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This is the Arts and Culture Advisory Commission meeting August 5th, 2020-6.

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All right, welcome everyone. I want to call this meeting to order, and let's go ahead and start with the roll call.

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And we'll call it from the display, my name is the sign of the soul.

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Capricorn Envy, Dr. Charlotte Bullonz, Susan D. Young,

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Kermen Force, and we have Margaret Lou and Crystal

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Cover, missing today.

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So, let's get started with the pledge of allegiance.

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Five questions to the flag of the United States of America,

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and to the Republic for which it stands,

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one nation under God, individual, with liberty and justice for our

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country.

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Just trying to push your officers.

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I have a support on the floor today.

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Okay, so let's get started with staff reports.

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Do we have any staff reports?

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Yes, we have many staff reports and more coming soon on public RFR.

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So, competency is about 90% finished with installation.

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Construction finishing up with a few finishing details along with the same site of the new arts and arts and culture.

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This is the Community Center, the Surprise Community and Resource Center.

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We're both the top and bottom artworks are going to be installed.

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This bottom is a wrap of the Black areas, as we know, are transparent.

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So, you've seen these these works, but they're coming to life and then we have coming in soon,

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our traffic cabinet voting has completed. So we have a final design that artists will be moving forward

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with soon, and they will be here to present to you. And we also are back into events season soon.

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It's definitely some stuff coming up.

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I hope to see all it's on the same day,

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which will be the season open there.

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Those personally will show that I'm most excited about,

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because these musicians are phenomenal.

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Please say it's voices.

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It's all binding.

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It is after our retreat, so you can hang out with me all day.

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We can all go to dinner together and have a bath.

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Um, but very good show, um, we're also bringing back on speaker series, I have a slightly

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new name on your section of speaker series, and there are actually going to be the Bista

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on Saturday mornings. Um, so a little bit more accessible. We'll come to a different kind of coffee

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hour. Um, Danica and Ali got a really cute, like, make your own coffee station that we'll put,

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it'll be in the Playhouse of Laesta. So, um, there's four really cool topics that Ali curated for

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this year. And live this on days coming back. First one of those Thomas James Band. Who was

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at the Player Way of the Park? Susan, you were at Player Way of the Park with the Battle of

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the Bands, right? Oh, yes, are you there? No. Okay. Well, this band was really good. They were at

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Player Way of the Park because they didn't win the Player Way of the Park because it was an audience

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go winter, but they weren't very good.

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Let's punish James Band.

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And then, yeah, so we have some events coming up.

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We're getting back into the last swing of things.

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We've got a lot going on.

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Yeah, let me know if you need any information

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about any stuff as we get closer.

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Can I ask your question, you are retreating

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is on the 19th, right?

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The 26th.

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Oh, I have it on the 9th of the 9th of the 9th of the 9th.

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Well, I've really had 26, but I have it on a 19.

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Let me check.

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I think there was someone who wasn't available on the 19.

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I needed to get there.

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Yep.

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I'm here at treat.

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I am the three.

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With the 26.

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There was a 19.

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Oh, I'll try my bill.

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And then it changed.

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I want to share it for me.

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I don't remember who got somebody who was not available on the 19.

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I do have some important dates for you all, but I have one more question going to last

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long. Where in the list is that the skincare series? Yes. This will be in the playhouse,

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so it's like the solid lecture hall.

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You're going to let us in it 11 o'clock in the morning?

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Yeah, damn so well, yeah, I'm gonna go now. We'll be letting you know

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No, it'll be you'll still go you'll have to go see like the gate together. We'll have signs of a week

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Okay, we did on the Saturday. Oh, Saturday morning my question is important

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Oh, like during school

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How many people and they're on the same morning?

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That is a good question. They would not let us do that

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I didn't think so

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Yeah, Saturday mornings. I'm going to try that out. Okay, so important dates for you all on

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Danica mentioned look to art pieces. We have that are going to be a surprise community and resource

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center. I think you guys have an email of the ribbon cutting. It isn't the morning on a 30s day.

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But I think that's where you like 300 people and we'll have a really cool art activity that

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to the art pieces and hopefully the artists are going to be there as well but this

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community center who's been there can be seen it okay it is awesome I'm so excited for

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the so open it's going to be so good for the community as a resource center and just like a

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gathering I feel like we don't our city buildings that we have currently aren't the best for

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gathering and workshops and like I don't know I think it's going to be really good for the

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products and firms that we are doing to have that, and obviously it's doing way more than arts and culture things.

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But for our context, it's going to be really helpful. It's a beautiful building.

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We will actually be doing one of the story artists for the list of good code.

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They're going to do a swing, electric swing class.

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Had the Kanyei set. It's aren't all the way in may, but the heart shaped live music, and you know, so you're fun.

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Hey, hey, hey, hey, hey, hey.

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Yeah, it's not always weird.

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It's not like a twinkleτι.

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Like,

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10 this is the ten o'clock.

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The ribbon cutting?

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Yeah. Like in the twelfth.

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Oh, yeah.

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I think they're, I'll have to check.

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I have a few different things something something.

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They're starting in line, but I'm a very, very, very Lawrenceie.

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I just kind of like...

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Those would be like in tiny clock is like mayor river. I've been cutting some stuff, but if you can make it, please let me

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No, because we, if we have, especially for the artists who there we want to do something at the feature, it's going to be hot, so then we can all get one time, let's go around and take the picture together, then I can sign it.

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So please let me know if you're planning to come so I can coordinate that with communications to get that photo together.

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So it's time which we want us to be there if we do.

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Let me know if you're coming and then I'll try and get on communication schedule or we will

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have our marketing manager come and take our photo and I'll give it to communication so

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we can we can live on our own terms and yes we are also having some welcome back things

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that are not public but we would love to see you at I don't have time for these yet so I'll

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you when the times are solidified but they will be in the evenings so we're having a volunteer

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appreciation event with all the volunteers that you're also welcome to come to it as also

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volunteers that we appreciate very much and to meet with the other people that we're trying to

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make it all the volunteers to understand what surprises and cultures really about so the more you

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can mingle with their foot others that would be awesome. We'll be doing like giveaways and a lot of

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are kind of fun things there. And then also our members will be having a welcome event

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at the VISTA that is really like people that signed up to become members of surprise arts

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they'll be getting like the goody bags and like doing a tour of the VISTA and things like that.

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So we would love to see what that as well. Those are both being like after 5 pm I probably

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five or five, 30 piano on those days.

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Do we have a lot of members?

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We do.

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I don't know, can you do this about 15?

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15, don't forget.

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And hoping that continued growing that with,

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as we have more members, only events, you know,

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kind of being like the common duties.

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Sort of like, remember only special things you get together.

