
00:18:13,635 --> 00:18:13,893
MATERIALS.

579
00:18:13,893 --> 00:18:16,109
SO AS WE TALKED ABOUT, THIS IS A

580
00:18:16,110 --> 00:18:18,049
LITTLE MORE OF A ZOOMED IN OF

581
00:18:18,051 --> 00:18:19,990
THE COLORS THAT WE HAVE HERE, SO

582
00:18:19,991 --> 00:18:21,930
YOU CAN SEE THE TWO COLORS ON

583
00:18:21,931 --> 00:18:23,316
THE LEFT-HAND SIDE ARE THESE

584
00:18:23,317 --> 00:18:24,979
ONES, WHICH WOULD BE KIND OF

585
00:18:24,980 --> 00:18:26,088
YOUR MAIN STUCCO COLORS.

586
00:18:26,089 --> 00:18:27,693
ON THE BOTTOM LEFT-HAND CORNER,

587
00:18:27,693 --> 00:18:29,619
WE ARE INTENDING TO HAVE PRECAST

588
00:18:29,620 --> 00:18:30,903
CONCRETE BASE AND CAP.

589
00:18:30,903 --> 00:18:32,666
THIS WILL KIND OF BE THE

590
00:18:32,669 --> 00:18:34,138
HORIZONTAL BANDS THAT ARE ACROSS

591
00:18:34,141 --> 00:18:34,729
THE BUILDING.

592
00:18:34,730 --> 00:18:37,264
AND THEY WILL ALSO GO ALONG WITH

593
00:18:37,265 --> 00:18:38,351
THE WHITE TRIM.

594
00:18:38,352 --> 00:18:40,168
ALL PLAYING WITHIN THE

595
00:18:40,168 --> 00:18:41,984
MEDITERRANEAN KIND OF STYLE

596
00:18:41,985 --> 00:18:42,439
COLORS.

597
00:18:42,439 --> 00:18:44,881
WE TALKED ABOUT THE BARREL ROOF

598
00:18:44,881 --> 00:18:47,322
TILE, SO SOMETHING LIKE THIS IS

599
00:18:47,322 --> 00:18:49,356
WHAT WE'RE INTENDING TO HAVE.

600
00:18:49,357 --> 00:18:51,175
THE WINDOWS ITSELF, AS WE SAID,

601
00:18:51,178 --> 00:18:53,299
IT'S GOING TO BE CLEAR, BUT IT'S

602
00:18:53,302 --> 00:18:55,120
GOING TO HAVE WHITE TRIM, AT

603
00:18:55,123 --> 00:18:56,638
LEAST THAT'S WHAT WE'RE THINKING

604
00:18:56,640 --> 00:18:58,458
ABOUT INITIALLY TO BE ABLE TO

605
00:18:58,461 --> 00:18:59,370
TIE EVERYTHING TOGETHER.

606
00:18:59,371 --> 00:19:00,988
THEN YOU'LL SEE THE WOOD TRELLIS

607
00:19:00,988 --> 00:19:01,258
THERE.

608
00:19:01,261 --> 00:19:04,824
WE HAVE ON THE SECOND STORY ON

609
00:19:04,824 --> 00:19:07,372
THE NORTHEAST CORNER A LITTLE

610
00:19:07,374 --> 00:19:10,432
BALCONY FOR THE SPACES UP THERE.

611
00:19:10,433 --> 00:19:12,094
THE BALCONY OVERLOOK BEN HILL

612
00:19:12,094 --> 00:19:12,759
GRIFFIN PARKWAY.

613
00:19:12,761 --> 00:19:15,181
THE INTENT IS TO PROVIDE A WOOD

614
00:19:15,181 --> 00:19:16,910
TRELLIS TO PROVIDE SHADING IF

615
00:19:16,911 --> 00:19:19,327
THERE ARE ANY TYPE OF SPACES OUT

616
00:19:19,327 --> 00:19:19,672
THERE.

617
00:19:19,675 --> 00:19:21,480
OVERALL, AS I MENTIONED, THE

618
00:19:21,481 --> 00:19:22,925
STONE ACCENT AND OVERHANG

619
00:19:22,925 --> 00:19:24,730
DETAIL, ALL OF THESE COMPONENTS

620
00:19:24,731 --> 00:19:26,897
ARE IMPORTANT TO MAKE SURE THE

621
00:19:26,898 --> 00:19:28,703
BUILDING NOT ONLY FITS THE

622
00:19:28,704 --> 00:19:30,509
COMMUNITY THAT IT'S SERVING BUT

623
00:19:30,510 --> 00:19:32,315
IT ALSO FITS THE ARCHITECTURAL

624
00:19:32,316 --> 00:19:34,482
STYLE THAT THE VILLAGE OF ESTERO

625
00:19:34,483 --> 00:19:35,566
HAS PUT FORTH.

626
00:19:35,566 --> 00:19:36,985
WITH THAT, WE'LL END OUR

627
00:19:36,985 --> 00:19:38,688
PRESENTATION AND OPEN IT UP FOR

628
00:19:38,688 --> 00:19:39,255
ANY QUESTIONS.

629
00:19:39,256 --> 00:19:42,142
THANK YOU VERY MUCH.

630
00:19:42,143 --> 00:19:43,383
>>Michael Sheeley: CAN YOU TELL

631
00:19:43,385 --> 00:19:44,625
US ABOUT INTERIOR FUNCTION IN

632
00:19:44,628 --> 00:19:45,124
THE BUILDING?

633
00:19:45,125 --> 00:19:46,345
WHAT IS IN THE BUILDING?

634
00:19:46,345 --> 00:19:47,002
>> SURE.

635
00:19:47,002 --> 00:19:51,442
I'LL HAVE ARMANDO COME UP AND

636
00:19:51,444 --> 00:19:53,664
TALK ABOUT THAT.

637
00:19:53,665 --> 00:19:55,549
>> SO THE SERVICES THAT ARE

638
00:19:55,551 --> 00:19:57,121
OFFERED IN THE BUILDING, FIRST

639
00:19:57,122 --> 00:19:59,006
AND FOREMOST, THIS IS GOING TO

640
00:19:59,008 --> 00:20:00,892
SERVE AS ADMIN SPACE FOR THE

641
00:20:00,894 --> 00:20:02,778
MAJORITY OF THE HOME BASE TEAM

642
00:20:02,780 --> 00:20:04,036
THAT LIVES -- OPERATES IN

643
00:20:04,037 --> 00:20:05,607
FLORIDA THAT LIVES IN SOUTHWEST

644
00:20:05,609 --> 00:20:05,923
FLORIDA.

645
00:20:06,242 --> 00:20:08,963
AS WELL A BIG COMPONENT WILL BE

646
00:20:08,963 --> 00:20:10,907
WELLNESS BASED SPACE, LIKE A

647
00:20:10,909 --> 00:20:12,849
GYM, SLASH REHAB SPACE FOR

648
00:20:12,849 --> 00:20:14,792
HEALTH AND FITNESS PROGRAMS, AS

649
00:20:14,794 --> 00:20:16,350
WELL AS REHAB PROGRAMS.

650
00:20:16,351 --> 00:20:18,123
COOKING DEMO KITCHEN IN THERE AS

651
00:20:18,123 --> 00:20:19,896
WE LOOK TO AGAIN EMPHASIZE OUR

652
00:20:19,897 --> 00:20:21,080
HEALTH AND WELLNESS COMPONENTS.

653
00:20:21,081 --> 00:20:23,136
SO WE'LL BE DOING NUTRITIONAL

654
00:20:23,136 --> 00:20:24,782
EDUCATION TYPE OF CONTENT.

655
00:20:24,784 --> 00:20:26,950
THERE WILL BE A SMALL EVENT

656
00:20:26,952 --> 00:20:29,479
SPACE IN THERE AS WELL THAT IS

657
00:20:29,482 --> 00:20:31,287
MEANT TO HOST SOME FUND-RAISING

658
00:20:31,289 --> 00:20:33,816
EVENTS THAT WE HOST ON AN ANNUAL

659
00:20:33,818 --> 00:20:35,623
BASIS AS WELL AS TRAININGS.

660
00:20:35,625 --> 00:20:38,180
WE DO A LOT OF CLINICAL TRAINING

661
00:20:38,183 --> 00:20:39,643
FOR CLINICIANS SUCH AS

662
00:20:39,645 --> 00:20:40,740
PSYCHOLOGISTS AND LICENSED

663
00:20:40,741 --> 00:20:42,201
MENTAL HEALTH COUNSELORS AND

664
00:20:42,203 --> 00:20:44,028
CASE MANAGEMENT WORKERS WHO WORK

665
00:20:44,031 --> 00:20:45,126
IN THE COMMUNITY.

666
00:20:45,127 --> 00:20:46,443
OUR ORGANIZATION ACTUALLY COMES

667
00:20:46,445 --> 00:20:48,419
DOWN AND TRAINS THEM, AND THE

668
00:20:48,421 --> 00:20:49,408
LATEST AND GREATEST

669
00:20:49,410 --> 00:20:50,397
EVIDENCE-BASED TRAUMA THERAPIES

670
00:20:50,398 --> 00:20:52,043
AND DIFFERENT MODALITIES TO HELP

671
00:20:52,045 --> 00:20:53,690
TREAT OUR VETERANS IN THE

672
00:20:53,692 --> 00:20:55,337
COMMUNITY AS WELL AS OTHER

673
00:20:55,339 --> 00:20:56,655
MEMBERS IN THE COMMUNITY.

674
00:20:56,657 --> 00:20:59,111
WE'LL ALSO HAVE A SMALL AMOUNT

675
00:20:59,113 --> 00:21:01,567
OF COUNSELING SPACE THAT CAN BE

676
00:21:01,569 --> 00:21:03,205
USED FOR TELEHEALTH SERVICES.

677
00:21:03,206 --> 00:21:04,892
IF A VETERAN COMES INTO THE

678
00:21:04,894 --> 00:21:06,580
BUILDING, LET'S SAY THEY GO TO

679
00:21:06,583 --> 00:21:07,707
THEIR EXERCISE APPOINTMENT OR

680
00:21:07,708 --> 00:21:09,113
REHAB APPOINTMENT AND THEN THEY

681
00:21:09,116 --> 00:21:10,802
ARE MEETING WITH ONE OF THEIR

682
00:21:10,804 --> 00:21:11,928
CLINICIANS, THEY CAN GO

683
00:21:11,930 --> 00:21:12,211
UPSTAIRS.

684
00:21:12,211 --> 00:21:13,956
BY CLINICIAN, I MEAN TALK

685
00:21:13,956 --> 00:21:16,050
THERAPY IS THE TYPE OF SUPPORT

686
00:21:16,050 --> 00:21:17,096
THAT WE PROVIDE.

687
00:21:17,096 --> 00:21:19,374
THEY CAN GO UPSTAIRS AND EITHER

688
00:21:19,374 --> 00:21:21,653
MEET WITH A THERAPIST IN PERSON

689
00:21:21,654 --> 00:21:23,169
OR VIA TELEHEALTH CAPABILITIES

690
00:21:23,169 --> 00:21:23,928
AS WELL.

691
00:21:23,930 --> 00:21:25,706
IT'S IMPORTANT TO NOTE THAT THAT

692
00:21:25,706 --> 00:21:27,777
EVENT SPACE IS ALSO GOING TO BE

693
00:21:27,777 --> 00:21:29,256
OPEN TO THE VETERAN COMMUNITY.

694
00:21:29,257 --> 00:21:31,703
SO, FOR INSTANCE, FGCU, AS THEY

695
00:21:31,703 --> 00:21:33,334
ARE DEVELOPING THEIR ROTC

696
00:21:33,336 --> 00:21:35,777
PROGRAM, MAY NEED SPACE TO HOST

697
00:21:35,777 --> 00:21:36,591
DIFFERENT EVENTS.

698
00:21:36,594 --> 00:21:38,003
WE'LL WELCOME THEM INTO THE

699
00:21:38,003 --> 00:21:39,131
SPACE TO DO THAT.

700
00:21:39,132 --> 00:21:40,334
THE ESTERO MILITARY ENGAGEMENT

701
00:21:40,336 --> 00:21:41,538
COMMITTEE, WHICH I PERSONALLY

702
00:21:41,541 --> 00:21:43,046
SERVE ON, RIGHT NOW WE'RE

703
00:21:43,048 --> 00:21:44,553
OPERATING OUT OF THE LIBRARY,

704
00:21:44,555 --> 00:21:46,361
BUT WE WOULD OPEN UP THIS

705
00:21:46,363 --> 00:21:48,169
FACILITY TO SERVE THAT GROUP AS

706
00:21:48,172 --> 00:21:48,473
WELL.

707
00:21:48,473 --> 00:21:51,353
SO THOSE ARE THE LARGE FUNCTIONS

708
00:21:51,353 --> 00:21:52,313
OF IT.

709
00:21:52,313 --> 00:21:53,637
THERE'S EVENT SPACE, SMALL

710
00:21:53,638 --> 00:21:55,293
AMOUNT OF COUNSELING SPACE, BUT

711
00:21:55,293 --> 00:21:57,279
THE MAJORITY OF IT IS ADMIN

712
00:21:57,280 --> 00:21:58,935
SPACE AND PHYSICAL REHAB AND

713
00:21:58,936 --> 00:21:59,598
FITNESS SPACE.

714
00:21:59,598 --> 00:22:01,522
>>Michael Sheeley: ARMANDO, AS

715
00:22:01,523 --> 00:22:03,928
U.S. ARMY VETERAN MYSELF, I

716
00:22:03,930 --> 00:22:06,816
THANK YOU AND COMMEND YOU FOR

717
00:22:06,818 --> 00:22:08,742
BRINGING THIS FACILITY TO

718
00:22:08,744 --> 00:22:09,225
ESTERO.

719
00:22:09,225 --> 00:22:12,100
I WOULD ASK THE BOARD IF ANYONE

720
00:22:12,100 --> 00:22:14,151
HAS ANY QUESTIONS OR COMMENTS.

721
00:22:14,153 --> 00:22:15,103
>>Dan Williams: TWO QUESTIONS,

722
00:22:15,103 --> 00:22:15,817
IF I MAY.

723
00:22:15,819 --> 00:22:17,672
I TAKE IT ALL SERVICES BEING

724
00:22:17,672 --> 00:22:18,909
PROVIDED OR OUTPATIENT BASIS,

725
00:22:18,912 --> 00:22:19,221
CORRECT?

726
00:22:19,222 --> 00:22:19,927
>> ABSOLUTELY.

727
00:22:19,927 --> 00:22:21,463
ALL SERVICES ARE OUTPATIENT

728
00:22:21,463 --> 00:22:21,847
BASIS.

729
00:22:21,847 --> 00:22:22,943
>>Dan Williams: SECOND QUESTION,

730
00:22:22,944 --> 00:22:24,588
WHAT ARE THE PROPOSED HOURS OF

731
00:22:24,591 --> 00:22:24,865
OPERATION?

732
00:22:24,865 --> 00:22:26,581
>> SO OUR WELLNESS PROGRAMS TEND

733
00:22:26,582 --> 00:22:28,584
TO RUN A LITTLE BIT EARLIER IN

734
00:22:28,585 --> 00:22:29,157
THE MORNING.

735
00:22:29,157 --> 00:22:30,527
THOSE USUALLY START AROUND 6

736
00:22:30,527 --> 00:22:30,801
A.M.

737
00:22:30,801 --> 00:22:32,894
BUT USUALLY WRAPPED UP BY 5 P.M.

738
00:22:32,894 --> 00:22:33,927
ON A DAILY BASIS.

739
00:22:33,927 --> 00:22:35,340
THE MAJORITY OF THE SERVICES

740
00:22:35,340 --> 00:22:37,320
WOULD BE BETWEEN 9 AND 5, BUT

741
00:22:37,321 --> 00:22:38,448
THE HEALTH AND WELLNESS

742
00:22:38,448 --> 00:22:39,294
SERVICES, OFTENTIMES WE'RE

743
00:22:39,296 --> 00:22:40,992
TRYING TO GET TO THAT YOUNGER

744
00:22:40,992 --> 00:22:42,123
VETERAN POPULATION BEFORE THEY

745
00:22:42,125 --> 00:22:44,667
GO TO WORK, WE OPEN UP AT 6 A.M.

746
00:22:44,667 --> 00:22:45,974
TO START SERVING THAT

747
00:22:45,976 --> 00:22:46,303
POPULATION.

748
00:22:46,303 --> 00:22:47,307
>>Dan Williams: THANK YOU.

749
00:22:47,307 --> 00:22:48,402
>>James Tatooles: I'VE GOT A

750
00:22:48,402 --> 00:22:48,621
QUESTION.

751
00:22:48,621 --> 00:22:50,285
I'M ALSO A VETERAN.

752
00:22:50,285 --> 00:22:52,952
OF COURSE, ANYTHING YOU DO FOR

753
00:22:52,952 --> 00:22:55,175
THE PEOPLE THAT ARE NEEDING

754
00:22:55,177 --> 00:22:56,953
SERVICES IS APPRECIATED, OF

755
00:22:56,953 --> 00:22:57,397
COURSE.

756
00:22:57,399 --> 00:22:59,394
MY QUESTION IS HOW DOES THIS TIE

757
00:22:59,397 --> 00:23:00,537
IN WITH VETERANS ADMINISTRATION

758
00:23:00,539 --> 00:23:01,964
FACILITIES AND WHAT THEY DO

759
00:23:01,966 --> 00:23:03,391
COMPARED TO WHAT YOU DO?

760
00:23:03,393 --> 00:23:05,407
HOW DO YOU UNITE AND WORK

761
00:23:05,407 --> 00:23:06,751
TOGETHER OR DON'T YOU?

762
00:23:06,753 --> 00:23:07,847
>> ABSOLUTELY, YES.

763
00:23:07,848 --> 00:23:09,246
WE WORK VERY CLOSELY WITH THE

764
00:23:09,246 --> 00:23:09,479
VA.

765
00:23:09,479 --> 00:23:10,723
AT OUR HEADQUARTERS IN BOSTON,

766
00:23:10,723 --> 00:23:12,465
WE ACTUALLY HAVE AN MOU WITH THE

767
00:23:12,465 --> 00:23:12,713
VA.

768
00:23:12,714 --> 00:23:14,887
WE HAVE A VA CASE MANAGER WHO IS

769
00:23:14,887 --> 00:23:15,972
EMBEDDED IN OUR CLINIC.

770
00:23:15,974 --> 00:23:17,791
ANYTIME A VETERAN WHO COMES INTO

771
00:23:17,791 --> 00:23:19,306
HOME BASE IS GETTING SERVICES,

772
00:23:19,307 --> 00:23:21,121
IF THEY NEED ADDITIONAL CARE OR

773
00:23:21,121 --> 00:23:23,241
NEED TO GET SIGNED UP WITH THE

774
00:23:23,242 --> 00:23:25,059
VA, WE CONNECT THEM WITH THE

775
00:23:25,059 --> 00:23:26,573
CASE MANAGER AND GET THEM

776
00:23:26,574 --> 00:23:27,179
CONNECTED AUTOMATICALLY.

777
00:23:27,180 --> 00:23:30,175
WE'RE VERY WELL TIED IN WITH THE

778
00:23:30,176 --> 00:23:31,887
LOCAL VAs AS WELL.

779
00:23:31,889 --> 00:23:34,163
WE REFER OUT -- ANY VETERAN WHO

780
00:23:34,164 --> 00:23:36,438
COMES IN AND ISN'T CONNECTED TO

781
00:23:36,439 --> 00:23:38,713
THE VA, WE ENCOURAGE THEM TO

782
00:23:38,714 --> 00:23:39,472
SIGN UP.

783
00:23:40,010 --> 00:23:42,128
WE WORK VERY CLOSELY WITH THE

784
00:23:42,129 --> 00:23:43,541
FLORIDA DEPARTMENT OF VETERANS

785
00:23:43,542 --> 00:23:44,954
AFFAIRS AND GENERAL HARTSELL,

786
00:23:44,955 --> 00:23:46,720
WHO IS THE EXECUTIVE DIRECTOR

787
00:23:46,721 --> 00:23:48,486
THERE, AND WORKING WITH ENSURING

788
00:23:48,487 --> 00:23:50,605
THAT WE'RE KIND OF MEETING THEIR

789
00:23:50,607 --> 00:23:52,372
STANDARDS AND THEY ARE ACTUALLY

790
00:23:52,373 --> 00:23:54,491
EVEN FUNDING SOME OF OUR PROGRAM

791
00:23:54,492 --> 00:23:55,904
ON A YEAR-TO-YEAR BASIS.

792
00:23:55,905 --> 00:23:56,991
>>Michael Sheeley: OTHER

793
00:23:56,991 --> 00:23:58,439
QUESTIONS FROM THE BOARD.

794
00:23:58,440 --> 00:24:00,411
>>James Tatooles: JUST WONDERING

795
00:24:00,411 --> 00:24:03,369
ABOUT THE TYPE OF PEOPLE, THEIR

796
00:24:03,369 --> 00:24:04,354
NEED REQUIREMENTS.

797
00:24:04,355 --> 00:24:07,562
WHAT KIND OF HANDICAP FACILITIES

798
00:24:07,562 --> 00:24:10,770
OR ANYTHING ABOVE THE NORMAL

799
00:24:10,772 --> 00:24:12,695
ARCHITECTURAL REQUIREMENTS FOR

800
00:24:12,695 --> 00:24:14,620
SPECIAL NEEDS PEOPLE?

801
00:24:14,621 --> 00:24:16,204
DO YOU HAVE ANYTHING THAT

802
00:24:16,204 --> 00:24:18,101
HANDLES THAT TYPE OF A PERSON?

803
00:24:18,103 --> 00:24:19,011
>> SURE.

804
00:24:19,011 --> 00:24:22,221
RIGHT NOW, IN TERMS OF EVEN WHEN

805
00:24:22,221 --> 00:24:24,972
YOU ENTER THE SITE HAVE THE

806
00:24:24,974 --> 00:24:26,346
REQUIRED ADA CAPACITIES.

807
00:24:26,349 --> 00:24:29,139
WE WILL HAVE AN ELEVATOR

808
00:24:29,139 --> 00:24:29,697
ON-SITE.

809
00:24:29,697 --> 00:24:31,398
IT'S GOING TO BE BIG ENOUGH TO

810
00:24:31,402 --> 00:24:32,131
FIT A STRETCHER.

811
00:24:32,132 --> 00:24:33,926
IN TERMS OF KIND OF THE

812
00:24:33,926 --> 00:24:35,122
OCCUPIABLE SPACES, AS ARMANDO

813
00:24:35,122 --> 00:24:37,214
MENTIONED, A LOT OF THE SPACE ON

814
00:24:37,214 --> 00:24:39,007
THE GROUND FLOOR WILL BE THE

815
00:24:39,007 --> 00:24:40,502
GYM, EVENT SPACE AND ANY

816
00:24:40,502 --> 00:24:41,698
CLINICIAN OR ANY APPOINTMENT

817
00:24:41,698 --> 00:24:43,790
LIKE THAT WOULD BE ON THE SECOND

818
00:24:43,790 --> 00:24:44,089
FLOOR.

