[0:10] Okay, August

[0:14] 25th, Heritage and Arts Commission meeting has begun.

[0:25] Should we do call the order and roll? Yes, I'll take the roll. Chair Gupta. Here. Vice Chair Fibosch. Here. Commissioner Etemade. Commissioner Fong. Commissioner DeMohika. And Commissioner Farron. Here. And Commissioner Noguez is absent at the moment.

[0:51] Okay.

[0:51] So there are oral communications, any oral communications?

[1:00] Seeing none.

[1:04] Okay. I'm going to give my chair a part.

[1:06] As you can see, this is a, you know,

[1:10] a kind of a slim agenda that we have this month,

[1:13] and I'll tell you a couple of things that

[1:18] I took, you know, potentially word discussion items,

[1:21] but I felt didn't need to be really.

[1:24] But before I get into that, I would say that

[1:27] But we, the people reception that we had earlier this month was really fun, and we had pretty

[1:37] good turnout of the artists and their friends and family, and everybody really enjoyed.

[1:46] There was a spirited kind of conversation in the room about 250th anniversary and the different

[1:53] facets of, you know, the country's birthday and all in all it was a success. Thank you to those

[2:05] commissioners who were able to make it.

[2:10] And we also have, I will give a special shout out to

[2:16] Yaya, who is the hire from the ranch who has been incredibly outfall and I'm really

[2:24] glad we have him on board and a super nice wonderful guy.

[2:31] Then I did speak to this is about concerning the October Native American event.

[2:40] We were not able to get on the DITF agenda for their collaborative, you know, for the proposal for a collaboration.

[2:48] However, I did speak to Holly Thier earlier and she is excited about that event.

[2:57] We kind of talked about the proposal and the budget.

[3:01] We both kind of came to the conclusion that the free taco truck might be a little excessive.

[3:08] and that is a big piece of the budget.

[3:12] That's a big expense.

[3:15] Instead, Marissa had suggested maybe doing the shaved ice truck,

[3:20] and maybe we could get a food truck that people could, if they are hungry, buy food from.

[3:27] And I think that that's a good idea.

[3:31] I think Holly being both on DITF and the Timber on Town Council.

[3:36] I think I had a point also that the free tacos is not really a needed thing for this kind

[3:48] of an event.

[3:48] But that said, I'm happy to kind of revise the proposal with an alternative that we just

[3:57] I just mentioned and she is willing to take it up at the next DITF meeting, which happens to be usually right before the town council meeting and members of the DITF, of course, also sit on the town council.

[4:12] So ideally we will get some collaboration from them and if not, we can still do hold the event.

[4:24] But again, on a slimmer budget and without the expense of the talk or truck, of course.

[4:34] So that is my chair report.

[5:00] To a fundraising event in Sausalito for the public and was astounded to see a long, long line for these fish tacos. And when I got up to get my, I wasn't sure if it was free or not, but two very delicious fish tacos for $10. And so just the concept of striking the happy medium where we're not cannibalizing our local restaurants who serve a really fine meal for a lot of price, but maybe something for

[5:29] parents that don't want their kids to have sugar. So I know it was a really big hit last time.

[5:35] So maybe there's a local provider. This was from a Sosalito provider,

[5:43] Davy, Davy's like cafe, sandwiched cafe that's down there. But maybe there's happy medium

[5:49] between the two. So that kids can, it was a big hit. I know that. But yet I was also surprised when

[5:56] I saw that it was free here because I don't think there's an expectation that the town

[6:00] is going to give away free food.

[6:02] But to have a nominal, we don't really have fast food here in Tebron.

[6:07] So if kids are hungry, parents, et cetera, there could be something ideally themed towards

[6:13] what we're doing just for consideration.

[6:17] I support that.

[6:19] I was just thinking an easy number for a quick meal because parents like to come and have

[6:25] the kids eat. But a reasonable one. I think some of the ones were like $16 for a little

[6:31] plate. That's kind of an odd number. And you know, the shave eyes, I actually think that's

[6:37] expensive. But you know, kids love it. But I think it's great that we could scale down

[6:44] the expenses and still keep the same spirit of people having fun and, you know, an easy

[6:50] denied out for the parents,

[6:54] so worth exploring that we might want to put a small amount towards

[6:58] refreshments.