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I've been describing it more as like a way to like,

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have a fun meet-up with friends that also care about art,

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because not everything's going to be at events or shows,

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like, um, I don't know, like, looking at, like, doing a wine tasting at Cooper's Hawk and it's

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like, getting together with all the members and stuff like that. So there's like fun bonuses

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and just build a little bit of a community with it. Um, and then here you take. Don't forget that one.

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This is very important that we do it together. Um, there's some things that will just, like, really

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set the tone for the next two years of, like, everything we do. So, okay. Yeah, I'm really

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retreating here. I have this kind of for the best stuff right now. Also because it's on show

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day and then I can be there and put these free.

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That's all the stuff reports.

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Thank you. Do we need to go do it? I'm gonna, the first thing I have to do is pick a chair and

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Okay, all right, so first agenda item is discussion and action pertaining to the selection of the arts and culture, if I have any permission to share.

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So, um, also as Kerwin's first care, my share voting, we have to do every year, first meeting of the new fiscal year.

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um we will do um we'll start with chair and you can put an nomination for someone to

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be chair and we can always make people as you want you can not make yourself and then

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you will write down who you would like to look for and hand it over to me. You ready?

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I'm ready. I would like to know when you can sound.

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Seconds will. No.

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Amazing. Do we have any other nominations? No. Do we need to write these down? Maybe we can.

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What do we put someone like to make a motion to represent?

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To accept his acclamation.

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Approved.

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I got a second.

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A second.

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A second.

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And on favor I.

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I.

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Nice.

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You guys really just continue your role.

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We didn't have any help.

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Yeah, everything will happen.

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Back in the audience.

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I saw him continue what you have been doing this meeting.

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As I was here, congratulations.

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I was like, thank everybody.

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Thank you.

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Pressure.

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All right.

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So, I did not have number two.

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discussion action pertaining to the selection of arts and cultural

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advisory division vice chair.

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I like to nominate Catherine.

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I would like to second you.

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Any other nominations?

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I don't.

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All right, all in favor, all the eyes.

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Any means?

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I guess you should be saying that,

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sorry.

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So we actually did someone make like the full lot, I make a motion to approve

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I make a motion to approve Catherine

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done the

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as

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and then we have a second

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So the motion is

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approve

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Welcome Catherine to the bar by actually. Now

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we got that behind us

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What's next? So

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Consideration and action for changing to the June 3rd Arts and Cultural meeting minutes.

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Do you have everybody had a chance to review the meeting minutes?

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Yes, thank you.

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Is there any questions on this again?

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Second.

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All right.

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So,

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the meeting minutes have been approved for June 3rd.

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That's okay.

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All of our favour?

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Hi.

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And I need other questions.

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First time.

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It's a good idea.

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But the minute it's like the fix.

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Yes, I think it's.

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All right, there you go.

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The meetings have been approved.

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Let's see what we have next.

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So, next time my agenda is a presentation and discussion pertaining to the policies and procedures for the

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sectioning city bond artwork.

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Hello.

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This was actually from our marketing and like that cancel.

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So we're going to put it back.

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We've got to give it a little context.

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At our marketing meeting, we had been getting some public requests

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for these sessioning of a certain artwork.

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I just wanted you all to be aware of the process in case you ever get

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anyone that comes up to you and you can point them in the right direction

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because there is a way that it can happen.

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Yeah.

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I don't know.

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Okay, go ahead.

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All right, there's a lot of information that comes with the assessing of work, essentially the assessing and our work is a formal process, and it is a permanent removal from our public recollection.

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Would you mind if anything to the next slide?

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The goal isn't just to get rid of the artwork, it's to maintain safety, high quality, relevant, and a collection that's sustainable for maintenance, which is a huge component for us.

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And to usher, of course, that the work reflects the community values, the spaces in, and

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the needs.

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These might evolve over time, so we revisit.

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And then, protecting the collection and integrity and public trust is another thing.

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Something that's really important that I think that we'll circle back to in a future commission

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meeting would be our rights and our rights essentially covers the rights of the artists.

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So even though the city has essentially purchased the work,

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the work belongs to the city,

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but ownership does not erase the artist's legal rights.

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So that's kind of the core of our rights.

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There are four main components of our rights

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and I'm just gonna touch on them quickly.

238
00:16:23,440 --> 00:16:24,420
For revisit in the future,

239
00:16:24,820 --> 00:16:26,760
but essentially the artist has the right

240
00:16:26,760 --> 00:16:29,020
to be recognized as the creator of the work.

241
00:16:29,580 --> 00:16:32,980
If the work wherever to be altered in any way

242
00:16:32,980 --> 00:16:34,480
that was not approved by the artist,

243
00:16:34,620 --> 00:16:36,660
they have the right to not be recognized

244
00:16:36,660 --> 00:16:38,040
as the creator of the work.

245
00:16:38,700 --> 00:16:40,900
And then artists have the right to object

246
00:16:40,900 --> 00:16:43,240
to modifications or distortions of the work.

247
00:16:43,360 --> 00:16:45,180
So that's our responsibility to say

248
00:16:45,180 --> 00:16:46,220
is something's changing.

249
00:16:47,060 --> 00:16:49,080
And artists have the right of protection

250
00:16:49,080 --> 00:16:50,160
against destruction.

251
00:16:50,900 --> 00:16:54,480
So when it's ever coming up to the discussion,

252
00:16:54,480 --> 00:16:58,560
Then we involve the artists in the discussion and we'll talk about next steps.

253
00:16:59,960 --> 00:17:04,740
So guiding principles are we want to take our time and be thoughtful of course with

254
00:17:04,740 --> 00:17:09,780
any of these processes, especially a permanent removal from the collection.

255
00:17:11,140 --> 00:17:16,360
We want to respect intent and this is important.

256
00:17:16,540 --> 00:17:22,060
There's this really unique debate in the art world about intent of the creator and I find

257
00:17:22,060 --> 00:17:29,140
interesting. So I'll say, but sometimes the question is who gets to decide what not work means.

258
00:17:29,740 --> 00:17:34,920
And in this case, we refer back to the artist. Of course, arts open for interpretation,

259
00:17:35,360 --> 00:17:44,880
but we refer back to the artist on this. And of course, checking that with all the other pieces that come in.

260
00:17:45,560 --> 00:17:51,720
We do prioritize public benefit. That's what a public art collection is for. So we balance all of these

261
00:17:51,720 --> 00:17:57,200
things, and consider legal, ethical, and contractual obligations.

262
00:17:57,580 --> 00:18:00,520
So legal is consulted throughout this process.

263
00:18:01,580 --> 00:18:04,600
OK, why would we de-assession a work?