819
00:24:44,090 --> 00:24:46,452
THOSE ARE SOME OF OUR ORIGINAL

820
00:24:46,452 --> 00:24:48,028
THOUGHTS, EITHER SPECIFIC ITEMS

821
00:24:48,029 --> 00:24:50,393
THAT THE VILLAGE OR ANYTHING HAS

822
00:24:50,394 --> 00:24:52,758
IN MIND, WE CAN CERTAINLY LOOK

823
00:24:52,758 --> 00:24:55,122
INTO THEM TO INCORPORATE THEM AS

824
00:24:55,122 --> 00:24:55,516
NEEDED.

825
00:24:55,516 --> 00:24:57,798
>> I WOULD JUST ADD OUR SERVICES

826
00:24:57,799 --> 00:24:59,429
AROUND THE WELLNESS AND REHAB,

827
00:24:59,430 --> 00:25:01,060
WE HAVE PHYSICAL THERAPISTS AND

828
00:25:01,061 --> 00:25:02,365
OTHER PROFESSIONALS WHO ARE

829
00:25:02,366 --> 00:25:03,344
SPECIFICALLY WORKING WITH

830
00:25:03,344 --> 00:25:04,974
VETERANS WHO ARE DEALING WITH

831
00:25:04,975 --> 00:25:06,279
SERVICE RELATED INJURIES AS

832
00:25:06,280 --> 00:25:06,606
WELL.

833
00:25:06,606 --> 00:25:09,401
NOT ONLY IS THE BUILDING

834
00:25:09,403 --> 00:25:12,198
COMPLIANT BUT THE SERVICES THAT

835
00:25:12,199 --> 00:25:15,553
WE PROVIDE ARE AIMED AT HELPING

836
00:25:15,555 --> 00:25:18,350
THEM REGAIN CONTROL OF THEIR

837
00:25:18,351 --> 00:25:20,587
PHYSICAL HEALTH AND WELLNESS

838
00:25:20,589 --> 00:25:21,148
AGAIN.

839
00:25:21,148 --> 00:25:23,782
>>Kristin Jeannin: I DO HAVE A

840
00:25:23,784 --> 00:25:25,101
FEW DESIGN-RELATED COMMENTS.

841
00:25:25,102 --> 00:25:27,746
FIRST, I WANT TO COMMEND THE

842
00:25:27,746 --> 00:25:29,510
PROJECT OVERALL AND THE

843
00:25:29,512 --> 00:25:29,949
PRESENTATION.

844
00:25:29,949 --> 00:25:32,523
VERY EXCITED FOR ESTERO TO HAVE

845
00:25:32,524 --> 00:25:34,669
THE OPPORTUNITY TO HOST THIS

846
00:25:34,670 --> 00:25:35,957
HOME BASE PROJECT.

847
00:25:35,957 --> 00:25:36,623
IT SEEMS PHENOMENAL.

848
00:25:36,624 --> 00:25:39,807
SO THANK YOU.

849
00:25:39,807 --> 00:25:41,391
MOST OF MY COMMENTS ARE

850
00:25:41,392 --> 00:25:42,025
LANDSCAPE RELATED.

851
00:25:42,026 --> 00:25:43,846
I'M A LANDSCAPE ARCHITECT.

852
00:25:43,848 --> 00:25:45,742
THERE ARE A COUPLE OF

853
00:25:45,742 --> 00:25:46,500
ARCHITECTURAL COMMENTS.

854
00:25:46,501 --> 00:25:49,529
IN GENERAL, I THINK THE BUILDING

855
00:25:49,529 --> 00:25:50,538
LOOKS BEAUTIFUL.

856
00:25:50,539 --> 00:25:52,897
I GUESS I WILL START WITH

857
00:25:52,900 --> 00:25:54,865
ARCHITECTURE SINCE YOU ARE UP

858
00:25:54,867 --> 00:25:55,260
THERE.

859
00:25:55,260 --> 00:25:58,396
I HAVE A MINOR CONCERN ABOUT THE

860
00:25:58,399 --> 00:25:59,295
SAND COLOR.

861
00:25:59,296 --> 00:26:02,166
IT LOOKS A LITTLE DARK.

862
00:26:02,167 --> 00:26:04,462
YOUR RENDERINGS LOOK NICE AND

863
00:26:04,463 --> 00:26:04,922
LIGHT.

864
00:26:04,922 --> 00:26:07,721
I THINK THAT THE BUILDING, LIKE,

865
00:26:07,721 --> 00:26:09,122
SUPPORTS BEING LIGHT.

866
00:26:09,125 --> 00:26:11,445
SO JUST BE CAREFUL OF THAT.

867
00:26:11,448 --> 00:26:12,700
TAKE ANOTHER --

868
00:26:12,701 --> 00:26:14,603
>> WE CAN LOOK AT THE COLOR

869
00:26:14,603 --> 00:26:14,875
SWATCHES.

870
00:26:14,877 --> 00:26:17,291
NO PROBLEM.

871
00:26:17,293 --> 00:26:18,432
>>Kristin Jeannin: LANDSCAPE

872
00:26:18,432 --> 00:26:19,572
ARCHITECTURE-WISE, I REALIZE

873
00:26:19,573 --> 00:26:21,471
THIS -- I MEAN, IT'S NICE.

874
00:26:21,502 --> 00:26:25,009
I THINK THIS IS AN EARLY DRAFT

875
00:26:25,012 --> 00:26:27,517
AND YOU PROBABLY NEED TO

876
00:26:27,519 --> 00:26:30,525
COORDINATE A LITTLE BIT WITH THE

877
00:26:30,528 --> 00:26:31,029
FLAG.

878
00:26:31,029 --> 00:26:33,836
IT LOOKS LIKE IT WILL BE A

879
00:26:33,837 --> 00:26:35,441
BEAUTIFUL AND MEANINGFUL FOCAL

880
00:26:35,442 --> 00:26:37,046
POINT FOR THE PROJECT.

881
00:26:37,047 --> 00:26:39,075
SO THE LANDSCAPE NEEDS TO

882
00:26:39,075 --> 00:26:39,887
REFLECT THAT.

883
00:26:39,889 --> 00:26:41,860
ALSO WITH THE PLAZA, RIGHT NOW,

884
00:26:41,861 --> 00:26:43,832
HOW IT'S DRAWN IS JUST CONCRETE.

885
00:26:43,837 --> 00:26:46,747
SO MAYBE THERE ARE PLANTERS THAT

886
00:26:46,747 --> 00:26:50,142
NEED TO GO IN THERE TO SOFTEN

887
00:26:50,142 --> 00:26:50,627
THAT.

888
00:26:50,627 --> 00:26:52,703
I'M NOT ADVOCATING ONE WAY OR

889
00:26:52,705 --> 00:26:54,435
THE OTHER NECESSARILY, BUT MAKE

890
00:26:54,436 --> 00:26:56,166
SURE SOMEBODY IS THINKING ABOUT

891
00:26:56,168 --> 00:26:58,244
IF FOR THAT SECOND FLOOR TRELLIS

892
00:26:58,245 --> 00:27:00,321
YOU WANT TO HAVE ANY PLANTINGS

893
00:27:00,323 --> 00:27:02,399
UP THERE, THERE'S SOME WORK THAT

894
00:27:02,401 --> 00:27:04,823
NEEDS TO BE DONE THERE TO MAKE

895
00:27:04,825 --> 00:27:06,209
SURE THAT ALL FUNCTIONS

896
00:27:06,210 --> 00:27:06,556
CORRECTLY.

897
00:27:06,556 --> 00:27:08,547
BAHIA SOD CONCERNS ME A LITTLE

898
00:27:08,547 --> 00:27:09,211
BIT, TOO.

899
00:27:09,212 --> 00:27:11,061
I KNOW IT GETS WEEDY.

900
00:27:11,061 --> 00:27:13,416
MAYBE THAT'S OKAY, BUT WHAT I

901
00:27:13,416 --> 00:27:15,772
WOULD MAYBE PROPOSE IS, OR HAVE

902
00:27:15,773 --> 00:27:18,520
YOU LOOK AT, WHAT ARE THEY DOING

903
00:27:18,520 --> 00:27:20,089
IN THE OTHER SURROUNDING.

904
00:27:20,092 --> 00:27:21,736
LET'S MATCH WHATEVER THEY ARE

905
00:27:21,736 --> 00:27:23,381
DOING THERE WOULD BE MY

906
00:27:23,382 --> 00:27:23,708
RECOMMENDATION.

907
00:27:23,708 --> 00:27:26,417
>> I THINK FLORITAM IS THE GRASS

908
00:27:26,420 --> 00:27:28,742
OF THE DAY IN THAT AREA.

909
00:27:28,745 --> 00:27:30,950
WE MAY BE ABLE TO USE THAT.

910
00:27:30,950 --> 00:27:33,586
IT JUST DEPENDS ON WHAT WE CAN

911
00:27:33,587 --> 00:27:35,094
DO WITH THE IRRIGATION.

912
00:27:35,096 --> 00:27:36,584
>>Kristin Jeannin: I UNDERSTAND

913
00:27:36,584 --> 00:27:38,444
THE MEANING AND THE INTENT

914
00:27:38,444 --> 00:27:41,047
BEHIND IT, AND IF YOU THINK THAT

915
00:27:41,047 --> 00:27:43,650
THERE ARE WAYS THAT IT CAN BE

916
00:27:43,651 --> 00:27:45,510
MANAGED WELL, BY ALL MEANS,

917
00:27:45,510 --> 00:27:46,625
FIGHT FOR IT.

918
00:27:46,626 --> 00:27:49,083
>> BAHIA CAN BE VERY LUSH, AS

919
00:27:49,085 --> 00:27:51,191
LONG AS YOU KEEP WATERING AND

920
00:27:51,193 --> 00:27:51,895
FEEDING IT.

921
00:27:51,896 --> 00:27:54,174
IT KIND OF DEFEATS THE PURPOSE

922
00:27:54,174 --> 00:27:55,694
OF THE XERISCAPE DESIGN.

923
00:27:55,696 --> 00:27:57,903
BUT WE'LL WORK WITH THAT.

924
00:27:57,909 --> 00:27:59,734
I'M NOT OPPOSED TO USING

925
00:27:59,736 --> 00:28:00,101
FLORITAM.

926
00:28:00,101 --> 00:28:01,523
>>Kristin Jeannin: I HAVEN'T

927
00:28:01,523 --> 00:28:03,658
LOOKED AT IT EITHER, BUT WE

928
00:28:03,659 --> 00:28:06,143
WOULD BE OPEN TO LOOKING AT IF

929
00:28:06,143 --> 00:28:07,920
THERE ARE BUFFERS THAT BLOCK

930
00:28:07,923 --> 00:28:08,635
THAT FLAG.

931
00:28:08,636 --> 00:28:11,038
IF THERE'S ANYTHING EXISTING

932
00:28:11,039 --> 00:28:13,441
THAT'S IN THE WAY.

933
00:28:13,444 --> 00:28:14,991
>> WE HAVE TO WORK THAT FLAG

934
00:28:14,994 --> 00:28:16,320
INTO THE DESIGN A LITTLE BETTER.

935
00:28:16,322 --> 00:28:18,524
THERE IS A BIG EASEMENT THAT'S

936
00:28:18,524 --> 00:28:20,359
BETWEEN THAT BUFFER AND THE

937
00:28:20,359 --> 00:28:20,726
BUILDING.

938
00:28:20,726 --> 00:28:22,610
IT'S KIND OF AN ODD THING.

939
00:28:22,612 --> 00:28:25,318
THERE'S ALSO ONE THAT RUNS ALONG

940
00:28:25,319 --> 00:28:27,123
EVERBLADES PARKWAY THAT'S BEHIND

941
00:28:27,124 --> 00:28:29,830
THE PARKWAY, AND THAT WAS A

942
00:28:29,832 --> 00:28:32,087
CHALLENGE TO WORK AROUND THAT.

943
00:28:32,088 --> 00:28:33,574
THERE'S STILL A LITTLE BIT OF

944
00:28:33,574 --> 00:28:34,814
WORK TO DO ON THAT.

945
00:28:34,816 --> 00:28:36,836
>>Kristin Jeannin: IS THAT THE

946
00:28:36,836 --> 00:28:39,263
SOUTH SIDE OF THE BUILDING WHERE

947
00:28:39,265 --> 00:28:40,075
THE OUTDOOR.

948
00:28:40,075 --> 00:28:40,942
>> UM-HUM.

949
00:28:40,942 --> 00:28:43,355
WHAT YOU'RE LOOKING AT IS A CODE

950
00:28:43,356 --> 00:28:44,046
MINIMUM PLAN.

951
00:28:44,047 --> 00:28:45,027
>>Kristin Jeannin: SURE, SURE.

952
00:28:45,027 --> 00:28:46,903
>> I'M SURE WE'RE GOING TO

953
00:28:46,903 --> 00:28:48,467
ENHANCE SOME THINGS HERE AND

954
00:28:48,468 --> 00:28:48,779
THERE.

955
00:28:48,779 --> 00:28:52,411
>>Kristin Jeannin: THANK YOU.

956
00:28:52,411 --> 00:28:54,325
>>James Tatooles: I WAS GOING TO

957
00:28:54,327 --> 00:28:55,603
SAY IT'S A NICE-LOOKING

958
00:28:55,604 --> 00:28:55,923
BUILDING.

959
00:28:55,923 --> 00:28:58,329
WHAT I'M LOOKING AT IS PEOPLE

960
00:28:58,329 --> 00:29:01,136
HAVING THE ACCESS TO SEE IT FROM

961
00:29:01,136 --> 00:29:03,542
THE PARKING LOT SIDE, YOU CAN

962
00:29:03,542 --> 00:29:05,948
SEE THE BUILDING, AND IT'S ALL

963
00:29:05,948 --> 00:29:06,349
OPEN.

964
00:29:06,349 --> 00:29:08,953
I JUST WONDER WHEN YOU LOOK AT

965
00:29:08,955 --> 00:29:11,187
IT FROM THE OPPOSITE SIDE, IF

966
00:29:11,189 --> 00:29:13,421
ALL THE VEGETATION AND THE TREES

967
00:29:13,422 --> 00:29:15,654
AND BUSHES, ET CETERA, HIDE THE

968
00:29:15,656 --> 00:29:17,888
BEAUTY OF THE BUILDING FROM THE

969
00:29:17,890 --> 00:29:18,262
STREET.

970
00:29:18,262 --> 00:29:20,894
IT LOOKS TO ME THAT YOU ARE

971
00:29:20,895 --> 00:29:22,775
BUILDING A FORESTED WALL IN

972
00:29:22,775 --> 00:29:24,279
FRONT OF THE BUILDING.

973
00:29:24,280 --> 00:29:25,660
>> YOU'RE NOT WRONG, SIR.

974
00:29:25,662 --> 00:29:28,942
I THINK PART OF THAT IS SOME OF

975
00:29:28,945 --> 00:29:30,995
THE REQUIREMENTS NOT ONLY FROM

976
00:29:30,997 --> 00:29:32,227
THE PLANTING SIDE.

977
00:29:32,228 --> 00:29:34,213
WHEN WE DID OUR ORIGINAL

978
00:29:34,213 --> 00:29:36,595
SURVEYS, THERE IS A HUNDRED FOOT

979
00:29:36,595 --> 00:29:38,181
UNIVERSITY WINDOW KIND OF

980
00:29:38,181 --> 00:29:38,578
EASEMENT.

981
00:29:38,579 --> 00:29:40,523
AS JOSH SAYS, A MATTER OF GOING

982
00:29:40,523 --> 00:29:42,190
BACK AND MAKING SURE THAT THE

983
00:29:42,191 --> 00:29:43,577
BUILDING IS VISIBLE ON BOTH

984
00:29:43,577 --> 00:29:45,243
SIDES WHILE ALSO HAVING A GOOD

985
00:29:45,244 --> 00:29:46,355
BALANCE BETWEEN THE LANDSCAPE

986
00:29:46,355 --> 00:29:47,186
AND THE PLANTING.

987
00:29:47,188 --> 00:29:49,658
BUT WE'LL DEFINITELY TAKE IT

988
00:29:49,659 --> 00:29:52,129
INTO CONSIDERATION IN THE NEXT

989
00:29:52,130 --> 00:29:52,624
ROUND.

990
00:29:52,624 --> 00:29:53,799
>>Michael Sheeley: AL, DO YOU

991
00:29:53,800 --> 00:29:54,505
HAVE ANY COMMENTS?

992
00:29:54,506 --> 00:29:56,768
>>Al Paivandy: YES.

993
00:29:56,768 --> 00:29:59,236
AGAIN, THANK YOU, JUST LIKE

994
00:29:59,236 --> 00:30:01,212
EVERYBODY ELSE SAYS, FOR --

995
00:30:01,214 --> 00:30:02,568
>>Tammy Duran: CAN YOU MAKE SURE

996
00:30:02,569 --> 00:30:03,697
YOU ARE SPEAKING INTO THE

997
00:30:03,700 --> 00:30:04,152
MICROPHONE, PLEASE?

998
00:30:04,152 --> 00:30:05,566
THANK YOU.

999
00:30:05,566 --> 00:30:06,348
>>Al Paivandy: FINE.

1000
00:30:06,348 --> 00:30:10,899
[ LAUGHTER ]

1001
00:30:10,900 --> 00:30:12,538
THANK YOU FOR WANTING TO LOCATE

1002
00:30:12,541 --> 00:30:14,179
HERE AND HAVE YOUR MAIN BUILDING

1003
00:30:14,182 --> 00:30:14,455
HERE.

1004
00:30:14,455 --> 00:30:16,810
WE APPRECIATE THAT.

1005
00:30:16,811 --> 00:30:19,931
I HAVE A COUPLE OF COMMENTS.

1006
00:30:19,931 --> 00:30:22,159
WHENEVER I SEE THE PERSPECTIVE

1007
00:30:22,159 --> 00:30:24,388
HERE, I NOTICE THE PEOPLE

1008
00:30:24,389 --> 00:30:26,173
WALKING AROUND THE FRONT.

1009
00:30:26,173 --> 00:30:27,372
I'M NOT SURE EXACTLY HOW THEY

1010
00:30:27,374 --> 00:30:28,773
ARE GOING TO GET THERE AND WHY

1011
00:30:28,777 --> 00:30:29,977
THEY WANT TO WALK AROUND THE

1012
00:30:29,979 --> 00:30:30,179
BUILDING.

1013
00:30:30,179 --> 00:30:34,594
THE SECOND IS, THE FRONT IS A

1014
00:30:34,594 --> 00:30:39,009
LITTLE BIT MORE OF A PUNCHED OUT

1015
00:30:39,011 --> 00:30:42,161
WINDOWS AND NOT NECESSARILY ANY

1016
00:30:42,161 --> 00:30:43,422
VERTICAL ELEMENT.

1017
00:30:43,424 --> 00:30:45,854
I DID NOTICE, ALTHOUGH WITHOUT A

1018
00:30:45,855 --> 00:30:47,880
FLOOR PLAN, A LITTLE BIT

1019
00:30:47,880 --> 00:30:49,905
DIFFICULT, BUT FROM THE SITE

1020
00:30:49,906 --> 00:30:52,336
THAT YOU HAVE ALIGNED THE TOWER

1021
00:30:52,336 --> 00:30:54,766
IN THE BACK WITH THE FRONT.

1022
00:30:54,767 --> 00:30:57,807
SO IF YOU GET RID OF THAT TOWER

1023
00:30:57,808 --> 00:31:00,468
THAT YOU CAN NEVER SEE IN THE

1024
00:31:00,469 --> 00:31:02,369
BACK FROM THE FRONT, BECAUSE

1025
00:31:02,369 --> 00:31:05,029
PEOPLE ARE IN THE CAR OR DRIVING

1026
00:31:05,030 --> 00:31:07,690
AND YOU WON'T SEE THAT THE WHOLE

1027
00:31:07,691 --> 00:31:09,971
FRONT IS JUST A FLAT, LONG

1028
00:31:09,972 --> 00:31:10,352
TRAIN.

1029
00:31:10,352 --> 00:31:13,135
IF YOU CAN WORK WITH THAT TO

1030
00:31:13,135 --> 00:31:15,125
PULL SOME ELEMENTS UP TO

1031
00:31:15,128 --> 00:31:16,714
ACCENTUATE THE FRONT, ESPECIALLY

1032
00:31:16,714 --> 00:31:19,096
THAT IS MORE SEEN BY THE

1033
00:31:19,099 --> 00:31:21,087
DRIVING, IN ADDITION TO THE

1034
00:31:21,087 --> 00:31:23,472
FLAGS, IT MAY WORK BETTER FOR

1035
00:31:23,473 --> 00:31:23,870
YOU.

1036
00:31:23,871 --> 00:31:25,286
>> GREAT.

1037
00:31:25,287 --> 00:31:29,212
YEAH, WE CAN LOOK AT SOME OF THE

1038
00:31:29,212 --> 00:31:30,190
VOLUMETRIC RELATIONSHIPS.

1039
00:31:30,193 --> 00:31:31,777
WE CAN MAYBE PLAY WITH THE

1040
00:31:31,779 --> 00:31:32,835
MATERIALS, GIVE OR TAKE.

1041
00:31:32,837 --> 00:31:35,213
I THINK KIND OF SIMILAR COMMENT

1042
00:31:35,213 --> 00:31:37,589
OF MAKING SURE THAT MAIN FACADE

1043
00:31:37,589 --> 00:31:39,569
AROUND BEN HILL GRIFFIN PARKWAY

1044
00:31:39,570 --> 00:31:41,550
IS REALLY THE MAIN WELCOMING

1045
00:31:41,550 --> 00:31:43,134
FACE OF THE BUILDING.

1046
00:31:43,134 --> 00:31:43,135
ABSOLUTELY.

1047
00:31:43,135 --> 00:31:43,987
>>Al Paivandy: RIGHT.

1048
00:31:43,988 --> 00:31:45,797
SINCE THAT TERIS IS IN THE

1049
00:31:45,797 --> 00:31:47,608
FRONT -- TERRIS IS IN THE FRONT,

1050
00:31:47,610 --> 00:31:49,112
I WOULD CERTAINLY DO SOMETHING

1051
00:31:49,112 --> 00:31:49,713
WITH THAT.

1052
00:31:50,060 --> 00:31:53,361
USE IT AS A POP-OUT FOR THE

1053
00:31:53,361 --> 00:31:55,245
BUILDING OR MORE PLEASANTRIES.

1054
00:31:55,248 --> 00:31:59,931
THANK YOU AGAIN.

1055
00:31:59,931 --> 00:32:01,266
>>Michael Sheeley: LASTLY, I

1056
00:32:01,266 --> 00:32:02,933
THINK THE BUILDING LOOKS GOOD.

1057
00:32:02,934 --> 00:32:05,293
I THINK YOU'VE DONE A NICE JOB

1058
00:32:05,295 --> 00:32:06,980
OF KIND OF MODERNIZING A

1059
00:32:06,982 --> 00:32:07,656
MEDITERRANEAN DESIGN.

1060
00:32:07,657 --> 00:32:10,492
I THINK IT'S QUITE ATTRACTIVE.

