Agenda
Transcript
SOURCE TRANSCRIPT
This transcript is downloaded from the source you provided but we haven't reviewed it for accuracy. Treat it as a starting point, not a verbatim record. You can also request an AI-transcription of the audio file with the button to the left.
[0:31]
>> Did I not mention ?
[0:36]
>> That's okay she is here thank you.
[0:38]
Can you verify the public notice for our committee was posted?
[0:42]
On the public notice for the Municipal
[0:44]
Arts Commission was posted on the city website.
[0:47]
August 26th 2026.
[0:51]
>> Thank you.
[0:52]
We award student filmmaking competition.
[0:54]
Student teams see their films on the big screen.
[0:59]
Win awards could be scholarship recipients.
[1:01]
Or Celtic Cultural Arts received.
[1:05]
Grant application for the Ocala Film Derby,
[1:08]
requesting $2,500 on August 20th 2026.
[1:12]
To $2,500 is for funding equipment for the expansion
[1:17]
of the program Mackinaw offer to middle school students
[1:20]
on the new South Marion High School.
[1:23]
This project does have additional funding sources.
[1:25]
The event can proceed with partial funding.
[1:29]
The Public Education Foundation of Marion County
[1:31]
is a registered 501 C three organization.
[1:34]
Provided proof of their status.
[1:37]
The organization received a grant of $3,500 on August 20th
[1:42]
2025.
[1:44]
For 2025 Ocala Film Derby took place from September 24th
[1:49]
through the 28th.
[1:50]
With the screening on the 28th Cometh the Marion Theater of.
[1:53]
Organization participants and events are in Marion County.
[1:58]
Funding will be used for allowable expenditures
[2:01]
within grant requirements.
[2:03]
You probably remember that we had a few grants that
[2:06]
were awarded recently.
[2:08]
Grant fund has currently $800 available to allocate
[2:12]
for this current fiscal year.
[2:14]
And additional $8,000 will become available at the start
[2:18]
of the new fiscal year in October October 1st.
[2:21]
Staff recommends approval of this request
[2:25]
by distributing the funds across both fiscal periods.
[2:29]
Authorizing the remaining grant amount of $1,700.
[2:31]
A similar approach was utilized in 2020 for permit
[2:37]
for the Community Alliance Inc..
[2:39]
In support of NFS in that case?
[2:42]
Awarded $1,400 in 2024.
[2:45]
The remaining $600 in 2025.
[2:48]
To complete their request of $2,000 per month we have Lori. .
[2:59]
>> Lori would you like to come to the podium?
[3:02]
Your name and address?
[3:05]
Lori Zink.
[3:06]
1236 Ninth Avenue Ocala.
[3:08]
34471.
[3:11]
Would you like me to address the grant?
[3:15]
Or answer questions?
[3:17]
>> I think we have the background of the grant,
[3:21]
provided by staff and it might be helpful.
[3:24]
You can correct me if I'm wrong you talk about the impact.
[3:30]
>> Certainly.
[3:31]
Yes.
[3:31]
We are really excited.
[3:33]
This is our fourth year.
[3:35]
This year coming with the largest number of students
[3:38]
we have all eight high schools.
[3:40]
And every middle school except for one is participating.
[3:44]
The one that is not participating
[3:46]
does not have a video technology or digital media program in it.
[3:51]
Now we are up to w dash this year --
[3:55]
we were dealing with about 100, a little under 150 students.
[4:00]
We are going to be giving out over $20,000 worth
[4:05]
of scholarships this year.
[4:07]
After this year -- we've now become the largest scholarship
[4:12]
provider through the public Education Foundation,
[4:16]
to the Marion County Public School system, in Marion County.
[4:20]
We are super happy about that.
[4:22]
As far as the equipment tax to first thank you
[4:25]
all for your support last year.
[4:27]
What we were doing last year w Dash was building packs.
[4:30]
What we found in the first two years --
[4:33]
we were gaining equipment from the schools.
[4:37]
Unfortunately -- not all of our schools have the same equipment.
[4:42]
Some schools have a lot of good stuff
[4:46]
from other schools don't have any some have more.
[4:49]
We were piecemealing together, as close to an equal level
[4:54]
playing field, between all the teams that we could permit we
[4:58]
realized a we couldn't keep doing it --
[5:03]
doing it that way.
[5:05]
A group of filmmakers in town to potential local industry
[5:08]
filmmakers to all work together, and pull they pack together that
[5:13]
would be like standard industry equipment for the students.
[5:17]
We have been building those packs now?
[5:21]
We got the packs almost full last year right this year --
[5:26]
my final.
[5:27]
The packs will be done the good news is --
[5:29]
to all of you have supported us through this -- to the packs --
[5:33]
I don't know if you're familiar with B and H?
[5:37]
B and H is one of the largest supply companies for film
[5:42]
and video equipment there is.
[5:43]
B and H has been kind of watching the film Darby's.
[5:46]
They have helped us with a couple of things.
[5:49]
Some software.
[5:50]
The last couple of years.
[5:52]
This year they have committed.
[5:55]
They said you've got your packs.
[5:57]
After this year, we hope we can finish off the packs totally.
[6:02]
They sent from here on out -- we will be the provider of all
[6:05]
of your equipment for the film Derby.
[6:07]
You will never have to worry about standard industry standard
[6:11]
equipment again.
[6:12]
Thank you.
[6:13]
That is a testament to everybody they saw the community
[6:17]
support that came with this.
[6:19]
Now we have come in.
[6:20]
We are doing something new this year, that we've never done --
[6:25]
on Saturday, we're hosting a college and career expo.
[6:29]
And a future Filmmakers parent panel.
[6:33]
We've had amazing response from colleges.
[6:36]
We have full scale Santa Fe..
[6:42]
UF.