264
00:18:05,700 --> 00:18:07,920
And these are the core reasons.

265
00:18:08,800 --> 00:18:12,220
Mainly irreparable damage or deterioration.

266
00:18:12,740 --> 00:18:17,020
Art is the public art is hopefully made to stand the test of time,

267
00:18:17,020 --> 00:18:21,680
But things happen and sometimes when we take assessment,

268
00:18:22,620 --> 00:18:27,460
it's maybe going to be more costly to maintain or restore

269
00:18:27,460 --> 00:18:30,560
than the work is valued at.

270
00:18:30,820 --> 00:18:33,060
Excessive maintenance or unsafe conditions,

271
00:18:34,220 --> 00:18:38,940
specifically on safety is looking like a risk.

272
00:18:39,180 --> 00:18:41,740
You can live being legal and risk departments

273
00:18:41,740 --> 00:18:44,180
with the city that might be something we consider.

274
00:18:44,940 --> 00:18:51,640
The site is no longer appropriate or accessible. Our city changes all the time. The landscape, the buildings that are there.

275
00:18:52,580 --> 00:19:00,340
A site might be out of the public area suddenly, maybe it's behind a wall where it once wasn't.

276
00:19:00,440 --> 00:19:03,260
So that would be a case where we might want to look at something.

277
00:19:03,260 --> 00:19:11,940
significant changes impacting integrity or relevance, speak for yourself, fraud,

278
00:19:12,180 --> 00:19:16,780
forgery or lack of authenticity, artwork rarely displayed, so if not,

279
00:19:17,460 --> 00:19:21,960
is not out in the public eye for a long period of time. We might want to call it

280
00:19:21,960 --> 00:19:29,980
a question and sustain public objection. We do hear sometimes, of course, like

281
00:19:29,980 --> 00:19:36,880
mentioned feedback from the community. It would for an artwork to be removed. It needs to be

282
00:19:36,880 --> 00:19:44,280
sustained and there needs to be documented feedback from the community as well. These are things

283
00:19:44,280 --> 00:19:50,040
that we gather and we store no matter how many we receive. So everything that we hear, we file it away

284
00:19:50,660 --> 00:19:55,160
and we ask if it's verbal, you know, can you write this down? Can you send this to us so that we can

285
00:19:55,160 --> 00:20:03,880
that document. We do want it. And then over a period of time, if there's a large amount that we're

286
00:20:03,880 --> 00:20:10,000
hearing about it, then we would absolutely want to take a look. And the collection direction

287
00:20:10,000 --> 00:20:17,060
has evolved. So if there's a major shift in our identity as a city, or what we want from public art,

288
00:20:19,600 --> 00:20:24,520
Yeah, that's kind of open for interpretation case by case, but there we go.

289
00:20:24,900 --> 00:20:26,060
Hi, I don't want to out there.

290
00:20:27,100 --> 00:20:30,800
Generally, we don't want to be in the business if we're mentioning our work.

291
00:20:30,980 --> 00:20:33,820
We want our work to take granted notice on our favorite.

292
00:20:34,120 --> 00:20:37,960
It always tells you something about place, history, time and some way.

293
00:20:38,960 --> 00:20:43,160
So we definitely try and avoid this as much as possible in all cases.

294
00:20:43,540 --> 00:20:45,820
So that's why there's this cumbersome process.

295
00:20:45,820 --> 00:20:47,000
Yes,

296
00:20:49,260 --> 00:21:08,320
all right, so essentially we review our collection every five years and this was recently done by RLA conservation as well with the third party to look at all of our collection and say here's how they stand and what maintenance is needed.

297
00:21:08,320 --> 00:21:14,540
This is helpful if there's something that we need to know in terms of irreparable damage.

298
00:21:17,000 --> 00:21:21,660
On that line, there's stuff, sorry.

299
00:21:27,210 --> 00:21:28,870
Can I follow this on?

300
00:21:29,110 --> 00:21:29,670
Yeah, it was nice.

301
00:21:29,690 --> 00:21:32,250
And part of that review is also your input.

302
00:21:33,370 --> 00:21:34,850
Because I think you were all here.

303
00:21:34,990 --> 00:21:37,210
When we reviewed that book, her one wasn't.

304
00:21:37,210 --> 00:21:42,610
And so, we took their review and then we brought it to the commission and the commission

305
00:21:43,130 --> 00:21:43,530
raided.

306
00:21:43,530 --> 00:21:48,710
Thought our works in order like curatorial importance, so even if it was going to cost a lot

307
00:21:48,710 --> 00:21:54,110
to repair, but it was really important, then we were like, let's put it forward, but if it

308
00:21:54,110 --> 00:21:58,070
was like, it's going to cost a lot and it's not super important.

309
00:21:58,530 --> 00:22:06,870
So there was many factors that the commission really weighed on how to, it wasn't just like,

310
00:22:06,870 --> 00:22:08,530
review as well.

311
00:22:11,480 --> 00:22:17,800
So the collection has reviewed. The artist is notified and we prepare a

312
00:22:17,800 --> 00:22:22,040
deaccession report internally. The reason we want to bring the artist into the

313
00:22:22,040 --> 00:22:27,660
discussion is so that there were, if it were something along the lines of community

314
00:22:27,660 --> 00:22:29,980
complaint, they would have the opportunity.

315
00:22:30,000 --> 00:22:38,960
Again, to talk more about intent and have agency in that conversation, and then a panel would come together.

316
00:22:39,100 --> 00:22:44,740
And this panel is very similar to the panels that we have for public or other review processes.

317
00:22:45,540 --> 00:22:49,780
So, one of you would be on the panel, the community, and then stakeholders.

318
00:22:51,740 --> 00:22:53,200
There would be a thorough review.

319
00:22:57,200 --> 00:23:05,720
The panel reviews, city or attorney advisors, throughout course we are considering all the things we've already discussed.

320
00:23:06,800 --> 00:23:12,480
There's an approval or denial at the end of the day, and that leads to a final action.

321
00:23:14,420 --> 00:23:18,760
And there's actually a few different avenues for you on this.

322
00:23:18,760 --> 00:23:25,080
we could sell, trade, donate, exchange, or destroy, that's last case scenario.

323
00:23:25,240 --> 00:23:28,440
We really don't want to be in the business of destroying our work.

324
00:23:30,300 --> 00:23:39,880
And so there might be ways that we can first reach out to the artist and offer them to the artwork.

325
00:23:40,300 --> 00:23:41,580
And a few different avenues.

326
00:23:42,400 --> 00:23:47,820
We could approach a donor or donor areas that might be interested in acquiring the work.

327
00:23:47,820 --> 00:23:57,280
and purchasing it. We could sell or trade independently or professionally with other organizations

328
00:23:57,280 --> 00:24:01,940
or museums or programs, and it could be donated.