1061
00:32:10,493 --> 00:32:12,642
I AGREE WITH SOME OF THE OTHER

1062
00:32:12,642 --> 00:32:13,256
COMMENTS HERE.

1063
00:32:13,256 --> 00:32:16,386
I THINK THE BUILDING IS REMEMBER

1064
00:32:16,386 --> 00:32:20,038
SEDATE AND IT KIND OF LAYS BACK

1065
00:32:20,039 --> 00:32:23,163
AND MAYBE THAT'S WHAT IT SHOULD

1066
00:32:23,163 --> 00:32:23,684
BE.

1067
00:32:23,688 --> 00:32:26,543
THE COLOR PALETTE, WITH THE KIND

1068
00:32:26,543 --> 00:32:29,397
OF REFINED LINE THAT YOU HAVE.

1069
00:32:29,398 --> 00:32:31,954
I WOULD MAYBE THINK ABOUT THE

1070
00:32:31,956 --> 00:32:34,086
PLAZA ON THE SOUTH SIDE.

1071
00:32:34,087 --> 00:32:36,880
IF YOU REALLY WANT IT TO BE

1072
00:32:36,883 --> 00:32:38,479
USABLE, SOME COVERING THERE

1073
00:32:38,481 --> 00:32:40,875
WOULD BE HELPFUL BECAUSE IN THE

1074
00:32:40,878 --> 00:32:42,873
SUMMERTIME, YOU'RE GOING TO GET

1075
00:32:42,875 --> 00:32:44,471
BLASTED BY THE SUN.

1076
00:32:44,473 --> 00:32:45,037
>> ABSOLUTELY.

1077
00:32:45,037 --> 00:32:46,469
>>Michael Sheeley: I THINK

1078
00:32:46,470 --> 00:32:48,618
OVERALL YOU'VE DONE A GOOD JOB.

1079
00:32:48,619 --> 00:32:50,167
I APPRECIATE YOUR PRESENTATION.

1080
00:32:50,167 --> 00:32:50,638
>> OF COURSE.

1081
00:32:50,639 --> 00:32:50,827
THANK YOU VERY MUCH.

1082
00:32:50,827 --> 00:32:52,699
>>Michael Sheeley: TAMMY, DO WE

1083
00:32:52,699 --> 00:32:54,947
HAVE ANY PUBLIC COMMENT ON THIS?

1084
00:32:54,948 --> 00:32:55,032
>>Tammy Duran: WE DO NOT.

1085
00:32:55,032 --> 00:32:56,374
>>Michael Sheeley: IS THERE

1086
00:32:56,375 --> 00:32:58,389
ANYONE HERE IN THE AUDIENCE WHO

1087
00:32:58,392 --> 00:33:00,408
WOULD LIKE TO MAKE A COMMENT

1088
00:33:00,409 --> 00:33:01,417
ABOUT THIS PROJECT?

1089
00:33:01,417 --> 00:33:03,079
SEEING NONE -- OH, WE HAVE ONE.

1090
00:33:03,715 --> 00:33:05,100
>>Tammy Duran: HOLD ON ONE

1091
00:33:05,102 --> 00:33:05,379
SECOND.

1092
00:33:05,379 --> 00:33:07,479
MAKE SURE WHEN YOU ARE DONE THAT

1093
00:33:07,479 --> 00:33:08,979
YOU FILL OUT A CARD.

1094
00:33:08,979 --> 00:33:09,762
>> THANK YOU.

1095
00:33:09,763 --> 00:33:11,313
MY NAME IS ALAN WHITE.

1096
00:33:11,313 --> 00:33:13,572
I LIVE IN TIDEWATER RIGHT OUT

1097
00:33:13,572 --> 00:33:13,949
FRONT.

1098
00:33:13,952 --> 00:33:15,377
I'M ALSO A VETERAN.

1099
00:33:15,378 --> 00:33:16,164
WE'RE ECSTATIC.

1100
00:33:16,164 --> 00:33:18,491
WE'VE BEEN WAITING TEN YEARS TO

1101
00:33:18,494 --> 00:33:20,821
FIND OUT -- HOW APROPOS TO HAVE

1102
00:33:20,825 --> 00:33:22,765
SOMETHING LIKE THIS TO COME.

1103
00:33:23,425 --> 00:33:25,505
WE FULLY ENDORSE THAT.

1104
00:33:25,505 --> 00:33:28,169
FOR MY SAKE, I'M ALSO THE

1105
00:33:28,171 --> 00:33:30,835
CHAIRMAN OF THIS NEW CAPE CORAL

1106
00:33:30,838 --> 00:33:33,058
VA CLINIC EXPANSION TO A

1107
00:33:33,060 --> 00:33:34,392
FULL-SERVICE HOSPITAL COMMITTEE.

1108
00:33:34,393 --> 00:33:36,718
WE'LL BE WORKING WITH FGCU.

1109
00:33:36,718 --> 00:33:38,132
WE DEFINITELY WOULD LIKE TO WORK

1110
00:33:38,132 --> 00:33:38,839
WITH THESE PEOPLE.

1111
00:33:38,840 --> 00:33:41,370
WE'RE TRYING TO BRING MORE AND

1112
00:33:41,370 --> 00:33:43,479
MORE MEDICAL SERVICES TO OUR

1113
00:33:43,481 --> 00:33:45,587
OVER 100,000 VETERANS THAT LIVE

1114
00:33:45,587 --> 00:33:46,851
IN SOUTHWEST FLORIDA.

1115
00:33:46,853 --> 00:33:48,815
OVER 61,000 LIVE IN LEE COUNTY.

1116
00:33:48,815 --> 00:33:49,963
SO THIS IS GREAT.

1117
00:33:49,963 --> 00:33:50,467
THANK YOU.

1118
00:33:50,467 --> 00:33:52,081
>>Michael Sheeley: THANK YOU

1119
00:33:52,081 --> 00:33:52,888
VERY MUCH.

1120
00:33:52,889 --> 00:33:54,369
ANYONE ELSE?

1121
00:33:54,369 --> 00:33:55,908
WE'LL CLOSE THE PUBLIC HEARING.

1122
00:33:55,908 --> 00:34:00,940
WE THANK YOU FOR YOUR

1123
00:34:00,940 --> 00:34:01,946
PRESENTATION.

1124
00:34:01,948 --> 00:34:15,109
[ APPLAUSE ]

1125
00:34:15,109 --> 00:34:26,815
>>Michael Sheeley: WE'LL GIVE

1126
00:34:26,815 --> 00:34:44,372
EVERYONE A MOMENT TO CLEAR THE

1127
00:34:44,373 --> 00:34:47,297
ROOM.

1128
00:35:19,887 --> 00:35:22,835
LET'S GET STARTED WITH ITEM

1129
00:35:22,835 --> 00:35:26,374
NUMBER 6, THE WORKSHOP FOR LEO

1130
00:35:26,376 --> 00:35:27,553
BROWN GROUP.

1131
00:35:27,553 --> 00:35:35,845
PLEASE.

1132
00:35:35,846 --> 00:35:38,199
>>Aymee Chavez: NEXT ON THE

1133
00:35:38,199 --> 00:35:40,554
AGENDA IS THE WORKSHOP FOR

1134
00:35:40,556 --> 00:35:43,376
MISSION GROVE OF ESTERO FOR THE

1135
00:35:43,376 --> 00:35:44,316
REVISED ARCHITECTURE.

1136
00:35:44,318 --> 00:35:46,130
THE APPROXIMATELY SEVEN ACRE

1137
00:35:46,130 --> 00:35:48,395
PROPERTY IS LOCATED WITHIN THE

1138
00:35:48,395 --> 00:35:50,659
PLAZA DEL SOL COMMERCIAL PLANNED

1139
00:35:50,659 --> 00:35:52,923
DEVELOPMENT, WHICH IS NORTH OF

1140
00:35:52,925 --> 00:35:55,641
THE CULVER'S AND AUTO ZONE AT

1141
00:35:55,641 --> 00:35:58,359
THE CORNER OF THREE OAKS PARKWAY

1142
00:35:58,359 --> 00:36:00,624
AND CORKSCREW ROAD WITH ACCESS

1143
00:36:00,624 --> 00:36:01,982
FROM ARCOS AVENUE.

1144
00:36:01,983 --> 00:36:03,914
THE PUBLIC INFORMATION MEETING

1145
00:36:03,914 --> 00:36:06,811
FOR MISSION GROVE WAS HELD AT

1146
00:36:06,811 --> 00:36:09,223
THE JULY 21st PZDB MEETING.

1147
00:36:09,224 --> 00:36:12,496
THE PROJECT INCLUDES 163

1148
00:36:12,496 --> 00:36:15,768
ASSISTED LIVING CONTINUING CARE

1149
00:36:15,768 --> 00:36:19,040
AND INDEPENDENT LIVING UNITS,

1150
00:36:19,041 --> 00:36:22,313
ALONG WITH ASSOCIATED AMENITIES.

1151
00:36:22,313 --> 00:36:22,314
[BEEP]

1152
00:36:22,314 --> 00:36:23,352
>> YOU ARE OUT OF TIME.

1153
00:36:23,354 --> 00:36:24,080
[ LAUGHTER ]

1154
00:36:24,080 --> 00:36:25,258
>>Tammy Duran: SORRY.

1155
00:36:25,258 --> 00:36:26,720
>>Aymee Chavez: THE APPLICANT

1156
00:36:26,720 --> 00:36:28,549
HAS MADE CHANGES TO THE

1157
00:36:28,550 --> 00:36:30,013
ARCHITECTURE SINCE THE PUBLIC

1158
00:36:30,013 --> 00:36:31,476
INFORMATION MEETING AND IS

1159
00:36:31,476 --> 00:36:33,671
LOOKING FOR INPUT FROM THE BOARD

1160
00:36:33,671 --> 00:36:35,500
ON THE UPDATED RENDERINGS AND

1161
00:36:35,500 --> 00:36:35,866
DESIGN.

1162
00:36:35,867 --> 00:36:39,820
THERE WILL BE NO VOTE OR

1163
00:36:39,821 --> 00:36:42,456
DISCUSSION ON THIS WORKSHOP

1164
00:36:42,458 --> 00:36:43,117
ITEM.

1165
00:36:43,117 --> 00:36:44,600
DISCUSSION SHOULD BE FOCUSED

1166
00:36:44,600 --> 00:36:46,084
ONLY ON THE PROPOSED

1167
00:36:46,085 --> 00:36:47,937
ARCHITECTURE AND NOT RELATED TO

1168
00:36:47,937 --> 00:36:49,790
ANY OTHER COMPONENTS OF THE

1169
00:36:49,791 --> 00:36:50,162
PROJECT.

1170
00:36:50,162 --> 00:36:52,006
PLEASE NOTE THAT BOARD MEMBER

1171
00:36:52,006 --> 00:36:53,481
JIM WALLACE PROVIDED WRITTEN

1172
00:36:53,482 --> 00:36:55,324
COMMENTS IN ADVANCE OF THE

1173
00:36:55,324 --> 00:36:55,692
MEETING.

1174
00:36:55,694 --> 00:36:57,734
AND IF THERE ARE NO QUESTIONS,

1175
00:36:57,735 --> 00:36:59,775
I'LL TURN IT OVER TO THE

1176
00:36:59,776 --> 00:37:00,796
APPLICANT TO BEGIN.

1177
00:37:00,797 --> 00:37:03,124
I BELIEVE THE ATTORNEY FOR THE

1178
00:37:03,124 --> 00:37:04,287
APPLICANT, NEALE MONTGOMERY,

1179
00:37:04,288 --> 00:37:06,225
WILL BE STARTING US OFF.

1180
00:37:06,226 --> 00:37:09,668
>>Michael Sheeley: THANK YOU

1181
00:37:09,668 --> 00:37:11,390
VERY MUCH.

1182
00:37:11,392 --> 00:37:12,730
>>Neale Montgomery: GOOD

1183
00:37:12,730 --> 00:37:13,176
AFTERNOON.

1184
00:37:13,177 --> 00:37:13,891
NEALE MONTGOMERY FOR THE RECORD.

1185
00:37:13,893 --> 00:37:21,373
THANK YOU FOR THE OPPORTUNITY.

1186
00:37:21,373 --> 00:37:58,543
[MICROPHONE NOT ON] [INAUDIBLE]

1187
00:37:58,544 --> 00:38:14,948
[MICROPHONE NOT ON]

1188
00:38:14,949 --> 00:38:15,957
>> THERE WE GO.

1189
00:38:15,957 --> 00:38:17,969
>> DO YOU WANT ME TO SAY IT

1190
00:38:17,971 --> 00:38:18,223
AGAIN?

1191
00:38:18,225 --> 00:38:20,985
>> NO, WE COULD HEAR YOU.

1192
00:38:20,988 --> 00:38:22,639
>> GET CLOSER TO IT TO MAKE

1193
00:38:22,639 --> 00:38:22,875
SURE.

1194
00:38:22,876 --> 00:38:24,978
>> WE HAVE THE APPLICANT,

1195
00:38:24,978 --> 00:38:27,081
LINDSEY PHIPPS AND BILL MORTON

1196
00:38:27,082 --> 00:38:27,502
HERE.

1197
00:38:27,503 --> 00:38:31,761
STACY ELLIS IS HERE.

1198
00:38:31,763 --> 00:38:34,137
AND GLEN, THE ARCHITECT IS HERE,

1199
00:38:34,137 --> 00:38:36,906
TO GO THROUGH THE ITEM WE TALKED

1200
00:38:36,907 --> 00:38:37,302
ABOUT.

1201
00:38:37,303 --> 00:38:40,246
AYMEE ALREADY TOLD YOU WHERE IT

1202
00:38:40,246 --> 00:38:41,228
IS LOCATED.

1203
00:38:41,229 --> 00:38:43,079
>>Kristin Jeannin: CAN YOU GO

1204
00:38:43,080 --> 00:38:45,300
BACK TO THE SLIDE, THE LOCATION?

1205
00:38:45,302 --> 00:38:48,224
I'M TRYING TO GET CAUGHT UP.

1206
00:38:48,224 --> 00:38:51,287
THE MAP, PLEASE.

1207
00:38:51,289 --> 00:38:52,893
>>Neale Montgomery: I-75,

1208
00:38:52,893 --> 00:38:56,101
CORKSCREW IS IN THE INTERIOR OF

1209
00:38:56,102 --> 00:38:57,703
THAT PARTICULAR PROJECT.

1210
00:38:57,705 --> 00:39:00,420
THAT PROJECT WAS ORIGINALLY

1211
00:39:00,420 --> 00:39:04,494
APPROVED WHEN IT WAS IN THE

1212
00:39:04,495 --> 00:39:07,885
UNINCORPORATED AREA, AND A LOT

1213
00:39:07,885 --> 00:39:10,599
OF DEVELOPMENT ACTUALLY OCCURRED

1214
00:39:10,600 --> 00:39:14,673
WHILE IT WAS STILL IN THE

1215
00:39:14,673 --> 00:39:16,031
UNINCORPORATED AREA.

1216
00:39:16,033 --> 00:39:17,601
A PORTION WAS IN THE INTERCHANGE

1217
00:39:17,602 --> 00:39:18,386
AND URBAN COMMUNITY.

1218
00:39:18,389 --> 00:39:25,551
SOME OF THE PROVISIONS MAY NOT

1219
00:39:25,551 --> 00:39:33,908
BE THE SAME AS YOU MIGHT EXPECT

1220
00:39:33,909 --> 00:39:41,066
TODAY BUT THAT WAS THE GENESIS

1221
00:39:41,066 --> 00:39:45,840
OF THE PARTICULAR PROJECT.

1222
00:39:45,843 --> 00:39:47,826
>> GOOD EVENING.

1223
00:39:47,826 --> 00:39:48,356
I'M GLEN BAURHYTE.

1224
00:39:48,356 --> 00:39:49,616
GOOD TO SEE YOU AGAIN.

1225
00:39:49,616 --> 00:39:52,238
WE'RE EXCITED TO BE BACK WITH

1226
00:39:52,240 --> 00:39:54,425
YOU AND SHARE THE ARCHITECTURAL

1227
00:39:54,427 --> 00:39:54,864
UPDATES.

1228
00:39:54,864 --> 00:39:57,509
WE LAST CAME BEFORE YOU TWO

1229
00:39:57,509 --> 00:39:59,714
MONTHS AGO AND RECEIVED FEEDBACK

1230
00:39:59,714 --> 00:40:01,036
AND APPRECIATED THAT.

1231
00:40:01,036 --> 00:40:03,393
BROUGHT IT BACK TO THE OFFICE

1232
00:40:03,393 --> 00:40:06,143
AND TOOK IT TO HEART AND USED

1233
00:40:06,144 --> 00:40:08,109
YOUR GUIDANCE AND SUGGESTIONS AS

1234
00:40:08,109 --> 00:40:10,074
A BASIS FOR DEVELOPING OUR

1235
00:40:10,074 --> 00:40:10,860
DESIGN FURTHER.

1236
00:40:10,860 --> 00:40:12,924
THE PRIMARY TAKEAWAYS FROM THE

1237
00:40:12,924 --> 00:40:14,575
LAST MEETING WAS ESSENTIALLY

1238
00:40:14,576 --> 00:40:17,051
THAT YOU GUYS LIKED THE PROJECT.

1239
00:40:17,051 --> 00:40:18,733
THEY EXPECTED THE ARCHITECTURE

1240
00:40:18,733 --> 00:40:20,417
TO BE MORE EXPRESSIVE.

1241
00:40:20,419 --> 00:40:24,229
MORE ARTICULATED AND LESS

1242
00:40:24,229 --> 00:40:25,181
MONOCHROMATIC.

1243
00:40:25,185 --> 00:40:28,383
AND LESS DOMINATED BY A HEAVY

1244
00:40:28,383 --> 00:40:28,916
ROOFLINE.

1245
00:40:28,916 --> 00:40:32,309
LET ME WALK THROUGH SOME BEFORE

1246
00:40:32,309 --> 00:40:34,003
AND AFTER ILLUSTRATIONS.

1247
00:40:34,006 --> 00:40:42,181
AT THE TOP HERE IN JULY, THIS

1248
00:40:42,181 --> 00:40:45,685
WAS THE DESIGN.

1249
00:40:45,686 --> 00:40:47,879
SOME OF THE NOTABLE CHANGES ARE

1250
00:40:47,881 --> 00:40:48,978
BRIGHTER OVERALL COMPOSITION.

1251
00:40:48,981 --> 00:40:52,599
THE ROOF APPEARS A LESS HEAVY,

1252
00:40:52,601 --> 00:40:55,013
LESS BROWN, RATHER MORE

1253
00:40:55,015 --> 00:40:58,030
TERRA-COTTA AND I HAVE SAMPLES

1254
00:40:58,032 --> 00:40:58,635
HERE.

1255
00:40:58,635 --> 00:41:02,115
WE CHANGED THE ROOF COLOR TO

1256
00:41:02,115 --> 00:41:03,275
BARBADOS BLEND.

1257
00:41:03,275 --> 00:41:05,363
THERE'S MORE VERTICAL EXPRESSION

1258
00:41:05,363 --> 00:41:07,450
OF THE ARCHITECTURAL ELEMENTS

1259
00:41:07,450 --> 00:41:07,972
HERE.

1260
00:41:07,972 --> 00:41:09,840
WE'VE ADDED SOME ADDITIONAL

1261
00:41:09,841 --> 00:41:12,176
BREAKS, AND THEN EVEN BROUGHT

1262
00:41:12,177 --> 00:41:13,578
THEM UP HIGHER.

1263
00:41:13,579 --> 00:41:15,683
THERE WERE COMMENTS THAT YOU ALL

1264
00:41:15,683 --> 00:41:17,788
LIKED SOME OF THE BELL TOWER

1265
00:41:17,790 --> 00:41:19,539
EFFECTS, SO WE EXPRESSED THAT

1266
00:41:19,539 --> 00:41:21,642
MORE AND CARRIED THAT FORWARD IN

1267
00:41:21,644 --> 00:41:22,346
OTHER LOCATIONS.

1268
00:41:22,347 --> 00:41:24,499
WE HAVE MORE VARIETY OF COLORS

1269
00:41:24,499 --> 00:41:26,292
THAT ARE HARMONIOUS WITH EACH

1270
00:41:26,294 --> 00:41:26,653
OTHER.

1271
00:41:26,653 --> 00:41:29,588
WE ELIMINATED THE GOLD AND

1272
00:41:29,588 --> 00:41:32,523
BROUGHT IN THIS COLOR CALLED

1273
00:41:32,523 --> 00:41:36,631
AKNACK ARE A AND WE BROUGHT IN

1274
00:41:36,631 --> 00:41:39,565
AN ADDITIONAL COLOR CALLED CARGO

1275
00:41:39,565 --> 00:41:40,152
PANTS.

1276
00:41:40,152 --> 00:41:43,421
IN ADDITION TO THAT, WE HAVE

1277
00:41:43,421 --> 00:41:45,600
ADDITIONAL DETAILING AROUND THE

1278
00:41:45,601 --> 00:41:48,323
WINDOW OPENINGS, A VARIATION OF

1279
00:41:48,323 --> 00:41:49,957
THE WINDOW OPENINGS.

1280
00:41:49,958 --> 00:41:53,105
AND CONTRAST WITH SOME OF THE

1281
00:41:53,105 --> 00:41:54,155
TRIM COLORS.

1282
00:41:54,158 --> 00:41:54,983
>>Michael Sheeley: MUCH

1283
00:41:54,984 --> 00:41:55,259
IMPROVED.

1284
00:41:55,259 --> 00:41:56,783
>> THANK YOU.

1285
00:41:56,784 --> 00:41:58,522
THIS IS THE ELEVATION OF THAT

1286
00:41:58,522 --> 00:41:59,102
SAME VIEW.

1287
00:41:59,104 --> 00:42:00,961
THE TOP IS THE OLD.

1288
00:42:00,961 --> 00:42:03,945
THE BOTTOM IS THE NEW HERE.

1289
00:42:03,948 --> 00:42:06,475
YOU CAN SEE WE REDUCED NUMBER OF

1290
00:42:06,478 --> 00:42:08,283
DOUBLE WINDOWS AND KIND OF

1291
00:42:08,286 --> 00:42:10,091
VARIED THAT BY HAVING SINGLE

1292
00:42:10,093 --> 00:42:11,898
WINDOWS AND DOUBLES, EVEN ARCHED

1293
00:42:11,901 --> 00:42:12,984
WINDOWS IN HERE.

1294
00:42:12,985 --> 00:42:16,703
WE ADDED DETAIL AT THE COLONNADE

1295
00:42:16,703 --> 00:42:21,041
HERE WITH TRIM AT THE BASE AND

1296
00:42:21,042 --> 00:42:24,755
AT THE SPRING LINE AND BRACKETS

1297
00:42:24,755 --> 00:42:26,612
AT THE ROOFLINE.

1298
00:42:26,616 --> 00:42:28,196
>>Michael Sheeley: IT'S LIKE A

1299
00:42:28,196 --> 00:42:28,828
DIFFERENT BUILDING.

1300
00:42:28,828 --> 00:42:31,990
YOU'VE DONE WELL.