[7:00] I have some ideas that I can put together and send to the subcommittee that's handling

[7:04] this event.

[7:05] Great.

[7:06] And also we may want to extend the opportunity to our local restaurants to help click in and

[7:13] promote them at the event.

[7:17] We have had food trucks raked in the back of the year, and I don't remember what was

[7:24] the occasion, but it happens all over town.

[7:29] There's a gentleman that I've been calling me to ask about putting his food truck at

[7:33] the ITF events, and I'm happy to give you his number, or we can reach out to him and see

[7:39] what he can put together.

[7:40] Well, let's do that.

[7:41] And then there are, as Chris mentioned, a couple of people in town that I'm thinking of also that maybe, you know, could do, you know, tacos and things like that as well.

[7:52] We're getting down the road of a discussion item, so we should probably save this for an ad hoc committee meeting.

[7:58] Sounds good. Okay.

[7:59] Okay. Okay. So that's my chair report. Let's go on to the action items. First action item

[8:08] is a discussion about public art and do you want a little staff report? I don't have a

[8:19] written formal staff report, but the post commission has been busy going over the park design

[8:27] plans, so they haven't had a lot of time on their agendas for this particular item.

[8:33] Their next meeting is September 15th, but I think they're going to be discussing the

[8:37] sanitary pawns project at that time, but they may be calling a special meeting in October.

[8:44] So I'm talking to David issue every day about when you can have 10 minutes on their agenda

[8:50] to just and basically what they want is your proposal or the proposal and then you know offer

[8:59] two to four locations that they can go through and look at like we already have the two locations

[9:04] at the trolling park and south of nol but with all the scuttle but and chatter about

[9:09] views and scenery and art that has been in the media lately we I was thinking that maybe you guys

[9:16] could think about some other alternatives that you could run past post when you get the

[9:21] chance to get on the agenda.

[9:25] Well, I think the public art that we have right now is done and it is kind of unseen

[9:35] because dear away from everybody's eyes you have to go and find it if you know about it

[9:45] But this particular art of the birds, it is an art that has to be seen by everyone.

[9:57] We're not suggesting that it gets hidden away.

[10:09] All the festivities and everything happens in downtown. So I think we should try to find this spot that it is visible when they come in. If they will always remember, they will come back.

[10:29] and see it again. It is really a very wonderful way of having this public art. I was walking

[10:40] around, I don't know, I wanted to invite somebody to walk with me. There is a palm tree on

[10:55] On the other side of Tebron Boulevard, right in the beginning, there's a palm tree.

[11:02] That it is a very well-known palm tree, it has a plaque on it.

[11:06] Do you all remember that?

[11:09] Okay.

[11:10] Yes.

[11:10] On Tebron Boulevard.

[11:12] By the lagoon at point Tebron crossing the roundabout.

[11:16] Yes.

[11:17] If you keep looking at it, there are spots that there is which flowers and things like that

[11:25] on little boxes, cement boxes all along. So I was thinking maybe it could be in one of those.

[11:36] It is right in the center of town and everybody can see it and admire it and it is not on anybody's

[11:46] way. It is not a solid piece of art so that you can have complaints about. It is something

[11:59] you can see through it. And it really raises everybody's attention and thoughtfulness about it.

[12:11] Well, I'm just going to comment quickly. I think that's a good idea to consider placement in more kind of urban areas that are, you know, part of the urban landscape rather than in the just purely in the parks and the landscape.

[12:31] I think it's a great idea, Jolly.

[12:34] I'm sure the AdHot Committee can meet and maybe think about some other options like

[12:41] the one that you've just suggested, and maybe before we make a motion to go forward

[12:49] with that exploration, Victoria, do you have something you want to add?

[12:55] I just wanted to say that it's great that we're looking at different places.

[12:58] I won't name the names, but I have spoken to people who absolutely do not want to at the shoreline park

[13:05] No matter how great it is and I've also heard from my neighborhood people don't want to look down and South

[13:12] No and see something sticking out such as the signs. I don't know. They were like the birds. In any case

[13:19] I'm just sharing the what I've heard. I think it's a beautiful piece of art and I hope we could find some place for it

[13:28] That would be a feeling to all.