[6:42]
Journalism and Film.
[6:44]
FSU.
[6:47]
I can't remember.
[6:49]
There's a lot that are coming.
[6:53]
We are going to do a talk -- a panel.
[6:58]
For parents as well.
[6:59]
We have people from the school system coming to talk about
[7:03]
financial .
[7:07]
Help me out here.
[7:09]
Financial rewards from schools.
[7:12]
Scholarships financial assistance.
[7:13]
They are going to talk about career pathways.
[7:17]
They're going to talk about -- it's so that parents of --
[7:22]
I hate to use film.
[7:23]
Video.
[7:24]
Digital media and video technology.
[7:26]
So double check and ask the questions
[7:28]
and be a little bit more supportive of the kids who
[7:30]
want to go into the arts, so to speak.
[7:33]
At the moment in the country -- if you look at number one higher
[7:37]
in the country right now is digital media and video
[7:39]
technology.
[7:40]
It's all about storytelling.
[7:41]
That is a story we are going to tell to the parents.
[7:45]
The colleges are going to be here?
[7:48]
Also, business offenders .
[7:55]
We can talk about the cruise available now I'm excited
[7:58]
to tell you all -- last year -- that's been happening every year
[8:03]
last year we had six of our film Derby students graduating
[8:11]
seniors that actually worked in paid internships in Ocala
[8:16]
businesses last year.
[8:19]
The other thing I want you to tell you from your support --
[8:25]
in November in New York City there's a spot called the All
[8:29]
High School Film Festival.
[8:32]
They had about 3300 entries around the country
[8:37]
might you all be excited to know 300 films coming to the films
[8:43]
were from two film Derby kids from last year, who were juniors
[8:47]
from also going to be in the film Derby this year
[8:50]
like they used that equipment.
[8:56]
[Laughs] Those are sort of some of the highlights for the film
[8:59]
Derby.
[9:00]
>> That is fantastic.
[9:01]
Questions?
[9:03]
Comments?
[9:05]
>> Lori -- I would just like to say,
[9:07]
thank you for your undying work.
[9:09]
This has been so long and such an effort
[9:13]
that you committed to for years and years and years.
[9:16]
I just want to say thank you for doing all these things.
[9:19]
Look at the success that this program has created.
[9:22]
You should be so proud.
[9:24]
>> Thank you so much.
[9:26]
It takes a very large village to do this.
[9:29]
Everybody
[9:35]
[Applause] Throughout town in the building
[9:37]
we were dealing with about 180 people total.
[9:41]
Students that are mentors coming in.
[9:44]
That's all a local industry.
[9:46]
That mentor the teams of panelists coming in.
[9:50]
Workshop leaders from other Places.
[9:53]
Volunteers.
[9:55]
Teachers.
[9:59]
It is a big thing.
[10:01]
It's gotten bigger.
[10:06]
[Laughs]
[10:07]
>> All right anything else?
[10:08]
>> I just have a curiosity.
[10:09]
Which school is not able to participate?
[10:13]
>> I knew you'd ask me a question .
[10:19]
I need to get my notes to get to it.
[10:25]
[Crosstalk]
[10:27]
>> I think it might be Fort McCoy middle they're going
[10:29]
to send a teacher and if they want to start understanding what
[10:33]
we are doing.
[10:36]
Even though the film Derby is not in Marion County Public
[10:40]
School event -- we work with them very closely to comply
[10:47]
to some of the things for the safety of the students.
[10:52]
We follow their rules about having level two volunteers
[10:58]
to connect those volunteers who are actually with the teams --
[11:02]
under with the students all the time.
[11:04]
Sometimes, the outlying teachers who couldn't participate jelly
[11:08]
they come in.
[11:09]
They are learning a lot.
[11:10]
They can actually know what you're doing
[11:13]
and what kind of program they can put in their schools.
[11:16]
>> That's great.
[11:17]
Anything else?
[11:19]
We heard the recommendation from staff.
[11:23]
Will you repeat it again, in terms of the funding?
[11:26]
We will need a motion .
[11:29]
Please.
[11:30]
>> Encourage you all to all come on Sunday the 27th from 2 to 5
[11:38]
at the Marion Theater.
[11:39]
Our screenings of all the films with the scholarships
[11:43]
are awarded?
[11:45]
Of course awards for the films.
[11:48]
2 to 5 p.m.
[11:49]
At the Marion.
[11:56]
It is super fun.
[12:06]
[Indistinct conversation]
[12:09]
>> The current available amount we have is $800.
[12:11]
That will leave 1700 for the next fiscal year.
[12:13]
Splitting that up.
[12:14]
And then can I have a motion to that effect, >> I will make it.
[12:21]
Approved?
[12:22]
>> Okay.
[12:24]
[Laughs] Staff's recommendation from Arnold
[12:27]
has made that motion.
[12:30]
>> Second.
[12:31]
>> Thank you.
[12:34]
>> Excuse me.
[12:35]
I think I have to recuse myself.
[12:39]
I work with him.
[12:41]
Have been doing work with him for four years.
[12:53]
>> Same with Greg, probably?
[12:59]
[Indistinct conversation]
[13:01]
>> The question do we have three members recuse themselves.
[13:03]
Does that matter?
[13:14]
>> Do we still have four voting yes?
[13:16]
>> Can we text the vote?
[13:18]
>> I'm not sure if you can text any of our members who are not
[13:21]
here?
[13:21]
I think it has to be documented in the meeting.
[13:31]
>> that is not supposed to be announced.
[13:35]
That is top secret.
[13:36]
That's not something we want to leave out to.
[13:39]
Maybe no one is going to review it maybe yeah I know.
[13:48]
[Laughs]
[13:50]
[Indistinct conversation]
[13:52]
>> I think we're comfortable.
[13:53]
Can I vote?
