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[8:39]
>> Good morning, colleagues in the city of Memphis and.
[8:44]
I call to order the Arts & Youth Initiatives Committee,
[8:48]
August 18th 2026, at 10:35 AM.
[8:55]
Would you please call the roll?
[9:00]
>> (Calling roll)
[9:04]
>> Colleagues, we have two updates and presentations today.
[9:09]
So there will be no voting today,
[9:11]
but first we have an update from the urban Art
[9:16]
Commission requested by Chairwoman
[9:23]
Swearengen-Washington.
[9:26]
Good morning, director.
[9:30]
>> Good morning.
[9:32]
>> If you can just say your name,
[9:34]
give an address for the record, and you can proceed
[9:36]
on your presentation.
[9:39]
>> Lakisha Edwards, 42 North Cleveland, Memphis, Tennessee.
[9:46]
Today I wanted to give a brief update on our FY27 projects
[9:54]
that we will be beginning, of course, going into this fall,
[9:58]
then also a quick update on FY26,
[10:02]
specifically the fellowship program.
[10:05]
I gave some handouts.
[10:06]
They should be in front of your podiums.
[10:11]
One of the things that I also wanted to mention is, of course,
[10:16]
we are always going to put in this little funding overview --
[10:21]
it's on the back -- of what the ordinance provides,
[10:24]
can be received by Urban Art Commission,
[10:28]
versus what we actually receive.
[10:30]
There is a significant gap in that funding.
[10:31]
We received a reduction in funding on our maintenance.
[10:34]
I just wanted to make sure that I communicated that,
[10:37]
just in case it wasn't widely known, simply
[10:42]
because we had a lot of discussions last year, and also
[10:47]
earlier this year, regarding maintenance and the need
[10:51]
for a five year plan.
[10:53]
I gave the five year plan -- the need for additional funding.
[10:56]
Of course, I was requesting additional funding.
[10:58]
Then we received a decrease, which I understand
[11:01]
many departments did.
[11:02]
So for this year, what I am asking
[11:05]
is to use a portion of my project funds,
[11:08]
actually, for some of that deferred maintenance,
[11:11]
because regardless of the funding
[11:12]
that we receive specifically from maintenance,
[11:16]
it does not negate the fact that it needs to be done.
[11:18]
The deferred maintenance that is specifically
[11:20]
out of these project funds will be more so for upkeep,
[11:22]
to keep our current collection from going into blight.
[11:26]
There will be several opportunities
[11:28]
for us to clean the pieces, to touch them up,
[11:32]
and from that particular pot of money,
[11:35]
it wouldn't be any new installs.
[11:37]
It would simply be going through our collection, which
[11:39]
we do already have a listing of those pieces that
[11:43]
need that extra care.
[11:45]
Also just wanted to give a shout out to MLGW and also
[11:51]
public works.
[11:52]
They have been amazing to work with,
[11:53]
and they have been helping us with the piece that
[11:55]
is in the entrance of the Tom Lee Park.
[11:59]
That is going to be repaired.
[12:03]
There are some pieces on it that have rusted over the years.
[12:06]
I think that piece has been there 17 years,
[12:09]
so of course it is time.
[12:10]
We had to get some water turned on.
[12:11]
We had to get some of their supplies out there.
[12:14]
Was really grateful for that additional support.
[12:17]
Thankfully, we do have a very good relationship
[12:20]
with the different departments, so everyone pitches in to help.
[12:24]
And we are grateful.
[12:25]
For that piece, we wanted to, of course,
[12:29]
get that one in tip top shape because of the new museum coming
[12:32]
into that space.
[12:32]
We have two other projects that are very close to the museum
[12:35]
that we will also be completing, one of which
[12:38]
is the South main tower sign revitalization.
[12:43]
That's the first one on the list of your chart.
[12:45]
That funding is specifically for the three towers
[12:48]
that are on Main Street Mall.
[12:50]
They are very outdated.
[12:53]
They have not worked in several years.
