[0:31] >> Did I not mention ?
[0:36] >> That's okay she is here thank you.
[0:38] Can you verify the public notice for our committee was posted?
[0:42] On the public notice for the Municipal
[0:44] Arts Commission was posted on the city website.
[0:47] August 26th 2026.
[0:51] >> Thank you.
[0:52] We award student filmmaking competition.
[0:54] Student teams see their films on the big screen.
[0:59] Win awards could be scholarship recipients.
[1:01] Or Celtic Cultural Arts received.
[1:05] Grant application for the Ocala Film Derby,
[1:08] requesting $2,500 on August 20th 2026.
[1:12] To $2,500 is for funding equipment for the expansion
[1:17] of the program Mackinaw offer to middle school students
[1:20] on the new South Marion High School.
[1:23] This project does have additional funding sources.
[1:25] The event can proceed with partial funding.
[1:29] The Public Education Foundation of Marion County
[1:31] is a registered 501 C three organization.
[1:34] Provided proof of their status.
[1:37] The organization received a grant of $3,500 on August 20th
[1:42] 2025.
[1:44] For 2025 Ocala Film Derby took place from September 24th
[1:49] through the 28th.
[1:50] With the screening on the 28th Cometh the Marion Theater of.
[1:53] Organization participants and events are in Marion County.
[1:58] Funding will be used for allowable expenditures
[2:01] within grant requirements.
[2:03] You probably remember that we had a few grants that
[2:06] were awarded recently.
[2:08] Grant fund has currently $800 available to allocate
[2:12] for this current fiscal year.
[2:14] And additional $8,000 will become available at the start
[2:18] of the new fiscal year in October October 1st.
[2:21] Staff recommends approval of this request
[2:25] by distributing the funds across both fiscal periods.
[2:29] Authorizing the remaining grant amount of $1,700.
[2:31] A similar approach was utilized in 2020 for permit
[2:37] for the Community Alliance Inc..
[2:39] In support of NFS in that case?
[2:42] Awarded $1,400 in 2024.
[2:45] The remaining $600 in 2025.
[2:48] To complete their request of $2,000 per month we have Lori. .
[2:59] >> Lori would you like to come to the podium?
[3:02] Your name and address?
[3:05] Lori Zink.
[3:06] 1236 Ninth Avenue Ocala.
[3:08] 34471.
[3:11] Would you like me to address the grant?
[3:15] Or answer questions?
[3:17] >> I think we have the background of the grant,
[3:21] provided by staff and it might be helpful.
[3:24] You can correct me if I'm wrong you talk about the impact.
[3:30] >> Certainly.
[3:31] Yes.
[3:31] We are really excited.
[3:33] This is our fourth year.
[3:35] This year coming with the largest number of students
[3:38] we have all eight high schools.
[3:40] And every middle school except for one is participating.
[3:44] The one that is not participating
[3:46] does not have a video technology or digital media program in it.
[3:51] Now we are up to w dash this year --
[3:55] we were dealing with about 100, a little under 150 students.
[4:00] We are going to be giving out over $20,000 worth
[4:05] of scholarships this year.
[4:07] After this year -- we've now become the largest scholarship
[4:12] provider through the public Education Foundation,
[4:16] to the Marion County Public School system, in Marion County.
[4:20] We are super happy about that.
[4:22] As far as the equipment tax to first thank you
[4:25] all for your support last year.
[4:27] What we were doing last year w Dash was building packs.
[4:30] What we found in the first two years --
[4:33] we were gaining equipment from the schools.
[4:37] Unfortunately -- not all of our schools have the same equipment.
[4:42] Some schools have a lot of good stuff
[4:46] from other schools don't have any some have more.
[4:49] We were piecemealing together, as close to an equal level
[4:54] playing field, between all the teams that we could permit we
[4:58] realized a we couldn't keep doing it --
[5:03] doing it that way.
[5:05] A group of filmmakers in town to potential local industry
[5:08] filmmakers to all work together, and pull they pack together that
[5:13] would be like standard industry equipment for the students.
[5:17] We have been building those packs now?
[5:21] We got the packs almost full last year right this year --
[5:26] my final.
[5:27] The packs will be done the good news is --
[5:29] to all of you have supported us through this -- to the packs --
[5:33] I don't know if you're familiar with B and H?
[5:37] B and H is one of the largest supply companies for film
[5:42] and video equipment there is.
[5:43] B and H has been kind of watching the film Darby's.
[5:46] They have helped us with a couple of things.
[5:49] Some software.
[5:50] The last couple of years.
[5:52] This year they have committed.
[5:55] They said you've got your packs.
[5:57] After this year, we hope we can finish off the packs totally.
[6:02] They sent from here on out -- we will be the provider of all
[6:05] of your equipment for the film Derby.
[6:07] You will never have to worry about standard industry standard
[6:11] equipment again.
[6:12] Thank you.
[6:13] That is a testament to everybody they saw the community
[6:17] support that came with this.
[6:19] Now we have come in.
[6:20] We are doing something new this year, that we've never done --
[6:25] on Saturday, we're hosting a college and career expo.
[6:29] And a future Filmmakers parent panel.
[6:33] We've had amazing response from colleges.
[6:36] We have full scale Santa Fe..
[6:42] UF.
[6:42] Journalism and Film.
[6:44] FSU.
[6:47] I can't remember.
[6:49] There's a lot that are coming.
[6:53] We are going to do a talk -- a panel.
[6:58] For parents as well.
[6:59] We have people from the school system coming to talk about
[7:03] financial .
[7:07] Help me out here.
[7:09] Financial rewards from schools.
[7:12] Scholarships financial assistance.
[7:13] They are going to talk about career pathways.
[7:17] They're going to talk about -- it's so that parents of --
[7:22] I hate to use film.
[7:23] Video.
[7:24] Digital media and video technology.
[7:26] So double check and ask the questions
[7:28] and be a little bit more supportive of the kids who
[7:30] want to go into the arts, so to speak.
[7:33] At the moment in the country -- if you look at number one higher
[7:37] in the country right now is digital media and video
[7:39] technology.
[7:40] It's all about storytelling.
[7:41] That is a story we are going to tell to the parents.
[7:45] The colleges are going to be here?
[7:48] Also, business offenders .
[7:55] We can talk about the cruise available now I'm excited
[7:58] to tell you all -- last year -- that's been happening every year
[8:03] last year we had six of our film Derby students graduating
[8:11] seniors that actually worked in paid internships in Ocala
[8:16] businesses last year.
[8:19] The other thing I want you to tell you from your support --
[8:25] in November in New York City there's a spot called the All
[8:29] High School Film Festival.
[8:32] They had about 3300 entries around the country
[8:37] might you all be excited to know 300 films coming to the films
[8:43] were from two film Derby kids from last year, who were juniors
[8:47] from also going to be in the film Derby this year
[8:50] like they used that equipment.
[8:56] [Laughs] Those are sort of some of the highlights for the film
[8:59] Derby.
[9:00] >> That is fantastic.
[9:01] Questions?
[9:03] Comments?
[9:05] >> Lori -- I would just like to say,
[9:07] thank you for your undying work.
[9:09] This has been so long and such an effort
[9:13] that you committed to for years and years and years.
[9:16] I just want to say thank you for doing all these things.
[9:19] Look at the success that this program has created.
[9:22] You should be so proud.
[9:24] >> Thank you so much.
[9:26] It takes a very large village to do this.
[9:29] Everybody
[9:35] [Applause] Throughout town in the building
[9:37] we were dealing with about 180 people total.
[9:41] Students that are mentors coming in.
[9:44] That's all a local industry.
[9:46] That mentor the teams of panelists coming in.
[9:50] Workshop leaders from other Places.
[9:53] Volunteers.
[9:55] Teachers.
[9:59] It is a big thing.
[10:01] It's gotten bigger.
[10:06] [Laughs]
[10:07] >> All right anything else?
[10:08] >> I just have a curiosity.
[10:09] Which school is not able to participate?
[10:13] >> I knew you'd ask me a question .
[10:19] I need to get my notes to get to it.
[10:25] [Crosstalk]
[10:27] >> I think it might be Fort McCoy middle they're going
[10:29] to send a teacher and if they want to start understanding what
[10:33] we are doing.
[10:36] Even though the film Derby is not in Marion County Public
[10:40] School event -- we work with them very closely to comply
[10:47] to some of the things for the safety of the students.
[10:52] We follow their rules about having level two volunteers
[10:58] to connect those volunteers who are actually with the teams --
[11:02] under with the students all the time.
[11:04] Sometimes, the outlying teachers who couldn't participate jelly
[11:08] they come in.
[11:09] They are learning a lot.