[13:54]
I don't know.
[13:56]
What are our bylaws?
[13:58]
>> I shouldn't say anything.
[14:00]
If you guys want to wait and table it until the next meeting?
[14:05]
What I would do is -- we don't give out our scholarships until
[14:13]
-- the foundation is our fiscal agent.
[14:16]
Pays out all of our scholarships.
[14:18]
What I could do -- just hold that.
[14:22]
It could go into the later payouts that we are doing.
[14:27]
If that helps in any way.
[14:30]
>> When is there next scheduled meeting?
[14:32]
I know tomorrow.
[14:39]
[Laughter] The official rotation one.
[14:41]
>> October?
[14:46]
[Crosstalk]
[14:48]
>> The three people will still be the three people.
[14:50]
I don't know that we solve anything, really?
[14:53]
>> In theory we would have to?
[14:55]
Potentially three additional members here.
[14:58]
>> Right.
[14:59]
>> They would
[15:03]
[Applause] .
[15:04]
>> There are four people who can vote today, three people can't.
[15:06]
Would that not work?
[15:07]
I'm just asking.
[15:11]
If there are four, four h.
[15:14]
Three.
[15:14]
Is that not enough to carry it?
[15:23]
>> I feel like you shouldn't count against the quorum.
[15:25]
>> That's still the majority?
[15:27]
>> Okay..
[15:28]
We have a motion and a second.
[15:31]
All in favor.
[15:32]
If you are not voting -- say your name and that you are
[15:36]
recusing.
[15:36]
Maybe we should do a vote they have a form to fill out.
[15:41]
Yes.
[15:42]
Yes.
[15:42]
Okay.
[15:44]
Let's do a voice vote.
[15:47]
So you will know who is recusing.
[15:51]
>> Do you need a new second?
[15:52]
I'm not allowed to do that either.
[15:55]
>> Let's have another.
[16:00]
[Crosstalk]
[16:05]
>> Tito.
[16:05]
>> Myself.
[16:10]
>>
[16:15]
>> J Bailey I.
[16:16]
>> Craig Thompson I recuse myself.
[16:19]
>> Leslie Thompson.
[16:19]
I approve.
[16:20]
>>
[16:21]
[Applause] Honorable Barbara.
[16:23]
I approve.
[16:25]
>> Motion carries.
[16:26]
Congratulations.
[16:28]
>> Thank you all very much thank you for your support.
[16:31]
It means a lot to all of the kids.
[16:36]
[Applause] Please come to any part of the Derby the 23rd
[16:40]
through the 27th if it was the 16th through the 27th I think I
[16:43]
would kill myself.
[16:46]
[Laughter] It's the 23rd through the 27th.
[16:50]
The kids workshop day is the 24th.
[16:54]
The 25th is the day the kids will be around.
[16:57]
For the first time this year W going across 42 Tuscawilla
[17:01]
for locations.
[17:05]
Saturday is a career in college Expo.
[17:08]
Sunday or the awards.
[17:09]
I would love to see you at any and all.
[17:12]
Whatever you can do call me to come by.
[17:14]
That would be great.
[17:15]
Thank you all so much.
[17:16]
Have a good one.
[17:17]
>> By.
[17:18]
Okay.
[17:20]
>> Madam chair may I ask a question?
[17:22]
>> Certainly.
[17:23]
Jamie.
[17:25]
>> Hi.
[17:26]
I'm slightly confused.
[17:30]
I was expecting this meeting today was just
[17:32]
going to be the roster stuff.
[17:34]
Was I out of my mind?
[17:36]
>> No.
[17:37]
It was originally going to be.
[17:42]
We got the application August 20th.
[17:46]
>> Okay.
[17:47]
I'm not saying anything bad.
[17:48]
Does that mean we are not having an October meeting?
[17:52]
Or we are still having October meeting?
[17:55]
>> We still have the typical schedule.
[17:57]
>> Thank you.
[18:03]
We made it to item number five a continued review of the Public
[18:07]
Artist Roster applications.
[18:09]
Presented by Jamie.
[18:13]
If you will review how we're going to go through this process
[18:18]
again?
[18:18]
I don't think we hammered it out last time.
[18:22]
Emily is on her way, by the way.
[18:24]
I just got a text.
[18:26]
The dog got loose.
[18:29]
>> Very similar to how we did last meeting --
[18:32]
point out artists that had discrepancies in how voting
[18:35]
went.
[18:36]
If there were large differences -- top to bottom scores --
[18:39]
if they were close to the borderline --
[18:42]
again asking com are we rounding up?
[18:44]
If someone got a 1375 double just just below the 14 --
[18:48]
are we considering that passing score?
[18:53]
We will follow your lead on that paramedic
[19:02]
>> Do we need to approve each one individually to point out --
[19:05]
would you take your votes as your feelings on them only bring
[19:08]
up the ones that seem like maybe there is a discussion that needs
[19:11]
to be had about that artist.
[19:12]
For their work.
[19:15]
>> I have PTSD.
[19:21]
[Laughter]
[19:22]
>> I know.
[19:22]
I'm sorry.
[19:22]
Here we go.
[19:24]
>> Did you bring your spreadsheet?
[19:25]
>> I did comment as a matter of fact.
[19:27]
There are several of them.
[19:37]
>> I took a page out of Leslie's book this time, too.
[19:40]
Name this artist Roberta review.
[19:42]
Richard Chung there were scores from as a to a up to 18
[19:45]
including the final average to 13 point.
[20:02]
>> (Inaudible)
[20:13]
>> Would it help if we kill the lights?
[20:15]
Would that put you to sleep?
[20:16]
Maybe some of these top ones?
[20:28]
Thank you.
[20:31]
>> The average of 13.2.
[20:32]
Are we keeping that?
[20:35]
>> Average of what?