1301
00:42:31,990 --> 00:42:34,582
>> HERE IS A ZOOM IN AT THE

1302
00:42:34,582 --> 00:42:37,173
ENTRY SO YOU CAN SEE SOME OF THE

1303
00:42:37,173 --> 00:42:38,792
DETAIL A LITTLE BIT MORE.

1304
00:42:38,793 --> 00:42:40,109
ADDED TRIM AROUND HERE.

1305
00:42:40,110 --> 00:42:44,400
THE WINDOWS REALLY PUNCH OPEN.

1306
00:42:44,401 --> 00:42:48,849
WE'RE SHOWING THE SCONCES.

1307
00:42:48,849 --> 00:42:51,063
SOME OF THE DETAIL OF THE

1308
00:42:51,066 --> 00:42:52,542
ARCHITECTURAL TILE SHOW THROUGH

1309
00:42:52,544 --> 00:42:53,651
AT THE GABLES.

1310
00:42:53,652 --> 00:42:55,840
AGAIN, JUST BROUGHT UP SOME OF

1311
00:42:55,840 --> 00:42:57,296
THE VERTICAL ELEMENTS HERE.

1312
00:42:57,298 --> 00:43:00,634
AT THE EAST ELEVATION, YOU CAN

1313
00:43:00,635 --> 00:43:04,527
SEE WE REALLY BROUGHT MORE OF A

1314
00:43:04,528 --> 00:43:06,752
RESIDENTIAL STYLE OF VERTICAL

1315
00:43:06,753 --> 00:43:07,309
ARTICULATION.

1316
00:43:07,309 --> 00:43:10,151
WE ENHANCED THE DETAILS AT THE

1317
00:43:10,151 --> 00:43:12,520
BASE OF THIS CORNER BALCONY

1318
00:43:12,522 --> 00:43:14,887
FEATURE ELEMENT HERE AND TRIM

1319
00:43:14,887 --> 00:43:16,308
AROUND THE ARCHES.

1320
00:43:16,310 --> 00:43:24,094
YOU CAN SEE THE BRACKETS AT THE

1321
00:43:24,097 --> 00:43:25,209
ROOFLINE.

1322
00:43:25,209 --> 00:43:28,964
OVERALL, A LOT LESS REPETITION

1323
00:43:28,965 --> 00:43:33,471
THAN WE HAD FROM BEFORE AND

1324
00:43:33,473 --> 00:43:36,477
HAVING VARIED DESIGN ELEMENTS.

1325
00:43:36,478 --> 00:43:38,584
>>Al Paivandy: I LIKE IT SO

1326
00:43:38,584 --> 00:43:40,690
MUCH, EVEN THE CLOUD IN SOUTH

1327
00:43:40,691 --> 00:43:41,744
FLORIDA LOOK BETTER.

1328
00:43:41,744 --> 00:43:44,006
>> THE CLOUDS LOOK BETTER, ALL

1329
00:43:44,009 --> 00:43:44,386
RIGHT.

1330
00:43:44,386 --> 00:43:51,057
HERE IS THE ELEVATION BEFORE AND

1331
00:43:51,057 --> 00:43:53,281
THEN AFTER.

1332
00:43:53,282 --> 00:43:55,560
THIS WAS THE MOST EGREGIOUS

1333
00:43:55,562 --> 00:43:57,840
ELEVATION FROM LAST TIME, I

1334
00:43:57,844 --> 00:43:59,668
THINK THE COMMENT WAS.

1335
00:43:59,669 --> 00:44:01,523
IT LOOKED LIKE A TRAIN OF

1336
00:44:01,524 --> 00:44:03,069
WINDOWS, AND WE WORKED REALLY

1337
00:44:03,069 --> 00:44:04,305
HARD ON THIS ONE.

1338
00:44:04,306 --> 00:44:05,638
VARIED THE WINDOWS.

1339
00:44:05,638 --> 00:44:08,218
WE PUSHED FORWARD THE

1340
00:44:08,220 --> 00:44:10,800
PROJECTIONS AND THE VERTICAL.

1341
00:44:10,802 --> 00:44:11,557
>> IT'S A HUGE DIFFERENCE.

1342
00:44:11,558 --> 00:44:14,556
>> ROUNDED OUT SOME OF THE

1343
00:44:14,556 --> 00:44:15,056
WINDOWS.

1344
00:44:15,058 --> 00:44:17,166
THIS PARTICULAR PART OF THE

1345
00:44:17,166 --> 00:44:18,852
BUILDING DOES NOT HAVE

1346
00:44:18,853 --> 00:44:20,963
BALCONIES, BUT WE MADE AN

1347
00:44:20,963 --> 00:44:23,495
ATTEMPT TO MAKE THE DESIGN MORE

1348
00:44:23,495 --> 00:44:25,182
COHESIVE BY INTRODUCING SOME

1349
00:44:25,182 --> 00:44:26,448
JULIET BALCONIES SCATTERED

1350
00:44:26,449 --> 00:44:27,292
THROUGHOUT THERE.

1351
00:44:27,292 --> 00:44:31,282
YOU CAN SEE THE TRIM IS AROUND

1352
00:44:31,284 --> 00:44:34,134
THE MAJORITY OF THE WINDOWS

1353
00:44:34,135 --> 00:44:36,415
ADDING SOME ADDITIONAL CONTRAST,

1354
00:44:36,416 --> 00:44:36,986
SHUTTERS.

1355
00:44:36,986 --> 00:44:41,612
THE OLD ELEVATION AND THEN THE

1356
00:44:41,612 --> 00:44:43,154
NEW ELEVATION.

1357
00:44:43,154 --> 00:44:45,182
>>James Tatooles: JUST LOOKING

1358
00:44:45,182 --> 00:44:48,224
AT THAT IMAGE, THE BUILDING ON

1359
00:44:48,225 --> 00:44:51,267
THE TOP LOOKS SO DARK AND

1360
00:44:51,268 --> 00:44:51,775
DISMAL.

1361
00:44:51,775 --> 00:44:53,195
>>Michael Sheeley:

1362
00:44:53,195 --> 00:44:53,196
INSTITUTIONAL.

1363
00:44:53,196 --> 00:44:54,926
>>James Tatooles: AND LOOK AT

1364
00:44:54,927 --> 00:44:57,003
HOW IT HAS LIVENED UP AND

1365
00:44:57,004 --> 00:44:58,734
BRIGHTENED UP, LOOKING LIKE IT

1366
00:44:58,735 --> 00:45:00,465
IS CHEERFUL COMPARED TO THE

1367
00:45:00,466 --> 00:45:01,850
DISMAL ONE UP ABOVE.

1368
00:45:01,851 --> 00:45:03,990
I THINK THERE'S BEEN A DRAMATIC

1369
00:45:03,990 --> 00:45:06,130
CHANGE IN YOUR APPROACH HERE AND

1370
00:45:06,132 --> 00:45:07,200
I APPRECIATE IT.

1371
00:45:07,201 --> 00:45:10,242
>> THANK YOU.

1372
00:45:10,244 --> 00:45:11,732
THE REAR HERE, WE APPLIED ALL

1373
00:45:11,734 --> 00:45:13,222
THE SAME ELEMENTS ALL THE WAY

1374
00:45:13,224 --> 00:45:14,464
AROUND THE BUILDING AND THEN

1375
00:45:14,466 --> 00:45:15,954
ALSO A FOCUS AND ATTENTION ON

1376
00:45:15,956 --> 00:45:16,452
THE GARAGES.

1377
00:45:16,453 --> 00:45:19,018
WE ADDED SOME COLOR, SOME

1378
00:45:19,019 --> 00:45:22,097
SHUTTERS AT THE END, AND THEN

1379
00:45:22,099 --> 00:45:25,690
BROKE UP THE ROOF LINE BY ADDING

1380
00:45:25,692 --> 00:45:28,257
GABLES AND BOOSTED HIPS AND

1381
00:45:28,258 --> 00:45:30,310
BRACKETS AND SO ON.

1382
00:45:30,311 --> 00:45:33,086
AT THE POOL, WE WANTED TO MAKE

1383
00:45:33,086 --> 00:45:35,466
SURE THAT THE INTENT WAS VERY

1384
00:45:35,469 --> 00:45:37,444
CLEAR HERE ON THE SHADING.

1385
00:45:37,448 --> 00:45:38,793
OUTDOOR AMENITY, THERE'S LOTS OF

1386
00:45:38,795 --> 00:45:39,333
SHADE HERE.

1387
00:45:39,334 --> 00:45:41,743
TWO SCREENED IN ENCLOSURES RIGHT

1388
00:45:41,743 --> 00:45:44,634
HERE AND THE ONE TUCKED BACK

1389
00:45:44,634 --> 00:45:45,597
OVER HERE.

1390
00:45:45,598 --> 00:45:47,747
WE'RE SHOWING NOW THE SHADE

1391
00:45:47,748 --> 00:45:49,897
STRUCTURE THAT'S ON THE POOL

1392
00:45:49,900 --> 00:45:50,330
DECK.

1393
00:45:50,330 --> 00:45:53,205
16-FOOT BY 16-FOOT FIELD BUILT

1394
00:45:53,207 --> 00:45:56,657
PAVILION, IF YOU WILL, WITH A

1395
00:45:56,659 --> 00:45:58,384
MATCHING TILE ROOF.

1396
00:45:58,385 --> 00:46:00,504
WE'RE SHOWING THE POOL

1397
00:46:00,504 --> 00:46:01,034
UMBRELLAS.

1398
00:46:01,035 --> 00:46:04,464
WE HAVE SOME SHADE SAILS AT THE

1399
00:46:04,465 --> 00:46:05,934
BOCCE BALL AREA.

1400
00:46:05,936 --> 00:46:09,546
OVERALL, THIS WILL BE ADDING TO

1401
00:46:09,546 --> 00:46:13,758
THE LIFE OF THE COMMUNITY AS A

1402
00:46:13,759 --> 00:46:16,764
GREAT PLACE TO SOCIALIZE AND

1403
00:46:16,764 --> 00:46:18,569
PARTICIPATE IN VARIOUS

1404
00:46:18,571 --> 00:46:22,181
ACTIVITIES AS WELL AS COOL DOWN

1405
00:46:22,181 --> 00:46:23,987
IN THE POOL.

1406
00:46:23,990 --> 00:46:25,579
OVERALL, JUST ADDED DETAILS

1407
00:46:25,579 --> 00:46:25,976
HERE.

1408
00:46:25,976 --> 00:46:30,482
LEVELS OF COPING AND BASE TRIM.

1409
00:46:30,482 --> 00:46:32,602
SOME GABLES THAT WEREN'T THERE

1410
00:46:32,603 --> 00:46:33,027
BEFORE.

1411
00:46:33,030 --> 00:46:37,444
THE VERTICAL EXPRESSION IS MORE

1412
00:46:37,444 --> 00:46:38,327
PROMINENT.

1413
00:46:38,328 --> 00:46:41,470
MORE RESIDENTIAL READING THAN

1414
00:46:41,471 --> 00:46:42,257
INSTITUTIONAL.

1415
00:46:42,258 --> 00:46:44,505
THIS IS THE OLD GARAGE AND THEN

1416
00:46:44,506 --> 00:46:45,469
THE NEW GARAGE.

1417
00:46:45,469 --> 00:46:46,785
WE CHANGED SOME COLORS.

1418
00:46:46,785 --> 00:46:49,425
WE BOOSTED THE CENTER MAST

1419
00:46:49,427 --> 00:46:49,955
THERE.

1420
00:46:49,955 --> 00:46:52,411
IT HAD A COUPLE OF -- ADDED A

1421
00:46:52,411 --> 00:46:54,165
COUPLE OF DECORATIVE GABLES AS

1422
00:46:54,166 --> 00:46:54,516
WELL.

1423
00:46:54,737 --> 00:47:00,322
SIMILAR WITH THE OTHER GARAGE.

1424
00:47:00,323 --> 00:47:01,977
REALLY NO CHANGE ON THE TRASH

1425
00:47:01,977 --> 00:47:02,253
COMPACTOR.

1426
00:47:02,255 --> 00:47:05,311
I THINK WE CHANGED THE DOOR

1427
00:47:05,311 --> 00:47:06,330
COLOR ONLY.

1428
00:47:06,332 --> 00:47:07,992
AND THEN THE SAME WITH THE

1429
00:47:07,992 --> 00:47:08,546
MONUMENT SIGN.

1430
00:47:08,548 --> 00:47:11,842
NO CHANGE THERE.

1431
00:47:11,844 --> 00:47:13,412
THAT'S IT FOR ARCHITECTURAL.

1432
00:47:13,413 --> 00:47:14,823
HAPPY TO ANSWER ANY QUESTIONS.

1433
00:47:14,823 --> 00:47:16,352
>>Michael Sheeley: WELL DONE,

1434
00:47:16,352 --> 00:47:18,648
AND WE THANK YOU FOR LISTENING.

1435
00:47:18,649 --> 00:47:21,258
I THINK THIS BOARD HAS EARNED

1436
00:47:21,258 --> 00:47:22,128
ITS SALARY.

1437
00:47:22,129 --> 00:47:25,145
[ LAUGHTER ]

1438
00:47:25,146 --> 00:47:27,050
GREATLY BY YOUR IMPROVEMENTS.

1439
00:47:27,052 --> 00:47:27,972
I HOPE YOU AGREE THE

1440
00:47:27,972 --> 00:47:28,892
IMPROVEMENTS ARE REALLY GOOD FOR

1441
00:47:28,893 --> 00:47:29,261
THE PROJECT.

1442
00:47:29,261 --> 00:47:32,829
>> YEAH, IT WAS A GOOD

1443
00:47:32,829 --> 00:47:33,424
EXPERIENCE.

1444
00:47:33,426 --> 00:47:35,596
I'M HAPPY THAT THE CLIENT IS

1445
00:47:35,597 --> 00:47:38,129
ALSO HAPPY WITH IT AND YOU GUYS

1446
00:47:38,133 --> 00:47:39,943
ARE SEEMINGLY APPROVING OF IT.

1447
00:47:39,944 --> 00:47:44,204
>>Michael Sheeley: THANK YOU.

1448
00:47:44,204 --> 00:47:45,377
>>Al Paivandy: I'LL TAKE THE

1449
00:47:45,377 --> 00:47:47,021
PLANS HOME AND SEE IF MY WIFE

1450
00:47:47,022 --> 00:47:48,197
WOULD AGREE TO MOVE IN.

1451
00:47:48,197 --> 00:47:50,947
>> WE'LL TAKE RESERVATIONS.

1452
00:47:50,950 --> 00:47:52,345
>>Kristin Jeannin: IS THERE A

1453
00:47:52,346 --> 00:47:53,462
LANDSCAPE PRESENTATION AT ALL?

1454
00:47:53,462 --> 00:47:57,548
>> TODAY WAS JUST FOCUSING ON

1455
00:47:57,549 --> 00:47:58,911
THE ARCHITECTURAL.

1456
00:47:58,911 --> 00:48:01,282
>>Michael Sheeley: ANY OTHER

1457
00:48:01,282 --> 00:48:03,061
QUESTIONS OR COMMENTS?

1458
00:48:03,062 --> 00:48:04,570
>>James Tatooles: ANOTHER

1459
00:48:04,571 --> 00:48:05,073
COMMENT.

1460
00:48:05,074 --> 00:48:07,013
I THINK THAT IT'S GOOD WHEN YOU

1461
00:48:07,015 --> 00:48:08,400
CAN MAKE THE BUILDING REFLECT

1462
00:48:08,402 --> 00:48:10,341
WHAT THE USE OF THE BUILDING IS.

1463
00:48:10,343 --> 00:48:11,330
BEFORE IT DIDN'T.

1464
00:48:11,330 --> 00:48:13,838
IT JUST LOOKED LIKE A STRUCTURE.

1465
00:48:13,838 --> 00:48:17,597
AND NOW IT LOOKS MORE LIKE A

1466
00:48:17,597 --> 00:48:20,281
USEFUL BUILDING RATHER THAN JUST

1467
00:48:20,281 --> 00:48:21,354
A STRUCTURE.

1468
00:48:21,355 --> 00:48:23,031
>>Michael Sheeley: ANYTHING

1469
00:48:23,031 --> 00:48:23,590
ELSE?

1470
00:48:23,591 --> 00:48:27,727
THANK YOU.

1471
00:48:27,727 --> 00:48:29,367
>> [INAUDIBLE]

1472
00:48:29,367 --> 00:48:30,821
>>Michael Sheeley: THE TRIM

1473
00:48:30,821 --> 00:48:32,277
COLOR HELPED OUT THERE.

1474
00:48:32,279 --> 00:48:33,905
THANKS VERY MUCH.

1475
00:48:33,905 --> 00:48:35,372
ANY CARDS FROM THE PUBLIC,

1476
00:48:35,372 --> 00:48:35,666
TAMMY?

1477
00:48:35,668 --> 00:48:37,205
>>Tammy Duran: NO, WE DON'T HAVE

1478
00:48:37,205 --> 00:48:37,462
ANYTHING.

1479
00:48:37,465 --> 00:48:39,990
>>Michael Sheeley: ANYONE HERE

1480
00:48:39,990 --> 00:48:43,147
WISH TO SPEAK ON THIS?

1481
00:48:43,150 --> 00:48:44,480
SEEING NONE, WE'LL CLOSE THE

1482
00:48:44,482 --> 00:48:45,014
PUBLIC HEARING.

1483
00:48:45,015 --> 00:48:50,804
WE THANK YOU FOR THE

1484
00:48:50,804 --> 00:48:51,962
PRESENTATION.

1485
00:48:51,963 --> 00:49:16,347
NEXT UP IS ITEM 7B,

1486
00:49:16,348 --> 00:49:30,978
WOODFIELD/COCONUT POINT, CPD.

1487
00:49:43,957 --> 00:49:44,554
>> GOOD EVENING.

1488
00:49:44,554 --> 00:49:46,717
FOR THE RECORD, MICHAEL MANNING,

1489
00:49:46,717 --> 00:49:48,447
ASSISTANT VILLAGE MANAGER AND

1490
00:49:48,448 --> 00:49:49,742
ASSISTANT COMMUNITY DEVELOPMENT

1491
00:49:49,742 --> 00:49:50,174
DIRECTOR.

1492
00:49:50,177 --> 00:49:52,520
THE NEXT ITEM ON THE AGENDA IS

1493
00:49:52,520 --> 00:49:53,859
PUBLIC INFORMATION MEETING FOR

1494
00:49:53,860 --> 00:49:54,194
WOODFIELD.

1495
00:49:54,195 --> 00:49:55,199
THE APPROXIMATELY 46-ACRE

1496
00:49:55,200 --> 00:49:56,874
PROPERTY IS LOCATED AT THE

1497
00:49:56,877 --> 00:49:58,217
NORTHWEST CORNER OF TAMIAMI

1498
00:49:58,218 --> 00:49:59,893
TRAIL AND COCONUT ROAD ACROSS

1499
00:49:59,895 --> 00:50:01,570
THE STREET FROM COCONUT POINT

1500
00:50:01,572 --> 00:50:01,907
MALL.

1501
00:50:01,907 --> 00:50:03,767
THE APPLICANT IS HERE TONIGHT TO

1502
00:50:03,769 --> 00:50:05,319
REVIEW A PROPOSED AMENDMENT TO

1503
00:50:05,322 --> 00:50:07,182
THE MASTER CONCEPT PLAN TO ALLOW

1504
00:50:07,184 --> 00:50:08,734
FOR COMMERCIAL USES ON BLOCK

1505
00:50:08,736 --> 00:50:10,286
ONE, WHICH IS THE NORTHEAST

1506
00:50:10,288 --> 00:50:11,838
CORNER OF THE SITE, ELIMINATE

1507
00:50:11,840 --> 00:50:13,390
THE MAXIMUM NUMBER OF STORIES

1508
00:50:13,392 --> 00:50:14,322
WITHOUT INCREASING OVERALL

1509
00:50:14,324 --> 00:50:15,874
HEIGHT AND ADDING A DEVIATION

1510
00:50:15,876 --> 00:50:17,426
RELATING TO PARKING ON BLOCKS

1511
00:50:17,428 --> 00:50:18,358
ONE AND EIGHT.

1512
00:50:18,359 --> 00:50:20,329
DESIGN FOR BLOCK ONE CURRENTLY

1513
00:50:20,331 --> 00:50:21,513
INCLUDES TOWNHOMES, MULTIFAMILY

1514
00:50:21,514 --> 00:50:23,090
UNITS AND NEIGHBORHOOD PARK.

1515
00:50:23,092 --> 00:50:24,467
UNDER THE PROPOSED CHANGE, THE

1516
00:50:24,469 --> 00:50:25,569
TOWNHOMES AND MULTIFAMILY UNITS

1517
00:50:25,571 --> 00:50:27,221
WOULD BE REPLACED WITH A SURFACE

1518
00:50:27,224 --> 00:50:27,774
PARKING LOT.

1519
00:50:27,775 --> 00:50:29,759
WHILE THE EXISTING PROPOSED

1520
00:50:29,760 --> 00:50:31,744
NEIGHBORHOOD PARK WOULD REMAIN.

1521
00:50:31,744 --> 00:50:33,089
BLOCK 8 CURRENTLY CALLS FOR

1522
00:50:33,089 --> 00:50:33,896
PARKING GARAGE, OFFICE,

1523
00:50:33,896 --> 00:50:35,240
COMMERCIAL USES WHICH WOULD BE

1524
00:50:35,240 --> 00:50:36,584
REPLACED WITH A GROCERY STORE.

1525
00:50:36,585 --> 00:50:38,200
PLEASE NOTE THAT BOARD MEMBER

1526
00:50:38,202 --> 00:50:39,817
JIM WALLACE PROVIDED COMMENTS IN

1527
00:50:39,820 --> 00:50:41,112
ADVANCE OF THE MEETING.

1528
00:50:41,114 --> 00:50:44,941
WITH THAT, I'LL TURN IT OVER TO

1529
00:50:44,941 --> 00:50:47,675
THE APPLICANT TO BEGIN THE

1530
00:50:47,676 --> 00:50:48,222
PRESENTATION.

1531
00:50:48,222 --> 00:50:49,982
>>Michael Sheeley: THANK YOU.

1532
00:50:49,983 --> 00:50:50,611
>> HELLO.

1533
00:50:50,611 --> 00:50:54,343
GOOD TO SEE YOU ALL AGAIN.

1534
00:50:54,345 --> 00:50:56,995
I'M ROSS ABRAMSON WITH WOODFIELD

1535
00:50:56,997 --> 00:50:57,527
DEVELOPMENT.

1536
00:50:57,527 --> 00:51:00,917
I'LL TAKE YOU THROUGH A BIT --

1537
00:51:00,918 --> 00:51:02,580
>>James Tatooles: WE HAVE THE

1538
00:51:02,580 --> 00:51:04,244
SAME PROBLEM WITH THE MICROPHONE

1539
00:51:04,247 --> 00:51:05,575
BEING TOO FAR AWAY.

1540
00:51:05,575 --> 00:51:13,594
>>Tammy Duran: YOU CAN PUT IT ON

1541
00:51:13,596 --> 00:51:15,887
THE LEDGE.