[11:10] They can actually know what you're doing
[11:13] and what kind of program they can put in their schools.
[11:16] >> That's great.
[11:17] Anything else?
[11:19] We heard the recommendation from staff.
[11:23] Will you repeat it again, in terms of the funding?
[11:26] We will need a motion .
[11:29] Please.
[11:30] >> Encourage you all to all come on Sunday the 27th from 2 to 5
[11:38] at the Marion Theater.
[11:39] Our screenings of all the films with the scholarships
[11:43] are awarded?
[11:45] Of course awards for the films.
[11:48] 2 to 5 p.m.
[11:49] At the Marion.
[11:56] It is super fun.
[12:06] [Indistinct conversation]
[12:09] >> The current available amount we have is $800.
[12:11] That will leave 1700 for the next fiscal year.
[12:13] Splitting that up.
[12:14] And then can I have a motion to that effect, >> I will make it.
[12:21] Approved?
[12:22] >> Okay.
[12:24] [Laughs] Staff's recommendation from Arnold
[12:27] has made that motion.
[12:30] >> Second.
[12:31] >> Thank you.
[12:34] >> Excuse me.
[12:35] I think I have to recuse myself.
[12:39] I work with him.
[12:41] Have been doing work with him for four years.
[12:53] >> Same with Greg, probably?
[12:59] [Indistinct conversation]
[13:01] >> The question do we have three members recuse themselves.
[13:03] Does that matter?
[13:14] >> Do we still have four voting yes?
[13:16] >> Can we text the vote?
[13:18] >> I'm not sure if you can text any of our members who are not
[13:21] here?
[13:21] I think it has to be documented in the meeting.
[13:31] >> that is not supposed to be announced.
[13:35] That is top secret.
[13:36] That's not something we want to leave out to.
[13:39] Maybe no one is going to review it maybe yeah I know.
[13:48] [Laughs]
[13:50] [Indistinct conversation]
[13:52] >> I think we're comfortable.
[13:53] Can I vote?
[13:54] I don't know.
[13:56] What are our bylaws?
[13:58] >> I shouldn't say anything.
[14:00] If you guys want to wait and table it until the next meeting?
[14:05] What I would do is -- we don't give out our scholarships until
[14:13] -- the foundation is our fiscal agent.
[14:16] Pays out all of our scholarships.
[14:18] What I could do -- just hold that.
[14:22] It could go into the later payouts that we are doing.
[14:27] If that helps in any way.
[14:30] >> When is there next scheduled meeting?
[14:32] I know tomorrow.
[14:39] [Laughter] The official rotation one.
[14:41] >> October?
[14:46] [Crosstalk]
[14:48] >> The three people will still be the three people.
[14:50] I don't know that we solve anything, really?
[14:53] >> In theory we would have to?
[14:55] Potentially three additional members here.
[14:58] >> Right.
[14:59] >> They would
[15:03] [Applause] .
[15:04] >> There are four people who can vote today, three people can't.
[15:06] Would that not work?
[15:07] I'm just asking.
[15:11] If there are four, four h.
[15:14] Three.
[15:14] Is that not enough to carry it?
[15:23] >> I feel like you shouldn't count against the quorum.
[15:25] >> That's still the majority?
[15:27] >> Okay..
[15:28] We have a motion and a second.
[15:31] All in favor.
[15:32] If you are not voting -- say your name and that you are
[15:36] recusing.
[15:36] Maybe we should do a vote they have a form to fill out.
[15:41] Yes.
[15:42] Yes.
[15:42] Okay.
[15:44] Let's do a voice vote.
[15:47] So you will know who is recusing.
[15:51] >> Do you need a new second?
[15:52] I'm not allowed to do that either.
[15:55] >> Let's have another.
[16:00] [Crosstalk]
[16:05] >> Tito.
[16:05] >> Myself.
[16:10] >>
[16:15] >> J Bailey I.
[16:16] >> Craig Thompson I recuse myself.
[16:19] >> Leslie Thompson.
[16:19] I approve.
[16:20] >>
[16:21] [Applause] Honorable Barbara.
[16:23] I approve.
[16:25] >> Motion carries.
[16:26] Congratulations.
[16:28] >> Thank you all very much thank you for your support.
[16:31] It means a lot to all of the kids.
[16:36] [Applause] Please come to any part of the Derby the 23rd
[16:40] through the 27th if it was the 16th through the 27th I think I
[16:43] would kill myself.
[16:46] [Laughter] It's the 23rd through the 27th.
[16:50] The kids workshop day is the 24th.
[16:54] The 25th is the day the kids will be around.
[16:57] For the first time this year W going across 42 Tuscawilla
[17:01] for locations.
[17:05] Saturday is a career in college Expo.
[17:08] Sunday or the awards.
[17:09] I would love to see you at any and all.
[17:12] Whatever you can do call me to come by.
[17:14] That would be great.
[17:15] Thank you all so much.
[17:16] Have a good one.
[17:17] >> By.
[17:18] Okay.
[17:20] >> Madam chair may I ask a question?
[17:22] >> Certainly.
[17:23] Jamie.
[17:25] >> Hi.
[17:26] I'm slightly confused.
[17:30] I was expecting this meeting today was just
[17:32] going to be the roster stuff.
[17:34] Was I out of my mind?
[17:36] >> No.
[17:37] It was originally going to be.
[17:42] We got the application August 20th.
[17:46] >> Okay.
[17:47] I'm not saying anything bad.
[17:48] Does that mean we are not having an October meeting?
[17:52] Or we are still having October meeting?
[17:55] >> We still have the typical schedule.
[17:57] >> Thank you.
[18:03] We made it to item number five a continued review of the Public
[18:07] Artist Roster applications.
[18:09] Presented by Jamie.
[18:13] If you will review how we're going to go through this process
[18:18] again?
[18:18] I don't think we hammered it out last time.
[18:22] Emily is on her way, by the way.
[18:24] I just got a text.
[18:26] The dog got loose.
[18:29] >> Very similar to how we did last meeting --
[18:32] point out artists that had discrepancies in how voting
[18:35] went.
[18:36] If there were large differences -- top to bottom scores --
[18:39] if they were close to the borderline --
[18:42] again asking com are we rounding up?
[18:44] If someone got a 1375 double just just below the 14 --
[18:48] are we considering that passing score?
[18:53] We will follow your lead on that paramedic
[19:02] >> Do we need to approve each one individually to point out --
[19:05] would you take your votes as your feelings on them only bring
[19:08] up the ones that seem like maybe there is a discussion that needs
[19:11] to be had about that artist.
[19:12] For their work.
[19:15] >> I have PTSD.
[19:21] [Laughter]
[19:22] >> I know.
[19:22] I'm sorry.
[19:22] Here we go.
[19:24] >> Did you bring your spreadsheet?
[19:25] >> I did comment as a matter of fact.
[19:27] There are several of them.
[19:37] >> I took a page out of Leslie's book this time, too.
[19:40] Name this artist Roberta review.
[19:42] Richard Chung there were scores from as a to a up to 18
[19:45] including the final average to 13 point.
[20:02] >> (Inaudible)
[20:13] >> Would it help if we kill the lights?
[20:15] Would that put you to sleep?
[20:16] Maybe some of these top ones?
[20:28] Thank you.
[20:31] >> The average of 13.2.
[20:32] Are we keeping that?
[20:35] >> Average of what?
[20:36] >> 13.2.
[20:45] >> Let's discuss amongst ourselves.
[20:47] All right.
[20:48] Who gave it the eight?
[20:55] >> I don't remember, actually perhaps if I just ask do we have
[20:58] consensus for this to be entered into the registry?
[21:02] >> I will say for myself looking at this.
[21:05] I had to think about this one a lot.
[21:07] I love that it was different.
[21:09] It was interesting.
[21:12] It just felt very human -- as opposed to cold and perfectly
[21:18] sculpted.
[21:19] There's something about it that just felt so interesting to me
[21:25] a lot of figurative sculptures.
[21:34] >> I would vote to push this over the 14.
[21:36] >> Everybody agree?
[21:38] >> Just for variety's sake alone.
[21:40] >> Put it into the registry.
[21:57] >> This next artist, we have a 12.8.
[21:59] Very similarly.
[21:59] The low score was a four.
[22:01] The highest score is 16.
[22:29] >> They are having their own block party.
[22:48] >> I don't have a lifeline for this one.
[22:56] >> Hello, Emily.
[22:56] That's okay.
[22:57] The second viewing.
[23:00] We are doing the same thing (Indistinct)
[23:11] we are on our second one.
[23:13] We are saying, any questions , comments.
[23:21] >> Jamie can you reread the high low on this one?
[23:23] >> Low score of four.