[20:36]
>> 13.2.
[20:45]
>> Let's discuss amongst ourselves.
[20:47]
All right.
[20:48]
Who gave it the eight?
[20:55]
>> I don't remember, actually perhaps if I just ask do we have
[20:58]
consensus for this to be entered into the registry?
[21:02]
>> I will say for myself looking at this.
[21:05]
I had to think about this one a lot.
[21:07]
I love that it was different.
[21:09]
It was interesting.
[21:12]
It just felt very human -- as opposed to cold and perfectly
[21:18]
sculpted.
[21:19]
There's something about it that just felt so interesting to me
[21:25]
a lot of figurative sculptures.
[21:34]
>> I would vote to push this over the 14.
[21:36]
>> Everybody agree?
[21:38]
>> Just for variety's sake alone.
[21:40]
>> Put it into the registry.
[21:57]
>> This next artist, we have a 12.8.
[21:59]
Very similarly.
[21:59]
The low score was a four.
[22:01]
The highest score is 16.
[22:29]
>> They are having their own block party.
[22:48]
>> I don't have a lifeline for this one.
[22:56]
>> Hello, Emily.
[22:56]
That's okay.
[22:57]
The second viewing.
[23:00]
We are doing the same thing (Indistinct)
[23:11]
we are on our second one.
[23:13]
We are saying, any questions , comments.
[23:21]
>> Jamie can you reread the high low on this one?
[23:23]
>> Low score of four.
[23:25]
High score of 16.
[23:27]
>> And the artist again?
[23:30]
>> Emily Clanton.
[23:32]
Comments were the community engagement.
[23:36]
Community driven aspects.
[23:42]
And the average was 12.8.
[23:46]
>> Were the comments given for the four?
[23:51]
>> No.
[23:59]
>> Does not to follow instructions. (Indistinct).
[24:02]
Pam will just make the comment --
[24:05]
I give this artist a 13.
[24:11]
But I like that she had done collaborative outdoor work
[24:16]
permit I wasn't really excited that the boxes are just
[24:22]
vinyl wrapped.
[24:24]
She also had an arts and health degree from UF.
[24:30]
Maybe her approach to a I didn't give her 14,
[24:37]
maybe her thought process was a little more --
[24:45]
maybe I'm skewed in that direction?
[24:48]
Maybe I'm not necessarily skewed in a bad way.
[24:49]
Maybe its own utility box.
[24:51]
There might be more -- city guidelines or something.
[24:54]
They have to be removal.
[24:56]
I don't know.
[24:58]
It didn't look like all the artwork was like that.
[25:01]
For those utility boxes, that might have been the reason.
[25:06]
I gave her a 15.
[25:11]
I'm curious more about the four.
[25:19]
>> Average is 12.3 you said?
[25:22]
>> 12.8571.
[25:24]
>> Okay.
[25:31]
What is the desire of the commission?
[25:33]
I hate to be a pain in the butt about this.
[25:35]
What is the next highest after the fourth?
[25:38]
>> 13.
[25:39]
>> I would say push her through.
[25:40]
That four is a huge outlier.
[25:43]
>> Good point.
[25:45]
>> Okay.
[25:46]
Excellent.
[25:47]
>> You've entered two more.
[25:48]
Into the register.
[26:06]
>> Next artist is Judy Kohn.
[26:07]
They earned an 11.85.
[26:33]
Staff representative can we scroll down
[26:35]
and look at some of the other ones as well?
[26:37]
Amy?
[26:41]
Plus they are basically watercolors.
[26:45]
There's no experience that I see here personal works.
[26:50]
>> I didn't read it really high.
[26:51]
We kind of decided the smaller pieces would not be appropriate.
[26:56]
>> The range was 2 to 15.
[26:58]
>> All in favor of not including?
[27:01]
>> Keep that one the same.
[27:02]
>> Keep that on the same.
[27:03]
Yes.
[27:04]
Thank you.
[27:07]
Push us very quickly.
[27:21]
[Laughs]
[27:28]
>> This score to 13.7 is the average?
[27:30]
A high of 17.
[27:30]
Low of eight.
[27:39]
>> What is the name?
[27:40]
>> Modern art creations.
[27:41]
>> It would be under C.
[28:12]
[Crosstalk]
[28:12]
>> The low score was eight.
[28:12]
The next one --
[28:14]
213.
[28:14]
14.
[28:15]
16.
[28:15]
15.
[28:18]
>> Even though these appear to be primarily indoor sculptures?
[28:22]
I still put it at 14.
[28:26]
I thought they had the capacity to fabricate something?
[28:31]
Maybe I can put it at 15.
[28:33]
And bam sounds like a conjecture that one into the register.
[28:45]
>> (Indistinct) the high score is 15 or 16.
[28:48]
Hovering around 13.7.
[28:49]
Do we also want to sort of stay low consistent as well?
[28:53]
Doesn't matter?
[28:55]
Maybe I don't necessarily think so there are
[28:58]
two different very different.
[29:02]
>> It's work in my opinion.
[29:04]
For me -- I bumped this.
[29:07]
>> Yes we are good for this one.
[29:10]
Yes.
[29:19]
Maybe I'm next artist Mike Christie.
[29:25]
Low score of ten high score of 17 the average was 13.71.
[29:35]
Sorry Jamie.
[29:37]
Can you repeat those scores?
[29:41]
>> Yes.
[29:41]
The average score was 13.7.
[29:43]
The lowest score of ten.
[29:46]
High score of 17.
[29:54]
>> This person is basically my notes said basically a graphic
[29:56]
designer.
[29:57]
With no large scale experience.
[30:02]
I would agree with not putting him on the list.
[30:06]
>> Next.
[30:18]
[Indistinct conversation]
[30:26]
>> Thank you for moving that along.