[13:31] I think it would be a shame to put it in the park and only a small amount of people and

[13:39] the bicycle riders or the very runners or walkers can see, that's all.

[13:49] And as far as that park in front, we are not going to touch that.

[13:58] We've had artwork. They're very nice artworks.

[14:03] But now we haven't been doing it past few years.

[14:07] We haven't attempted to put anything.

[14:10] But when you, that little green part right in front,

[14:16] I think it is a really good place for it.

[14:20] That might be private property.

[14:22] We'd have to look at the map.

[14:24] Yes.

[14:25] But we can look.

[14:26] We have to look into it.

[14:28] Yes.

[14:29] There was an email from the artist.

[14:35] I don't know if she has actually given us a second or third place or not.

[14:42] up. That is he may like. Yeah, she has not, but this item is for you guys as residents

[14:51] and artists and people in the art world to think about locations that could work based

[14:56] based on the feedback the town has received.

[15:00] I am, but I need somebody else to either you or Arjun can take a look at. What anyone want to join

[15:16] Jolly on an ad hoc for the next phase of this possible project.

[15:27] You're another one. You want to join Trish? You'd be good.

[15:31] Yeah, you're good. Will you do it? Yeah.

[15:34] Oh, that will be really nice. Yeah. I'll send you an email and suggest a couple of times.

[15:41] Yeah. And this is that from get out and look for spots.

[15:45] Walk around and yeah. And we're trying to stay away from privately owned.

[15:49] Yeah, businesses that yeah, let's find out about that greens if it belongs to town or not.

[15:59] Okay. Well, great. So you and Jale then can kind of go forward with this. So I move

[16:10] to create an ad hoc committee.

[16:24] Right.

[16:32] All right. Well, I move that we consider other possible

[16:35] locations for the Nikki, Donnie, public art piece.

[16:40] I second.

[16:44] All ideas are welcome.

[16:46] And all in favor?

[16:49] Hi.

[16:50] So moved.

[16:50] Thank you.

[16:51] Thank you, Francisco.

[16:57] Action item number two are the artist applications for future exhibitions.

[17:06] I know that we have one from an artist who has shown in the past Revitie, as again, Revitie

[17:24] not to sign.

[17:28] I'm not sure, I've spoken with her recently and I'm not sure exactly what her current

[17:37] position is on her showing her work. So for the time being, I think we can leave her out

[17:46] of this discussion. It's very interesting work, though.

[17:51] She has very meticulously copied

[17:53] a Indian artist who is quite a famous Indian modernist, Johnny Roy, and she has meticulously

[18:06] done these facsimile paintings of his, you know, kind of iconic works. And they are primarily of,

[18:14] you know, domestic scenes, mothers, children, kittens, stealing prawns. It's a very,

[18:23] he's a Bengali artist. I'm from Bengal myself, born and raised in Calcutta. And so he's

[18:31] near and dear to my heart. But nonetheless, I think, you know, she's, she's

[18:35] we're gonna series of these paintings. I think she's done about seven. So I think

[18:40] but for the time being, I recently spoke with her and, you know, she wasn't

[18:44] exactly sure whether or not she in fact wanted to show here or not right away

[18:50] at this time. So for now, I think we can maybe leave her out of the current

[18:55] discussion and move to the other artists who we have.

[19:02] Exhibition exhibit number two.

[19:05] May I just say one she has talked to me about this and she said that when she had her work here

[19:16] they were not for sale at all. She didn't want her work to be sold but she said this artist

[20:00] It's really very beautiful. And then I'm going to put them all for sale. And she mentioned that she doesn't like it to be downstairs. She prefers the upstairs gallery. And that is she personally talked to me. I think all of these are artists for I think all of these are for artists for exhibitions on the upstairs gallery, but that's that's fine. Let's move on to the second artist here.

[20:30] Manuela. Right, we have it in the packet and this is the estate who is bringing the works

[20:39] of this artist to our attention. Manuela Gemma.

[20:46] I'm very interesting, interesting work.