[12:54]
The lights are out of them.
[12:56]
Urban Art Commission did not commission those projects,
[12:59]
but because they are on city owned property,
[13:01]
we are going to revitalize them.
[13:03]
We will allow an artist to reimagine what
[13:06]
those pieces can look like.
[13:09]
The bottom portions will remain the same because, of course,
[13:13]
we don't want to spend funding on completely tearing it
[13:15]
down and starting over.
[13:17]
They have already painted the bottom portion of it
[13:20]
and repaired the bricks, so it is ready for us
[13:23]
to reimagine the top of it, where it says South Main Mall.
[13:29]
For South Main, South main association,
[13:32]
some other constituents in that area
[13:34]
have approached us asking about some crosswalks.
[13:37]
They are also raising some private dollars
[13:40]
to do some additional signs and things
[13:43]
of that sort for that area, but it
[13:47]
is specifically so that when someone is coming off
[13:50]
of Bill Street, they have a reason
[13:51]
to look down South Main to continue walking to the shops,
[13:57]
celebrating the local artists that are in that space,
[13:59]
as well as those local businesses and some of the newer
[14:02]
hotels.
[14:03]
This is also a part of tourism to ensure that we are --
[14:08]
when people are coming into our downtown space,
[14:10]
they actually see reasons to stay, to spend money,
[14:14]
and to support our city.
[14:15]
The last one for the downtown area
[14:17]
is the library, which is directly beside the new museum.
[14:21]
We have a set of six planters there that, unfortunately,
[14:25]
right now, the unhoused are sleeping in, as well as,
[14:29]
we don't have any plants in them.
[14:32]
It is definitely a waste of space.
[14:35]
But again, it's one of those situations where the planters
[14:37]
are already there in.
[14:38]
They have already been put there.
[14:40]
We are not going to spend money removing them.
[14:42]
But we are going to turn them into functional art
[14:44]
so that we can utilize that space
[14:47]
and not be an eyesore right beside this new development in.
[14:52]
Any -- new development.
[14:57]
Any questions so far?
[14:59]
Next is the City traffic Safety Crosswalk project.
[15:02]
This is a project that we are also talking with city
[15:05]
departments regarding -- because we have an issue at the corner
[15:10]
of Summer and Highland.
[15:11]
It's actually recorded as one of our most dangerous intersections
[15:14]
in the city.
[15:15]
And we want to calm again, use creative placemaking
[15:19]
to ensure that we are bringing light to people needing to slow
[15:23]
down and knowing which parts of the street
[15:25]
where they are supposed to actually be crossing.
[15:28]
The cultural Heritage Mural project --
[15:30]
that is a project that is near and dear to my heart.
[15:33]
I just wanted to specifically set aside some funds for us
[15:37]
to have at least one project that would acknowledge
[15:41]
cultural history of at least one of the communities
[15:46]
that are underrepresented in our public art collection.
[15:49]
So that may be Indian heritage.
[15:51]
It may be Asian heritage.
[15:53]
But wanted to ensure that we had some funding to be sure
[15:56]
that all voices are heard.
[15:58]
Pine Hill Community Center is the next one on the list.
[16:01]
There is a deteriorated mural that is on that wall
[16:06]
that you can see from the golf course.
[16:08]
We would like to remove that.
[16:09]
It has been there probably -- close to 20 years.
[16:13]
I think it has been there 18 years to be exact.
[16:16]
We wanted to replace that one.
[16:18]
Then the public art collection signage
[16:21]
is because we have so many of our pieces
[16:23]
that have aged and have no signage
[16:26]
either because it has been removed
[16:28]
or it was never placed there.
[16:30]
We also have some mural projects that we just simply
[16:32]
did not have the budget to create the proper signage.
[16:35]
We want to make sure that the city of Memphis emblem
[16:38]
is on every piece in our collection.
[16:41]
The deferred maintenance -- that is the $45,000 that I am asking
[16:44]
to use from our project funds for maintenance.