[30:27]
Our next artist is Sarah Gamble.
[30:29]
The average score was 13.
[30:30]
The low was four.
[30:31]
The high was 17.
[30:37]
There are also four teams and 11.
[30:39]
The average was what?
[30:42]
>> 13.
[31:02]
>> I do not vote to pass this.
[31:03]
Personally.
[31:03]
>> I was confused on this.
[31:03]
>> What am I looking for?
[31:04]
I mean that was my problem.
[31:06]
I'm just not clear what we would be getting.
[31:14]
>> Not on the list?
[31:17]
>> Bye bye.
[31:34]
>> (Indistinct) I have other better work did you just come
[31:37]
to an interview and tell me you have better work at home?
[31:39]
Did it occur to you to bring it to the interview?
[31:41]
>> Would you pass that forward come up please?
[31:43]
Maybe Mrs. Jennifer Geiger?
[31:46]
>> Yes.
[31:47]
The average of 13.85.
[31:49]
Low score of eight.
[31:51]
High score of 16.
[31:55]
>> Very whimsical.
[32:04]
>> That was my word, too.
[32:06]
For what they did, I liked it.
[32:07]
>> I was one of the low scorers.
[32:08]
I would push her over the edge.
[32:20]
>> What is the average?
[32:21]
>> 135.
[32:21]
138.
[32:21]
Sorry.
[32:22]
>> In the registry.
[32:24]
>> Excellent.
[32:28]
Maybe I was with you on that one, Emily.
[32:32]
>> Greg?
[32:33]
>> Next artist is Mark >> Solidary.
[32:40]
>> With an average score of 13.14.
[32:41]
The scores were closed for the lowest temporarily high was 17.
[32:46]
>> Can you repeat the name?
[32:47]
>> Mark Harris.
[33:03]
>> Is that conceptual?
[33:04]
The one that's outside?
[33:05]
I was a ten.
[33:05]
I think it was for the fact of the small works
[33:11]
that I was scoring at, that way I
[33:13]
was at 11 I had no artworks for public art installations outside
[33:17]
of that.
[33:18]
>> I like this stuff.
[33:20]
It was super tiny.
[33:22]
>> Yeah.
[33:23]
>> What about the one that was in the park standing vertically?
[33:25]
>> That's what we're asking.
[33:27]
That was more of a conceptual idea versus -- it felt weird.
[33:36]
>> It looks like it's floating.
[33:47]
>> (Indistinct)
[33:48]
>> I think we're moving on including this one.
[33:48]
We're keeping whether it's at?
[33:48]
>> We're not.
[33:49]
Right?
[33:50]
>> Correct.
[34:04]
>> Next artist is Erika Heffernan.
[34:05]
This one had a low score of two.
[34:07]
High score of 15.
[34:09]
With the average 11.57.
[34:13]
>> What is the next score?
[34:17]
>> 11.
[34:18]
A couple 12?
[34:20]
A couple 15.
[34:22]
And, a 14.
[34:27]
Interesting?
[34:27]
Not sure if it's a fit for the roster.
[34:31]
>> They're beautiful.
[34:33]
I was the two.
[34:35]
It didn't fit under anything that is shown publicly.
[34:41]
>> This is just two dimensional photography.
[34:44]
There's no experience there.
[34:51]
[Crosstalk]
[34:52]
>> No registry.
[35:02]
>> With Christopher Hershberger.
[35:03]
The average score is 12.
[35:04]
With a low score of four.
[35:05]
High score of 17.
[35:07]
There was a comment even from the higher score of 17W-I would
[35:12]
like to see larger pieces.
[35:29]
>> (Indistinct) two dimensional art?
[35:31]
Maybe I'm mostly he's done (Indistinct) .
[35:51]
>> (Indistinct) a big wide wall.
[35:52]
What would it feel like to feel that space?
[35:53]
>> I feel like a lot of it is fantasy driven.
[35:55]
I feel like -- it's possible that it could have gone more
[36:01]
of a larger scale of that opportunity hasn't come to him
[36:05]
yet .
[36:09]
I don't know.
[36:10]
I think the artwork is cool.
[36:12]
>> What was the average >> 12.
[36:23]
>> What it push him over?
[36:24]
>> I think we have to be fair to everybody.
[36:26]
I just don't know how much the one fourths makes a difference.
[36:34]
As much as we love it.
[36:37]
While?
[36:37]
No?
[36:39]
>> That's a big gap.
[36:41]
12, 14.
[36:42]
Compared to the others.
[36:44]
>> That's fair.
[36:58]
>> This artist is Martin hallway track average score was 13.57.
[37:00]
These scores were closer together low score was ten.
[37:04]
High score was 15.
[37:11]
They've been on two virtual.
[37:15]
>> Glad we mixed.
[37:16]
Finally I take 12 here.
[37:21]
We are going up.
[37:26]
Definitely mural experience .
[37:29]
Maybe he's perfect experience with basic mural stuff.
[37:38]
>> One of my questions became in doing this --
[37:40]
so much of this work is very (Indistinct).
[37:45]
I'm sorry we are just in Maryland.
[37:46]
They start to all look alike.
[37:46]
Do push something through that really is not is this offering
[37:50]
anything more than what is already in the higher range
[37:53]
of artists ?
[38:02]
Who is opening a restaurant and look at the 300 artist roster
[38:04]
to figure out which one?
[38:04]
>> I'm going to ask is this artist local or further away?
[38:07]
>> There's a manatee.
[38:09]
This specific mural is Jacksonville Zoo.
[38:14]
Yes.
[38:15]
Address is Jacksonville.
[38:27]
>> I think there's better work and the other piece is.
[38:29]
I don't think this adds anything .
[38:33]
Maybe that's fair maybe that's my question kind of looking
[38:35]
at it from that perspective to.