[20:51] I'm not aware of Venetian expressionism but I like the sound of that.

[20:57] And I mean, clearly, you know, very impressive bio and really interesting work.

[21:09] It's open for discussion.

[21:12] So, have they come forward wanting to show you all of these applications for exhibition?

[21:20] Yeah.

[21:20] So, they have come here and asked for application.

[21:23] They have emailed me and filled out the application

[21:26] and submitted their work for your consideration.

[21:28] And that's what we're reviewing right now.

[21:30] Oh, okay.

[21:30] So may I ask something?

[21:32] This is the state of Manuela Gema, this artist,

[21:39] this is our hair work.

[21:41] So who are the artists?

[21:45] It's her estate.

[21:46] It is Manuela Gema, that's the artist.

[21:49] Because this is the state of Manuela.

[21:52] So it's by hair.

[21:53] The works are by her, but the application is being put forward by her estate.

[21:58] This works by her.

[22:03] I don't know what the Tiberon connection is, other than the estate seems to be based

[22:07] in Mill Valley.

[22:09] And presumably these are for sale, I would think.

[22:15] I just want to point out that in the past, another estate situation came in, and at that

[22:22] time to commission did not want to deal with, you know, someone's a state being secondary

[22:29] location for artists. So I just want to bring that up for consideration. If we're going

[22:36] to do that, I'm going to be a conduit for a lot of different states and collections.

[22:43] Yeah, that's a good point. Well, I mean, you know, it's very interesting painting nonetheless. And

[22:50] And, you know, I'm not, you know, I think it's worth for the discussion certainly with

[22:56] regards to whether we want to invite estates in like this to show, I think that's a good

[23:02] point because, you know, as somebody who works with estate appraisals and trust in estates,

[23:10] that's people are trying to find what do we do with our work, with the work, what can we

[23:14] do with it?

[23:15] and you don't ask me about that, right?

[23:18] And so that's something that is always an issue.

[23:21] But nonetheless, I mean, I think, you know,

[23:24] if she had a clear tie to Tiberon,

[23:28] which I don't know if she does or not,

[23:34] what are we having for real or not?

[23:37] That we have to know, sort of.

[23:39] But we have shown a works of Southern marine artists.

[23:43] Yeah, absolutely.

[23:44] been only Tiboron. No I'm saying that because as an estate we don't want it you know we

[23:50] there might be a way to distinguish you know estates from all over Marion rather than estates from

[23:56] Tiboron residents who are artists who are painting or working in Tiboron or as a collection I don't

[24:02] know just a thought but

[24:08] does anyone have any thoughts about the work itself. I think that work is beautiful.

[24:13] Yeah, I like the work. I think the work is really dry. That's a lot of movement and good strokes.

[24:20] The only thing is whether I guess this was sale.

[24:24] Are they the same artist is by that artist menu?

[24:30] Do we have any idea of the scale of this work? I mean, is it smaller paintings?

[24:38] There's no sizes in any of these.

[25:00] Yeah, we need more information from the state, whoever has offered this, we need more information.

[25:08] Application is attached in your agenda and you're welcome to give them a call. Okay. Okay. I think the work is beautiful. I can do that. I can follow up with some questions for this particular application, including whether it's for sale and what's the medium, what are the sizes, what are the dates, etc, etc.

[25:29] or is there a secondary market for a work, that kind of thing.

[25:34] We can find out about a manual.

[25:38] Yeah.

[25:40] Okay, so that was...

[25:43] Let's think about it.

[25:44] One of five not counting revenue, I believe, so yeah.

[25:53] Okay, so let's move to exhibit three.

[25:56] These are the photography of Jay Taman and

[26:09] these are quite interesting. Beautiful photographs and

[26:14] certainly would be quite popular I think here.

[26:20] Oh yeah, there's that one, that one's kind of pretty cool.

[26:27] We haven't had photography show for a while, so it might be a bit of a nice thing.

[26:33] I think he's worth considering and putting on the schedule.

[26:40] Yeah, he's got a professional website, professional, really great photographs.

[26:45] I'm sure they would sell like hotcakes.

[26:48] So I think definitely let's let's put him on the schedule.