[23:25] High score of 16.
[23:27] >> And the artist again?
[23:30] >> Emily Clanton.
[23:32] Comments were the community engagement.
[23:36] Community driven aspects.
[23:42] And the average was 12.8.
[23:46] >> Were the comments given for the four?
[23:51] >> No.
[23:59] >> Does not to follow instructions. (Indistinct).
[24:02] Pam will just make the comment --
[24:05] I give this artist a 13.
[24:11] But I like that she had done collaborative outdoor work
[24:16] permit I wasn't really excited that the boxes are just
[24:22] vinyl wrapped.
[24:24] She also had an arts and health degree from UF.
[24:30] Maybe her approach to a I didn't give her 14,
[24:37] maybe her thought process was a little more --
[24:45] maybe I'm skewed in that direction?
[24:48] Maybe I'm not necessarily skewed in a bad way.
[24:49] Maybe its own utility box.
[24:51] There might be more -- city guidelines or something.
[24:54] They have to be removal.
[24:56] I don't know.
[24:58] It didn't look like all the artwork was like that.
[25:01] For those utility boxes, that might have been the reason.
[25:06] I gave her a 15.
[25:11] I'm curious more about the four.
[25:19] >> Average is 12.3 you said?
[25:22] >> 12.8571.
[25:24] >> Okay.
[25:31] What is the desire of the commission?
[25:33] I hate to be a pain in the butt about this.
[25:35] What is the next highest after the fourth?
[25:38] >> 13.
[25:39] >> I would say push her through.
[25:40] That four is a huge outlier.
[25:43] >> Good point.
[25:45] >> Okay.
[25:46] Excellent.
[25:47] >> You've entered two more.
[25:48] Into the register.
[26:06] >> Next artist is Judy Kohn.
[26:07] They earned an 11.85.
[26:33] Staff representative can we scroll down
[26:35] and look at some of the other ones as well?
[26:37] Amy?
[26:41] Plus they are basically watercolors.
[26:45] There's no experience that I see here personal works.
[26:50] >> I didn't read it really high.
[26:51] We kind of decided the smaller pieces would not be appropriate.
[26:56] >> The range was 2 to 15.
[26:58] >> All in favor of not including?
[27:01] >> Keep that one the same.
[27:02] >> Keep that on the same.
[27:03] Yes.
[27:04] Thank you.
[27:07] Push us very quickly.
[27:21] [Laughs]
[27:28] >> This score to 13.7 is the average?
[27:30] A high of 17.
[27:30] Low of eight.
[27:39] >> What is the name?
[27:40] >> Modern art creations.
[27:41] >> It would be under C.
[28:12] [Crosstalk]
[28:12] >> The low score was eight.
[28:12] The next one --
[28:14] 213.
[28:14] 14.
[28:15] 16.
[28:15] 15.
[28:18] >> Even though these appear to be primarily indoor sculptures?
[28:22] I still put it at 14.
[28:26] I thought they had the capacity to fabricate something?
[28:31] Maybe I can put it at 15.
[28:33] And bam sounds like a conjecture that one into the register.
[28:45] >> (Indistinct) the high score is 15 or 16.
[28:48] Hovering around 13.7.
[28:49] Do we also want to sort of stay low consistent as well?
[28:53] Doesn't matter?
[28:55] Maybe I don't necessarily think so there are
[28:58] two different very different.
[29:02] >> It's work in my opinion.
[29:04] For me -- I bumped this.
[29:07] >> Yes we are good for this one.
[29:10] Yes.
[29:19] Maybe I'm next artist Mike Christie.
[29:25] Low score of ten high score of 17 the average was 13.71.
[29:35] Sorry Jamie.
[29:37] Can you repeat those scores?
[29:41] >> Yes.
[29:41] The average score was 13.7.
[29:43] The lowest score of ten.
[29:46] High score of 17.
[29:54] >> This person is basically my notes said basically a graphic
[29:56] designer.
[29:57] With no large scale experience.
[30:02] I would agree with not putting him on the list.
[30:06] >> Next.
[30:18] [Indistinct conversation]
[30:26] >> Thank you for moving that along.
[30:27] Our next artist is Sarah Gamble.
[30:29] The average score was 13.
[30:30] The low was four.
[30:31] The high was 17.
[30:37] There are also four teams and 11.
[30:39] The average was what?
[30:42] >> 13.
[31:02] >> I do not vote to pass this.
[31:03] Personally.
[31:03] >> I was confused on this.
[31:03] >> What am I looking for?
[31:04] I mean that was my problem.
[31:06] I'm just not clear what we would be getting.
[31:14] >> Not on the list?
[31:17] >> Bye bye.
[31:34] >> (Indistinct) I have other better work did you just come
[31:37] to an interview and tell me you have better work at home?
[31:39] Did it occur to you to bring it to the interview?
[31:41] >> Would you pass that forward come up please?
[31:43] Maybe Mrs. Jennifer Geiger?
[31:46] >> Yes.
[31:47] The average of 13.85.
[31:49] Low score of eight.
[31:51] High score of 16.
[31:55] >> Very whimsical.
[32:04] >> That was my word, too.
[32:06] For what they did, I liked it.
[32:07] >> I was one of the low scorers.
[32:08] I would push her over the edge.
[32:20] >> What is the average?
[32:21] >> 135.
[32:21] 138.
[32:21] Sorry.
[32:22] >> In the registry.
[32:24] >> Excellent.
[32:28] Maybe I was with you on that one, Emily.
[32:32] >> Greg?
[32:33] >> Next artist is Mark >> Solidary.
[32:40] >> With an average score of 13.14.
[32:41] The scores were closed for the lowest temporarily high was 17.
[32:46] >> Can you repeat the name?
[32:47] >> Mark Harris.
[33:03] >> Is that conceptual?
[33:04] The one that's outside?
[33:05] I was a ten.
[33:05] I think it was for the fact of the small works
[33:11] that I was scoring at, that way I
[33:13] was at 11 I had no artworks for public art installations outside
[33:17] of that.
[33:18] >> I like this stuff.
[33:20] It was super tiny.
[33:22] >> Yeah.
[33:23] >> What about the one that was in the park standing vertically?
[33:25] >> That's what we're asking.
[33:27] That was more of a conceptual idea versus -- it felt weird.
[33:36] >> It looks like it's floating.
[33:47] >> (Indistinct)
[33:48] >> I think we're moving on including this one.
[33:48] We're keeping whether it's at?
[33:48] >> We're not.
[33:49] Right?
[33:50] >> Correct.
[34:04] >> Next artist is Erika Heffernan.
[34:05] This one had a low score of two.
[34:07] High score of 15.
[34:09] With the average 11.57.
[34:13] >> What is the next score?
[34:17] >> 11.
[34:18] A couple 12?
[34:20] A couple 15.
[34:22] And, a 14.
[34:27] Interesting?
[34:27] Not sure if it's a fit for the roster.
[34:31] >> They're beautiful.
[34:33] I was the two.
[34:35] It didn't fit under anything that is shown publicly.
[34:41] >> This is just two dimensional photography.
[34:44] There's no experience there.
[34:51] [Crosstalk]
[34:52] >> No registry.
[35:02] >> With Christopher Hershberger.
[35:03] The average score is 12.
[35:04] With a low score of four.
[35:05] High score of 17.
[35:07] There was a comment even from the higher score of 17W-I would
[35:12] like to see larger pieces.
[35:29] >> (Indistinct) two dimensional art?
[35:31] Maybe I'm mostly he's done (Indistinct) .
[35:51] >> (Indistinct) a big wide wall.
[35:52] What would it feel like to feel that space?
[35:53] >> I feel like a lot of it is fantasy driven.
[35:55] I feel like -- it's possible that it could have gone more
[36:01] of a larger scale of that opportunity hasn't come to him
[36:05] yet .
[36:09] I don't know.
[36:10] I think the artwork is cool.
[36:12] >> What was the average >> 12.
[36:23] >> What it push him over?
[36:24] >> I think we have to be fair to everybody.
[36:26] I just don't know how much the one fourths makes a difference.
[36:34] As much as we love it.
[36:37] While?
[36:37] No?
[36:39] >> That's a big gap.
[36:41] 12, 14.
[36:42] Compared to the others.
[36:44] >> That's fair.
[36:58] >> This artist is Martin hallway track average score was 13.57.
[37:00] These scores were closer together low score was ten.
[37:04] High score was 15.
[37:11] They've been on two virtual.
[37:15] >> Glad we mixed.
[37:16] Finally I take 12 here.
[37:21] We are going up.
[37:26] Definitely mural experience .
[37:29] Maybe he's perfect experience with basic mural stuff.