[16:49]
Again, that maintenance is mostly
[16:51]
for just basic cleaning, upkeep, painting things that
[16:55]
need to be cleaned up and things that
[17:00]
need just a little bit of help.
[17:01]
These are no major maintenance projects,
[17:03]
but this is just basic upkeep to add to the maintenance funds
[17:07]
that were reduced for FY27.
[17:10]
And then of course, contingency, just in case something happens.
[17:15]
That brings us to 328 and then our project management fees
[17:18]
are in the total that we are assigned,
[17:21]
and that is the 18% by contract.
[17:23]
Last but not least, I wanted to mention --
[17:28]
I sent everyone a copy of our Moveable Collection catalog.
[17:31]
Hopefully you received it.
[17:33]
This, just in case you didn't know what you were receiving,
[17:36]
is the newest version of what we are putting
[17:38]
into the public libraries.
[17:39]
Every library in the city of Memphis has local artists in it,
[17:43]
and this is the 2026 collection that was recently purchased.
[17:50]
So these are all local artists that we did a direct purchase
[17:54]
program with.
[17:55]
So once a year, we go and we ask artists to give us
[17:59]
pieces of artwork that they have already created,
[18:02]
that we don't commission, then we purchase from them to put
[18:05]
them in public spaces to, again, highlight our local artists.
[18:11]
The last sheet that you have that is in color --
[18:13]
those are the different projects from the fellowship that was
[18:17]
actually awarded in FY26.
[18:21]
The first seven projects are the ones
[18:23]
for each of the seven districts.
[18:25]
So there is a fellow that is associated with each district
[18:28]
throughout the city.
[18:28]
They have been doing their community service projects.
[18:31]
They have gone into the communities.
[18:33]
We had one, in particular, that went to a Juneteenth event
[18:37]
at Douglas Park, and she had a time, to say the least.
[18:42]
I can show some pictures.
[18:43]
She really had a time.
[18:45]
It was very good to see that the community embraced
[18:47]
her and really was excited to see someone
[18:49]
coming into their community that wanted to know more
[18:52]
about the community itself before creating
[18:55]
the artwork for them.
[18:58]
That's it.
[19:03]
>> Wonderful.
[19:03]
Thank you for joining us and letting us
[19:06]
know about all the updates in.
[19:08]
Let the record show that we have been
[19:09]
joined by Councilwoman Logan.
[19:12]
In the queue, we have Councilman Logan and Chairwoman
[19:22]
Swearengen-Washington.
[19:23]
>> Thank you, chair, and thank you for the update.
[19:25]
I appreciated, and for the work that you do.
[19:27]
My question, first, is, how do you determine --
[19:32]
I see these projects.
[19:34]
What is the criteria to determine
[19:37]
what the project will be?
[19:41]
>> It is community-driven, and the selection committee
[19:43]
determines what the final product would look like.
[19:46]
So the selection committee would be the individuals, which
[19:49]
are all listed on our website.
[19:51]
Every project, we list the people
[19:53]
that are on the selection committee
[19:54]
so you know who the decision makers were.
[19:56]
We always try to give residents, business owners --
[20:03]
we actually send the invite to all of city council,
[20:05]
and we make sure that the public knows that these meetings are
[20:08]
happening.
[20:08]
They are also recorded.
[20:10]
And those conversations that the selection committee has
[20:14]
is what forms what the artist will actually produce.
[20:22]
>> How do we bridge beautification and public art?
[20:26]
For instance, the neighborhood markers
[20:29]
will add art plus navigating or wayfinding
[20:33]
or identification signs for the different communities.
[20:35]
I know we often hear -- we hear from constituents,
[20:39]
as well as ourselves, as council members, that other communities,
[20:44]
such as municipalities, they have beautiful flowers.
[20:47]
They have different planters along their roadway.
[20:52]
I think I mentioned to you before, how do we bridge --
[20:55]
because we need those, or would like those,
[21:00]
in the communities inside of Memphis.
[21:02]
That could be seen as art, as well.