[26:55] Jay tomorrow.

[26:57] I think he's interested. Yeah.

[27:05] And then there's a donation.

[27:07] There's a charitable donation component to his work also.

[27:10] I don't know if you guys caught that, but you know, it does help,

[27:17] you know, create educational opportunities for children in Nepal.

[27:22] So that's kind of cool.

[27:23] That's good to hear.

[27:27] So that would be an interesting.

[27:29] I think I think my vote is let's let's put him on the.

[27:33] Yes, and we can follow up with him in terms of like, maybe, you know, again,

[27:42] timing and all of that kind of thing.

[27:43] I mean, I'm sure he's got, you know, things ready to go and frame probably.

[27:47] But we'll we'll after

[27:52] you guys go through all this.

[27:53] We should look at the calendar and see.

[27:55] okay and then you know volunteer to liaison with the artist okay I did I offered

[28:02] whether they wanted upstairs or downstairs I gave them the two months and then

[28:09] they choose which month who who did that all of them you should do that all of

[28:16] I think I'm patient.

[28:19] Oh, it is. Yeah.

[28:21] Yeah, wait the time to get to the application.

[28:24] The application. Okay.

[28:26] Let's go to exhibit number four then.

[28:28] Can we exhibit

[28:38] four.

[28:40] Barbara Janis.

[28:42] I just want to say that my name was in the email.

[28:45] I just never have a luncheon and she wanted to have it.

[28:50] You know, talking about art and show.

[28:52] and I just told her to contact Marissa so I don't personally know her work okay I don't

[29:02] think there was a website for her just her Instagram page which I have up on the screen now yeah

[29:09] yes I usually don't trust Instagram stuff because so many people this is her stuff but if you have

[29:18] seen her and she's real and so on, seen some of her work. I think she's had it

[29:23] done somewhere else in the quarter Madera library. Oh yeah, that's right.

[29:29] No, that's okay. Yeah, you know, watercolors, kind of an interesting

[29:37] diverse subject matter. I like to accept her just for change.

[29:48] She's done some work at the Academy of Art at Berkeley Health CCA, you know, she's

[29:57] definitely uh...

[30:03] Yes, aye, that's right. She also has five Instagram followers. Yeah, it's sitting not myself. It looks like her largest is 22 by 26 and her smallest is nine and a half by 12. She's all almost small pieces. Okay, watercolors are usually very small.

[30:28] I think it's worth considering given the variety at work. I have to

[30:35] admit it's sort good but I'm not necessarily crazy. She's really an amateur

[30:45] painter, kind of a hobbyist in an amateur painting. Yeah, but she has a right

[30:49] credentials with she has a good training. Yeah, so and if she's in the area

[30:55] that's okay, given that we don't have that many artists and we have to fill up

[31:02] Oh, calendar. Sure. Well, why don't we, why don't we just put it as a possibility for now, and we'll, we'll, and we'll ask some questions also about, you know, I did receive an additional application yesterday, but it was too late to put it on the agenda, but our journal just forward it to you. Okay.

[31:25] Let's go to exhibit five. Oh, number five is.

[31:35] Yes, yes, I absolutely go for her, she was an artist,

[31:44] she thought she

[31:50] thought in our

[31:51] community center for years, she was teaching painting, and I've seen her work, she's a

[32:02] writer as well. And I think she's shown her work at different places too. Yeah, I think it would be nice to have her, she's local.

[32:15] And she has been around. Yeah, she's local, Tigran. She's well known to run California.

[32:22] So the followers, Tara Yalim, are working on that.

[32:32] Oh, that is the one you're talking about.

[32:34] I'm sorry.

[32:36] I'm one step.

[32:39] Oh, okay, okay.

[32:40] That's my mistake.

[32:42] Oh, that is the one actually.

[32:44] Oh, Tara Yalim.

[32:46] Oh my god.

[32:47] Yeah.

[32:47] I thought they're two modern for our

[32:52] or a town hall, the works are just too much going on.

[33:03] I feel like I've counted that name before, haven't we?

[33:11] Can you pull up her Instagram?

[33:16] Oh, no, it is not.