[37:38] >> One of my questions became in doing this --
[37:40] so much of this work is very (Indistinct).
[37:45] I'm sorry we are just in Maryland.
[37:46] They start to all look alike.
[37:46] Do push something through that really is not is this offering
[37:50] anything more than what is already in the higher range
[37:53] of artists ?
[38:02] Who is opening a restaurant and look at the 300 artist roster
[38:04] to figure out which one?
[38:04] >> I'm going to ask is this artist local or further away?
[38:07] >> There's a manatee.
[38:09] This specific mural is Jacksonville Zoo.
[38:14] Yes.
[38:15] Address is Jacksonville.
[38:27] >> I think there's better work and the other piece is.
[38:29] I don't think this adds anything .
[38:33] Maybe that's fair maybe that's my question kind of looking
[38:35] at it from that perspective to.
[38:38] >> I just went in thinking that we are supposed to judge them
[38:41] based on their own artwork and marriage and not compare them
[38:44] to others.
[38:45] >> I agree.
[38:46] Now that we are actually parsing out this situation --
[38:49] by passing them through -- are we really?
[38:55] >> I think -- even if we say come okay.
[38:59] You can be on the registry because you mural experience --
[39:09] whether this person gets picked for a mural or not is not
[39:12] our final decision.
[39:12] >> If they're on the roster come it's no harm no foul.
[39:15] As long as they can show evidence they can do it
[39:17] >> If somebody decides to hire him that's not on us.
[39:20] They have the option of 300 murals.
[39:23] They chose that one that's their choice.
[39:25] I don't know.
[39:28] >> It also throw a curveball.
[39:30] I would go through and Rescore all of them.
[39:33] Evaluating exceptionally unique.
[39:35] Something we've never seen before but characteristic I was
[39:38] judging them by.
[39:40] Throw another curveball for me to read about everyone
[39:43] else through that lens comment specifically, that I didn't do.
[39:47] >> Are we okay with putting this one in the registry?
[39:50] >> What was its average >> 13.57.
[40:00] >> Okay.
[40:01] That would push him over.
[40:18] >> This is Aggie Coco.
[40:19] Averaged 13.85.
[40:20] Low score of eight.
[40:22] High score of 16.
[40:24] Comments were well executed.
[40:27] Unique shapes.
[40:29] Also no evidence of larger work in public spaces.
[40:44] >> New evidence of larger work.
[40:45] That one that was on the dock, it looked like a window.
[40:48] I don't remember the dimensions.
[40:49] Not that one.
[41:05] >> (Indistinct) connect named him dad one.
[41:06] What's a material?
[41:06] Marble of some kind?
[41:07] >> This one is saying the dimensions are 200cm by 180.
[41:13] >> Somebody?
[41:16] >> Nothing.
[41:16] >> Thank you.
[41:18] >> Not big.
[41:19] >> It says it's not in a public place.
[41:21] It looks like it might be a conceptual piece?
[41:24] Maybe?
[41:25] >> There were some things that looked like people would take
[41:27] a picture of from real close it looked like it was in a public
[41:30] space.
[41:33] >> Yeah.
[41:34] >> It was like -- >> It says it was actually in Turkey last
[41:39] year.
[41:40] Right?
[41:42] >> Yes.
[41:44] >> It's an actual piece.
[42:00] >> (Indistinct)
[42:02] >> Do you all see that houseplant?
[42:03] Do you see the houseplant in the back?
[42:03] Is that real?
[42:03] When things don't make sense -- you know?
[42:05] That is a I.
[42:15] [Crosstalk]
[42:17] >> This was the example of the public art?
[42:19] I thought it was a I. I didn't consider this
[42:21] as an example of it being large scale.
[42:22] >> 20ft.
[42:23] >> Is that 20ft?
[42:25] >> 200cm is six foot.
[42:28] It the Googles.
[42:29] I just asked.
[42:41] [Laughs]
[42:42] >> It's an unusual measurement to choose for a larger.
[42:44] >> If there's any questions, this is a no.
[42:50] [Indistinct conversation]
[42:52] >> The rest of them were all smaller pieces I could think
[42:55] at one point I did do the math on it.
[42:56] What is 200cm?
[43:04] [Laughs] I'm going to say no.
[43:05] That's my personal thought everybody else calm my thoughts?
[43:07] >> I would say no.
[43:12] >> Sounds like we're moving.
[43:13] >> Moving right along.
[43:14] Enter into the register.
[43:22] >> This artist, Tommy Lee.
[43:23] Also a 13.14.
[43:23] The scores were closer together.
[43:23] Close score of 12.
[43:23] High score of 15.
[43:24] One of those boundary artists.
[43:53] >> I saw in this one.
[43:54] I had written down a lot of conceptual ideas.
[43:56] Not lots of images representation installations
[43:58] quirky conceptual artwork that's not showing
[44:04] what you can actually do.
[44:16] >> Do I hear a no? (Indistinct)
[44:27] >> Lisa Bachmann.
[44:28] Average of 13.8.
[44:28] Low of eight.
[44:29] High of 17.
[44:46] I wrote that on my notes.
[44:48] She's an art professor.
[44:51] The installations are immaterial.
[44:56] Not necessarily good about it.
[44:59] It was a lower score for that reason.
[45:11] >> It's 13.8.
[45:11] If a business is looking for that specific work --
[45:14] (Indistinct) from finding her?
[45:16] >> To me it didn't feel like it fit as part of what we were
[45:19] going for come up with a roster.
[45:21] >> That's true.
[45:35] >> I am a no.
[45:35] >> We can let her stay?
[45:35] >> Others?
[45:35] >> The score stays.
[45:36] >> 13.8.
[45:38] Almost anyone strongly feels about pushing It over
[45:46] into the pass range?
[45:54] >> I would.
[45:54] I would too, actually.
[45:54] >> Okay.
[45:55] >> (Indistinct) maybe we kind of talked about it at the last
[46:00] meeting.
[46:01] My concept initially when I was looking at these --
[46:03] were outdoors materials.
[46:05] Like we said -- it doesn't necessarily always have to be
[46:10] outdoors to be public art.
[46:13] >> That's true.
[46:13] There's a lot of indoor stuff throughout this.
[46:16] It was exceptional.
[46:20] Push it through.
[46:31] >> In the registry.
[46:32] Doing great.
[46:32] Thank you for Carolina Mayorga.
[46:33] 13.7.
[46:33] Close score of 11.
[46:35] High score of 15.
[47:04] Okay.
[47:04] To be perfectly honest I gave a 14, specifically.
[47:08] I want you to see where the discussion went on this.
[47:12] I wanted to get other people's opinions.
[47:16] [Laughs] I didn't think it was exceptional.
[47:21] There's a place for it kind of cute.
[47:23] Just depends on what you're looking for.
[47:23] The little grasshoppers and whatnot.
[47:26] Whatever.
[47:27] I wanted to hear the discussion.
[47:30] Keep it in 11 minute it was cute.
[47:35] Smaller.
[47:36] Scale.
[47:38] >> It's still public.
[47:39] >> I don't know I'm neutral on whether we push it over or keep
[47:43] it at 13.7.
[47:57] >> I wasn't really excited.
[48:02] >> (Indistinct)
[48:02] >> Not on the list.
[48:04] [Crosstalk] And then I wouldn't vote to push this one.
[48:06] >> Fantastic.
[48:06] Moving right along.
[48:07] >> I saw it come I would go come I had a seat.
[48:09] To endorse it?
[48:11] Is another thing.
[48:13] I >> This artist.
[48:23] Van McDonough the average score of 13.
[48:24] Those score eight.
[48:25] High score 16.
[48:31] And then no.
[48:33] A very interesting practice.
[48:36] Glass tubes with stuff inside of it?
[48:39] Fascinating to me.
[48:42] I found myself wanting to score high.
[48:50] What else?
[48:53] >> There's other stuff?
[48:54] >> There's some I guess I got lost in the sauce.
[48:58] Are we -- I don't know.
[49:03] >> Such a different medium.
[49:04] Glass.
[49:05] We don't have a lot of that.
[49:09] Maybe I thought the glass tubes (Indistinct) .
[49:20] I like the colors.
[49:32] >> Let's say keep it?
[49:33] >> 13 was the average I >> 13 was the average?
[49:40] >> I would agree.
[49:41] We are good?
[49:41] >> Madonna.
[49:41] Are we keeping it at 13?
[49:45] >> We are voting on it.
[49:47] Excellent.
[49:53] Our next artist is David McGraw.
[49:58] Score of 13.4.
[50:00] These scores were closer together.
[50:05] With the range of 10 to 16.
[50:30] [Indistinct conversation] There's obviously here.