1542
00:51:15,889 --> 00:51:26,598
>> HOW DO I SCAN THROUGH THE

1543
00:51:26,598 --> 00:51:28,128
PRESENTATION?

1544
00:51:28,129 --> 00:51:32,655
[PHONE RINGING]

1545
00:51:32,657 --> 00:51:33,437
>> WE HAVE TO GO.

1546
00:51:33,437 --> 00:51:40,217
[ LAUGHTER ]

1547
00:51:40,217 --> 00:51:41,231
>> OKAY.

1548
00:51:41,231 --> 00:51:44,570
TO JUST TOUCH ON THE LOCATION,

1549
00:51:44,570 --> 00:51:47,910
THIS IS ON THE INTERSECTION OF

1550
00:51:47,912 --> 00:51:51,249
U.S. 41 AND COCONUT ROAD ACROSS

1551
00:51:51,249 --> 00:51:54,034
THE STREET FROM THE COCONUT

1552
00:51:54,035 --> 00:51:55,149
POINT MALL.

1553
00:51:55,150 --> 00:52:21,362
THIS THING ISN'T WORKING.

1554
00:52:21,363 --> 00:52:21,709
OKAY.

1555
00:52:21,709 --> 00:52:25,108
SO THE AMENDMENT AS EXPLAINED,

1556
00:52:25,108 --> 00:52:27,828
WE'RE MAINTAINING THE EXISTING

1557
00:52:27,828 --> 00:52:30,547
APPROVED HEIGHTS -- THE BUILDING

1558
00:52:30,547 --> 00:52:33,265
IS AT 45 FEET.

1559
00:52:33,297 --> 00:52:35,451
THREE STORY LIMITATION AND

1560
00:52:35,451 --> 00:52:38,145
MEDIAING THE MASTER CONCEPT PLAN

1561
00:52:38,147 --> 00:52:40,296
TO ADD COMMERCIAL -- I'LL

1562
00:52:40,296 --> 00:52:41,372
EXPLAIN IT.

1563
00:52:41,502 --> 00:52:42,770
KIND OF MAKES SENSE.

1564
00:52:42,770 --> 00:52:46,662
IT WOULD BE THE PARKING LOT FOR

1565
00:52:46,662 --> 00:52:48,886
THE ADJACENT COMMERCIAL SPACE.

1566
00:52:48,886 --> 00:52:51,091
THIS IS THE OLD ONE.

1567
00:52:51,091 --> 00:52:53,912
CAN WE PULL UP THE ONE THAT WAS

1568
00:52:53,912 --> 00:52:54,970
SENT TO MARY?

1569
00:52:54,972 --> 00:53:06,744
>>Tammy Duran: THAT WAS THE ONE

1570
00:53:06,745 --> 00:53:14,593
SENT TO MARY TODAY.

1571
00:53:14,593 --> 00:53:43,575
THE LAST ONE I GOT WAS AT LIKE

1572
00:53:43,575 --> 00:53:47,198
11.

1573
00:53:51,341 --> 00:53:53,153
>> TAMMY, TELL SOME JOKES WHILE

1574
00:53:53,155 --> 00:53:53,759
WE'RE WAITING.

1575
00:53:53,759 --> 00:53:56,039
[ LAUGHTER ]

1576
00:53:56,039 --> 00:53:57,328
>>Kristin Jeannin: DO YOU WANT

1577
00:53:57,328 --> 00:53:58,875
TO TAKE A FIVE-MINUTE RECESS TO

1578
00:53:58,875 --> 00:54:00,164
HAVE THEM WORK IT OUT?

1579
00:54:00,165 --> 00:54:04,415
IT WILL PROBABLY TAKE A MINUTE.

1580
00:54:04,415 --> 00:54:11,925
TAKE SOME PRESSURE OFF THEM.

1581
00:54:11,925 --> 00:54:22,635
>>Michael Sheeley: SHE'S PUTTING

1582
00:54:22,637 --> 00:54:38,703
IT ON A FLASH DRIVE NOW.

1583
00:54:38,708 --> 00:54:40,038
>> EVERYTHING WENT REALLY

1584
00:54:40,038 --> 00:54:42,036
SMOOTHLY UP UNTIL WE GOT UP

1585
00:54:42,038 --> 00:54:42,366
HERE.

1586
00:54:42,366 --> 00:54:44,346
>>Michael Sheeley: NO PROBLEM.

1587
00:54:44,346 --> 00:55:04,985
ON THE RADIO, THEY CALL THIS

1588
00:55:04,988 --> 00:55:11,867
DEAD AIR.

1589
00:55:11,869 --> 00:55:13,771
DO SOME KARAOKE.

1590
00:55:13,771 --> 00:55:24,499
>> LOOKING GOOD NOW.

1591
00:55:24,499 --> 00:55:25,473
>> THANK YOU, GUYS.

1592
00:55:25,474 --> 00:55:26,449
SORRY ABOUT THAT.

1593
00:55:26,449 --> 00:55:28,332
>> NO PROBLEM.

1594
00:55:28,333 --> 00:55:29,819
>>Michael Sheeley: YOU'RE UNDER

1595
00:55:29,819 --> 00:55:31,304
CONSTRUCTION NOW, I SEE.

1596
00:55:31,306 --> 00:55:33,088
>> YEAH, ABSOLUTELY.

1597
00:55:33,088 --> 00:55:34,657
SO LOCATION, WE'RE GOOD WITH

1598
00:55:34,657 --> 00:55:34,971
THAT.

1599
00:55:34,972 --> 00:55:36,615
I WANT TO TAKE A STEP BACK AND

1600
00:55:36,615 --> 00:55:38,055
KIND OF GO THROUGH A LITTLE BIT

1601
00:55:38,058 --> 00:55:39,290
OF THE HISTORY OF THE SITE.

1602
00:55:39,291 --> 00:55:41,861
IN JULY OF '23, THE ZONING WAS

1603
00:55:41,862 --> 00:55:43,332
APPROVED FOR THE PROJECT.

1604
00:55:43,336 --> 00:55:45,466
THAT OUTLINED THE MASTER PLAN

1605
00:55:45,468 --> 00:55:47,172
INFRASTRUCTURE, THE LOTS, THE

1606
00:55:47,174 --> 00:55:49,730
BLOCKS, THE PARKS AND ALSO THE

1607
00:55:49,732 --> 00:55:52,288
DENSITY OF THE SITE, THE MAXIMUM

1608
00:55:52,290 --> 00:55:54,420
NUMBER OF APARTMENTS, OF OFFICE,

1609
00:55:54,422 --> 00:55:56,126
OF RETAIL, OF HOTEL.

1610
00:55:56,128 --> 00:55:58,252
AND THAT'S IMPORTANT TO NOTE

1611
00:55:58,252 --> 00:56:00,376
BECAUSE WE'RE NOT REQUESTING ANY

1612
00:56:00,377 --> 00:56:02,074
AMENDMENTS TO THE DENSITIES

1613
00:56:02,074 --> 00:56:04,198
ALREADY APPROVED ON THE SITE,

1614
00:56:04,198 --> 00:56:06,323
THE HEIGHTS OF THE BUILDINGS.

1615
00:56:06,324 --> 00:56:08,862
IT'S SIMPLY A LITTLE BIT OF A

1616
00:56:08,862 --> 00:56:10,676
RESTRUCTURING OF WHERE SOME OF

1617
00:56:10,677 --> 00:56:12,855
THOSE USES GO WITHIN THE ALREADY

1618
00:56:12,855 --> 00:56:13,581
APPROVED SITE.

1619
00:56:13,582 --> 00:56:16,373
AND THEN THE AREA IN THE KIND OF

1620
00:56:16,373 --> 00:56:18,117
BOTTOM RIGHT HAND CORNER, THAT

1621
00:56:18,118 --> 00:56:19,863
WAS THE FIRST DEVELOPMENT ORDER

1622
00:56:19,864 --> 00:56:21,609
THAT WAS APPROVED FOR THE

1623
00:56:21,609 --> 00:56:22,656
PROJECT LAST SUMMER.

1624
00:56:22,656 --> 00:56:24,816
WE STARTED CONSTRUCTION SHORTLY

1625
00:56:24,817 --> 00:56:25,357
THEREAFTER.

1626
00:56:25,357 --> 00:56:27,513
ABOUT A YEAR AGO NOW, AND WE'RE

1627
00:56:27,514 --> 00:56:29,054
LOOKING FORWARD TO MOVING IN

1628
00:56:29,054 --> 00:56:30,594
FIRST RESIDENTS SUMMER OF NEXT

1629
00:56:30,595 --> 00:56:30,903
YEAR.

1630
00:56:30,903 --> 00:56:32,790
CONSTRUCTION IS GOING ALONG

1631
00:56:32,790 --> 00:56:34,206
REALLY WELL THERE.

1632
00:56:34,207 --> 00:56:35,789
WE HAVE OUR LATEST AERIAL

1633
00:56:35,789 --> 00:56:37,056
CONSTRUCTION PHOTO, THIS IS

1634
00:56:37,058 --> 00:56:38,957
MAYBE A WEEK, TWO WEEKS AGO.

1635
00:56:38,957 --> 00:56:41,321
SO A LOT OF THE MASTER

1636
00:56:41,321 --> 00:56:43,293
INFRASTRUCTURE IS IN PLACE WITH

1637
00:56:43,296 --> 00:56:44,479
STORMWATER, WATER, SEWER.

1638
00:56:44,479 --> 00:56:47,562
THE LAKES ARE IN PLACE.

1639
00:56:47,563 --> 00:56:49,671
THE BUILDINGS ARE ALMOST ABOUT

1640
00:56:49,671 --> 00:56:50,515
TOPPED OUT.

1641
00:56:50,517 --> 00:56:51,946
STARTING WITH THE GARAGES.

1642
00:56:51,946 --> 00:56:53,859
WE JUST DROVE PAST THERE TODAY.

1643
00:56:53,861 --> 00:56:55,425
THEY ARE STARTING WITH THE

1644
00:56:55,425 --> 00:56:56,677
ROUNDABOUT ON COCONUT ROAD.

1645
00:56:56,678 --> 00:56:58,722
SO THAT WILL REALLY IMPROVE THAT

1646
00:56:58,723 --> 00:57:00,426
KIND OF EXPERIENCE ON COCONUT

1647
00:57:00,430 --> 00:57:00,771
THERE.

1648
00:57:00,771 --> 00:57:02,536
IT'S GOING TO LOOK GREAT.

1649
00:57:02,536 --> 00:57:04,489
NOW THAT WE'RE WELL UNDERWAY

1650
00:57:04,489 --> 00:57:06,443
WITH CONSTRUCTION OF THE FIRST

1651
00:57:06,444 --> 00:57:08,396
HALF OF THE PROJECT, WE'RE

1652
00:57:08,396 --> 00:57:10,740
STARTING TO MOVE OUR EFFORTS TO

1653
00:57:10,742 --> 00:57:12,303
THE REMAINING PORTIONS, REALLY

1654
00:57:12,303 --> 00:57:15,039
THE NORTH AND WEST PART OF THE

1655
00:57:15,039 --> 00:57:15,430
PROJECT.

1656
00:57:15,431 --> 00:57:18,008
ON THE LEFT-HAND SIDE, YOU COULD

1657
00:57:18,008 --> 00:57:20,586
SEE THE APPROVED SITE PLAN AND

1658
00:57:20,587 --> 00:57:22,731
THEN THE PROPOSED AMENDMENT ON

1659
00:57:22,731 --> 00:57:24,019
THE RIGHT-HAND SIDE.

1660
00:57:24,022 --> 00:57:25,952
ON THE LEFT-HAND SIDE, THE

1661
00:57:25,953 --> 00:57:28,269
APPROVED SITE PLAN, YOU CAN SEE

1662
00:57:28,270 --> 00:57:29,814
THE LARGEST GREEN BUILDING

1663
00:57:29,814 --> 00:57:31,358
THAT'S RUNNING EAST-WEST WAS

1664
00:57:31,359 --> 00:57:32,903
ORIGINALLY DESIGNED AS A

1665
00:57:32,903 --> 00:57:34,447
TWO-STORY COMMERCIAL AND OFFICE

1666
00:57:34,448 --> 00:57:34,834
BUILDING.

1667
00:57:34,834 --> 00:57:36,849
IT'S 20,000 SQUARE FEET OF

1668
00:57:36,849 --> 00:57:38,864
COMMERCIAL RETAIL SPACE ON THE

1669
00:57:38,865 --> 00:57:39,671
GROUND FLOOR.

1670
00:57:39,671 --> 00:57:41,116
20,000 SQUARE FEET OF OFFICE ON

1671
00:57:41,116 --> 00:57:41,839
THE SECOND FLOOR.

1672
00:57:41,840 --> 00:57:44,072
SO REALLY WHAT WE'RE PROPOSING

1673
00:57:44,072 --> 00:57:46,752
HERE IS KIND OF THAT GROUND

1674
00:57:46,753 --> 00:57:48,985
FLOOR RETAIL SPACE OF 20,000

1675
00:57:48,985 --> 00:57:51,218
SQUARE FEET, KIND OF BRINGING

1676
00:57:51,220 --> 00:57:53,451
THAT OVER TO WHAT WE'RE

1677
00:57:53,451 --> 00:57:56,131
PROPOSING AS A GROCERY STORE TO

1678
00:57:56,133 --> 00:57:57,026
ADD HERE.

1679
00:57:57,026 --> 00:57:58,691
AND THEN DROPPING THE OFFICE

1680
00:57:58,691 --> 00:58:00,689
BUILDING DOWN TO A SINGLE LEVEL

1681
00:58:00,689 --> 00:58:01,354
OFFICE BUILDING.

1682
00:58:01,354 --> 00:58:02,890
WE'RE NOT ADDING MUCH.

1683
00:58:02,890 --> 00:58:04,848
IT'S ABOUT 10,000 SQUARE FEET OF

1684
00:58:04,848 --> 00:58:05,501
COMMERCIAL SPACE.

1685
00:58:05,502 --> 00:58:07,961
STILL WITHIN THE PARAMETERS OF

1686
00:58:07,961 --> 00:58:10,420
THE APPROVED DENSITY OF THE

1687
00:58:10,420 --> 00:58:10,911
PROJECT.

1688
00:58:10,912 --> 00:58:13,035
BUT WE HAVE NOW SIGNED AN

1689
00:58:13,036 --> 00:58:14,805
AGREEMENT -- WE CAN'T SAY THE

1690
00:58:14,807 --> 00:58:17,285
NAME OF THE GROCER, BUT IT'S A

1691
00:58:17,287 --> 00:58:18,349
NATIONAL ORGANIC GROCER.

1692
00:58:18,444 --> 00:58:19,191
WE'LL SAY THAT.

1693
00:58:19,191 --> 00:58:21,176
SO THESE ARE THE AMENDMENTS THAT

1694
00:58:21,177 --> 00:58:23,162
WE NEED TO INCORPORATE THAT INTO

1695
00:58:23,164 --> 00:58:24,157
THE SITE PLAN.

1696
00:58:24,158 --> 00:58:26,216
SO WHEN WE FIRST STARTED WORKING

1697
00:58:26,217 --> 00:58:28,275
ON THE SITE PLAN, WE IMMEDIATELY

1698
00:58:28,277 --> 00:58:30,335
REACHED OUT TO DOVER, KOHL AND

1699
00:58:30,336 --> 00:58:32,394
PARTNERS WHO WERE ENGAGED BY LEE

1700
00:58:32,395 --> 00:58:34,796
HEALTH BEFORE US AND THEN BY US

1701
00:58:34,798 --> 00:58:36,856
TO DO REFINING THE MASTER PLAN

1702
00:58:36,857 --> 00:58:38,915
ARCHITECTURE, THE LAY OUT OF THE

1703
00:58:38,916 --> 00:58:40,288
LOTS, BLOCKS, AND PARKS.

1704
00:58:40,289 --> 00:58:43,193
WE GOT THEM INVOLVED WITH THIS

1705
00:58:43,195 --> 00:58:43,679
REDESIGN.

1706
00:58:43,679 --> 00:58:45,034
REALLY, THEY FOCUS ON TWO

1707
00:58:45,035 --> 00:58:45,306
THINGS.

1708
00:58:45,306 --> 00:58:48,017
NUMBER ONE IS THEY SAID MIXED

1709
00:58:48,017 --> 00:58:50,277
USE PROJECT LIKE THIS ALWAYS

1710
00:58:50,278 --> 00:58:52,536
BENEFITS FROM AN ANCHOR TENANT.

1711
00:58:52,536 --> 00:58:55,144
AND LEE HEALTH WHEN THEY WERE

1712
00:58:55,144 --> 00:58:57,318
PROPOSING THIS, THEY HAD A

1713
00:58:57,320 --> 00:58:59,057
MEDICAL WELLNESS VILLAGE OR

1714
00:58:59,057 --> 00:59:01,229
WELLNESS CENTER AND THEN A

1715
00:59:01,231 --> 00:59:03,405
PERFORMING ARTS CENTER AS PART

1716
00:59:03,405 --> 00:59:04,275
OF THAT.

1717
00:59:04,276 --> 00:59:06,748
HE SAID ADDING A GROCER OF THIS

1718
00:59:06,748 --> 00:59:08,516
CALIBER WOULD BE INCREDIBLE, NOT

1719
00:59:08,518 --> 00:59:10,638
ONLY TO AN AMENITY TO THE

1720
00:59:10,638 --> 00:59:12,052
PROJECT BUT THE SURROUNDING

1721
00:59:12,055 --> 00:59:14,176
NEIGHBORHOOD AND ALSO ADD TO THE

1722
00:59:14,176 --> 00:59:15,943
VIBRANCY AND THE EXPERIENCE THAT

1723
00:59:15,943 --> 00:59:18,065
WE'RE ALL TRYING TO CREATE HERE

1724
00:59:18,066 --> 00:59:19,127
IN THIS PROJECT.

1725
00:59:19,128 --> 00:59:21,363
SO WE ARE FULLY SUPPORTIVE OF

1726
00:59:21,366 --> 00:59:22,484
THAT USE HERE.

1727
00:59:22,487 --> 00:59:24,816
THE NEXT THING HE SAID WAS THE

1728
00:59:24,816 --> 00:59:26,481
MOST IMPORTANT THING IS KEEPING

1729
00:59:26,482 --> 00:59:27,811
THAT MASTER INFRASTRUCTURE IN

1730
00:59:27,811 --> 00:59:28,144
PLACE.

1731
00:59:28,145 --> 00:59:29,716
THOSE LOTS AND BLOCKS.

1732
00:59:29,717 --> 00:59:31,855
HE WAS VERY INTENTIONAL ABOUT

1733
00:59:31,855 --> 00:59:34,421
MAKING SURE THAT THEY WERE SMALL

1734
00:59:34,422 --> 00:59:35,701
BLOCKS, PEDESTRIAN ORIENTED,

1735
00:59:35,701 --> 00:59:37,411
VERY WALKABLE AND FRIENDLY.

1736
00:59:37,414 --> 00:59:40,809
SO THAT MAINTAINS THAT KIND OF

1737
00:59:40,809 --> 00:59:41,940
BLOCK DESIGN.

1738
00:59:41,941 --> 00:59:44,083
AS FAR AS SUSTAINABILITY FOR THE

1739
00:59:44,085 --> 00:59:45,870
FUTURE, SHOULD ANY USE BECOME

1740
00:59:45,871 --> 00:59:48,370
OBSOLETE OR JUST KIND OF NOT THE

1741
00:59:48,373 --> 00:59:50,515
HIGHEST AND BEST AT THAT TIME,

1742
00:59:50,516 --> 00:59:53,015
30, 50 YEARS FROM NOW, YOU CAN

1743
00:59:53,017 --> 00:59:54,802
SIMPLY REDEVELOP THE BLOCKS AS

1744
00:59:54,804 --> 00:59:56,589
NEEDED, BUT IT DOESN'T REALLY

1745
00:59:56,591 --> 00:59:58,733
AFFECT THE WHOLE MASTER PLAN AS

1746
00:59:58,734 --> 00:59:59,448
A WHOLE.

1747
00:59:59,449 --> 01:00:02,831
SO YOU STILL MAINTAIN THAT

1748
01:00:02,831 --> 01:00:03,508
FLEXIBILITY.

1749
01:00:03,511 --> 01:00:05,565
THE OTHER IMPORTANT ITEM TO NOTE

1750
01:00:05,565 --> 01:00:07,278
HERE IS BECAUSE THAT NORTHEAST

1751
01:00:07,281 --> 01:00:08,653
CORNER THAT ORIGINALLY WAS

1752
01:00:08,653 --> 01:00:10,711
APPROVED WITH A PARKING LOT IN

1753
01:00:10,711 --> 01:00:12,426
THE MIDDLE OF THE RESIDENTIAL

1754
01:00:12,426 --> 01:00:14,141
UNITS, WE WORKED WITH THE

1755
01:00:14,141 --> 01:00:16,199
VILLAGE AND WE AGREED TO AN

1756
01:00:16,199 --> 01:00:17,571
ENHANCED LANDSCAPE BUFFER THERE.

1757
01:00:17,571 --> 01:00:21,316
SO IN THAT AREA, IT'S 32 FEET

1758
01:00:21,316 --> 01:00:23,456
VERSUS THE STANDARD 20-FOOT

1759
01:00:23,456 --> 01:00:24,526
LANDSCAPE BUFFER.

1760
01:00:24,526 --> 01:00:26,861
WE ALREADY BUILT IN THAT

1761
01:00:26,862 --> 01:00:28,730
ENHANCED LANDSCAPE BUFFER THAT

1762
01:00:28,731 --> 01:00:30,132
WOULD BE MAINTAINED.

1763
01:00:30,132 --> 01:00:32,916
SO NO KIND OF AMENDMENTS OR

1764
01:00:32,917 --> 01:00:34,309
REDUCTION TO THAT.

1765
01:00:34,310 --> 01:00:35,690
>>Michael Sheeley: LET ME ASK.

1766
01:00:35,692 --> 01:00:38,662
THE NORTHEAST CORNER NOW ON YOUR

1767
01:00:38,664 --> 01:00:40,644
LEFT-HAND PLAN, THE APPROVED

1768
01:00:40,646 --> 01:00:43,616
SITE PLAN, FIVE GREEN BOXES WERE

1769
01:00:43,618 --> 01:00:44,608
BUILDING FOOTPRINTS.

1770
01:00:44,609 --> 01:00:44,804
>> THAT'S RIGHT.

1771
01:00:44,804 --> 01:00:46,892
>>Michael Sheeley: AND THEY WERE

1772
01:00:46,894 --> 01:00:47,312
RESIDENTIAL?

1773
01:00:47,313 --> 01:00:49,495
>> YEAH, THE LARGEST ONE WAS

1774
01:00:49,495 --> 01:00:51,314
THAT COMMERCIAL BUILDING THAT I

1775
01:00:51,315 --> 01:00:51,678
MENTIONED.

1776
01:00:51,679 --> 01:00:53,947
THE OTHER FIVE ARE ALL

1777
01:00:53,948 --> 01:00:54,402
RESIDENTIAL.