329
00:24:04,100 --> 00:24:06,400
And then destruction is really reserved for

330
00:24:06,400 --> 00:24:13,540
work that is beyond repair. So bottom line we don't want to be destroying our there is a home for it.

331
00:24:13,540 --> 00:24:17,540
It can be hard to find homes for art, so it's a long process.

332
00:24:18,280 --> 00:24:19,480
Like a mirror.

333
00:24:19,780 --> 00:24:20,320
Like a mirror.

334
00:24:20,380 --> 00:24:20,580
Really?

335
00:24:21,740 --> 00:24:23,820
He's really hard to move them out.

336
00:24:24,080 --> 00:24:24,640
Yes, it is.

337
00:24:25,280 --> 00:24:26,380
It's the same way difficult.

338
00:24:27,120 --> 00:24:27,420
I don't know.

339
00:24:28,120 --> 00:24:30,540
Are there any art that sounds...

340
00:24:31,360 --> 00:24:33,220
Maybe to discuss right now for this?

341
00:24:34,220 --> 00:24:34,720
Yes.

342
00:24:36,420 --> 00:24:40,460
What will it be spoken about during the past discussion?

343
00:24:41,420 --> 00:24:42,440
Is that what we want?

344
00:24:42,440 --> 00:24:43,800
What's your about?

345
00:24:44,760 --> 00:24:51,900
So, if there was a word to come forward for deaccession, it would have to come to the commission.

346
00:24:52,140 --> 00:24:55,400
Whether it's a larger panel and one of you is a representative of them.

347
00:24:55,600 --> 00:24:56,580
Friends, it's back to everyone.

348
00:24:56,900 --> 00:24:58,320
Like, here's what it was talked about.

349
00:24:59,540 --> 00:25:03,040
It stillings like commission and put on it.

350
00:25:04,860 --> 00:25:06,700
What would you want to...

351
00:25:06,700 --> 00:25:09,640
Like, if you were talking to a resident who didn't like an artwork,

352
00:25:09,640 --> 00:25:15,660
How do you advise them of their next steps? That's like, I just want to make sure you guys know what to do.

353
00:25:15,860 --> 00:25:22,680
You don't have an answer to articulate and writing what the problem is for them.

354
00:25:22,900 --> 00:25:28,280
Yeah, we have a quite important sense of weird, but we do have like a full process.

355
00:25:28,560 --> 00:25:31,760
So if you, if you do an encounter, someone has an issue.

356
00:25:32,000 --> 00:25:39,100
Like we just direct them to Banda by myself and then we can help them prepare the documentation needed to bring it to you all.

357
00:25:39,580 --> 00:25:43,460
I have how people go for them when I show them all the adoption and teach them.

358
00:25:43,500 --> 00:25:46,620
And I think they're like, oh whatever, I don't care that much.

359
00:25:46,920 --> 00:25:50,500
So that's a good gauge of how important is this.

360
00:25:50,540 --> 00:25:53,980
And then we don't just, it opinions of one person.

361
00:25:54,200 --> 00:25:57,960
It would kind of, you know, and like something that was like, okay, well then we'll put like a

362
00:25:57,960 --> 00:26:01,040
Call of the public out for the whole community to see like,

363
00:26:01,340 --> 00:26:05,560
if people have other sides, you know, so it's some,

364
00:26:05,980 --> 00:26:08,780
I guess we want to make if something is coming forward that way,

365
00:26:08,780 --> 00:26:13,540
It's not just one person's voice, but everyone gets a place to give input on it.

366
00:26:13,720 --> 00:26:21,300
If someone deals strongly at the bottom, I want to keep it, and someone goes strongly that they don't, and what makes it harder than we talk here.

367
00:26:21,380 --> 00:26:22,420
Yeah, I thought she was like...

368
00:26:22,420 --> 00:26:27,080
But we don't have one right now, I thought you said that this one is being discussed.

369
00:26:29,000 --> 00:26:33,200
We get so many, I get a lot of things that people are like, I don't like this thing.

370
00:26:33,460 --> 00:26:35,300
Oh, well, that's not really a referral thing.

371
00:26:35,540 --> 00:26:37,680
Yes, there's something that we talked about in the meeting.

372
00:26:37,680 --> 00:26:41,500
Well, we did, but I don't like it, is not a good reason to...

373
00:26:41,500 --> 00:26:42,380
It's right, right.

374
00:26:42,520 --> 00:26:44,460
So they mean the like, well, why?

375
00:26:44,860 --> 00:26:45,340
Who will be sad?

376
00:26:46,680 --> 00:26:49,080
Yeah, I gotta get, you know, we can have a public meeting.

377
00:26:49,320 --> 00:26:51,040
Could you help me organize that?

378
00:26:51,120 --> 00:26:52,160
I'm crying about that.

379
00:26:52,700 --> 00:26:54,040
Yeah, yeah.

380
00:26:54,040 --> 00:26:55,080
We're going to carry it.

381
00:26:55,260 --> 00:26:57,620
To express themselves, but I don't like it.

382
00:26:57,640 --> 00:26:59,040
It isn't really the other reasons.

383
00:26:59,420 --> 00:26:59,860
Yeah.

384
00:27:00,760 --> 00:27:04,680
And then I think anything else that we do have will come up to you.

385
00:27:04,680 --> 00:27:11,660
Just like how we did with the, I think we, you all had voted to de-assession some of murals that are in the survey that we're working on now.

386
00:27:12,800 --> 00:27:23,200
So things like that that is like, this is going to be disturbed, something that just can't exist anymore, then we'll be just bringing those to you in those cases.

387
00:27:24,800 --> 00:27:25,840
So, yeah.

388
00:27:25,840 --> 00:27:33,820
Yeah, okay, and if we were to sell a worker missed this point. I just like to touch it. If we did sell a work

389
00:27:33,820 --> 00:27:38,860
It would go into the municipal arts fund. So that's what we would do with the money

390
00:27:40,080 --> 00:27:46,020
I happen to be just sell public art. It's really hard. They're also like made for us

391
00:27:46,960 --> 00:27:48,620
But when it's like

392
00:27:49,400 --> 00:27:55,140
Visual arts like some people have visual art collection of a store and that's a little more applicable

393
00:27:55,140 --> 00:28:01,580
or like their other cities have in their city hall like art on the walls and stuff like that.

394
00:28:02,340 --> 00:28:07,580
So if we had things like we have a few things on the wall like at the senior center and things like that.

395
00:28:08,300 --> 00:28:13,600
And in the city hall and then tonight. Oh yeah and we have the mask at city hall and wind in the wilderness.