[51:17] It's not personally for me.
[51:22] Comments were could use better photography of the work.
[51:26] Interesting objects.
[51:27] Fun shapes.
[51:38] >> I want to know where.
[51:39] Is at a park?
[51:39] I'm just picturing it.
[51:49] >> Okay.
[51:50] It didn't wow me.
[51:50] I wasn't like this is the best artwork.
[51:50] I love this.
[51:51] >> There's some interesting shapes.
[51:53] It's kind of fun.
[51:55] I want to say more of that.
[51:57] The piece was kind of >> What's the average?
[52:07] >> 13.4.
[52:08] >> This was the only one that actually kind of liked.
[52:08] This one.
[52:09] And then the one with the giant skewer with pieces
[52:13] on it I like that one.
[52:16] I don't know.
[52:31] >> Are we okay with moving this forward to the registry?
[52:31] >> I think we probably should -- there's experience here.
[52:33] Just because we don't like it -- the material?
[52:36] >> Right.
[52:37] I don't think it's fair for us to judge one way or the other
[52:40] we talked about this and the other context.
[52:43] Do they have the experience?
[52:44] Yes.
[52:45] They have.
[52:46] Is it exciting stuff?
[52:50] >> Somebody might enjoy it.
[52:51] Just not ask.
[52:53] >> We're relatively close.
[52:57] >> Push it on through.
[53:11] >> Our next artist is Gregory Montiel.
[53:13] Average score of 13.8.
[53:13] Lowest score of eight.
[53:14] High score of 16.
[53:18] Mostly 15.
[53:34] >> I felt like the experience was there.
[53:35] Not my choice.
[53:35] That's okay.
[53:36] He's got the experience.
[53:38] You know.
[53:48] There were large scale works.
[53:52] It might not be what I would choose, but somebody might.
[53:57] >> I'm a little confused.
[53:58] Why do we do this?
[53:59] I am just being honest.
[54:01] It is passable.
[54:02] I am not being rude.
[54:04] We should not decide any of this.
[54:07] Somebody will like some of it.
[54:09] Just pass them all.
[54:11] >> They're not all Meryl.
[54:13] >> I'm just saying.
[54:14] One person could have gone through
[54:15] and said none of that says mural work.
[54:17] We don't put that in.
[54:19] Everything else -- on some level,
[54:22] I guess I completely don't understand this.
[54:25] Is there anything that says you're trying to curate this?
[54:29] We are trying to offer a unique?
[54:31] I'm not being facetious.
[54:32] I just don't understand it.
[54:35] >> There is a two skill sets that we laid out from the very
[54:41] beginning format what is he professional -- experience?
[54:50] They created anything previously on a scale
[54:53] that would warrant itself to a public art committee I
[54:57] think it's pretty clear.
[55:00] Somebody is doing two dimensional watercolors
[55:02] or photography double or not people
[55:06] should have in their register.
[55:10] The whole idea is to bring at least some modicum of experience
[55:17] in our quality of?
[55:19] That is why we are judging these things we're not calling
[55:21] those two different merits.
[55:24] Maybe the next time that we do this --
[55:29] we have a discussion of beginning,
[55:32] about what we are doing.
[55:35] >> We don't enter those things.
[55:38] If they're below a certain size?
[55:42] What are the parameters?
[55:44] Maybe I think staff could do that.
[55:46] I think staff can eliminate the ones that
[55:49] do not meet the criteria.
[55:51] Submitting little tiny postcard sizes.
[55:53] I think they could read those out.
[55:56] >> I think that's a really great idea.
[55:58] Because, this is an overwhelming number of things to go through.
[56:02] >> Greg.
[56:03] You are saying to tell the artist who
[56:04] are applying to Pardesh there's requirements?
[56:07] >> Upfront.
[56:19] [Crosstalk]
[56:23] >> Some of them were submitting stuff to submit.
[56:25] >> I'm used to theater platforms will not let you enter that
[56:25] stuff do your flat outlining company will kick you out.
[56:27] This is, I don't know if the platform allows
[56:29] it to escape through you'll easily come
[56:31] if it doesn't fit the criteria.
[56:32] I don't know.
[56:48] [Crosstalk]
[56:50] >> We use Andrea's cafe.
[56:51] You put that all in there there's
[56:51] no reason they can't upload images.
[56:51] Right.
[56:51] >> Good job all the time they're not qualified.
[56:54] They are trying to meet unemployment requirements.
[57:12] [Laughs] If I had someone apply for a job
[57:13] they said it's too much work for me where are we on this?
[57:13] Discussion going.
[57:13] Good discussion.
[57:14] >> What was the average?
[57:16] >> 13.8.
[57:31] You said the majority 15?
[57:32] >> I say push it through the majority are 15.
[57:41] >> You doing a great job >> You guys through all these artists..
[57:43] It's a lot.
[57:43] >> Do we know how many we were viewing today?
[57:45] >> We're about halfway through?
[57:46] A little more than halfway through.
[57:48] >> Let's roll.
[57:49] >> I love it.
[57:55] Damien this is Rhonda with an average score of 13.28.
[58:01] These scores are closer together low score of 11.
[58:04] High score of 14.
[58:06] 15.
[58:07] Sorry.
[58:07] Maybe yes that was the 11.
[58:24] >> rate this one my lower ones because were conceptual?
[58:26] I the idea of.
[58:26] >> will let her at 13.
[58:27] Whatever. >> We look at same situation
[58:42] we with Chris paramedic (Indistinct) everything
[58:51] was not appropriate >> That is a >> Next artist Jack Robbins.
[58:53] This one, score average was 12.57.
[58:56] Low score of eight.
[58:58] High score of 15.
[58:59] 16.
[59:16] >> It's funny how the real world (Indistinct) seeing another
[59:19] butterfly.
[59:19] Mirrors all have to have butterflies or dragonflies
[59:19] in them.
[59:20] >> City Council rejected one, one time paramedic (Indistinct)
[59:41] >> So many people paint butterflies. (Indistinct)
[59:46] [Crosstalk]
[59:48] >> What was the average for this one?
[59:49] >> 12.7.
[59:50] >> I personally say no.
[59:59] >> No thank you.
[1:00:04] >> (Indistinct)
[1:00:04] [Laughs] And then this is Allison.
[1:00:12] [Crosstalk]
[1:00:16] >> Allison reported 12.57.
[1:00:17] Low of eight.
[1:00:18] 16.
[1:00:27] >> My notes say most.
[1:00:28] No.
[1:00:28] Most of it is indoor work.
[1:00:29] There are two small outdoor intervals.
[1:00:41] >> I would say no.
[1:00:42] >> I would say no.
[1:00:55] >> Artist coyote Sally.
[1:00:56] Average was 13.
[1:00:56] Low score of eight.
[1:00:57] High score of 17.
[1:01:06] >> I remember being confused by this one.
[1:01:08] When I first looked at it.
[1:01:08] It was explosions.
[1:01:08] Right?
[1:01:08] Okay.
[1:01:08] >> Remember correctly -- according to my notes,
[1:01:09] I said indoor paintings.
[1:01:11] Bam it felt like experience installations.
[1:01:16] Something you see at a museum or whatever.
[1:01:37] >> Those are projections.
[1:01:42] >> I was just at an art center in Virginia.
[1:01:43] This is different.
[1:01:55] >> (Indistinct)
[1:01:59] >> I thought it was interesting.
[1:02:00] I don't know what everybody thinks about pushing it
[1:02:00] through or not.
[1:02:00] >> I love it.
[1:02:00] I don't know if this is something --
[1:02:00] I mean is there a place -- space in Ocala where someone is going
[1:02:03] to commit to maintaining (Indistinct)?
[1:02:15] Maybe I'm a state room.
[1:02:16] >> I think this is more for a museum or gallery.
[1:02:26] >> I would love to see a work like this in Ocala.
[1:02:28] I don't know that there is a public space for.
[1:02:28] Then maybe if we put them on the roster.
[1:02:28] It will be what is the average Again?
[1:02:28] >> 13.14.
[1:02:28] And
[1:02:28] >> I think it offers -- we are not the end user of this
[1:02:32] register.
[1:02:36] Do you know somebody that does projection art?
[1:02:40] Maybe I'm pushing through there then.
[1:02:42] That's an option.
[1:02:43] Maybe I'm (Indistinct).
[1:02:51] Maybe I'm good or bad, we just all get through this.
[1:02:59] We invite you to look at 400 artists.
[1:03:01] Make your pick maybe a little bit.
[1:03:01] Maybe 350 artists.
[1:03:01] Take care..
[1:03:01] Maybe they can do them by filter.
[1:03:02] What is the next one?