[33:23] Oh, she's sending Portofolia.

[33:25] for a portfolio is

[33:33] quite a lot. I didn't really start over here though. Yeah okay you know it's

[33:46] too abstract they don't think I liked.

[33:56] Okay is there a way to like... oh there we go we'll

[34:02] slide show, I don't know what they're all kind of alike in all different colors.

[34:12] This one is a good one.

[34:13] Yeah.

[34:20] They're very abstract.

[34:24] Well, I still see some kind of figurative, you know, there's a little bit of representational

[34:29] abstraction there, you know, it could be, it's,

[35:11] Okay. That's great.

[35:15] And that may damage what is what it's actually, I don't, I think they look like acrylic. So when people can see an apple, when closing their eyes and imagining an apple, she can only see blackness. Well, which I think is her art, her art is saved.

[35:34] and it's really, it's in the attachment is really interesting.

[35:40] Yeah, I kind of like her stuff actually.

[35:43] Which I do do and she's a, she's a Tibber on red.

[35:46] I like this one.

[35:47] Yeah.

[35:47] And she see her art.

[35:50] She says, and yet I can feel the apple.

[35:52] I can pull together a sense of the shine, the shape, the green,

[35:55] blacked red.

[35:57] Oh, so there is a kind of a, that's what I mean.

[36:00] Like, yeah, there is a punch to it.

[36:02] There is some representational sort of tie to it.

[36:06] I think it's interesting, yeah.

[36:07] But I don't see any, I think it's representation of anything.

[36:13] Yes, it's very contemporary, it's good.

[36:18] I mean, I'm for this one.

[36:21] Me too.

[36:21] I'm also, because you know, the next one is the grassy,

[36:25] the grassy, the grassy, the grassy, the grassy,

[36:27] sort of more like it, because the next one is the good one.

[36:31] Yeah, yeah, he is on temple. Yeah, and should we move on to the next one?

[36:36] So exhibit six is Grasnela, and I've been talking to her about doing this for quite a while.

[36:42] Oh, okay. And she's very interested. She's very established. I think many of you have met her.

[36:48] I've purchased her art. I've known her oddly enough for probably over 30 years.

[36:55] Oh, wow.

[36:55] I know her family. They live in Timuron. I've met all her children.

[36:59] And the interesting thing is her art, I think she's evolving a little bit.

[37:03] And she was telling me that she's starting to do some different things recently.

[37:08] So I think she would like to share those with us.

[37:12] And I've talked to her about this time slot as well.

[37:16] And her commitment, she's, these are many of her work, a lot of her work is for sale.

[37:22] Yeah. And she's done classes and education in Timberon.

[37:27] And so she's definitely a Tiburon artist.

[37:29] And I don't think she's exhibited in a while.

[37:32] I said, I definitely would go.

[37:34] She was on the art editor in the Defunct magazine

[37:39] or something, Tiburon.

[37:41] And she's been around.

[37:43] And she's good quality.

[37:45] Yeah.

[37:46] She said to a little writer about my work.

[37:48] She came to my studio.

[37:51] So do we need to move to fill her into this lot?

[37:55] I like it.

[37:55] that I mentioned earlier.

[37:57] Yeah, I think, so what I've taken notes on is that

[37:59] Revity and Menuela are gonna take a little more investigation

[38:03] by Arjun, yes, for Jay, maybe for Barbara,

[38:08] yes, for Tara, and a yes for Gassiella,

[38:10] and if you wanna make a motion to agree with what I just said.

[38:16] I moved that we, first of all, support Gassiella moving

[38:21] into the timeframe to be confirmed by myself.

[38:25] Sorry.

[38:26] I agree.

[38:27] So we should go on that, maybe.

[38:29] But in its motion.

[38:31] I'm crossing all of this.

[38:32] This is for the November.

[38:34] Yes.

[38:34] So.

[38:35] We have this one other slot for September, October.

[38:39] Do we need to.

[38:40] That's like right next week.

[38:42] Do we need to.

[38:42] Down here.

[38:43] Yeah.

[38:43] Do we need to discuss filling that as well?

[38:46] I think, Grassley Hall is better upstairs.

[38:50] Oh, I agree.