[38:38]
>> I just went in thinking that we are supposed to judge them
[38:41]
based on their own artwork and marriage and not compare them
[38:44]
to others.
[38:45]
>> I agree.
[38:46]
Now that we are actually parsing out this situation --
[38:49]
by passing them through -- are we really?
[38:55]
>> I think -- even if we say come okay.
[38:59]
You can be on the registry because you mural experience --
[39:09]
whether this person gets picked for a mural or not is not
[39:12]
our final decision.
[39:12]
>> If they're on the roster come it's no harm no foul.
[39:15]
As long as they can show evidence they can do it
[39:17]
>> If somebody decides to hire him that's not on us.
[39:20]
They have the option of 300 murals.
[39:23]
They chose that one that's their choice.
[39:25]
I don't know.
[39:28]
>> It also throw a curveball.
[39:30]
I would go through and Rescore all of them.
[39:33]
Evaluating exceptionally unique.
[39:35]
Something we've never seen before but characteristic I was
[39:38]
judging them by.
[39:40]
Throw another curveball for me to read about everyone
[39:43]
else through that lens comment specifically, that I didn't do.
[39:47]
>> Are we okay with putting this one in the registry?
[39:50]
>> What was its average >> 13.57.
[40:00]
>> Okay.
[40:01]
That would push him over.
[40:18]
>> This is Aggie Coco.
[40:19]
Averaged 13.85.
[40:20]
Low score of eight.
[40:22]
High score of 16.
[40:24]
Comments were well executed.
[40:27]
Unique shapes.
[40:29]
Also no evidence of larger work in public spaces.
[40:44]
>> New evidence of larger work.
[40:45]
That one that was on the dock, it looked like a window.
[40:48]
I don't remember the dimensions.
[40:49]
Not that one.
[41:05]
>> (Indistinct) connect named him dad one.
[41:06]
What's a material?
[41:06]
Marble of some kind?
[41:07]
>> This one is saying the dimensions are 200cm by 180.
[41:13]
>> Somebody?
[41:16]
>> Nothing.
[41:16]
>> Thank you.
[41:18]
>> Not big.
[41:19]
>> It says it's not in a public place.
[41:21]
It looks like it might be a conceptual piece?
[41:24]
Maybe?
[41:25]
>> There were some things that looked like people would take
[41:27]
a picture of from real close it looked like it was in a public
[41:30]
space.
[41:33]
>> Yeah.
[41:34]
>> It was like -- >> It says it was actually in Turkey last
[41:39]
year.
[41:40]
Right?
[41:42]
>> Yes.
[41:44]
>> It's an actual piece.
[42:00]
>> (Indistinct)
[42:02]
>> Do you all see that houseplant?
[42:03]
Do you see the houseplant in the back?
[42:03]
Is that real?
[42:03]
When things don't make sense -- you know?
[42:05]
That is a I.
[42:15]
[Crosstalk]
[42:17]
>> This was the example of the public art?
[42:19]
I thought it was a I. I didn't consider this
[42:21]
as an example of it being large scale.
[42:22]
>> 20ft.
[42:23]
>> Is that 20ft?
[42:25]
>> 200cm is six foot.
[42:28]
It the Googles.
[42:29]
I just asked.
[42:41]
[Laughs]
[42:42]
>> It's an unusual measurement to choose for a larger.
[42:44]
>> If there's any questions, this is a no.
[42:50]
[Indistinct conversation]
[42:52]
>> The rest of them were all smaller pieces I could think
[42:55]
at one point I did do the math on it.
[42:56]
What is 200cm?
[43:04]
[Laughs] I'm going to say no.
[43:05]
That's my personal thought everybody else calm my thoughts?
[43:07]
>> I would say no.
[43:12]
>> Sounds like we're moving.
[43:13]
>> Moving right along.
[43:14]
Enter into the register.
[43:22]
>> This artist, Tommy Lee.
[43:23]
Also a 13.14.
[43:23]
The scores were closer together.
[43:23]
Close score of 12.
[43:23]
High score of 15.
[43:24]
One of those boundary artists.
[43:53]
>> I saw in this one.
[43:54]
I had written down a lot of conceptual ideas.
[43:56]
Not lots of images representation installations
[43:58]
quirky conceptual artwork that's not showing
[44:04]
what you can actually do.
[44:16]
>> Do I hear a no? (Indistinct)
[44:27]
>> Lisa Bachmann.
[44:28]
Average of 13.8.
[44:28]
Low of eight.
[44:29]
High of 17.
[44:46]
I wrote that on my notes.
[44:48]
She's an art professor.
[44:51]
The installations are immaterial.
[44:56]
Not necessarily good about it.
[44:59]
It was a lower score for that reason.
[45:11]
>> It's 13.8.
[45:11]
If a business is looking for that specific work --
[45:14]
(Indistinct) from finding her?
[45:16]
>> To me it didn't feel like it fit as part of what we were
[45:19]
going for come up with a roster.
[45:21]
>> That's true.
[45:35]
>> I am a no.
[45:35]
>> We can let her stay?
[45:35]
>> Others?
[45:35]
>> The score stays.
[45:36]
>> 13.8.
[45:38]
Almost anyone strongly feels about pushing It over
[45:46]
into the pass range?
[45:54]
>> I would.
[45:54]
I would too, actually.
[45:54]
>> Okay.
[45:55]
>> (Indistinct) maybe we kind of talked about it at the last
[46:00]
meeting.
[46:01]
My concept initially when I was looking at these --
[46:03]
were outdoors materials.
[46:05]
Like we said -- it doesn't necessarily always have to be
[46:10]
outdoors to be public art.
[46:13]
>> That's true.
[46:13]
There's a lot of indoor stuff throughout this.
[46:16]
It was exceptional.