[1:03:04] >> We have Nicole Sherman.
[1:03:06] With an average of 13.4.
[1:03:09] These scores will close together 12 as a low.
[1:03:13] 15 as a high.
[1:03:15] >> That would violate base code.
[1:03:18] No signs.
[1:03:20] >> Definitely advertisement.
[1:03:23] >> Yeah.
[1:03:25] >> I would say no.
[1:03:28] >> Everybody else?
[1:03:29] >> Okay.
[1:03:34] [Crosstalk] Maybe Brooke has the highest number paramedic
[1:03:48] always the lowest number.
[1:03:49] We wouldn't be here Brooke and.
[1:03:49] Maybe my the group.
[1:03:49] On this one.
[1:03:49] There's nobody that I'm like -- if it was something it was
[1:03:49] extremely passionate about --
[1:03:51] I would say it.
[1:03:52] Okay.
[1:03:53] Stephen Schuster?
[1:03:54] Low of 18.
[1:03:56] High of 18.
[1:03:57] Low of eight.
[1:04:01] >> I had to go back and look at this guy three times.
[1:04:05] I didn't quite understand what I was looking at.
[1:04:31] >> I just want to say
[1:04:32] >> He was literally one of the last things I graded.
[1:04:32] I don't understand.
[1:04:32] >> Butterflies.
[1:04:32] >> He's a bug dude.
[1:04:42] [Crosstalk]
[1:04:42] >> I think it's well done.
[1:04:43] I studied it. (Indistinct) I don't
[1:04:46] know that's a great fit for the roster?
[1:04:48] it's lovely work.
[1:04:48] >> Wow.
[1:04:48] >> I saw that one.
[1:04:48] Okay.
[1:04:48] I can see where it could be public facing in that way.
[1:04:49] With some of the stuff I was looking
[1:04:50] at going I don't understand how this is public
[1:04:52] facing in some way.
[1:05:20] >> Chelsea average again.
[1:05:21] >> 13.4.
[1:05:27] >> Are you okay with letting him in?
[1:05:35] [Indistinct conversation]
[1:05:38] >> It doesn't bug me.
[1:05:42] [Laughter]
[1:05:43] >> Butterflies two miles from anything like that.
[1:05:45] We don't have a moth at.
[1:05:46] That is good.
[1:05:50] >> I love the Beatles?
[1:05:51] >> Artist Justin Tyler Tate.
[1:05:51] With average of 13.
[1:05:51] Low of nine.
[1:05:51] High of 18.
[1:05:51] >> This was just in Tyler Tate?
[1:05:51] >> Yes.
[1:05:51] >> I put a one on him.
[1:05:51] >> Finally.
[1:05:52] >> I'm not joking.
[1:05:53] For two reasons.
[1:05:54] One -- I was not impressed at all with the artwork.
[1:05:57] Two -- I was offended by the statement that was made within
[1:06:02] his packet.
[1:06:03] About references.
[1:06:05] Did anybody else read that?
[1:06:07] >> I read that.
[1:06:08] What did it say?
[1:06:09] >> That was -- how dare the committee ask her?
[1:06:13] This is an outdated archaic request.
[1:06:18] I was like, don.
[1:06:21] I don't need you on the roster.
[1:06:25] Minimum just tell him he's watching.
[1:06:45] [Crosstalk] It was there this whole time
[1:06:46] I'm ready to because I'm trying to get pregnant according
[1:06:46] to the letter extended to himself
[1:06:46] as if it was a reference letter.
[1:06:46] Wrote an entire letter in the packet.
[1:06:46] I think basically he said he did not want to be on this roster
[1:06:47] maybe that was the long and short of it.
[1:06:48] How dare you submit to?
[1:06:50] The artwork, it was not good for Justin Tyler Tate.
[1:06:56] Justin Tyler Tate.
[1:07:01] To was reminiscent to Burning Man.
[1:07:28] >> You gave it a one.
[1:07:28] Did you give it an 18?
[1:07:28] >> I gave it a nine.
[1:07:28] Okay.
[1:07:29] Good.
[1:07:34] [Crosstalk]
[1:07:35] >> I thought that kind of matched the work I don't know
[1:07:37] if I didn't know almost like an edgy.
[1:07:37] You know.
[1:07:38] Here is my application.
[1:07:48] >> It does look like it could be set on fire.
[1:07:50] >> Definitely gave Burning Man.
[1:07:50] >> Again, I like Burning Man.
[1:07:50] I'll be honest.
[1:07:50] I thought this was some of the more interesting stuff that
[1:07:50] was submitted.
[1:07:50] I would love to see something more like this in Ocala.
[1:07:50] Standard traditional Whirligigs.
[1:07:51] There are some things here, I wish
[1:07:54] somebody would do something more interesting and push it.
[1:07:58] And edgy.
[1:08:20] >> (Indistinct)
[1:08:23] >> I loved it I'm so glad I was in town when it happened I
[1:08:23] remember saying oh my God.
[1:08:23] Thank you thank you.
[1:08:23] >> When you all tell me I like it.
[1:08:23] It's doing something different.
[1:08:23] I see that it's doing something different but I wouldn't walk
[1:08:23] by that I think -- that is art.
[1:08:23] >> That is scaffolding.
[1:08:23] >> This I agree with you.
[1:08:24] [Crosstalk] I went to his Instagram page.
[1:08:39] When I was judging this.
[1:08:40] Why didn't you put this in here I honestly had I not read his
[1:08:40] letter -- initially did when I saw that letter --
[1:08:40] I went -- okay.
[1:08:40] Done.
[1:08:40] Like, like, like, literally door slamming down.
[1:08:40] The fact that he wrote that letter I
[1:08:40] was like, like, I don't want your art
[1:08:40] looks like at this point.
[1:08:42] Because, you're kind of a jerk.
[1:08:45] Your approach.
[1:08:46] I don't think that was polite.
[1:08:48] >> Is he doing a bit?
[1:09:08] [Crosstalk] Maybe I don't have a person to talk to I have what
[1:09:10] you submitted in your application.
[1:09:10] If 300 plus people submitted comment had zero problems
[1:09:10] submitting references -- you're the one dude who is like,
[1:09:10] I cannot believe it.
[1:09:11] >> There's one in every >> I think it's an F to.
[1:09:33] >> 13 was the average.
[1:09:34] >> 13.. ..
[1:09:34] Over?
[1:09:35] >> Thank you.
[1:09:45] >> I liked it.
[1:09:46] Everybody needs to have a voice.
[1:09:47] >> What are you thinking?
[1:09:54] >> I'm just double checking.
[1:09:55] >> I put him at 13.
[1:09:55] >> I would say okay.
[1:09:56] >> You say okay to push him over?
[1:10:09] [Indistinct conversation]
[1:10:12] >> A yes Tito?
[1:10:12] A yes or no, Tito.
[1:10:18] >> I think it's creative.
[1:10:19] I think it's different.
[1:10:19] I would keep it.
[1:10:19] There's nothing like it.
[1:10:20] >> I would keep it.
[1:10:30] [Crosstalk]
[1:10:41] >> (Indistinct)
[1:10:41] >> I would say I'm okay with the vote being 423.
[1:10:43] Yes two no.
[1:10:43] I guess it means I'm a yes.
[1:10:44] I can push him over.
[1:10:50] [Laughs] I was on the panel I want
[1:10:51] to know what the letter was about?
[1:10:51] You need to get over yourself.
[1:10:51] Young man.
[1:10:51] Thinking with Jessie Thomas.
[1:10:51] With an average score of 13.7.
[1:10:51] These were close.
[1:10:51] Louis score of 11.
[1:10:52] High score of 15.
[1:11:24] >> I love the way they work around the architecture permit
[1:11:33] (Indistinct) Quite a mixture of.
[1:11:36] >> That was lowered.
[1:11:37] Have to push him over.
[1:11:39] >> He's pretty close.
[1:11:41] Arnold?
[1:11:41] What say you?
[1:11:44] Okay.
[1:11:44] Okay.
[1:11:45] Push him over to the register, please.
[1:11:57] We have Jose Trejo Mario.
[1:12:01] With average score of 13.14.
[1:12:03] Low score a high score of 16.
[1:12:14] I know Titus would like this there's nothing that really
[1:12:20] lends itself to be outdoors.
[1:12:25] At least not to too much.
[1:12:35] Opinions.
[1:12:44] I will clarify by saying it's more of an installation
[1:12:48] kind of a thing.
[1:12:49] In a museum or a gallery.
[1:12:53] >> I felt the same way.
[1:12:56] I want to understand it better.
[1:12:58] I don't know if it's about the photos themselves or just
[1:13:02] difficult to capture in photos --
[1:13:03] in a way that I would find it compelling and really grasp --
[1:13:07] just what it is about.