1778
01:00:54,403 --> 01:00:56,063
>>Michael Sheeley: THE BIGGEST

1779
01:00:56,063 --> 01:00:58,968
BLOCK THAT WE SEE TO THE SOUTH

1780
01:00:58,968 --> 01:01:01,042
OF THE GROUPING, YOU'RE NOW

1781
01:01:01,042 --> 01:01:02,701
SPLITTING INTO TWO FOOTPRINTS?

1782
01:01:02,702 --> 01:01:04,631
>> SO WHEN WE DROPPED DOWN THE

1783
01:01:04,631 --> 01:01:06,010
OFFICE BUILDING FROM THE SECOND

1784
01:01:06,012 --> 01:01:07,659
FLOOR TO THE GROUND FLOOR, IT

1785
01:01:07,659 --> 01:01:08,761
STILL MAINTAINS 20,000 SQUARE

1786
01:01:08,764 --> 01:01:10,142
FEET TOTAL, BUT TWO SEPARATE

1787
01:01:10,142 --> 01:01:11,794
BUILDINGS, SO WE HAVE A NICE

1788
01:01:11,795 --> 01:01:12,895
CORRIDOR IN THE MIDDLE.

1789
01:01:12,897 --> 01:01:13,584
>>Michael Sheeley: GOTCHA.

1790
01:01:13,584 --> 01:01:16,772
THANK YOU.

1791
01:01:16,773 --> 01:01:19,706
>> THEN WE WENT INTO A LITTLE

1792
01:01:19,709 --> 01:01:22,223
BIT OF THE CONCEPT DESIGN FOR

1793
01:01:22,226 --> 01:01:23,064
THE BUILDING.

1794
01:01:23,065 --> 01:01:25,267
AND THIS IS THE RENDERING OF THE

1795
01:01:25,267 --> 01:01:26,525
CURRENT PROJECT THAT'S UNDER

1796
01:01:26,528 --> 01:01:27,155
CONSTRUCTION HERE.

1797
01:01:27,155 --> 01:01:29,989
THIS IS THE MAIN CORNER ON 41

1798
01:01:29,992 --> 01:01:31,206
AND COCONUT ROAD.

1799
01:01:31,208 --> 01:01:33,803
THESE ARE THE DOUBLE HEIGHT

1800
01:01:33,805 --> 01:01:35,881
FEATURE RESTAURANTS THAT ARE

1801
01:01:35,882 --> 01:01:36,920
RIGHT THERE.

1802
01:01:36,921 --> 01:01:38,811
WE REALLY LOVE THE WAY THAT THIS

1803
01:01:38,813 --> 01:01:40,433
KIND OF FACADE AND DESIGN IS

1804
01:01:40,434 --> 01:01:40,974
SHAPING OUT.

1805
01:01:40,975 --> 01:01:43,127
THOSE ARCHED WINDOWS, DOUBLE

1806
01:01:43,127 --> 01:01:44,203
HEIGHT SPACE.

1807
01:01:44,203 --> 01:01:45,523
MINIMUM 20-FOOT CLEAR WITHIN

1808
01:01:45,523 --> 01:01:47,503
THOSE SPACES THAT WE REALLY HOPE

1809
01:01:47,503 --> 01:01:49,480
TO GET SOME GREAT RESTAURANTS IN

1810
01:01:49,480 --> 01:01:49,810
THERE.

1811
01:01:49,811 --> 01:01:52,419
SO WE TOOK SOME INSPIRATION FROM

1812
01:01:52,419 --> 01:01:54,592
THIS, THIS MAIN FEATURED CORNER,

1813
01:01:54,593 --> 01:01:57,197
AND WE IMPLEMENTED THAT INTO THE

1814
01:01:57,199 --> 01:01:59,374
GROCER AS A CONCEPT DESIGN.

1815
01:01:59,374 --> 01:02:02,240
THIS IS THE VIEWPOINT FROM 41

1816
01:02:02,242 --> 01:02:04,630
LOOKING AT THE GROCER BUILDING.

1817
01:02:04,634 --> 01:02:06,769
OBVIOUSLY, THE BIG BLANK SPACE

1818
01:02:06,771 --> 01:02:09,760
THERE WOULD HAVE A NAME PUT ON

1819
01:02:09,764 --> 01:02:12,326
THERE OF THE GROCER, BUT THIS

1820
01:02:12,329 --> 01:02:14,037
MAINTAINS THE LANDSCAPE BUFFER,

1821
01:02:14,039 --> 01:02:16,601
WHICH IS -- IT'S TWO ROWS OF

1822
01:02:16,604 --> 01:02:18,739
HEDGES, FOUR FOOT TALL AT

1823
01:02:18,741 --> 01:02:20,876
PLANTING, AND THEN TREES BEYOND

1824
01:02:20,879 --> 01:02:23,441
THAT LANDSCAPE HEDGE, AND WE HAD

1825
01:02:23,444 --> 01:02:25,152
TO WORK WITH FPL.

1826
01:02:25,469 --> 01:02:27,772
WE CAN'T DO CERTAIN TYPES OF

1827
01:02:27,772 --> 01:02:30,075
TREES BECAUSE THE FPL LINES ARE

1828
01:02:30,076 --> 01:02:30,459
THERE.

1829
01:02:30,459 --> 01:02:32,727
THIS IS ALL THE APPROVED

1830
01:02:32,727 --> 01:02:34,996
LANDSCAPE BUFFER THERE THAT ACT

1831
01:02:34,998 --> 01:02:37,715
AS A GREAT BUFFER TO THE

1832
01:02:37,715 --> 01:02:39,528
PARKING, BUT MAINTAIN VIEW

1833
01:02:39,531 --> 01:02:41,799
CORRIDORS OF THE GROCER THERE.

1834
01:02:41,799 --> 01:02:42,926
>>Kristin Jeannin: THERE ARE

1835
01:02:42,927 --> 01:02:44,054
POWER LINES OVER THIS?

1836
01:02:44,057 --> 01:02:46,607
>> THAT'S RIGHT.

1837
01:02:46,607 --> 01:02:48,707
>>Kristin Jeannin: I MEAN, IT'S

1838
01:02:48,707 --> 01:02:51,227
NICE TO HAVE THE BUFFER WIDTH,

1839
01:02:51,227 --> 01:02:53,747
BUT IT'S STILL A PARKING LOT

1840
01:02:53,748 --> 01:02:55,848
THAT NEEDS TO BE SCREENED.

1841
01:02:55,848 --> 01:02:57,020
REALLY DOESN'T MEAN -- WIDTH

1842
01:02:57,021 --> 01:02:58,193
REALLY DOESN'T MEAN ANYTHING

1843
01:02:58,195 --> 01:02:59,953
WHEN IT COMES TO TRYING TO

1844
01:02:59,955 --> 01:03:01,127
SCREEN A PARKING LOT.

1845
01:03:01,238 --> 01:03:04,234
I THINK JUST KEEP THAT IN MIND.

1846
01:03:04,235 --> 01:03:06,065
SORRY TO INTERJECT IN THE

1847
01:03:06,067 --> 01:03:06,433
MIDDLE.

1848
01:03:06,433 --> 01:03:07,861
>> NO, THAT'S FINE.

1849
01:03:07,861 --> 01:03:10,121
>>Michael Sheeley: LOOKS GOOD.

1850
01:03:10,123 --> 01:03:12,685
>> SO WHEN WE STARTED WORKING ON

1851
01:03:12,688 --> 01:03:14,884
THIS REVISION TO THE SITE PLAN,

1852
01:03:14,887 --> 01:03:17,083
WE MET WITH VILLAGE STAFF, AND

1853
01:03:17,086 --> 01:03:18,916
THEY BROUGHT UP THEIR BIGGEST

1854
01:03:18,919 --> 01:03:21,481
CONCERN WAS DUE TO SOME OF THE

1855
01:03:21,484 --> 01:03:22,216
TRAFFIC CIRCULATION.

1856
01:03:22,217 --> 01:03:24,637
SO THEIR BIGGEST CONCERN WAS

1857
01:03:24,637 --> 01:03:26,573
VEHICLES ENTERING AT THE

1858
01:03:26,573 --> 01:03:28,025
NORTHERN TRAFFIC LIGHT,

1859
01:03:28,025 --> 01:03:30,444
VANDENBERG WAY, CIRCLING KIND OF

1860
01:03:30,444 --> 01:03:33,832
ON THE WEST SIDE OF LYDEN AND

1861
01:03:33,832 --> 01:03:37,219
THEN GO DIRECTLY IN FRONT OF THE

1862
01:03:37,220 --> 01:03:38,187
GROCERY STORE.

1863
01:03:38,188 --> 01:03:39,397
THEY BROUGHT THAT UP AS A

1864
01:03:39,397 --> 01:03:39,599
CONCERN.

1865
01:03:39,602 --> 01:03:41,138
THEY DON'T WANT PEOPLE ENTERING

1866
01:03:41,138 --> 01:03:42,983
THE SITE HAVING TO GO THROUGH

1867
01:03:42,984 --> 01:03:44,832
THE FRONT OF THE GROCERY STORE.

1868
01:03:44,832 --> 01:03:47,200
WE REACHED BACK OUT TO DOVER,

1869
01:03:47,202 --> 01:03:49,175
KOHL AND ALSO THE TRAFFIC

1870
01:03:49,179 --> 01:03:50,759
ENGINEER PHERIN PIERCE WHO

1871
01:03:50,760 --> 01:03:53,130
WORKED WITH US ON THE PROJECT.

1872
01:03:53,132 --> 01:04:01,080
[PHONE RINGING]

1873
01:04:01,080 --> 01:04:03,687
I HAVE IT IN THE SLIDE AS WELL

1874
01:04:03,689 --> 01:04:05,970
BUT I WANTED TO READ A QUICK

1875
01:04:05,973 --> 01:04:07,929


1876
01:04:07,931 --> 01:04:09,887
TRAFFIC AND THEN GO INTO A

1877
01:04:09,888 --> 01:04:11,518
LITTLE MORE OF THE METHODOLOGY

1878
01:04:11,519 --> 01:04:12,171
FROM PIERCE.

1879
01:04:12,172 --> 01:04:13,581
VICTOR SAID I STRONGLY SUPPORT

1880
01:04:13,581 --> 01:04:15,273
THE IDEA OF ROUTEING A STREET

1881
01:04:15,273 --> 01:04:16,961
ALONG THE FRONT OF THE GROCERY

1882
01:04:16,961 --> 01:04:17,242
STORE.

1883
01:04:17,244 --> 01:04:18,725
IT SHOULD BE DESIGNED LIKE A

1884
01:04:18,725 --> 01:04:20,206
REAL STREET, NOT A MERE FIRE

1885
01:04:20,207 --> 01:04:20,453
LANE.

1886
01:04:20,453 --> 01:04:22,767
IT SHOULD HAVE STREET TREES,

1887
01:04:22,767 --> 01:04:25,081
LAMP POSTS, SIDEWALKS, DOORS AND

1888
01:04:25,082 --> 01:04:27,394
WINDOWS OPENING TOWARDS IT AND

1889
01:04:27,394 --> 01:04:27,856
CROSSWALKS.

1890
01:04:27,858 --> 01:04:30,128
THIS WILL INTEGRATE THAT STREET

1891
01:04:30,129 --> 01:04:31,945
WITH THE OVERALL CIRCULATION

1892
01:04:31,945 --> 01:04:33,761
NETWORK THROUGH THE DEVELOPMENT.

1893
01:04:33,762 --> 01:04:36,132
THE NETWORK WAS DESIGNED FOR

1894
01:04:36,132 --> 01:04:38,028
PEDESTRIAN CONTINUITY AND LOW

1895
01:04:38,028 --> 01:04:40,398
VEHICULAR SPEEDS TO CREATE A

1896
01:04:40,398 --> 01:04:42,294
SAFE, WALKABLE ENVIRONMENT FOR

1897
01:04:42,294 --> 01:04:44,190
BOTH VISITORS AND RESIDENTS.

1898
01:04:44,190 --> 01:04:47,200
SO VICTOR IS IN FULL SUPPORT OF

1899
01:04:47,201 --> 01:04:49,781
THIS AND HAVING THAT USE THERE.

1900
01:04:49,781 --> 01:04:52,386
NO CONCERN WITH HAVING VEHICLES

1901
01:04:52,386 --> 01:04:55,512
GOING IN FRONT OF THE GROCERY

1902
01:04:55,513 --> 01:04:56,034
STORE.

1903
01:04:56,034 --> 01:04:58,617
DIGGING INTO A LITTLE BIT MORE

1904
01:04:58,617 --> 01:05:00,341
OF THE TRAFFIC ANALYSIS.

1905
01:05:00,344 --> 01:05:02,621
SO THE FIRST THING PHERIN PIERCE

1906
01:05:02,621 --> 01:05:04,522
NOTED, MOST OF THE PEOPLE

1907
01:05:04,525 --> 01:05:06,427
TRAVELING THROUGH THE SITE WOULD

1908
01:05:06,427 --> 01:05:08,329
BE FREQUENT VISITORS TO THE

1909
01:05:08,331 --> 01:05:09,850
RESIDENTIAL UNITS, THE OFFICE,

1910
01:05:09,850 --> 01:05:12,134
AND SOME OF THE RETAIL STORES.

1911
01:05:12,137 --> 01:05:14,409
IT'S LIKELY THAT MANY OF THEM

1912
01:05:14,412 --> 01:05:16,684
WILL KNOW THE OPTIMAL ROUTE TO

1913
01:05:16,688 --> 01:05:19,341
GET TO WHERE THEY WANT TO GO.

1914
01:05:19,344 --> 01:05:20,639
PEOPLE LIVING HERE, COMING FROM

1915
01:05:20,641 --> 01:05:22,454
THE NORTH AND LIVE ON THE WEST

1916
01:05:22,457 --> 01:05:24,011
SIDE OF THE SITE, THERE'S STILL

1917
01:05:24,014 --> 01:05:25,568
AN ACCESS ROAD THAT GOES NORTH

1918
01:05:25,570 --> 01:05:27,124
OF THE GROCERY STORE, SO THEY

1919
01:05:27,127 --> 01:05:29,199
DON'T NEED TO GO IN FRONT OF THE

1920
01:05:29,202 --> 01:05:29,720
GROCERY STORE.

1921
01:05:29,721 --> 01:05:32,003
THEY ARE NOT GOING TO GO, RIGHT.

1922
01:05:32,003 --> 01:05:34,338
IF IT IS A REALLY SLOW KIND OF

1923
01:05:34,340 --> 01:05:35,799
AREA AND YOU'RE EXPECTING PEOPLE

1924
01:05:35,802 --> 01:05:37,846
TO BE CROSSING, IF YOU ARE A

1925
01:05:37,848 --> 01:05:39,308
RESIDENT COMING FROM THE NORTH,

1926
01:05:39,310 --> 01:05:41,062
YOU'LL KIND OF SCOOT BEHIND THE

1927
01:05:41,063 --> 01:05:42,815
GROCERY STORE AND GO TO THE

1928
01:05:42,817 --> 01:05:43,693
RESIDENTIAL UNITS THERE.

1929
01:05:43,694 --> 01:05:45,520
IF YOU ARE LIVING IN THE SOUTH

1930
01:05:45,520 --> 01:05:47,085
PORTION OF THE SITE, YOU'LL GO

1931
01:05:47,086 --> 01:05:48,909
IN PROBABLY TO THE MIDDLE OF THE

1932
01:05:48,909 --> 01:05:50,213
SITE THERE AND BYPASS THE

1933
01:05:50,214 --> 01:05:51,779
GROCERY OR YOU'LL GO DOWN TO

1934
01:05:51,779 --> 01:05:52,299
COCONUT ROAD.

1935
01:05:52,301 --> 01:05:54,483
SO REALLY THE MAJORITY OF THE

1936
01:05:54,483 --> 01:05:57,030
TRAFFIC GOING IN AND OUT OF THE

1937
01:05:57,030 --> 01:05:58,846
PROJECT IS ASSOCIATED WITH THE

1938
01:05:58,846 --> 01:05:59,573
RESIDENTIAL UNITS.

1939
01:05:59,575 --> 01:06:02,034
THEY ARE SAYING THAT THE

1940
01:06:02,034 --> 01:06:04,494
MAJORITY OF THAT WOULD REALLY

1941
01:06:04,495 --> 01:06:07,936
NOT -- NOT DRIVE IN FRONT OF THE

1942
01:06:07,936 --> 01:06:08,920
GROCERY STORE.

1943
01:06:08,922 --> 01:06:10,698
OBVIOUSLY, THE GROCERY STORE

1944
01:06:10,700 --> 01:06:12,920
TRAFFIC ITSELF, THEY ARE GOING

1945
01:06:12,922 --> 01:06:13,810
THERE INTENTIONALLY.

1946
01:06:13,811 --> 01:06:17,206
SO IT REALLY JUST LEAVES A BIT

1947
01:06:17,207 --> 01:06:20,117
OF THE OFFICE AND THE RETAIL

1948
01:06:20,118 --> 01:06:20,603
VISITORS.

1949
01:06:20,603 --> 01:06:22,431
AFTER LOOKING AT THE

1950
01:06:22,432 --> 01:06:23,803
NUMBERS,
PHERIN PIERCE MENTIONED

1951
01:06:23,804 --> 01:06:26,089
GIVEN THE MULTIPLE ROUTES AROUND

1952
01:06:26,090 --> 01:06:28,832
THE GROCERY STORE, THE NUMBER IS

1953
01:06:28,834 --> 01:06:31,576
EXPECTED TO BE WITHIN THE RANGE

1954
01:06:31,577 --> 01:06:34,319
OF ONE TO TWO NON-GROCERY STORE

1955
01:06:34,321 --> 01:06:36,606
TRIPS EVERY MINUTE DURING THE

1956
01:06:36,607 --> 01:06:39,349
PEAK HOURS, IN THE MORNING AND

1957
01:06:39,351 --> 01:06:39,808
EVENING.

1958
01:06:39,808 --> 01:06:42,306
YOU'RE TALKING EVERY 30 SECONDS

1959
01:06:42,306 --> 01:06:45,305
TO 60 SECONDS, A CAR DRIVING

1960
01:06:45,307 --> 01:06:46,304
PAST THERE.

1961
01:06:46,304 --> 01:06:47,848
THEY REALLY DON'T FEEL LIKE IT

1962
01:06:47,848 --> 01:06:49,136
IS A TRAFFIC OR PEDESTRIAN

1963
01:06:49,139 --> 01:06:49,652
SAFETY CONCERN.

1964
01:06:49,652 --> 01:06:52,434
THEN THEY ADDED A COUPLE OF

1965
01:06:52,434 --> 01:06:53,826
CONCLUSIONS AND RECOMMENDATIONS

1966
01:06:53,827 --> 01:06:56,611
TO ADD A RAISED CROSS WALK

1967
01:06:56,611 --> 01:06:58,931
BETWEEN THE GROCERY STORE AND

1968
01:06:58,931 --> 01:07:01,251
THE PARKING LOT, A HIGH

1969
01:07:01,252 --> 01:07:03,572
VISIBILITY CROSS WALK AND ALSO

1970
01:07:03,572 --> 01:07:05,428
ENSURE THE LIGHTING ILLUMINATES

1971
01:07:05,428 --> 01:07:08,212
THE PATH OF TRAVEL FROM THE

1972
01:07:08,212 --> 01:07:10,532
GROCERY STORE TO THE PARKING

1973
01:07:10,532 --> 01:07:10,996
LOT.

1974
01:07:10,996 --> 01:07:13,303
THIS IS GOING BACK INTO THE

1975
01:07:13,303 --> 01:07:15,227
AMENDMENT REQUEST AGAIN TO ALLOW

1976
01:07:15,230 --> 01:07:16,763
THAT COMMERCIAL SPACE BECAUSE

1977
01:07:16,763 --> 01:07:19,069
PREVIOUSLY IT WAS JUST THE TOWN

1978
01:07:19,071 --> 01:07:20,226
HOUSE AND RESIDENTIAL.

1979
01:07:20,227 --> 01:07:22,224
NOW TO MAKE IT THE PARKING LOT

1980
01:07:22,224 --> 01:07:24,223
FOR THE GROCER, IT NEEDS TO HAVE

1981
01:07:24,224 --> 01:07:25,654
A COMMERCIAL ASPECT TO IT.

1982
01:07:25,655 --> 01:07:29,423
AND THEN MAINTAINING THE MAXIMUM

1983
01:07:29,423 --> 01:07:33,945
45 FEET HEIGHT BUT REMOVING THE

1984
01:07:33,948 --> 01:07:35,456
THREE-STORY LIMITATION.

1985
01:07:35,456 --> 01:07:36,812
THIS IS GOING -- IT'S THAT TOP

1986
01:07:36,813 --> 01:07:38,169
RIGHT BLOCK THERE THAT WE WOULD

1987
01:07:38,170 --> 01:07:38,848
HAVE TO ADD.

1988
01:07:39,195 --> 01:07:42,337
YOU SEE IT SAYS TOWN HOUSE

1989
01:07:42,337 --> 01:07:44,433
MULTIFAMILY, WE WOULD ADD

1990
01:07:44,435 --> 01:07:46,524
COMMERCIAL TO THAT, THAT

1991
01:07:46,524 --> 01:07:48,093
NORTHEAST BLOCK THERE.

1992
01:07:48,096 --> 01:07:51,316
THIS IS JUST A KIND OF OVERALL

1993
01:07:51,319 --> 01:07:53,619
AERIAL OF THE ORIGINAL PATTERN

1994
01:07:53,620 --> 01:07:55,920
BOOK RENDERING SHOWING THE TOWN

1995
01:07:55,922 --> 01:07:56,842
HOUSES THERE.

1996
01:07:56,843 --> 01:07:58,937
THAT WAS ACTUALLY A THREE-STORY

1997
01:07:58,937 --> 01:08:01,449
OFFICE BUILDING AT THAT TIME, A

1998
01:08:01,450 --> 01:08:02,705
GARAGE BACK THERE.

1999
01:08:02,706 --> 01:08:06,089
THIS IS KIND OF THE UPDATED

2000
01:08:06,089 --> 01:08:08,909
CONCEPT RENDERING OF THE PARKING

2001
01:08:08,909 --> 01:08:12,289
LOT AND THE GROCERY STORE AND

2002
01:08:12,289 --> 01:08:14,544
THEN THE OFFICE BUILDING

2003
01:08:14,546 --> 01:08:16,800
DROPPING DOWN TO ONE.

2004
01:08:16,800 --> 01:08:18,120
THE SECOND MOIFERTION

2005
01:08:18,121 --> 01:08:20,761
MODIFICATION IS TO THE NUMBER OF

2006
01:08:20,762 --> 01:08:21,202
STORIES.

2007
01:08:21,202 --> 01:08:23,151
45 FEET AS APPROVED ON BASICALLY

2008
01:08:23,151 --> 01:08:25,100
ALL OF THE WESTERN BLOCKS AND

2009
01:08:25,101 --> 01:08:26,075
THE NORTHERN BLOCKS.