[21:06]
How do we bridge those two, or have you given any consideration
[21:09]
to how we can use the public art dollars and have those artists
[21:15]
that you work with also make art that could serve dual purpose,
[21:23]
that could help with the, that could help with bringing those
[21:27]
--
[21:27]
that could help with the beautification, that
[21:31]
could help with bringing those things to our communities,
[21:33]
as well?
[21:36]
>> Those are things that we have done in previous projects.
[21:37]
Many of our projects do include other aspects,
[21:39]
such as the Welcome to Orange Mount sign --
[21:43]
that has a planter.
[21:44]
That has additional flowers.
[21:46]
That has a community that actually
[21:47]
committed to keeping up with what's happening in that space.
[21:50]
I think we do have several projects that are dual- purpose,
[21:55]
but I will say that the communities that are more
[21:59]
engaged are the ones that probably get more
[22:02]
of the additional add-ons, simply because they are willing
[22:07]
to come together and help to maintain it,
[22:09]
such as an orange --
[22:13]
as in Orange Mount.
[22:15]
They have a very solid selection committee
[22:16]
that committed to ensuring that it would be maintained properly.
[22:18]
We do have, even with the crosswalks,
[22:20]
as I spoke before, that's a safety issue.
[22:23]
We are working with the city to say, where do we
[22:25]
have the spaces where we know we need
[22:27]
to put some type of artistic design
[22:28]
to draw people's attention to where
[22:31]
they should cross the road, when they should slow down?
[22:34]
We also have a crosswalk that's going in at downtown elementary
[22:38]
because there were several complaints of people coming
[22:41]
over the hill, and they didn't realize
[22:42]
there was even a school there.
[22:44]
So we are creating projects that are serving dual purposes
[22:49]
with just about every project.
[22:53]
>> So if we did have an organization in our district
[22:55]
that would like to partner to do some of those things or to be
[22:59]
a part of the maintenance of it, we could do more of those,
[23:02]
if you could identify some nonprofits or agencies that
[23:07]
wanted to help
[23:11]
?
[23:12]
>> Or even CDCs.
[23:14]
>> Great.
[23:15]
I'm very much interested and we'll be reaching out to you.
[23:17]
Thank you.
[23:23]
>> Thank you, Councilwoman.
[23:24]
Chairwoman Swearengen-Washington?
[23:28]
>> Yes.
[23:29]
I wanted to share that, colleagues,
[23:31]
as a percent for our ordinance requires that the Urban Art
[23:35]
Commission receive 1% of the annual CIP in an amount
[23:41]
not to exceed $1 million.
[23:43]
And within the FY27 CIP budget being over $110 million,
[23:49]
their allocation should have been $1 million.
[23:52]
However, our former engineering administration would
[23:59]
historically only advocate $400,000 to them.
[24:03]
So they are in the back working on a resolution.
[24:07]
I may have to just bring it back for executive.
[24:10]
But I would like to transfer $512,000 in unused CIP
[24:17]
allocations from project GA07018,
[24:21]
which is FYMSCS upgrades, because we haven't been
[24:27]
utilizing those funds.
[24:28]
And this is something that we could have and evenly
[24:30]
distribute between all of the districts
[24:32]
and add some beauty into some of the spots that needed.
[24:40]
>> You said you were going to bring this to the executive
[24:44]
later?
[24:45]
>> Yes, because I thought they would be up here by now,
[24:46]
but they are not up here yet.
[24:48]
So we may have to do it executive.
[24:51]
>> Okay.
[24:52]
Thank you, chairwoman.
[24:53]
Is that all?
[24:55]
We'll be looking forward to that resolution later.
[25:01]
Councilwoman Cooper-Sutton?
[25:05]
>> Thank you.
[25:06]
Jonathan, can you pull up that picture for me, please?
[25:09]
This is at -- in Raleigh.
[25:16]
I think this is your district.
[25:18]
I just heard our chairwoman say that she is
[25:20]
going to allocate some funding.