[1:13:09] Do you know what I mean did you all feel that?
[1:13:35] >> The record show broke and I felt bad about Justin Tyler
[1:13:37] Tate.
[1:13:37] Yes.
[1:13:37] >> That I could see everything.
[1:13:37] Just a different point of view.
[1:13:37] I really don't know that I'm saying it
[1:13:37] well enough in pictures.
[1:13:37] >> I thought it was kind of cool.
[1:13:37] We got to see the smaller pieces.
[1:13:37] Then you saw how they were realized on a larger sculpture
[1:13:37] as well.
[1:13:37] I thought that was kind of interesting.
[1:13:39] Got a little bit more detail in the smaller imaging as well.
[1:14:03] >> I guess I thought it was more of a written kind of written
[1:14:05] work as art it's more about the words and the poems.
[1:14:05] Rather than the visual element connect to the guys.
[1:14:05] Love them it'll be fun.
[1:14:05] Maybe they're adorable.
[1:14:05] >> It feels like it wants to be in a gallery or a museum.
[1:14:08] What if you had a coffee shop?
[1:14:12] You want to type like that with a message?
[1:14:16] >> That's true.
[1:14:19] >> That's what you need to put ourselves I think.
[1:14:21] The different applications we're not really
[1:14:24] judging the art in that basically chin interpretation
[1:14:55] (Indistinct)
[1:14:55] >> This is cool.
[1:14:55] I would say he'll be put into place in a public location as
[1:14:55] opposed to just a small little pieces.
[1:14:55] Once I got to this one.
[1:14:55] I was like kind of like.
[1:14:55] Oh.
[1:14:55] This looks pretty cool.
[1:14:55] >> Can we consider somebody do an article and say there's a new
[1:14:55] public roster at places like coffee shops should look at it.
[1:14:55] Do you know what I mean?
[1:14:55] I don't think people know I don't think they get
[1:14:55] the connection of -- that's a reason for this.
[1:14:59] The public needs to know about it if they
[1:15:02] don't get a lot of things.
[1:15:04] How many of the people that come to the civic
[1:15:06] are like I didn't know you guys were here.
[1:15:09] The same idea.
[1:15:11] Getting the word out in general.
[1:15:15] >> I think we probably are a little more visible
[1:15:40] (Indistinct).
[1:15:41] I wish more people would get it.
[1:15:41] Hear about it.
[1:15:41] >> Let's go ahead and go.
[1:15:42] Approve.
[1:15:57] >> The ones that we have the most discussion on --
[1:15:59] will be the first ones I get picked.
[1:15:59] >> Cool.
[1:15:59] Very interesting we would end up with some very interesting stuff
[1:15:59] in town.
[1:15:59] I think that would be awesome now we have Max Valentine.
[1:15:59] With an average of 13.85.
[1:15:59] Total score eight.
[1:16:00] High score 16.
[1:16:25] >> Push him over.
[1:16:27] [Crosstalk]
[1:16:30] >> There is a cat.
[1:16:32] [Laughter]
[1:16:37] [Crosstalk]
[1:16:37] >> I have a tattoo of a cat.
[1:16:37] Maybe my dog ate.
[1:16:37] I'm with you.
[1:16:37] >> They did have a good mural experience.
[1:16:37] >> This is our last artist.
[1:16:37] >> What?
[1:16:38] >> Let's go back through all of this again.
[1:16:56] [Laughter]
[1:16:57] >> One more time we have Jim Woodson.
[1:16:59] An average of 12.71.
[1:16:59] The lowest score was eight.
[1:16:59] High score, 16.
[1:16:59] >> This one didn't have any large scale works.
[1:17:12] >> You said Jim Woodson.
[1:17:13] I would say no.
[1:17:13] It's all mixed media.
[1:17:13] There's no sculptures or murals.
[1:17:13] Or anything.
[1:17:13] >> Everything was oil on canvas and small.
[1:17:13] In our next five years we do this again.
[1:17:15] That would be one the staff would weed out.
[1:17:17] >> A great suggestion.
[1:17:19] >> Never come to the light of day.
[1:17:22] Very lovely work.
[1:17:28] Jamie do you need anything else from us?
[1:17:33] >> I think we can save that conversation for when we go back
[1:17:37] to discussing the roster.
[1:17:39] If we have size requirements we would like to have in place.
[1:17:41] I think it's mentioned we talk about it being public art.
[1:17:45] And considering that for applying.
[1:17:47] Maybe if we have some specifics we can add?
[1:18:14] >> Large scale.
[1:18:15] >> Not Gallery.
[1:18:16] >> That is subjective.
[1:18:25] >> Are you making this report?
[1:18:26] Is this for tomorrow?
[1:18:26] What are we doing tomorrow?
[1:18:26] >> Tomorrow -- didn't meet quorum.
[1:18:26] You guys are free tomorrow.
[1:18:26] >> We got through all these.
[1:18:26] >> Right.
[1:18:26] That was the point.
[1:18:26] >> Are we done?
[1:18:26] The creative registry?
[1:18:26] Do we have more?
[1:18:26] >> Those are all the ones.
[1:18:26] I made notes of the scores that you
[1:18:26] believe should be just high enough to make a.
[1:18:26] I will send you an email with those names.
[1:18:28] We have to use what's in Cafe as our record.
[1:18:32] We will need -- if we voted a little more skeptical
[1:18:35] of your artist -- you know coming to reevaluate.
[1:18:38] I will detail that out.
[1:18:41] And the artist that you agree -- the score was appropriate --
[1:18:48] I will leave those names out.
[1:18:49] They will just keep that score.
[1:18:51] >> Okay.
[1:18:52] >> Only ones that we pass through we need to go back --
[1:18:56] >> Correct which means, y'all can sit tight I will just fix
[1:18:59] my scores.
[1:19:04] [Laughter] We will be fine we are so good I'm taking the fall.
[1:19:32] [Crosstalk]
[1:19:33] >>.
[1:19:33] For two notes you gave him a 14 or above,
[1:19:33] you would not need to. .
[1:19:33] >> That's true.
[1:19:33] >> Okay.
[1:19:33] We have accomplished magical things.
[1:19:33] >> I'm just going to do 14.
[1:19:33] It's going to work itself out.
[1:19:33] My lowest score was a 14.
[1:19:33] I think I did a 12 on somebody.
[1:19:33] Did a 13 on somebody.
[1:19:33] I was like --
[1:19:33] I can't vote that low.
[1:19:34] It just hurts my heart.
[1:19:58] [Laughter] People put such effort into that.
[1:20:00] I am an artist.
[1:20:00] Have a heart for them.
[1:20:00] No.
[1:20:00] I can't give you a three.
[1:20:00] I just can't do it.
[1:20:00] If you're a singer -- would be like, oh no.
[1:20:00] >> I said come I did that for almost everybody.
[1:20:00] >> Miss Bailey.
[1:20:00] >> Yes?
[1:20:00] >> Do we still have more things on the agenda?
[1:20:00] >> That's what I said.
[1:20:01] Thank you thank you.
[1:20:02] >> Six.
[1:20:29] [Crosstalk]
[1:20:33] >> Other business.
[1:20:34] >> Our total that we have is $8,381.93.
[1:20:34] As of this morning.
[1:20:34] With the last two applications that we are awarded --
[1:20:34] one has already been written as a check and delivered the other
[1:20:34] one, we are waiting on the building owner to give
[1:20:34] permission for the mural.
[1:20:34] We will be getting that hopefully soon.
[1:20:36] We will only have $800 left.
[1:20:37] That was the whole purpose behind splitting that approval
[1:20:42] for our film Derby.
[1:21:09] >> Just out of curiosity -- did we know when we approved
[1:21:12] the grant, the building owner had not given approval?
[1:21:12] >> It was acknowledged that there was a verbal agreement
[1:21:12] the board agreed, we need to have a written.
[1:21:12] >> Okay.
[1:21:12] I just needed a refresher.
[1:21:34] >> Public comments.
[1:21:35] The agenda.
[1:21:35] Hello.
[1:21:35] Any comments?
[1:21:35] >> Anybody home?
[1:21:35] >> Anybody home?
[1:21:35] Informational items.
[1:21:35] Staff comments?
[1:21:35] >> Thank you for all your work.
[1:21:35] I know that was a lot.
[1:21:35] Thank you for keeping us straight, Jamie.
[1:21:35] Board comments?
[1:21:35] Start with Tito.
[1:21:36] >> This is my last meeting.
[1:21:38] I did send a letter.
[1:21:41] I really appreciate everyone of you guys
[1:22:07] I know it's going to be great.