2010
01:08:26,075 --> 01:08:29,725
45 FEET WAS THE HEIGHT, BUT THE

2011
01:08:29,725 --> 01:08:32,853
THREE STORIES WAS IN THERE THAT

2012
01:08:32,856 --> 01:08:34,939
WE'RE ASKING TO REMOVE.

2013
01:08:34,941 --> 01:08:37,586
THIS WAS THE ORIGINAL PATTERN

2014
01:08:37,588 --> 01:08:38,117
BOOK.

2015
01:08:38,117 --> 01:08:40,966
AS PART OF THE ZONING SHOWING

2016
01:08:40,966 --> 01:08:44,291
THE 45 FEET HEIGHT FOR ALL THE

2017
01:08:44,292 --> 01:08:46,191
WESTERN AND NORTHERN PORTIONS

2018
01:08:46,191 --> 01:08:48,565
AND REALLY THE HIGHER DENSITY,

2019
01:08:48,565 --> 01:08:50,940
60 FEET ASSOCIATED WITH THAT

2020
01:08:50,940 --> 01:08:53,314
NORTHEAST CORNER THERE, A LITTLE

2021
01:08:53,314 --> 01:08:56,164
BIT OF TALLER DENSITY OR TALLER

2022
01:08:56,165 --> 01:08:59,012
HEIGHT FOR THE HOTEL RIGHT IN

2023
01:08:59,012 --> 01:08:59,962
THE MIDDLE.

2024
01:08:59,963 --> 01:09:02,124
LASTLY, I JUST KIND OF WANT TO

2025
01:09:02,124 --> 01:09:03,359
SHOW A DEVELOPMENT PROGRAM

2026
01:09:03,360 --> 01:09:04,900
BETWEEN THE ORIGINAL -- THIS IS

2027
01:09:04,900 --> 01:09:06,443
THE ORIGINAL PATTERN BOOK AND

2028
01:09:06,445 --> 01:09:07,988
THEN WE HAVE THE SAME

2029
01:09:07,988 --> 01:09:09,530
DEVELOPMENT PROGRAM FOR THE NEW

2030
01:09:09,531 --> 01:09:11,073
KIND OF MIX OF USES.

2031
01:09:11,234 --> 01:09:13,253
IT REALLY MAINTAINS THE

2032
01:09:13,253 --> 01:09:15,778
INTENTION OF THE PROJECT, WHICH

2033
01:09:15,779 --> 01:09:18,803
WAS REALLY TO HAVE A MIXED-USE

2034
01:09:18,803 --> 01:09:21,326
RETAIL CORRIDOR ON THAT CURVED

2035
01:09:21,327 --> 01:09:24,355
ROAD AT THE MAIN INTERSECTION TO

2036
01:09:24,355 --> 01:09:26,877
HAVE THOSE FOCAL RESTAURANTS AND

2037
01:09:26,879 --> 01:09:28,894
THEN RESTAURANT OR COMMERCIAL

2038
01:09:28,897 --> 01:09:31,925
SPACE ALONG THE GROUND FLOOR OF

2039
01:09:31,925 --> 01:09:33,945
THAT KIND OF DIAGONAL

2040
01:09:33,947 --> 01:09:34,954
PEDESTRIAN-ONLY STREET.

2041
01:09:34,954 --> 01:09:37,341
AND THEN THROUGH THE MAIN

2042
01:09:37,341 --> 01:09:40,208
ENTRANCE WAY, KIND OF IN THE

2043
01:09:40,210 --> 01:09:42,594
MIDDLE OF THE PROJECT HERE,

2044
01:09:42,594 --> 01:09:44,980
HAVING THE RETAIL USES FOCUSED

2045
01:09:44,981 --> 01:09:47,371
ON THAT CORRIDOR AS WELL.

2046
01:09:47,372 --> 01:09:50,323
OBVIOUSLY, ALL OF THE WESTERN

2047
01:09:50,324 --> 01:09:52,686
PROPERTIES WERE ALL RESIDENTIAL

2048
01:09:52,690 --> 01:09:55,645
AND ARE STILL ALL RESIDENTIAL,

2049
01:09:55,646 --> 01:09:59,783
SO YOU SEE HERE KIND OF THE

2050
01:09:59,785 --> 01:10:01,558
UPDATED DEVELOPMENT PROGRAMMING,

2051
01:10:01,559 --> 01:10:05,105
KEEPING ALL OF THAT RETAIL ON

2052
01:10:05,106 --> 01:10:08,061
THE FOCAL CORNER, THAT UP

2053
01:10:08,062 --> 01:10:11,608
PEDESTRIAN ONLY AND THEN ON THAT

2054
01:10:11,610 --> 01:10:14,565
MAIN ACCESS INTO THE PROPERTY.

2055
01:10:14,566 --> 01:10:16,371
ALEXIS WILL CLOSE OUT WITH A

2056
01:10:16,371 --> 01:10:18,176
COUPLE OF NOTES AND THEN WE

2057
01:10:18,177 --> 01:10:20,278
WOULD LOVE TO OPEN IT UP FOR

2058
01:10:20,278 --> 01:10:20,578
QUESTIONS.

2059
01:10:20,581 --> 01:10:23,125
>>Michael Sheeley: THANK YOU.

2060
01:10:23,126 --> 01:10:24,749
>> THANK YOU.

2061
01:10:24,749 --> 01:10:26,440
IT'S A PLEASURE TO BE BACK

2062
01:10:26,440 --> 01:10:27,849
BEFORE YOU WITH THIS PROJECT.

2063
01:10:27,850 --> 01:10:29,789
I THINK IT'S COMING OUT OF THE

2064
01:10:29,790 --> 01:10:31,452
GROUND AND COMING TO FRUITION, I

2065
01:10:31,453 --> 01:10:33,115
THINK MEETING THE INTENT OF YOUR

2066
01:10:33,116 --> 01:10:35,055
COMP PLAN AND LDC IN TERMS OF

2067
01:10:35,056 --> 01:10:36,441
BEING A VIABLE VILLAGE CENTER

2068
01:10:36,442 --> 01:10:37,827
WITH INTEGRATED MIXED USE, ALL

2069
01:10:37,827 --> 01:10:39,212
THE THINGS WE HAD PROMISED.

2070
01:10:39,213 --> 01:10:41,257
THESE CHANGES WILL JUST ALLOW,

2071
01:10:41,257 --> 01:10:43,710
AGAIN, FOR THE HEIGHT TO BE

2072
01:10:43,710 --> 01:10:44,118
MAINTAINED.

2073
01:10:44,119 --> 01:10:46,014
JUST HAVE A FOUR STORY WITHIN

2074
01:10:46,017 --> 01:10:47,280
THE SAME HEIGHT FOOTPRINT.

2075
01:10:47,283 --> 01:10:49,851
SO THERE WILL BE NO PHYSICAL

2076
01:10:49,853 --> 01:10:51,565
IMPACT TO THE NEIGHBORS.

2077
01:10:51,566 --> 01:10:53,083
THE AREA IS ALSO WELL BUFFERED

2078
01:10:53,083 --> 01:10:54,853
WITH THE PRESERVE AS YOU CAN SEE

2079
01:10:54,854 --> 01:10:55,612
THROUGH THE VISUALS.

2080
01:10:55,612 --> 01:10:57,041
PROBABLY MORE SIGNIFICANT CHANGE

2081
01:10:57,041 --> 01:10:58,829
IS BRINGING THIS GROCER THAT'S

2082
01:10:58,830 --> 01:11:00,617
HIGHLY DEMANDED IN THIS AREA.

2083
01:11:00,618 --> 01:11:03,638
I THINK IT WILL BE A GREAT FIT

2084
01:11:03,638 --> 01:11:05,527
NOT ONLY FOR THE FUTURE

2085
01:11:05,530 --> 01:11:07,791
RESIDENTS AND ALLOW THEM TO BE

2086
01:11:07,791 --> 01:11:10,432
ABLE TO WALK TO GET THEIR GOODS

2087
01:11:10,434 --> 01:11:12,699
AND SERVICES LIKE THAT, BUT ALSO

2088
01:11:12,699 --> 01:11:14,208
SERVE THE RESIDENTIAL COMING

2089
01:11:14,211 --> 01:11:16,472
ONLINE ON COCONUT ROAD AND THE

2090
01:11:16,475 --> 01:11:17,231
SURROUNDING AREA.

2091
01:11:17,231 --> 01:11:18,750
LOOKING FORWARD TO YOUR COMMENTS

2092
01:11:18,752 --> 01:11:19,359
ON IT.

2093
01:11:19,361 --> 01:11:21,071
I KIND OF HEARD FEEDBACK ON

2094
01:11:21,072 --> 01:11:22,497
MAYBE WORKING ON THAT BUFFER

2095
01:11:22,499 --> 01:11:24,494
THAT'S GOING TO BE IN FRONT OF

2096
01:11:24,495 --> 01:11:26,490
THE GROCERY STORE TO DO A BETTER

2097
01:11:26,492 --> 01:11:27,917
JOB OF SCREENING THE PARKING,

2098
01:11:27,918 --> 01:11:29,628
WHICH WE CAN CERTAINLY LOOK AT.

2099
01:11:29,630 --> 01:11:30,838
>>Kristin Jeannin: PROBABLY

2100
01:11:30,838 --> 01:11:32,852
BUTTON WOODS THAT THE LANDSCAPE

2101
01:11:32,853 --> 01:11:34,865
ARCHITECT WILL PUT IN THERE.

2102
01:11:34,865 --> 01:11:36,795
MAYBE A STAGGERED, MAYBE A

2103
01:11:36,797 --> 01:11:38,727
LITTLE MORE DENSITY THAN THE

2104
01:11:38,729 --> 01:11:40,659
CODE REQUIRES BECAUSE YOU CAN'T

2105
01:11:40,662 --> 01:11:42,592
GO WITH ANY HEIGHT THERE.

2106
01:11:42,594 --> 01:11:44,670
>> OUR INITIAL THOUGHT WAS TO

2107
01:11:44,670 --> 01:11:46,746
KIND OF GROUP THEM TOGETHER TO

2108
01:11:46,746 --> 01:11:48,822
ALLOW SOME VIEW CORRIDORS OF THE

2109
01:11:48,822 --> 01:11:49,514
GROCERY STORE.

2110
01:11:49,514 --> 01:11:53,670
>>Kristin Jeannin: TOWARDS THE

2111
01:11:53,672 --> 01:11:58,867
SIGNAGE OF THE BUILDING, SURE.

2112
01:11:58,869 --> 01:12:01,087
I'M A LITTLE BIT CONCERNED, YOU

2113
01:12:01,087 --> 01:12:03,306
SAW ME CRINGE A LITTLE BIT

2114
01:12:03,307 --> 01:12:04,783
BECAUSE YOUR RENDERINGS SHOWED

2115
01:12:04,783 --> 01:12:06,999
LIKE A DISTANT VIEW OF THE

2116
01:12:07,000 --> 01:12:08,479
CHANGE THAT YOU'RE PROPOSING

2117
01:12:08,479 --> 01:12:10,697
INSTEAD OF SHOWING US REALLY HOW

2118
01:12:10,697 --> 01:12:13,283
IT'S GOING TO LOOK, WHAT YOU ARE

2119
01:12:13,285 --> 01:12:14,764
PROPOSING THE GROCERY STORE.

2120
01:12:14,764 --> 01:12:16,376
I DON'T HAVE A PROBLEM WITH THE

2121
01:12:16,376 --> 01:12:16,837
GROCERY STORE.

2122
01:12:16,839 --> 01:12:19,399
I THINK, OF COURSE, IT'S GREAT.

2123
01:12:19,399 --> 01:12:24,118
LIKE THE COMMUNITY WILL BE ABLE

2124
01:12:24,118 --> 01:12:28,838
TO -- YOU DIDN'T TALK MUCH ABOUT

2125
01:12:28,840 --> 01:12:30,414
WALKING THERE.

2126
01:12:30,584 --> 01:12:33,818
I WOULD WANT TO HAVE THAT BE

2127
01:12:33,820 --> 01:12:36,130
PART OF THE DISCUSSION MOVING

2128
01:12:36,132 --> 01:12:36,594
FORWARD.

2129
01:12:36,594 --> 01:12:39,636
FROM THE PEOPLE THAT LIVE HERE.

2130
01:12:39,638 --> 01:12:44,963
YOU TALKED ABOUT THE GRAPHIC.

2131
01:12:44,963 --> 01:12:48,518
THERE SHOULD BE A STRONG

2132
01:12:48,518 --> 01:12:52,073
PROCLIVITY FOR WANTING PEOPLE TO

2133
01:12:52,073 --> 01:12:55,628
WALK TO THE GROCERY STORE.

2134
01:12:55,628 --> 01:12:57,670
VICTOR DOVER'S RECOMMENDATION

2135
01:12:57,670 --> 01:12:59,713
WAS VERY BEAUTIFUL.

2136
01:12:59,714 --> 01:13:02,546
AND WHAT I SAW LOOKED MORE LIKE

2137
01:13:02,546 --> 01:13:04,973
A PARKING LOT AND A GROCERY

2138
01:13:04,975 --> 01:13:05,379
STORE.

2139
01:13:05,379 --> 01:13:10,489
THE REQUIRED TREES DRAWN BIG.

2140
01:13:10,489 --> 01:13:12,837
WHAT I WOULD GET EXCITED ABOUT

2141
01:13:12,837 --> 01:13:15,187
WOULD BE TO SEE SOME SHADED

2142
01:13:15,188 --> 01:13:16,755
WALKWAYS FROM THE PARKING.

2143
01:13:16,756 --> 01:13:19,028
SOME SHADED WALKWAYS FROM THE

2144
01:13:19,029 --> 01:13:19,938
RESIDENTIAL AREAS.

2145
01:13:19,940 --> 01:13:22,094
I DON'T KNOW HOW YOUR PARKING

2146
01:13:22,095 --> 01:13:23,172
CALCULATIONS ARE COMING.

2147
01:13:23,172 --> 01:13:26,538
I KNOW THOSE COME INTO PLAY A

2148
01:13:26,538 --> 01:13:27,019
LOT.

2149
01:13:27,020 --> 01:13:30,078
IF YOU DON'T HAVE ENOUGH

2150
01:13:30,078 --> 01:13:32,525
PARKING, THEN BEING CREATIVE

2151
01:13:32,526 --> 01:13:35,585
WITH LARGER TREES OR SOMETHING

2152
01:13:35,585 --> 01:13:37,420
OF THAT NATURE.

2153
01:13:37,420 --> 01:13:40,336
YOU MIGHT HAVE GONE OVER THIS,

2154
01:13:40,336 --> 01:13:43,252
BUT DID YOU TALK ABOUT TRAFFIC

2155
01:13:43,252 --> 01:13:43,738
CONCERNS.

2156
01:13:43,738 --> 01:13:47,230
IS IT ANY DIFFERENT WITH THE

2157
01:13:47,230 --> 01:13:48,394
GROCERY STORE?

2158
01:13:48,394 --> 01:13:50,673
DID YOU HAVE -- ARE THERE ANY

2159
01:13:50,673 --> 01:13:52,572
ISSUES WITH THAT, WITH TRAFFIC

2160
01:13:52,572 --> 01:13:53,331
GETTING IMPACTED?

2161
01:13:53,651 --> 01:13:55,722
>> WAY BACK WHEN WHEN WE FIRST

2162
01:13:55,722 --> 01:13:57,498
GOT INVOLVED IN THIS, WE WERE

2163
01:13:57,499 --> 01:13:59,568
TRYING TO GET A GROCERY STORE IN

2164
01:13:59,568 --> 01:13:59,864
HERE.

2165
01:13:59,865 --> 01:14:02,315
WE INCLUDED IN OUR INITIAL

2166
01:14:02,317 --> 01:14:03,787
TRAFFIC CALCULATION, 40,000,

2167
01:14:03,787 --> 01:14:05,747
45,000 SQUARE FOOT GROCERY

2168
01:14:05,749 --> 01:14:06,239
STORE.

2169
01:14:06,239 --> 01:14:09,795
WE PULLED THAT BACK.

2170
01:14:09,797 --> 01:14:11,972
BUT WE'RE DOING EVERYTHING THAT

2171
01:14:11,972 --> 01:14:13,712
WE CAN, EVERY RECOMMENDATION

2172
01:14:13,712 --> 01:14:16,322
THAT WAS PUT FORTH ON TRAFFIC

2173
01:14:16,323 --> 01:14:18,063
AROUND THE PROJECT WE'RE

2174
01:14:18,063 --> 01:14:18,498
IMPLEMENTING.

2175
01:14:18,498 --> 01:14:20,713
I'LL GO THROUGH REAL QUICKLY.

2176
01:14:20,714 --> 01:14:22,378
>> I WANT TO PUT ON THE RECORD

2177
01:14:22,380 --> 01:14:22,796
ONE THING.

2178
01:14:22,797 --> 01:14:24,225
WE'RE NOT INCREASING OUR

2179
01:14:24,225 --> 01:14:25,653
COMMERCIAL SQUARE FOOTAGE, SO

2180
01:14:25,653 --> 01:14:27,438
THE TRAFFIC STUDIES THAT WENT

2181
01:14:27,438 --> 01:14:29,223
WITH THE ORIGINAL ZONING FULLY

2182
01:14:29,223 --> 01:14:31,008
ANTICIPATED THE TRIPS FROM THIS

2183
01:14:31,008 --> 01:14:31,365
USE.

2184
01:14:31,365 --> 01:14:32,660
>>Kristin Jeannin: FROM A

2185
01:14:32,660 --> 01:14:33,308
GROCERY USE.

2186
01:14:33,309 --> 01:14:34,067
>> YES.

2187
01:14:34,067 --> 01:14:34,822
>>Kristin Jeannin: GREAT.

2188
01:14:34,822 --> 01:14:36,656
>> WE'RE STAYING WITHIN THE

2189
01:14:36,658 --> 01:14:37,758
MAXIMUM SQUARE FOOTAGES

2190
01:14:37,760 --> 01:14:38,127
ALREADY --

2191
01:14:39,094 --> 01:14:40,699
>>Kristin Jeannin: I THINK THAT

2192
01:14:40,700 --> 01:14:43,268
THE USE OF A GROCERY STORE IS A

2193
01:14:43,270 --> 01:14:45,196
LITTLE DIFFERENT THAN IF IT WAS

2194
01:14:45,197 --> 01:14:46,160
AN OFFICE BUILDING.

2195
01:14:46,161 --> 01:14:47,888
AS LONG AS SOMEBODY THAT'S A

2196
01:14:47,888 --> 01:14:49,040
PROFESSIONAL IS LOOKING AT

2197
01:14:49,041 --> 01:14:49,328
THAT --

2198
01:14:49,344 --> 01:14:50,880
[ LAUGHTER ]

2199
01:14:50,880 --> 01:14:53,496
>> BY THE WAY, OBVIOUSLY, ON

2200
01:14:53,497 --> 01:14:55,677
COCONUT ROAD, WE'RE DOING THE

2201
01:14:55,678 --> 01:14:56,114
ROUNDABOUT.

2202
01:14:56,114 --> 01:14:59,036
ON U.S. 41 AT COCONUT, MAKING

2203
01:14:59,039 --> 01:15:01,474
THE LEFT-HAND TURN ONTO COCONUT,

2204
01:15:01,476 --> 01:15:03,911
WE'RE EXTENDING THAT TURN LANE,

2205
01:15:03,914 --> 01:15:06,349
EVEN THOUGH -- NOT ALL THAT

2206
01:15:06,351 --> 01:15:08,786
TRAFFIC IS ASSOCIATED WITH OUR

2207
01:15:08,789 --> 01:15:11,224
PROJECT, GOING NORTH INTO THE

2208
01:15:11,226 --> 01:15:13,661
NORTHERN ACCESS POINT OF OUR

2209
01:15:13,664 --> 01:15:14,151
PROJECT.

2210
01:15:14,371 --> 01:15:16,696
WE'RE DOING THE NORTH-BOUND LEFT

2211
01:15:16,698 --> 01:15:18,558
INTO THE PROJECT, SOUTHBOUND

2212
01:15:18,559 --> 01:15:20,419
RIGHT IN, RIGHT OUT.

2213
01:15:20,421 --> 01:15:24,110
AND THEN IN THE MIDDLE OF THE

2214
01:15:24,114 --> 01:15:25,695
PROJECT, THE RIGHT-IN,

2215
01:15:25,696 --> 01:15:28,331
RIGHT-OUT, BOTH WITH DECEL LANES

2216
01:15:28,334 --> 01:15:28,861
THERE.

2217
01:15:28,861 --> 01:15:30,385
IT'S A LOT OF EXPENSE AND TIME

2218
01:15:30,385 --> 01:15:31,475
THAT WE ARE DOING THAT.

2219
01:15:31,477 --> 01:15:33,403
THAT NORTHERN LEFT INTO THE SITE

2220
01:15:33,403 --> 01:15:35,655
TO KIND OF ACCOMMODATE A LOT OF

2221
01:15:35,656 --> 01:15:36,944
THE COMMUNITY NEEDS THERE.

2222
01:15:36,945 --> 01:15:40,204
WHICH IS NOT A PART OF OUR

2223
01:15:40,206 --> 01:15:42,535
ORIGINAL APPROVALS, BY THE WAY.

2224
01:15:42,539 --> 01:15:43,296
>>Kristin Jeannin: THAT'S WHAT I

2225
01:15:43,296 --> 01:15:43,448
HAD.

2226
01:15:43,451 --> 01:15:44,938
>>Michael Sheeley: ANY OTHER

2227
01:15:44,938 --> 01:15:46,054
QUESTIONS OR COMMENTS?

2228
01:15:46,056 --> 01:15:48,705
>>Dan Williams: I MAY BE ADVANCE

2229
01:15:48,705 --> 01:15:51,797
OF WHERE WE SHOULD BE, BUT HAS

2230
01:15:51,799 --> 01:15:53,560
THE FIRE DEPARTMENT REVIEWED

2231
01:15:53,560 --> 01:15:55,767
THESE AND CONCURS THAT IT'S

2232
01:15:55,770 --> 01:15:56,654
QUITE ACCESSIBLE?

2233
01:15:56,655 --> 01:15:59,131
>> WITH THIS GROCER, NO.

2234
01:15:59,132 --> 01:16:00,961
REALLY, WE HAVE THIS SITE PLAN

2235
01:16:00,961 --> 01:16:02,180
AND THE CONCEPT RENDERINGS.

2236
01:16:02,181 --> 01:16:03,540
THOSE ARE GOOD ENOUGH TO SHOW

2237
01:16:03,540 --> 01:16:04,900
YOU GUYS WHAT THIS THING COULD

2238
01:16:04,903 --> 01:16:05,354
LOOK LIKE.

2239
01:16:05,354 --> 01:16:10,109
THIS WAS THE FIRST STEP TO

2240
01:16:10,109 --> 01:16:14,865
REALLY THEN KICK OFF DESIGN FROM

2241
01:16:14,866 --> 01:16:15,658
HERE.