396
00:28:14,260 --> 00:28:19,480
Yeah so we have things like could be for could be if they had to go away what would we do with them.

397
00:28:19,480 --> 00:28:25,480
Right, does the artist have anything to say about, so is there a piece of art?

398
00:28:28,880 --> 00:28:33,580
Um, yes, they're offered it first, they're offered, they are always first.

399
00:28:33,800 --> 00:28:36,440
Is it what we pay for it?

400
00:28:36,800 --> 00:28:41,840
Hmm, it doesn't, it does appreciate, it does appreciate your deep up to you.

401
00:28:42,260 --> 00:28:43,880
Yeah, what does one decide though?

402
00:28:44,560 --> 00:28:52,160
We actually did an assessment as part of the RLA review of the value of all the public art pieces

403
00:28:52,160 --> 00:28:53,260
in that collection.

404
00:28:56,600 --> 00:29:00,740
And this would tell me this part where we've all had an input but this might

405
00:29:00,740 --> 00:29:06,860
come to you all as well as like okay that artists didn't want it do we want? It's a studio

406
00:29:06,860 --> 00:29:12,340
price and I'd be a good donation that its purpose could continue on of serving public good

407
00:29:12,340 --> 00:29:19,980
or I think it would really depend on the type of art for the exact art piece. I think and I don't

408
00:29:19,980 --> 00:29:28,320
But I think that it's probably more likely to be a donation a lot of cases large objects are very hard to play

409
00:29:28,320 --> 00:29:33,120
So it's a problem a lot of artists actually run into is they make a big thing and they don't have a home for it

410
00:29:34,140 --> 00:29:39,200
So my recommendation is always to make it small and get a commission and make it big

411
00:29:40,260 --> 00:29:42,140
But yeah, okay

412
00:29:42,140 --> 00:29:43,660
You have a crush.

413
00:29:44,780 --> 00:29:46,480
You feel prepared, I feel.

414
00:29:46,920 --> 00:29:47,880
It's a special thing.

415
00:29:48,500 --> 00:29:49,040
It's a special thing.

416
00:29:49,240 --> 00:29:49,920
It's a special thing.

417
00:29:51,520 --> 00:29:53,280
Yeah, I mean, I want to be here with people.

418
00:29:53,640 --> 00:29:54,820
I like something as well.

419
00:29:56,320 --> 00:29:58,040
Yeah, but I'm a genuinely curious.

420
00:29:58,420 --> 00:29:58,980
I will not be.

421
00:30:00,000 --> 00:30:12,280
All right. The feedbacks. All right. All right. All right. Okay. Well, some, oh, sorry. Any other questions for me?

422
00:30:18,080 --> 00:30:27,880
All right. All right. So let's move on to the nice agenda item, which is the presentation and discussion pertaining to fiscal year 26 pre-qualified mirror this roster.

423
00:30:27,880 --> 00:30:30,760
kind of view and watch their dishes.

424
00:30:31,700 --> 00:30:35,800
You can tap the next slide. I don't know why I was doing that.

425
00:30:36,760 --> 00:30:43,100
All right. Yes, we did have a panel selection that displays on the 20th set.

426
00:30:45,240 --> 00:30:49,800
And there were artists that were added to our pre-qualified muralist list.

427
00:30:50,520 --> 00:30:54,940
Some initial things about the pre-qualified list. This is a good muralist list.

428
00:30:54,940 --> 00:31:02,880
this is a two-year eligibility. So after two years, artists are invited to reapply for a couple

429
00:31:02,880 --> 00:31:09,320
reasons. First off, we're refreshing and people move out of state, things change, their direction

430
00:31:09,320 --> 00:31:13,420
of work might change. They might have new work samples that they want to put in for consideration.

431
00:31:13,780 --> 00:31:19,500
Maybe it's for Christ or for Christ or Christ. So we are excited to have this age

432
00:31:19,500 --> 00:31:25,900
is doing the roster. I really do want to take a moment and define murals because

433
00:31:26,860 --> 00:31:32,800
that's something we found ourselves defining for this selection. I'm pleased that there were

434
00:31:32,800 --> 00:31:39,860
actually some multi-media artists that applied. A mural is essentially an artwork that's created

435
00:31:39,860 --> 00:31:49,460
on a flat plane, this could be a additive work, like a music, or it could be a reductive

436
00:31:49,460 --> 00:31:56,000
work, like, say, a metal sheet that's been plasma cut, right? Like, those were classifying

437
00:31:56,000 --> 00:32:03,760
for this case as a mirror. So we've had eight artists on the, I'm going to show you just

438
00:32:03,760 --> 00:32:12,400
little intro, so each of them wrote some introductions for their work. And yeah,

439
00:32:12,400 --> 00:32:17,420
I don't know how that's the current one for anything, but yeah, it all was like taking

440
00:32:17,420 --> 00:32:23,240
a bath. I don't know. I know it's been a while. Also, how many are we turning it?

441
00:32:24,260 --> 00:32:32,260
Um, I wish I had a bath. Is it nine? Okay, one has moved out of state.

442
00:32:32,260 --> 00:32:36,560
So, that will be, that will be published soon though.

443
00:32:36,840 --> 00:32:37,580
Sorry, I don't have the number.

444
00:32:39,990 --> 00:32:41,610
How did the panel go?

445
00:32:42,250 --> 00:32:43,210
Oh, from your perspective.

446
00:32:43,670 --> 00:32:46,270
The panel was actually great.

447
00:32:47,490 --> 00:32:51,970
With a lot of different slash similar opinions of things.

448
00:32:52,950 --> 00:32:53,670
It was nice.

449
00:32:55,190 --> 00:32:56,990
I'm not sure exactly what she's known,

450
00:32:58,110 --> 00:33:01,770
but they made me pick a good selection of panel of artwork

451
00:33:01,770 --> 00:33:09,170
that was not our work, but artists that can very well do the job that we had to do and they've

452
00:33:09,170 --> 00:33:15,870
all accomplished and what they're doing. Thank you. Thank you for being panelists. How many

453
00:33:15,870 --> 00:33:16,450
applied?

454
00:33:18,540 --> 00:33:25,780
Pricissary team. Sorry guys. It was a nice amount of numbers. At the top one could be a

455
00:33:25,780 --> 00:33:30,660
older. Yeah, if it was something else, but in some Europe.

456
00:33:33,060 --> 00:33:35,100
I believe there were 19 or that

457
00:33:35,100 --> 00:33:40,660
had applied. Then we do two phases with these selections, so the initial phase, all the

458
00:33:40,660 --> 00:33:47,240
panelists, reviewed individually and then we came together and the panelists decided on

459
00:33:48,360 --> 00:33:54,260
those who were qualified. All right, so I'm just going to run through these artists, so you

460
00:33:54,260 --> 00:33:59,940
You can see a sneak peek of their work, and this is a public list, this is a public resource.