[25:22]
This needs to be fixed.
[25:28]
>> I've already reached out.
[25:29]
We didn't get a response.
[25:31]
>> I'm responding right now.
[25:32]
I'm sitting in this place because that
[25:34]
isn't our community.
[25:36]
Our constituents sit there, and we
[25:38]
need that fixed ASAP, for weatherization reasons
[25:45]
and just for presentation, as well.
[25:46]
I guess after we get this resolution
[25:48]
and we look at what needs to be done,
[25:50]
we need to get that fixed ASAP.
[25:55]
>> Yes, ma'am.
[25:57]
>> It's what?
[25:58]
It's on order?
[26:01]
Perfect, perfect.
[26:05]
>> Yes.
[26:05]
When it was brought to our attention, and as he spoke it,
[26:08]
there were a lot of people that were concerned and readily
[26:11]
looking to fix it.
[26:13]
Of course, we have some drawbacks to it
[26:16]
not being our particular property,
[26:18]
but I'm very happy to hear that it is already being ordered.
[26:21]
We did look into it and got some quotes.
[26:24]
Yes.
[26:25]
There are several other projects that are in queue.
[26:33]
How would you all like to see those updates?
[26:35]
Because, of course, I sent emails,
[26:38]
but I know you get a million emails.
[26:40]
Would you like for me to come quarterly?
[26:42]
Because I can create a presentation of our current
[26:47]
maintenance projects, our current projects that are
[26:49]
in queue so that -- if I had a presentation today,
[26:53]
that would have been in my queue,
[26:55]
and it would have been able to say, we have that in line.
[27:03]
>> Director Collins, is a quarterly maintenance update --
[27:08]
whether you want it by email, you want her in person --
[27:11]
would you --
[27:13]
I'm sorry, Edwards.
[27:14]
I know another Lakeisha.
[27:30]
>> This is so important.
[27:31]
This is part of the presentation of our city
[27:33]
and what it looks like.
[27:35]
>> And we are tracking it.
[27:36]
We send it actually to the engineering division weekly.
[27:38]
We give a weekly report.
[27:40]
I don't know who sees it or who has access to it,
[27:44]
but we do send it to the primary engineers, specifically Michael
[27:48]
Swindell and Deborah Higgins.
[27:49]
But we send it to them every Wednesday.
[27:55]
>> Is that possible to send that report to council, as well?
[28:00]
>> Yes.
[28:02]
>> Okay.
[28:04]
Director Edwards?
[28:06]
Okay.
[28:09]
Councilwoman Cooper-Sutton, and thank you, director Edwards.
[28:17]
There's only two lakisha's in my phone.
[28:22]
You all are the only two in.
[28:24]
Can you talk about -- when you see things like what
[28:27]
Councilwoman Cooper-Sutton put up,
[28:31]
who is actually in charge of repairing or maintaining that?
[28:36]
Because that's a bus stop with a UAC artwork
[28:46]
that's on a city sidewalk.
[28:47]
Who's in charge of that, when we see things like that?
[28:52]
>> Excellent question.
[28:52]
When that came through, I reached out to the director,
[28:54]
and we spoke about it.
[28:56]
He said, yes, it has already come to his attention.
[28:58]
We couldn't replace that window.
[29:02]
You had to replace the whole thing, which
[29:05]
is already on order.
[29:08]
>> When the whole thing is replaced,
[29:10]
who pays for the art to go back on?
[29:13]
>> We need to follow up and confirm,
[29:14]
but it would likely be right here.
[29:18]
>> It's Chairwoman Swearengen-Washington,
[29:21]
and she says, if there's a gap in that,
[29:23]
and that includes maintenance, things like this would also be
[29:26]
included in the budget, even though you don't have your full
[29:30]
complement?
[29:31]
Thank you.
[29:32]
That's all I wanted to ask you.
[29:35]
Okay.
[29:36]
Councilwoman Green?
[29:40]
>> Thank you.