[1:22:08] It doesn't matter if I'm here or not.
[1:22:08] You guys have done a great job.
[1:22:08] >> I will miss you.
[1:22:08] Thank you for your years of service.
[1:22:08] >> I've been here almost 15 years.
[1:22:10] [Laughs] I think it's time to give somebody else a chance.
[1:22:22] >> Thank you.
[1:22:23] Brooke.
[1:22:23] >> I've got nothing.
[1:22:23] >> Fine Arts of Ocala is prepping for our Ocala Fine Arts
[1:22:23] Festival on October 24th and 25th.
[1:22:23] I'm headed to the festival meeting right after this.
[1:22:23] Maybe with Brooke?
[1:22:23] I think?
[1:22:23] We're looking forward to that.
[1:22:23] We will probably be talking about it from here
[1:22:25] until October.
[1:22:51] >> Out of five Keller has annual adult spelling bee next
[1:22:53] Wednesday evening.
[1:22:53] From 6 to 8 p.m..
[1:22:53] Which I changed from Thursday so that one
[1:22:53] of the cast members from rent could be in the spelling bee
[1:22:53] come and compete.
[1:22:53] It's a fun and free event to the Marion Theater from 6 p.m..
[1:22:53] Next Wednesday.
[1:22:53] Come cheer them on.
[1:22:53] We've raised funds for the Marion County Literacy Council.
[1:22:53] For our Maker Space program.
[1:22:56] >> Awesome.
[1:22:57] You don't have stuff?
[1:22:59] >> I do.
[1:23:00] I will go last.
[1:23:01] >> Okay.
[1:23:02] We have all kinds of stuff.
[1:23:05] Rent opens tomorrow night.
[1:23:07] Which we are super excited about.
[1:23:10] We actually have the highest enrollment in our academy
[1:23:13] that we've ever had.
[1:23:14] This fall.
[1:23:15] Which we are super stoked about.
[1:23:18] Usually the fall is a little leaner.
[1:23:20] It gets Fuller in the winter.
[1:23:21] We actually fall in the fall.
[1:23:23] Almost fall in the winter.
[1:23:25] The interest there has been incredible.
[1:23:26] We are thrilled about that.
[1:23:31] If you know a kid that wants to study theater send them over.
[1:23:34] We had a really exciting thing.
[1:23:35] A couple things happened.
[1:23:37] MCBIA made us their charity for last Thursday.
[1:23:42] Friday.
[1:23:43] Whatever.
[1:23:44] The Casino night.
[1:23:45] They've been really great to us and helping
[1:23:47] us getting us some more people involved through that we now
[1:23:50] have a connection with habitat for humanity
[1:23:53] is coming in to volunteer in our shop at.
[1:23:58] And getting involved with helping
[1:23:59] the building so on and so forth that's a really cool thing.
[1:24:07] In fact -- (Indistinct) grant application that will be
[1:24:27] the first time coming and doing a slam as they're calling it --
[1:24:29] in the shop.
[1:24:29] The next day that set has to be on stage.
[1:24:29] They will come in and help us slam it come as they're
[1:24:29] calling it onto the stage.
[1:24:29] Yeah.
[1:24:29] Gala is October 8th.
[1:24:29] We have 30 seats left.
[1:24:29] We sold 120.
[1:24:29] If you would love to join us for the gala
[1:24:29] come and we'd love to have you.
[1:24:30] If you want to join us tomorrow night opening night
[1:24:33] of rent Irwin's lilac is sponsoring a really great
[1:24:36] opening night party.
[1:24:37] Please RSVP to the box office premiere
[1:24:44] (Indistinct) the show tomorrow night that's it for us.
[1:25:08] >> Thank you Madam Chair.
[1:25:09] I am the new board president for the Magnolia Art exchange.
[1:25:09] For the Magnolia Art exchange.
[1:25:09] It's an art incubator for emerging and mid-career artists.
[1:25:09] We on the board of next have a lot of work to do.
[1:25:11] We are going to do that -- because we've got a great team.
[1:25:16] Everybody is stepping up.
[1:25:17] We're really excited.
[1:25:18] The last Saturday of this month we having our fun event.
[1:25:23] The Art heist.
[1:25:24] You come in and have tickets turmeric when your ticket is
[1:25:30] drawn -- you get to pick a work of art.
[1:25:32] You get to hold that until somebody picks one
[1:25:35] and decide say instead of something else while the wall
[1:25:42] it's a lot of fun we have all of great people on the board
[1:25:44] now that have all kinds of experience and fundraising.
[1:25:48] And putting on parties.
[1:25:51] We've got a lot of support from work we're really excited.
[1:25:55] That's Saturday September 26th from 6 to 9.
[1:26:00] >> I'm hosting.
[1:26:02] Pam M.S. That's right.
[1:26:03] Is.
[1:26:04] Is RMC.
[1:26:04] M I saved it.
[1:26:07] Yeah and I just learned that today I didn't know myself.
[1:26:11] I think that's going to be great.
[1:26:15] He is going to be herding cats.
[1:26:20] >> All day long I can't wait.
[1:26:22] >> Actually I had a question.
[1:26:24] I think it was answered I was going
[1:26:26] to ask if anybody was associated with the Magnolia Art exchange.
[1:26:31] >> Durian was as well.
[1:26:33] >> I didn't know.
[1:26:35] That's great.
[1:26:35] Can we speak after?
[1:26:36] I have some questions.
[1:26:38] >> I don't know. (Indistinct) maybe my people waiting in line
[1:27:06] for this?
[1:27:07] Actually has to do with the high.
[1:27:07] Maybe I'm of course I'm happy to speak with him.
[1:27:07] About anything.
[1:27:07] >> Anything.
[1:27:07] Alright.
[1:27:07] This will be specific this time.
[1:27:07] >> I don't think it is still up.
[1:27:07] Is sculpture double bronze sculpture.
[1:27:07] Was in the show with the museum.
[1:27:07] It was actually featured in the c f publication.
[1:27:09] It was very nice.
[1:27:36] [Indistinct conversation] Actually
[1:27:37] it was about donating a couple sculptures to your contest
[1:27:37] >> Yes please.
[1:27:37] >> That's not going to be the bronze.
[1:27:39] I think we could have for that anyway thank you.
[1:28:02] >> Our auction is live now.
[1:28:03] You can go online.
[1:28:03] There are 80 items.
[1:28:03] Trips.
[1:28:03] Experiences.
[1:28:03] Food.
[1:28:03] Local food.
[1:28:03] A basket from chewy.
[1:28:03] All kinds of wonderful baskets and the Civic Theater.
[1:28:03] Check it out.
[1:28:03] It runs through September 10th you can all be done
[1:28:03] on your phone.
[1:28:03] We have an in-person party on the 10th at five.
[1:28:03] Everybody is welcome to come.
[1:28:03] You do not have to be at that party to win.
[1:28:05] You can see all the items out.
[1:28:09] You will get up to the time the auction closes
[1:28:12] you're getting notice because you've been on things
[1:28:14] and you're on we will let you know.
[1:28:16] What you are pursuing.
[1:28:22] We applaud the arts following the heels of its gala season.
[1:28:27] Our October 29th at.
[1:28:31] Gorgeous 1850 barn that has been retrofitted to an event space.
[1:28:36] The orchestra will be there.
[1:28:38] Plated dinner.
[1:28:39] An amazing night.
[1:28:41] Be on a grant recipients we are going to skinny that part down
[1:28:48] this year.
[1:28:49] Less talking.
[1:28:52] Morphine.
[1:28:54] Open bar.
[1:28:54] Grapefruit.
[1:28:55] Auction items there.
[1:28:56] If you havent seen protégé go on.
[1:28:58] It's gorgeous.
[1:28:59] They've got candidates.
[1:29:00] Built in 1815.
[1:29:01] It's a wheat barn.
[1:29:04] A marvelous space.
[1:29:08] You sell tickets on sale come until December 14th for tribute.
[1:29:12] If you ever wanted a chance for a course sorry.
[1:29:17] It's not a dog?
[1:29:18] We found out we can't do dogs.
[1:29:21] Anyway tickets are $75.
[1:29:23] If you don't have a place for it --
[1:29:26] the city has agreed that you can donate it in your name if you
[1:29:29] went to their collection of horses thank you all
[1:29:33] for your patience.
[1:29:34] Thank you staff.
[1:29:36] It's wonderful to get out to before the anticipated time
[1:29:39] of 5:00.
[1:29:40] Beat the traffic.
[1:29:42] We will see you probably won't see you tomorrow.
[1:29:44] We will see you in October come back the first Wednesday
[1:29:47] in October.
[1:30:18] >> October 7th.