461
00:34:00,200 --> 00:34:09,700
So anybody that we've been looking to acquire or have a mural painted, this would be something you could direct them to with a city to say, go look at the pre-qualified list.

462
00:34:11,220 --> 00:34:19,540
All right, so Melissa, a man is a illustrator and mural artist, uses some extreme movement and site-specific design.

463
00:34:22,420 --> 00:34:32,740
Oliveario, the bus, bus, buses. He is very multi-disciplinary artist and inspired by his

464
00:34:32,740 --> 00:34:40,720
culture and historical themes. He's a very colorful work. And then focuses on community

465
00:34:40,720 --> 00:34:50,760
identity and collaboration. I will say that Mosaic artists are sometimes rare and

466
00:34:50,760 --> 00:34:53,740
and you'll see another one on here too.

467
00:34:54,100 --> 00:34:55,720
So please help that.

468
00:34:56,480 --> 00:34:56,580
Thanks.

469
00:34:56,580 --> 00:34:56,980
That's it.

470
00:34:58,280 --> 00:35:00,840
Lisa Bernal Breathore.

471
00:35:02,580 --> 00:35:03,440
Breath home.

472
00:35:04,600 --> 00:35:05,740
It's very different.

473
00:35:07,380 --> 00:35:10,760
Nurella's Bletham was a laser cut metal panels.

474
00:35:11,980 --> 00:35:14,180
So a wide breath of practice,

475
00:35:14,680 --> 00:35:17,420
touching on sculptural techniques used in the flat plane,

476
00:35:17,540 --> 00:35:18,340
which I appreciate.

477
00:35:20,980 --> 00:35:24,540
and makes narrative community artwork.

478
00:35:27,610 --> 00:35:31,410
Alright, we've got Krista or Dreambox art

479
00:35:32,170 --> 00:35:37,170
and Krista creates a cheerful community focus murals.

480
00:35:37,430 --> 00:35:39,550
It's part of a travel and cultural experiences.

481
00:35:41,250 --> 00:35:43,550
Emphasizes thoughtful, positive impact.

482
00:35:45,080 --> 00:35:51,900
Okay, Lauren Lee, and this is an artist you might recognize because she's done a traffic

483
00:35:51,900 --> 00:35:53,520
or a cabinet for us.

484
00:35:53,720 --> 00:36:00,240
The one on cactus and parable, so she is basically a doctor.

485
00:36:00,640 --> 00:36:00,940
Oh yeah.

486
00:36:02,460 --> 00:36:04,240
This is just what I draw by every day.

487
00:36:05,380 --> 00:36:11,640
Snorren does her inspired artist known for large botanicals and geometric color, softness, structure,

488
00:36:11,980 --> 00:36:12,540
and desert imagery.

489
00:36:12,540 --> 00:36:23,040
I would also say there's a lot of pattern in your artwork, page research, page is a large

490
00:36:23,040 --> 00:36:29,060
film muralist that uses bold color realism and narrative, values, collaboration on

491
00:36:29,060 --> 00:36:35,420
their old projects, who's done a lot of collaborations throughout the valley, and great

492
00:36:35,420 --> 00:36:36,300
cheerful colors.

493
00:36:36,300 --> 00:36:39,600
I love the colors, I love the colors.

494
00:36:40,120 --> 00:36:44,860
Okay, Robert Panzer, you'll also recognize this name for half,

495
00:36:45,020 --> 00:36:47,620
because Robert has done a traffic cabinet as well,

496
00:36:47,780 --> 00:36:51,980
the one on Bell, and which one is that one?

497
00:36:52,200 --> 00:36:53,920
He'll recognize the work.

498
00:36:55,100 --> 00:36:56,540
He's also not one good year.

499
00:36:56,940 --> 00:36:58,900
Yes, he's a good year.

500
00:36:59,140 --> 00:37:01,660
I think he's actually done 11, 11.

501
00:37:01,660 --> 00:37:03,080
Wow, there's a rod in this.

502
00:37:05,200 --> 00:37:11,380
So he focuses on Arizona landscapes, very tight specific, you just color and storytelling,

503
00:37:13,440 --> 00:37:16,780
and a lot of times it's good at reflecting community identity.

504
00:37:17,520 --> 00:37:26,720
And we've got this review last one of the prime after prime, the great name, combines portraits,

505
00:37:26,720 --> 00:37:29,960
It doesn't really need to give some plants and a lot of light.

506
00:37:30,000 --> 00:37:42,420
Dramatic lighting, I would say. So, you can review their full write-ups in your package, and welcome to us to those artists.

507
00:37:43,260 --> 00:37:54,220
So, just a reminder, qualification, last for two years, and then I ran through all this stuff early. So, it will open back up annually though.

508
00:37:54,220 --> 00:38:00,280
So, even though it lasts for two years, we open it annually for more artists to apply.

509
00:38:00,960 --> 00:38:06,260
So, I don't know if all of our artists have, I mean, that's just, these mirrors, like, how often,

510
00:38:06,480 --> 00:38:09,040
or how many get pooped. Like, here we are.

511
00:38:09,380 --> 00:38:10,680
How many get selected?

512
00:38:10,860 --> 00:38:11,600
Yes, like that's right.

513
00:38:11,660 --> 00:38:13,520
There's no number to it.

514
00:38:13,920 --> 00:38:20,320
So, we could have, you know, we could have 20, 30 artists apply.

515
00:38:20,320 --> 00:38:30,820
And really, that's the, the panel needs to define what makes an artist recall if I've

516
00:38:30,820 --> 00:38:37,400
based on the criteria that we provide. And so that is, I'm sorry, I got that part.

517
00:38:37,880 --> 00:38:43,380
Okay, so maybe I have to question one. Yes. So we have a pool of artists, but I have many.

518
00:38:43,640 --> 00:38:47,820
Just a little bit forward. Our works throughout the year. Thank you for clarifying.

519
00:38:47,820 --> 00:38:54,240
It depends on the how many artworks are up for jobs, and that's why we also want it as a public resource to the artists

520
00:38:54,240 --> 00:38:58,220
could have more opportunities that are without the city if it's like a slow year for murals.

521
00:39:00,820 --> 00:39:05,860
Yeah, and artists also might be selective for things that are not necessarily murals.

522
00:39:06,060 --> 00:39:11,940
Their skills qualify as like flat surfaces, right, designers sometimes.

523
00:39:11,940 --> 00:39:19,560
So there are some other projects they might qualify for or be pre-qualified for because they are on this list.