[38:50] But I'm wondering if you consider some of the other artists, even though it's.

[38:57] I don't know if we could do it, maybe we'll just extend this for another month.

[39:03] 250th anniversary.

[39:05] Yeah.

[39:06] I mean, I think it's too much.

[39:07] Let's separate things.

[39:08] Let's have Trish finish her motion for Graciella for November, December.

[39:13] I second.

[39:14] Okay.

[39:15] Okay.

[39:15] Yes.

[39:16] Second.

[39:16] And then all in favor of Graciella taking the upper gallery for November and December, all in

[39:21] favor.

[39:21] Hi.

[39:22] Hi.

[39:22] Okay, unanimous. Thank you, Trish. And now we'll move on to the next.

[39:29] Yeah, I'll be working with her and does the official notification go out to her from Marissa?

[39:36] I'm yeah, so that she has my information. I'll send her an email and copy you and then you guys can

[39:42] go forth and yes. Thank you. And you have the procedure, the timeline procedure sheet that you

[39:52] share also with both of them. Yes, but they know send me pictures, send me a description

[39:56] The title of the show will be better in time, Diane.

[40:00] Some of these items are filled in for the next meeting. Okay, great. And then the other four, correct? One, two, where is it? Three. We need a motion for that. Anybody want to bring a motion forward for the other three artists? I move that we accept the three artists, Jay Tanang, Barbara Janice, and Terry Yellen,

[40:29] for consideration and scheduling for next year's

[40:35] shows exhibitions. I have a Manuela Gemma.

[40:40] My second. Okay. Manuela Gemma also. I guess we could take separate motion.

[40:46] Well, we're going to, we're going to, we're going to ask some questions about,

[40:49] about a state, about her, for her state, about size and medium and sale, for sale,

[40:56] of salability and all of that and I also move I move that we accept recommendation from

[41:05] Marissa regarding reveta and also the estate situation regarding size sale and other matters

[41:15] to be returned to the commission next month.

[41:19] Second.

[41:24] All right.

[41:25] Hi.

[41:26] Thank you. You guys are working so fast. I can't catch up with my notes. I

[41:33] Realized I missed asking for public comment, but I am seeing none in the room for this particular item

[41:48] great

[41:51] Well, that was that was pretty

[41:54] It's great pretty smooth. Yeah, so the next just a couple things on the calendar the installation of the ICB group show is

[42:02] on Thursday, September 3rd at 9 a.m., four artists from the ICB will be installing upstairs.

[42:09] Laurie Myrkord, who is in Belvedere, Kate Salari Baker, who also lives in Belvedere,

[42:16] and generously is donating the wine for the event from her winery.

[42:21] Brie Kuts, who's a paper artist and Marina Strache, will be the title of the show is

[42:28] nature reimagined and they sent me a graphic today and it's really pretty and I'll forward

[42:34] it along.

[42:35] So I'm excited.

[42:36] I think it's going to be a really nice show.

[42:40] Thursday September 3rd at 9am, so if any of you are around and want to pop down and say

[42:44] Hello. They'll be here. People working with them too. I'm sure they have not asked.

[42:53] They are pros. And then their reception is Tuesday, September 15th from 68 upstairs, so.

[43:01] Right. Yeah. Bree's been very responsive and organizing the group.

[43:06] You have the image are you going to both together a kind of a little piece that we can shoot around.

[43:13] Yeah, they all email it to you tomorrow to all email the graphic to the group tomorrow so you can put it on your Instagram and send it to your friends and family great and neighbors and that's what I have who's working with them on their banner or you.

[43:30] I will work.

[43:31] Same same.

[43:33] Just let me know when you need me to pick it up or whenever I'm happy to pick it up.

[43:36] appreciate that. Yeah.

[43:39] Okay. That was the key. So are there any other calendar dates we want to

[43:44] talk about right now? I was going to mention to Liz coordinating with Tyler on the removal of his

[43:51] show. So I don't recall when that's happening. Yes, I will reach out to him. It'll be by Monday.

[43:57] But it will be that same studio.

Heritage & Arts Commission Regular Meeting - Aug 25th, 2026

Transcript