[46:20]
Push it through.
[46:31]
>> In the registry.
[46:32]
Doing great.
[46:32]
Thank you for Carolina Mayorga.
[46:33]
13.7.
[46:33]
Close score of 11.
[46:35]
High score of 15.
[47:04]
Okay.
[47:04]
To be perfectly honest I gave a 14, specifically.
[47:08]
I want you to see where the discussion went on this.
[47:12]
I wanted to get other people's opinions.
[47:16]
[Laughs] I didn't think it was exceptional.
[47:21]
There's a place for it kind of cute.
[47:23]
Just depends on what you're looking for.
[47:23]
The little grasshoppers and whatnot.
[47:26]
Whatever.
[47:27]
I wanted to hear the discussion.
[47:30]
Keep it in 11 minute it was cute.
[47:35]
Smaller.
[47:36]
Scale.
[47:38]
>> It's still public.
[47:39]
>> I don't know I'm neutral on whether we push it over or keep
[47:43]
it at 13.7.
[47:57]
>> I wasn't really excited.
[48:02]
>> (Indistinct)
[48:02]
>> Not on the list.
[48:04]
[Crosstalk] And then I wouldn't vote to push this one.
[48:06]
>> Fantastic.
[48:06]
Moving right along.
[48:07]
>> I saw it come I would go come I had a seat.
[48:09]
To endorse it?
[48:11]
Is another thing.
[48:13]
I >> This artist.
[48:23]
Van McDonough the average score of 13.
[48:24]
Those score eight.
[48:25]
High score 16.
[48:31]
And then no.
[48:33]
A very interesting practice.
[48:36]
Glass tubes with stuff inside of it?
[48:39]
Fascinating to me.
[48:42]
I found myself wanting to score high.
[48:50]
What else?
[48:53]
>> There's other stuff?
[48:54]
>> There's some I guess I got lost in the sauce.
[48:58]
Are we -- I don't know.
[49:03]
>> Such a different medium.
[49:04]
Glass.
[49:05]
We don't have a lot of that.
[49:09]
Maybe I thought the glass tubes (Indistinct) .
[49:20]
I like the colors.
[49:32]
>> Let's say keep it?
[49:33]
>> 13 was the average I >> 13 was the average?
[49:40]
>> I would agree.
[49:41]
We are good?
[49:41]
>> Madonna.
[49:41]
Are we keeping it at 13?
[49:45]
>> We are voting on it.
[49:47]
Excellent.
[49:53]
Our next artist is David McGraw.
[49:58]
Score of 13.4.
[50:00]
These scores were closer together.
[50:05]
With the range of 10 to 16.
[50:30]
[Indistinct conversation] There's obviously here.
[51:17]
It's not personally for me.
[51:22]
Comments were could use better photography of the work.
[51:26]
Interesting objects.
[51:27]
Fun shapes.
[51:38]
>> I want to know where.
[51:39]
Is at a park?
[51:39]
I'm just picturing it.
[51:49]
>> Okay.
[51:50]
It didn't wow me.
[51:50]
I wasn't like this is the best artwork.
[51:50]
I love this.
[51:51]
>> There's some interesting shapes.
[51:53]
It's kind of fun.
[51:55]
I want to say more of that.
[51:57]
The piece was kind of >> What's the average?
[52:07]
>> 13.4.
[52:08]
>> This was the only one that actually kind of liked.
[52:08]
This one.
[52:09]
And then the one with the giant skewer with pieces
[52:13]
on it I like that one.
[52:16]
I don't know.
[52:31]
>> Are we okay with moving this forward to the registry?
[52:31]
>> I think we probably should -- there's experience here.
[52:33]
Just because we don't like it -- the material?
[52:36]
>> Right.
[52:37]
I don't think it's fair for us to judge one way or the other
[52:40]
we talked about this and the other context.
[52:43]
Do they have the experience?
[52:44]
Yes.
[52:45]
They have.
[52:46]
Is it exciting stuff?
[52:50]
>> Somebody might enjoy it.
[52:51]
Just not ask.
[52:53]
>> We're relatively close.
[52:57]
>> Push it on through.
[53:11]
>> Our next artist is Gregory Montiel.
[53:13]
Average score of 13.8.
[53:13]
Lowest score of eight.
[53:14]
High score of 16.
[53:18]
Mostly 15.
[53:34]
>> I felt like the experience was there.
[53:35]
Not my choice.
[53:35]
That's okay.
[53:36]
He's got the experience.
[53:38]
You know.
[53:48]
There were large scale works.
[53:52]
It might not be what I would choose, but somebody might.
[53:57]
>> I'm a little confused.
[53:58]
Why do we do this?
[53:59]
I am just being honest.
[54:01]
It is passable.
[54:02]
I am not being rude.
[54:04]
We should not decide any of this.
[54:07]
Somebody will like some of it.
[54:09]
Just pass them all.
[54:11]
>> They're not all Meryl.
[54:13]
>> I'm just saying.
[54:14]
One person could have gone through
[54:15]
and said none of that says mural work.
[54:17]
We don't put that in.
[54:19]
Everything else -- on some level,
[54:22]
I guess I completely don't understand this.
[54:25]
Is there anything that says you're trying to curate this?
[54:29]
We are trying to offer a unique?
[54:31]
I'm not being facetious.
[54:32]
I just don't understand it.
[54:35]
>> There is a two skill sets that we laid out from the very
[54:41]
beginning format what is he professional -- experience?
[54:50]
They created anything previously on a scale
[54:53]
that would warrant itself to a public art committee I
[54:57]
think it's pretty clear.
[55:00]
Somebody is doing two dimensional watercolors
[55:02]
or photography double or not people
[55:06]
should have in their register.
[55:10]
The whole idea is to bring at least some modicum of experience
[55:17]
in our quality of?