524
00:39:19,760 --> 00:39:22,680
Is the police department?

525
00:39:23,260 --> 00:39:26,320
Yeah, would that be chosen from like a list of these guys?

526
00:39:26,440 --> 00:39:27,640
Or would we have like an open call?

527
00:39:27,780 --> 00:39:30,920
That's open call. It's currently open. It closes the end of the month.

528
00:39:31,420 --> 00:39:34,280
And that call is open nationwide.

529
00:39:35,080 --> 00:39:35,120
Oh wow.

530
00:39:35,120 --> 00:39:38,640
So this is the qualified list. It's only eligible to Arizona based artists.

531
00:39:39,200 --> 00:39:45,660
So, let's say from our last criminal that exists, same list, they might only like two of them

532
00:39:45,660 --> 00:39:50,200
that did not even get some sort of commission because almost all of them were able to be

533
00:39:50,200 --> 00:39:57,040
sent invited to make proposals for things. So, like the gym, the basketball court hero

534
00:39:57,040 --> 00:40:02,780
had three of them that made proposals. The gym wall that's kind of going to give me a

535
00:40:02,780 --> 00:40:04,980
And I had three that made proposals.

536
00:40:06,060 --> 00:40:10,320
Oh, the library on the side of here is an artist on that list.

537
00:40:10,820 --> 00:40:16,620
And I'm going to give you how many things that are kind of in the pipeline that would pull from this list.

538
00:40:17,840 --> 00:40:18,220
Yes.

539
00:40:20,020 --> 00:40:24,100
We have the roots of creation, festival, upcoming.

540
00:40:24,700 --> 00:40:27,360
That's a designer, flat surface type of work.

541
00:40:27,420 --> 00:40:29,440
That pulls from these types of skillsets.

542
00:40:29,440 --> 00:40:40,440
So, some of these artists would be qualified for that and will be pursuing other murals.

543
00:40:40,760 --> 00:40:42,040
I mean, we have things on the horizon.

544
00:40:42,460 --> 00:40:45,340
I don't know that I want to like call them out quite yet.

545
00:40:46,640 --> 00:40:50,080
But, of course, we have the mural that is being de-assessioned.

546
00:40:51,320 --> 00:40:55,360
And so that will be a place that we're looking for future mural.

547
00:40:55,360 --> 00:41:02,300
we have the artwork coming to the original town site community and that is kind of

548
00:41:02,300 --> 00:41:07,760
wide open for defining which areas are going to be activated with that

549
00:41:07,760 --> 00:41:12,700
project. So that's a potential for a mural. Any of the projects there could be

550
00:41:12,700 --> 00:41:17,740
potential to explore a mural. But those are the main ones.

551
00:41:17,740 --> 00:41:18,680
Did I miss anything?

552
00:41:19,180 --> 00:41:19,400
Okay.

553
00:41:20,980 --> 00:41:21,380
Awesome.

554
00:41:21,800 --> 00:41:23,740
Well that's my updates.

555
00:41:25,440 --> 00:41:26,900
So, oh I forgot to have this.

556
00:41:27,040 --> 00:41:27,840
Let me.

557
00:41:33,460 --> 00:41:33,840
You got me.

558
00:41:34,620 --> 00:41:35,520
Oh, is this it?

559
00:41:35,740 --> 00:41:36,040
We're done.

560
00:41:38,240 --> 00:41:39,560
Is it my own?

561
00:41:39,960 --> 00:41:41,140
I just want to do some work.

562
00:41:41,700 --> 00:41:43,140
I mean, no one's hard at it.

563
00:41:43,540 --> 00:41:44,480
I think I'm talking about it.

564
00:41:45,640 --> 00:41:47,260
I think the additional questions were presented.

565
00:41:47,980 --> 00:41:49,420
No, I think the selection was wonderful.

566
00:41:49,420 --> 00:41:54,610
I love that art worker families, we're just amazing colors, you know.

567
00:41:55,420 --> 00:41:56,860
It's good to see names that we're doing.

568
00:41:58,820 --> 00:42:03,980
Okay, onto the next agenda item is, call to the public, do we have any?

569
00:42:05,380 --> 00:42:06,240
So, what is it?

570
00:42:06,240 --> 00:42:07,500
Do you have any lowly disabilities?

571
00:42:10,000 --> 00:42:10,580
Okay.

572
00:42:10,940 --> 00:42:15,200
All right, next agenda item is other business and future agenda items.

573
00:42:15,380 --> 00:42:16,260
Do we have anything to add?

574
00:42:16,740 --> 00:42:17,060
I do.

575
00:42:18,280 --> 00:42:24,280
I've got to some point put on the agenda. It's not for September the October to learn

576
00:42:24,280 --> 00:42:30,540
more about the plans for Elm Street and the South Not and what other art you're planning

577
00:42:30,540 --> 00:42:31,640
for there.

578
00:42:42,530 --> 00:42:47,490
On the future, I don't know if anyone has any requests for topics for our retreat.

579
00:42:47,770 --> 00:42:49,890
That's something I start building that out.

580
00:42:56,950 --> 00:42:59,210
You can email me if you ask a thing.

581
00:42:59,210 --> 00:43:09,210
Often it retreats, we go over some of our rules, regulations, policy, percentage, things and people don't know about.

582
00:43:11,950 --> 00:43:12,850
Do you want those?

583
00:43:13,170 --> 00:43:13,670
Not yes.

584
00:43:16,390 --> 00:43:20,180
I look happy that we can very quickly go and find them, so...

585
00:43:20,650 --> 00:43:21,510
I mean, I don't know.

586
00:43:21,510 --> 00:43:22,330
No, I don't know what you mean.

587
00:43:22,450 --> 00:43:26,490
No, we could do like an overview of some more meaningful things.

588
00:43:26,930 --> 00:43:30,410
Can we do a field trip to see some around the area?

589
00:43:31,950 --> 00:43:33,810
or something like that.

590
00:43:33,930 --> 00:43:36,450
I like her field check, I'll take it and be there.

591
00:43:37,190 --> 00:43:39,730
I'll be, get us up now, doing our tour.

592
00:43:40,230 --> 00:43:41,170
Yeah, is it?

593
00:43:41,270 --> 00:43:41,710
Wait, is that?

594
00:43:41,850 --> 00:43:42,330
I don't like that.

595
00:43:42,590 --> 00:43:43,850
I don't like that.

596
00:43:43,850 --> 00:43:48,050
I can say, oh, I didn't know that was there, then it's one day.

597
00:43:48,050 --> 00:43:51,890
I mean, if they found a girl around, like, because I know you see, like, city signers

598
00:43:51,890 --> 00:43:56,410
on the book, go around, like, the OTS movies, I hope they'll be interesting, because they're

599
00:43:56,410 --> 00:44:00,290
like, such as hidden and, you know, trash, little areas that you don't drive by.