[29:40]
I wanted to thank you for the opportunity
[29:42]
to be at the ribbon cutting for the Chelsea Floodwall.
[29:44]
If you haven't had a chance to go out and see it,
[29:47]
it is gorgeous.
[29:50]
The points have been made here today --
[29:53]
especially Councilwoman Logan -- it's a great way for a dual
[29:57]
purpose to happen, for us to incorporate something that is
[30:00]
structure and safety and keeps that neighborhood from floods,
[30:03]
but also infuses art.
[30:05]
Mayor Young was there and spoke, and he talked about his visits
[30:09]
to Detroit.
[30:10]
He asked them, how do you turn things around?
[30:15]
The leadership there specifically mentioned
[30:17]
public art.
[30:17]
He said, when you have public art from local artists,
[30:21]
then people start caring about the neighborhood.
[30:23]
They start caring about that one space,
[30:25]
then it spreads to other spaces.
[30:26]
That helps investors come because they
[30:28]
can see the vision of what the neighborhood can be,
[30:32]
and the people in the neighborhood
[30:33]
can see the vision of what you can be.
[30:34]
I love learning about all the different places
[30:36]
that we have this.
[30:37]
That is -- I mean, I don't even know how many hours we're put
[30:41]
into the Chelsea Floodwall because it is a mile long,
[30:44]
and it is double sided.
[30:46]
The one section that I was standing in front of
[30:48]
was the kids part, where we had students actually design and do
[30:52]
panels, which is also really very, very cool.
[30:56]
Thank you for letting me be a part of that.
[30:58]
Thank you for doing this, because -- unto your point --
[31:01]
this is the way that other places who have dug their way
[31:06]
out of light issues, they have started with the public art.
[31:10]
It is important that we invest in it properly.
[31:13]
Thank you.
[31:16]
>> Thank you, Councilwoman.
[31:18]
I actually had on my list to shout out
[31:21]
Director Edwards for her work in the Chelsea Green line, as well.
[31:25]
It was years before we get that money to be able to do that.
[31:29]
And so I'm glad that you made that a priority, and also
[31:33]
the other projects that are on your list, as well.
[31:36]
Did you want to add anything before we close out this item?
[31:42]
>> I'm still fussing about -- can you do anything to help us
[31:45]
with that?
[31:48]
>> Who owns the property?
[31:50]
What piece of property is it?
[31:54]
>> Chief, it is on Lamar, off of Willette.
[31:58]
And paint Memphis, which is one of the organizations,
[32:03]
colleagues, that is asking for grant funding,
[32:06]
put a big snake -- no, it's a rat.
[32:11]
It's a rat -- on the wall.
[32:13]
And that's right around the corner
[32:15]
from Rozelle Elementary School, going to the medical district,
[32:19]
and it looks horrible.
[32:20]
So we want to make sure that, when people are putting murals
[32:25]
up, that we are looking at it to see what the plans are,
[32:30]
exactly what the art looks like.
[32:31]
It can't be just a sign off.
[32:33]
We really have to be engaged to know what's going on.
[32:39]
>> I agree.
[32:39]
There are some kind of safety points for urban Art Commission
[32:42]
that prevents that from happening.
[32:44]
So number one, we have a community engagement piece
[32:48]
with our selection committee.
[32:52]
UAC does not make those determinations.
[32:54]
We actually ask the community to give their vote
[32:57]
and to talk to the artist and have that direct say so.
[33:00]
Number two, we have a PAOC Committee.
[33:07]
They meet once a month.
[33:08]
Those meetings are also public, and we submit the recordings
[33:10]
every month.
[33:11]
That is for a committee that there is --
[33:15]
I know summer attends those meetings.
[33:17]
We also have two other individuals that
[33:20]
are appointed by City Council.
[33:22]
One person is appointed by the mayor and myself
[33:26]
and my team just there as advocates.
[33:30]
That also is a place where that committee has
[33:33]
to sign off on the schematic design, the final design,
[33:36]
and also the fabrication.
[33:37]
On top of all of that,