2242
01:16:15,659 --> 01:16:17,991
>>James Tatooles: I JUST WONDER

2243
01:16:17,991 --> 01:16:20,791
HOW THE CONGRUITY OF THIS WHOLE

2244
01:16:20,792 --> 01:16:23,589
PROJECT IS ON THE PERIMETER AND

2245
01:16:23,589 --> 01:16:26,855
ALL OF A SUDDEN YOU HAVE A

2246
01:16:26,856 --> 01:16:29,190
GROCERY STORE JOGGING IN THERE.

2247
01:16:29,192 --> 01:16:32,114
I THINK THAT THE ELEVATION OF

2248
01:16:32,114 --> 01:16:34,551
THE GROCERY STORE AND THE

2249
01:16:34,554 --> 01:16:37,477
LANDSCAPING ARE GOING TO BE VERY

2250
01:16:37,477 --> 01:16:38,452
IMPORTANT ELEMENTS.

2251
01:16:38,454 --> 01:16:39,653
>>Kristin Jeannin: IT SHOWS --

2252
01:16:39,780 --> 01:16:42,054
YOU TALKED ABOUT THIS STREET

2253
01:16:42,054 --> 01:16:44,329
FRONTAGE CORRIDOR AS THOUGH IT

2254
01:16:44,330 --> 01:16:47,967
WAS A CONCERN, BUT I DO THINK IT

2255
01:16:47,967 --> 01:16:50,696
IS A STRENGTH, BUT IT'S NOT

2256
01:16:50,697 --> 01:16:52,516
DEVELOPED YET, LIKE YOU'RE

2257
01:16:52,516 --> 01:16:52,971
SAYING.

2258
01:16:52,971 --> 01:16:54,980
THAT'S MOVING FORWARD, IT COULD

2259
01:16:54,980 --> 01:16:56,990
REALLY STRENGTHEN THAT AS PART

2260
01:16:56,991 --> 01:16:58,999
OF THE PROJECT INSTEAD OF

2261
01:16:58,999 --> 01:17:01,410
FEELING LIKE, WHICH IT KIND OF

2262
01:17:01,410 --> 01:17:03,018
IS AN AFTERTHOUGHT, RIGHT?

2263
01:17:03,019 --> 01:17:04,971
>> THE STREET IN FRONT OF THE

2264
01:17:04,974 --> 01:17:06,368
GROCERY STORE LEADING INTO THE

2265
01:17:06,371 --> 01:17:06,650
PROJECT.

2266
01:17:06,650 --> 01:17:07,685
>>Kristin Jeannin: YES.

2267
01:17:07,685 --> 01:17:09,632
>> OKAY.

2268
01:17:09,632 --> 01:17:12,142
>>Michael Sheeley: AL, COMMENTS?

2269
01:17:12,142 --> 01:17:13,458
>>Al Paivandy: NO.

2270
01:17:13,458 --> 01:17:16,356
I THINK EVERYBODY ELSE COVERED

2271
01:17:16,359 --> 01:17:16,939
IT.

2272
01:17:16,940 --> 01:17:18,810
I AM CONCERNED BECAUSE I'M

2273
01:17:18,811 --> 01:17:20,681
THINKING IF I'M DRIVING DOWN

2274
01:17:20,681 --> 01:17:23,299
THERE, I'M JUST GOING TO PULL IN

2275
01:17:23,300 --> 01:17:25,170
WHERE THE GROCERY STORE IS.

2276
01:17:25,171 --> 01:17:28,110
AND THAT'S GOING TO BE THE MOST

2277
01:17:28,110 --> 01:17:30,629
CROWDED SECTION OF THE ROAD FROM

2278
01:17:30,629 --> 01:17:31,888
41 DIRECTLY IN.

2279
01:17:31,889 --> 01:17:35,933
I DON'T THINK I WOULD EVER DRIVE

2280
01:17:35,933 --> 01:17:38,821
THROUGH THAT LIGHT -- AND GET

2281
01:17:38,823 --> 01:17:40,553
BACK IN THERE.

2282
01:17:40,772 --> 01:17:42,599
IT'S JUST A CONCERN GOING IN AND

2283
01:17:42,600 --> 01:17:44,427
OUT OF THERE AND ENDING UP IN

2284
01:17:44,429 --> 01:17:45,734
FRONT OF THE GROCERY STORE --

2285
01:17:45,736 --> 01:17:46,761
>>Michael Sheeley: I THINK IT

2286
01:17:46,763 --> 01:17:47,788
DEPENDS ON WHERE YOU'RE GOING.

2287
01:17:47,790 --> 01:17:49,047
IF YOU ARE GOING TO GROCERY,

2288
01:17:49,047 --> 01:17:49,677
THAT'S ONE THING.

2289
01:17:49,680 --> 01:17:51,839
IF YOU LIVE THERE, YOU'LL KNOW

2290
01:17:51,839 --> 01:17:53,280
ANOTHER PLACE THAT'S CLOSER.

2291
01:17:53,283 --> 01:17:55,783
>>Al Paivandy: TRAFFIC GOING TO

2292
01:17:55,784 --> 01:17:58,284
GET QUITE CONGESTED ON THAT

2293
01:17:58,285 --> 01:18:01,285
CORNER IN ADDITION TO, IF I'M

2294
01:18:01,287 --> 01:18:03,287
LIVING THERE, WHICH ALREADY

2295
01:18:03,288 --> 01:18:05,788
MOVED INTO THE ASSISTED LIVING.

2296
01:18:05,789 --> 01:18:08,581
BUT IF THE BUS BRINGS ME THERE,

2297
01:18:08,581 --> 01:18:10,177
IT WOULD BE GOOD.

2298
01:18:10,178 --> 01:18:12,647
JUST GOING IN THERE WITH THE

2299
01:18:12,647 --> 01:18:14,706
PARKING LOT AND THE MOVEMENT

2300
01:18:14,707 --> 01:18:17,174
JUST LIKE WALMART OR ANY OTHER

2301
01:18:17,174 --> 01:18:19,644
STORE THAT IS THERE IS A

2302
01:18:19,646 --> 01:18:21,703
DIFFICULT IN AND OUT DIRECTLY

2303
01:18:21,703 --> 01:18:22,526
FROM 41.

2304
01:18:22,528 --> 01:18:24,881
>>James Tatooles: I THINK WHAT

2305
01:18:24,881 --> 01:18:27,234
YOU'RE TALKING ABOUT BEARS MERIT

2306
01:18:27,235 --> 01:18:28,647
TO THINKING ABOUT.

2307
01:18:28,647 --> 01:18:30,435
BECAUSE WHAT YOU'VE GOT, THERE'S

2308
01:18:30,435 --> 01:18:32,939
NO PLACE AROUND HERE THAT I KNOW

2309
01:18:32,940 --> 01:18:35,080
OF THAT YOU'VE GOT A GROCERY

2310
01:18:35,080 --> 01:18:37,227
STORE ENTRANCE COMING OFF OF A

2311
01:18:37,229 --> 01:18:37,945
MAIN STREET.

2312
01:18:37,947 --> 01:18:43,065
THAT'S VERY UNUSUAL HERE.

2313
01:18:43,069 --> 01:18:44,635
COMPLETELY AN -- SITUATION.

2314
01:18:45,204 --> 01:18:48,022
THE OTHER PART IS THAT USING

2315
01:18:48,022 --> 01:18:50,841
THAT ACCESS FROM THE NORTH GOING

2316
01:18:50,842 --> 01:18:53,656
SOUTH TO GET INTO THIS PROJECT,

2317
01:18:53,656 --> 01:18:56,943
YOU JUST GOT A BLOCKADE RIGHT IN

2318
01:18:56,945 --> 01:19:00,232
THE WAY AND THAT IS THE PARKING

2319
01:19:00,232 --> 01:19:02,578
LOT OF THE GROCERY STORE.

2320
01:19:02,582 --> 01:19:04,383
THERE'S NO ACCESS FROM THE

2321
01:19:04,383 --> 01:19:04,743
NORTH.

2322
01:19:04,745 --> 01:19:06,537
YOU'VE GOT TO GO ALL THE WAY

2323
01:19:06,539 --> 01:19:07,819
DOWN PAST THE GROCERY STORE.

2324
01:19:07,821 --> 01:19:11,069
I THINK THERE IS A BIT OF

2325
01:19:11,072 --> 01:19:12,928
LEARNING OF TRAFFIC PATTERNS

2326
01:19:12,929 --> 01:19:13,857
AROUND HERE.

2327
01:19:13,858 --> 01:19:17,028
IT'S CONVOLUTED A LITTLE BIT.

2328
01:19:17,029 --> 01:19:18,796
>>Al Paivandy: IF IT WAS ME,

2329
01:19:18,796 --> 01:19:20,270
JUST THINKING ABOUT THIS, I'M

2330
01:19:20,273 --> 01:19:22,623
GOING TO HAVE TO SLEEP ON IT A

2331
01:19:22,623 --> 01:19:24,684
FEW NIGHTS BEFORE I CAN COME UP

2332
01:19:24,687 --> 01:19:25,277
WITH THAT.

2333
01:19:25,278 --> 01:19:27,910
BEFORE YOU HAD A PROJECT THAT

2334
01:19:27,911 --> 01:19:30,543
WAS QUITE WELL PUT TOGETHER WITH

2335
01:19:30,547 --> 01:19:32,303
OFFICES THERE AND THE

2336
01:19:32,304 --> 01:19:34,499
PROFESSIONAL WORKING AND NOT IN

2337
01:19:34,500 --> 01:19:36,256
AND OUT AS MUCH.

2338
01:19:36,257 --> 01:19:39,209
THIS ONE, YOU JUST ADDED A

2339
01:19:39,212 --> 01:19:41,672
DIFFERENT ELEMENT IN A CORNER

2340
01:19:41,674 --> 01:19:45,118
THAT I'M NOT SURE HOW IT GOES

2341
01:19:45,121 --> 01:19:47,581
WITH ALL THE COMMUNITIES AND

2342
01:19:47,583 --> 01:19:50,043
OFFICES AND SHOPS AND GREAT

2343
01:19:50,045 --> 01:19:52,505
RESTAURANT ON ONE CORNER AND

2344
01:19:52,508 --> 01:19:54,968
THEN A SHOPPING CENTER, GROCERY

2345
01:19:54,970 --> 01:19:58,414
STORE ATTACHED TO THIS AND A LOT

2346
01:19:58,417 --> 01:20:01,369
OF PEOPLE WILL BE RUNNING IN

2347
01:20:01,372 --> 01:20:04,816
THERE AS I SAID, JUST GOING TO

2348
01:20:04,819 --> 01:20:07,279
HAVE TO SLEEP ON IT.

2349
01:20:07,281 --> 01:20:09,318
AT MY AGE, WHO KNOWS HOW LONG.

2350
01:20:09,318 --> 01:20:10,753
>>Kristin Jeannin: I THINK THE

2351
01:20:10,755 --> 01:20:12,190
REAL DESIGN CHALLENGE IS GOING

2352
01:20:12,192 --> 01:20:13,914
TO BE MAKING IT REALLY FEEL

2353
01:20:13,917 --> 01:20:15,065
INTEGRATED AT THIS POINT.

2354
01:20:15,067 --> 01:20:17,780
>>Michael Sheeley: I THINK SO

2355
01:20:17,780 --> 01:20:18,866
SO, YEAH.

2356
01:20:18,868 --> 01:20:21,594
>>James Tatooles: I AGREE.

2357
01:20:21,597 --> 01:20:23,979
YOU HAVE A GROCERY STORE, THAT'S

2358
01:20:23,979 --> 01:20:27,154
NOT TIED IN I WOULD THINK FROM A

2359
01:20:27,154 --> 01:20:29,139
COMFORTABLE FEELING THAT IT TIES

2360
01:20:29,139 --> 01:20:31,520
INTO THE REST OF THE PROJECT.

2361
01:20:31,521 --> 01:20:32,601
>>Al Paivandy: THAT ENVIRONMENT

2362
01:20:32,602 --> 01:20:33,412
YOU HAD BEFORE.

2363
01:20:33,413 --> 01:20:34,777
>>James Tatooles: IT DOESN'T

2364
01:20:34,777 --> 01:20:36,823
SEEM LIKE IT IS CONGRUOUS WITH

2365
01:20:36,824 --> 01:20:38,529
THE REST OF THE PROJECT.

2366
01:20:38,529 --> 01:20:40,067
>>Kristin Jeannin: AS A PUBLIC

2367
01:20:40,067 --> 01:20:41,606
INFORMATION MEETING, THE USE IS

2368
01:20:41,606 --> 01:20:42,221
ACCEPTABLE, RIGHT?

2369
01:20:42,222 --> 01:20:43,875
WITH THE PROJECT ITSELF, I THINK

2370
01:20:43,877 --> 01:20:45,532
THAT WOULD STRENGTHEN IT IF WE

2371
01:20:45,535 --> 01:20:47,467
CAN MAKE IT PART OF THE FAMILY.

2372
01:20:47,469 --> 01:20:48,739
>>Michael Sheeley: MY CONCERN IS

2373
01:20:48,740 --> 01:20:50,264
THAT MAIN DRIVE THAT COMES, YOU

2374
01:20:50,266 --> 01:20:51,790
COME RIGHT IN FRONT OF THE

2375
01:20:51,792 --> 01:20:53,062
GROCERY STORE TO GET IN.

2376
01:20:53,063 --> 01:20:54,665
WE ALL KNOW WHAT IT'S LIKE

2377
01:20:54,667 --> 01:20:56,269
DRIVING IN FRONT OF PUBLIX AND

2378
01:20:56,270 --> 01:20:58,139
YOU GO FIVE MILES AN HOUR AND

2379
01:20:58,141 --> 01:20:59,743
STOP AND PEOPLE WALKING AND YOU

2380
01:20:59,744 --> 01:21:00,278
STOP AGAIN.

2381
01:21:00,279 --> 01:21:02,267
IT'S REALLY NOT A GOOD WAY TO

2382
01:21:02,270 --> 01:21:03,122
ENTER THE SITE.

2383
01:21:03,123 --> 01:21:06,602
DID YOU CONSIDER A PLAN WITH THE

2384
01:21:06,605 --> 01:21:09,090
BACK OF THE GROCERY STORE

2385
01:21:09,093 --> 01:21:11,578
TOWARDS 41, REVERSING THIS PLAN

2386
01:21:11,580 --> 01:21:14,562
AND HAVING THE FRONT OF THE

2387
01:21:14,565 --> 01:21:16,056
STORE FACING INWARD?

2388
01:21:16,057 --> 01:21:17,809
>>James Tatooles: THAT DEFEATS

2389
01:21:17,810 --> 01:21:19,562
THE GROCERY STORE MARKETING.

2390
01:21:19,563 --> 01:21:21,390
>>Michael Sheeley: LOOK AT

2391
01:21:21,390 --> 01:21:23,218
SPROUTS, IT'S -- MAYBE THERE

2392
01:21:23,219 --> 01:21:26,412
WOULD BE A WAY TO THEN MAINTAIN

2393
01:21:26,412 --> 01:21:29,152
A STREET WALL AND MAYBE REWORK

2394
01:21:29,154 --> 01:21:31,436
THE CIRCULATION IN SOME FASHION

2395
01:21:31,436 --> 01:21:33,719
SO THAT'S NOT THE MAIN

2396
01:21:33,720 --> 01:21:36,002
CIRCULATION RIGHT IN FRONT OF

2397
01:21:36,002 --> 01:21:36,915
THE STORE.

2398
01:21:37,227 --> 01:21:38,973
JUST A THOUGHT.

2399
01:21:38,973 --> 01:21:40,887
>> WE DID ENTERTAIN THAT.

2400
01:21:40,887 --> 01:21:43,691
IT DID PUT LIKE THE LOADING DOCK

2401
01:21:43,691 --> 01:21:45,696
OF THE STORE ALONG 41.

2402
01:21:45,699 --> 01:21:46,662
>>Michael Sheeley: THAT'S

2403
01:21:46,662 --> 01:21:47,304
PROBLEMATIC, YEAH.

2404
01:21:47,304 --> 01:21:49,173
>> IT STILL HAD THE PARKING ON

2405
01:21:49,176 --> 01:21:50,778
THE WEST SIDE OF THE ROAD.

2406
01:21:50,781 --> 01:21:53,903
IT WAS STILL KIND OF A SIMILAR

2407
01:21:53,906 --> 01:21:54,798
PEDESTRIAN EXPERIENCE.

2408
01:21:54,799 --> 01:21:56,736
AND WE KIND OF HAVE THE

2409
01:21:56,736 --> 01:21:58,350
FRAMEWORK OF THESE ROAD NETWORKS

2410
01:21:58,351 --> 01:21:59,319
ALREADY BUILT OUT.

2411
01:21:59,319 --> 01:22:01,532
THE PARK IS REMAINING ALONG 41,

2412
01:22:01,532 --> 01:22:03,745
WHICH IS A KEY ELEMENT FROM

2413
01:22:03,747 --> 01:22:05,961
DOVER AND COLE, BUT DOVER AND

2414
01:22:05,961 --> 01:22:06,330
COLE.

2415
01:22:06,330 --> 01:22:08,153
WE THOUGHT THIS WAS A MORE

2416
01:22:08,153 --> 01:22:09,369
ATTRACTIVE OPTION THAN HAVING

2417
01:22:09,370 --> 01:22:10,888
BACK OF HOUSE FRONTING 41.

2418
01:22:10,888 --> 01:22:13,102
>>Michael Sheeley: I THINK WHAT

2419
01:22:13,103 --> 01:22:15,760
YOU'RE HEARING FROM US IS MAYBE

2420
01:22:15,762 --> 01:22:17,977
IT NEEDS MORE REVIEW, MORE

2421
01:22:17,978 --> 01:22:19,307
DESIGN, MORE CONSIDERATION.

2422
01:22:19,307 --> 01:22:20,497
>>James Tatooles: IT JUST FEELS

2423
01:22:20,497 --> 01:22:21,925
UNCOMFORTABLE I THINK IS THE WAY

2424
01:22:21,925 --> 01:22:22,639
TO SAY IT.

2425
01:22:22,639 --> 01:22:26,027
JUST UNCOMFORTABLE.

2426
01:22:26,027 --> 01:22:27,981
>> I THINK WITH IMPROVED VISUALS

2427
01:22:27,981 --> 01:22:29,610
AND BRINGING BACK THE PATTERN

2428
01:22:29,611 --> 01:22:31,564
BOOK IN THE ENTIRETY AND WALKING

2429
01:22:31,564 --> 01:22:33,846
YOU THROUGH HOW IT FITS IN, WHEN

2430
01:22:33,846 --> 01:22:35,476
YOU THINK ABOUT INTRODUCING THIS

2431
01:22:35,477 --> 01:22:37,105
USE WITH ALMOST 600 DWELLING

2432
01:22:37,105 --> 01:22:39,059
UNITS, YOU'LL BE ABLE TO ACCESS

2433
01:22:39,060 --> 01:22:41,015
THIS WITHOUT GETTING ON 41 FROM

2434
01:22:41,015 --> 01:22:42,318
SEVERAL OTHER COMMUNITIES, I

2435
01:22:42,319 --> 01:22:44,272
THINK THIS COULD BE A GREAT

2436
01:22:44,272 --> 01:22:45,901
THING IN HELPING CIRCULATION IN

2437
01:22:45,902 --> 01:22:46,554
THE AREA.

2438
01:22:46,555 --> 01:22:48,429
I THINK SHOWING YOU A

2439
01:22:48,430 --> 01:22:50,304
PEDESTRIAN -- OF HOW PEOPLE WILL

2440
01:22:50,306 --> 01:22:52,556
GET THERE WITHOUT COMING BY CAR

2441
01:22:52,557 --> 01:22:55,182
WILL HELP AT THE NEXT STAGE OF

2442
01:22:55,183 --> 01:22:55,558
THIS.

2443
01:22:55,782 --> 01:22:58,930
>>Kristin Jeannin: IT'S NOT JUST

2444
01:22:58,930 --> 01:23:01,447
THERE ARE SIDEWALKS, BUT --

2445
01:23:02,532 --> 01:23:04,232
YEAH, IT'S ARCHITECTURALLY

2446
01:23:04,232 --> 01:23:05,366
PLEASING, ENVIRONMENTALLY

2447
01:23:05,367 --> 01:23:07,632
PLEASING APPROACH THAT IS

2448
01:23:07,632 --> 01:23:11,032
CONSISTENT WITH THE REST OF YOUR

2449
01:23:11,032 --> 01:23:11,598
PROJECT.

2450
01:23:11,599 --> 01:23:12,069
>> THANK YOU.

2451
01:23:12,070 --> 01:23:14,998
>>Michael Sheeley: THANK YOU.

2452
01:23:14,999 --> 01:23:15,440
THANKS VERY MUCH.

2453
01:23:15,440 --> 01:23:16,570
>> THANK YOU.

2454
01:23:16,570 --> 01:23:17,993
>>Michael Sheeley: ANY PUBLIC

2455
01:23:17,993 --> 01:23:18,705
COMMENT, TAMMY?

2456
01:23:18,706 --> 01:23:19,367
ANY CARDS?

2457
01:23:19,367 --> 01:23:20,467
>>Tammy Duran: NO, NOTHING.

2458
01:23:20,467 --> 01:23:21,932
>>Michael Sheeley: ANYONE HERE

2459
01:23:21,932 --> 01:23:24,130
WISH TO SPEAK ON THIS PROJECT?

2460
01:23:24,132 --> 01:23:27,984
THANK YOU VERY MUCH FOR YOUR

2461
01:23:27,987 --> 01:23:28,629
PRESENTATION.

2462
01:23:28,629 --> 01:23:31,182
NEXT ON THE AGENDA IS PUBLIC

2463
01:23:31,182 --> 01:23:31,608
INPUT.

2464
01:23:31,611 --> 01:23:33,341
ANYBODY IN THE AUDIENCE HAVE

2465
01:23:33,341 --> 01:23:35,073
ANYTHING ELSE TO SAY REGARDING

2466
01:23:35,074 --> 01:23:36,807
ANYTHING WITH THE VILLAGE OF

2467
01:23:36,807 --> 01:23:37,154
ESTERO?

2468
01:23:37,157 --> 01:23:38,563
ANYBODY?

2469
01:23:38,563 --> 01:23:38,905
NO.

2470
01:23:38,905 --> 01:23:40,003
OKAY.

2471
01:23:40,003 --> 01:23:43,518
NEXT MEETING IS OCTOBER 20,

2472
01:23:43,518 --> 01:23:44,221
2026.

2473
01:23:44,221 --> 01:23:44,907
NEXT MONTH.

2474
01:23:44,908 --> 01:23:47,113
MOTION TO ADJOURN.

2475
01:23:47,113 --> 01:23:48,088
ANYBODY?

2476
01:23:48,088 --> 01:23:49,392
>>James Tatooles: I'LL MAKE A

2477
01:23:49,392 --> 01:23:50,175
MOTION TO ADJOURN.

2478
01:23:50,176 --> 01:23:50,612
>>Al Paivandy: SECOND.

2479
01:23:50,612 --> 01:23:51,992
>>Michael Sheeley: SO MOVED.

2480
01:23:51,992 --> 01:23:52,584
THANK YOU.

2481
01:23:52,585 --> 01:23:53,085
[ SOUNDING GAVEL ]