600
00:44:00,290 --> 00:44:04,050
right. Cool, but then as a fun.

601
00:44:08,020 --> 00:44:10,780
Daniel, I have plenty of things, but I just want to make sure you

602
00:44:10,780 --> 00:44:16,440
could also keep a box on stuff so don't forget. If you think of anything else, just let us know

603
00:44:16,440 --> 00:44:24,900
and we can have it in there. We're doing team building activities. And we will give you a sneak peak of

604
00:44:24,900 --> 00:44:32,040
something. There's a process that we like to use in the art world for giving feedback on art.

605
00:44:32,040 --> 00:44:39,280
Call the critical response process. I think it would be really good for you all that are giving feedback to our artists when they come to show

606
00:44:39,920 --> 00:44:43,120
work and then you can also use it in other

607
00:44:43,120 --> 00:44:51,080
factors, so even we'll talk to you guys about our plans for the upcoming year and it's like a process to give us feedback on

608
00:44:52,100 --> 00:44:56,620
The plan. So we'll do that. I think it was actually a team building exercise

609
00:44:57,520 --> 00:44:59,960
We'll probably eat some weird food and analyze it

610
00:45:07,100 --> 00:45:21,540
We'll also be thinking about the FY20 public art and also goals for the season of events for FY20-8. So I'd be like more vision, vision stuff.

611
00:45:22,380 --> 00:45:25,560
Yeah, well, that's why we're fun and about to see a percentage.

612
00:45:25,980 --> 00:45:28,940
I mean, I'm happy that we can do it.

613
00:45:28,940 --> 00:45:30,600
Let me know if you want.

614
00:45:30,760 --> 00:45:31,920
I mean, we shouldn't do it.

615
00:45:31,960 --> 00:45:33,640
This isn't okay. Like, we're like, why are we by loss?

616
00:45:35,080 --> 00:45:36,280
We're not by loss.

617
00:45:37,100 --> 00:45:37,920
We're good.

618
00:45:38,700 --> 00:45:39,640
We're not by loss.

619
00:45:40,060 --> 00:45:40,980
It's like a mission.

620
00:45:41,480 --> 00:45:42,240
Powers and duty.

621
00:45:43,440 --> 00:45:45,060
It's just happy to go over it.

622
00:45:50,120 --> 00:45:54,040
I think we spent a whole year

623
00:45:54,040 --> 00:46:01,760
creating the mission powers and dubious, so we're probably a little tired of it by now but yeah

624
00:46:01,760 --> 00:46:07,500
thank you all thanks for hearing it. I love the ideas that were there. Thank you guys. I'm

625
00:46:07,500 --> 00:46:13,920
off to the next current events and reports. Charlotte what have you been up to?

626
00:46:17,340 --> 00:46:23,150
I've never spent a long time just trying to recover.

627
00:46:25,940 --> 00:46:28,000
I did do one thing. Okay

628
00:46:28,000 --> 00:46:30,720
And we're doing the opening at HQ.

629
00:46:31,680 --> 00:46:33,780
Oh, really? Yes.

630
00:46:34,520 --> 00:46:35,160
That's it.

631
00:46:35,160 --> 00:46:35,700
It was fine.

632
00:46:36,080 --> 00:46:37,100
It was very crowded.

633
00:46:37,900 --> 00:46:38,900
That's a good thing.

634
00:46:38,980 --> 00:46:39,520
It's like a problem.

635
00:46:40,440 --> 00:46:40,860
Yes.

636
00:46:40,960 --> 00:46:41,880
We're very crowded.

637
00:46:42,120 --> 00:46:43,600
Which was very, very nice.

638
00:46:44,320 --> 00:46:45,440
And it's a good show.

639
00:46:45,940 --> 00:46:47,140
What is it?

640
00:46:47,440 --> 00:46:48,240
It's a...

641
00:46:52,170 --> 00:46:53,250
It's like a grass.

642
00:46:53,830 --> 00:46:54,310
I don't know.

643
00:46:54,530 --> 00:46:54,650
Interesting.

644
00:46:55,690 --> 00:46:56,370
That's such a cool.

645
00:46:57,150 --> 00:46:57,990
That's interesting.

646
00:46:59,470 --> 00:47:06,990
So we wanted to change this part, so when you do your reports, we want to see what you learned

647
00:47:06,990 --> 00:47:12,370
at your current event and what you can bring back to the commission.

648
00:47:12,670 --> 00:47:16,570
I don't know if you're having trouble walking, don't go to a crowded event.

649
00:47:19,710 --> 00:47:22,630
We just said work, it's called what you learned, we do love.

650
00:47:24,330 --> 00:47:30,930
I'm not sure if I'm going to let our events we should make sure it is comfortable pathways for people that we might

651
00:47:30,930 --> 00:47:33,210
more as a little walkways and see them.

652
00:47:33,210 --> 00:47:35,610
But I'm just happy that it was crowded.

653
00:47:39,560 --> 00:47:40,360
Anybody else?

654
00:47:43,520 --> 00:47:43,700
All right.

655
00:47:44,040 --> 00:47:46,480
So that covers the meeting agenda.

656
00:47:48,100 --> 00:47:50,740
Is there a motion to turn the meeting?

657
00:47:52,710 --> 00:47:54,130
Motion to adjourn?

658
00:47:54,250 --> 00:47:54,930
Do I have a second?

659
00:47:55,330 --> 00:47:56,710
I'll say, all right.

660
00:47:56,710 --> 00:47:57,290
So,

661
00:48:01,770 --> 00:48:03,070
you want to...

662
00:48:03,070 --> 00:48:03,250
Wow!

663
00:48:04,430 --> 00:48:05,590
I don't like you think that.

664
00:48:05,590 --> 00:48:06,970
All the favourites are there.

665
00:48:07,330 --> 00:48:08,790
All the favourites are during the meetings.

666
00:48:09,130 --> 00:48:10,910
They are in a maze.

667
00:48:12,270 --> 00:48:13,710
Alright, so the meeting is so adjourned.

668
00:48:17,730 --> 00:48:18,330
Thanks for being with me.

669
00:48:18,950 --> 00:48:22,490
I'm gonna be with you.

670
00:48:22,490 --> 00:48:23,510
I'm gonna be with you.

671
00:48:23,790 --> 00:48:24,190
I'm just kidding you.

672
00:48:24,190 --> 00:48:24,670
I'm not kidding you.

673
00:48:24,670 --> 00:48:25,550
I'm just kidding you.

674
00:48:25,830 --> 00:48:27,450
You were just fucking, yes.