[55:19]
That is why we are judging these things we're not calling
[55:21]
those two different merits.
[55:24]
Maybe the next time that we do this --
[55:29]
we have a discussion of beginning,
[55:32]
about what we are doing.
[55:35]
>> We don't enter those things.
[55:38]
If they're below a certain size?
[55:42]
What are the parameters?
[55:44]
Maybe I think staff could do that.
[55:46]
I think staff can eliminate the ones that
[55:49]
do not meet the criteria.
[55:51]
Submitting little tiny postcard sizes.
[55:53]
I think they could read those out.
[55:56]
>> I think that's a really great idea.
[55:58]
Because, this is an overwhelming number of things to go through.
[56:02]
>> Greg.
[56:03]
You are saying to tell the artist who
[56:04]
are applying to Pardesh there's requirements?
[56:07]
>> Upfront.
[56:19]
[Crosstalk]
[56:23]
>> Some of them were submitting stuff to submit.
[56:25]
>> I'm used to theater platforms will not let you enter that
[56:25]
stuff do your flat outlining company will kick you out.
[56:27]
This is, I don't know if the platform allows
[56:29]
it to escape through you'll easily come
[56:31]
if it doesn't fit the criteria.
[56:32]
I don't know.
[56:48]
[Crosstalk]
[56:50]
>> We use Andrea's cafe.
[56:51]
You put that all in there there's
[56:51]
no reason they can't upload images.
[56:51]
Right.
[56:51]
>> Good job all the time they're not qualified.
[56:54]
They are trying to meet unemployment requirements.
[57:12]
[Laughs] If I had someone apply for a job
[57:13]
they said it's too much work for me where are we on this?
[57:13]
Discussion going.
[57:13]
Good discussion.
[57:14]
>> What was the average?
[57:16]
>> 13.8.
[57:31]
You said the majority 15?
[57:32]
>> I say push it through the majority are 15.
[57:41]
>> You doing a great job >> You guys through all these artists..
[57:43]
It's a lot.
[57:43]
>> Do we know how many we were viewing today?
[57:45]
>> We're about halfway through?
[57:46]
A little more than halfway through.
[57:48]
>> Let's roll.
[57:49]
>> I love it.
[57:55]
Damien this is Rhonda with an average score of 13.28.
[58:01]
These scores are closer together low score of 11.
[58:04]
High score of 14.
[58:06]
15.
[58:07]
Sorry.
[58:07]
Maybe yes that was the 11.
[58:24]
>> rate this one my lower ones because were conceptual?
[58:26]
I the idea of.
[58:26]
>> will let her at 13.
[58:27]
Whatever. >> We look at same situation
[58:42]
we with Chris paramedic (Indistinct) everything
[58:51]
was not appropriate >> That is a >> Next artist Jack Robbins.
[58:53]
This one, score average was 12.57.
[58:56]
Low score of eight.
[58:58]
High score of 15.
[58:59]
16.
[59:16]
>> It's funny how the real world (Indistinct) seeing another
[59:19]
butterfly.
[59:19]
Mirrors all have to have butterflies or dragonflies
[59:19]
in them.
[59:20]
>> City Council rejected one, one time paramedic (Indistinct)
[59:41]
>> So many people paint butterflies. (Indistinct)
[59:46]
[Crosstalk]
[59:48]
>> What was the average for this one?
[59:49]
>> 12.7.
[59:50]
>> I personally say no.
[59:59]
>> No thank you.
[1:00:04]
>> (Indistinct)
[1:00:04]
[Laughs] And then this is Allison.
[1:00:12]
[Crosstalk]
[1:00:16]
>> Allison reported 12.57.
[1:00:17]
Low of eight.
[1:00:18]
16.
[1:00:27]
>> My notes say most.
[1:00:28]
No.
[1:00:28]
Most of it is indoor work.
[1:00:29]
There are two small outdoor intervals.
[1:00:41]
>> I would say no.
[1:00:42]
>> I would say no.
[1:00:55]
>> Artist coyote Sally.
[1:00:56]
Average was 13.
[1:00:56]
Low score of eight.
[1:00:57]
High score of 17.
[1:01:06]
>> I remember being confused by this one.
[1:01:08]
When I first looked at it.
[1:01:08]
It was explosions.
[1:01:08]
Right?
[1:01:08]
Okay.
[1:01:08]
>> Remember correctly -- according to my notes,
[1:01:09]
I said indoor paintings.
[1:01:11]
Bam it felt like experience installations.
[1:01:16]
Something you see at a museum or whatever.
[1:01:37]
>> Those are projections.
[1:01:42]
>> I was just at an art center in Virginia.
[1:01:43]
This is different.
[1:01:55]
>> (Indistinct)
[1:01:59]
>> I thought it was interesting.
[1:02:00]
I don't know what everybody thinks about pushing it
[1:02:00]
through or not.
[1:02:00]
>> I love it.
[1:02:00]
I don't know if this is something --
[1:02:00]
I mean is there a place -- space in Ocala where someone is going
[1:02:03]
to commit to maintaining (Indistinct)?
[1:02:15]
Maybe I'm a state room.
[1:02:16]
>> I think this is more for a museum or gallery.
[1:02:26]
>> I would love to see a work like this in Ocala.
[1:02:28]
I don't know that there is a public space for.
[1:02:28]
Then maybe if we put them on the roster.
[1:02:28]
It will be what is the average Again?
[1:02:28]
>> 13.14.
[1:02:28]
And
[1:02:28]
>> I think it offers -- we are not the end user of this
[1:02:32]
register.
[1:02:36]
Do you know somebody that does projection art?
[1:02:40]
Maybe I'm pushing through there then.
[1:02:42]
That's an option.
[1:02:43]
Maybe I'm (Indistinct).
[1:02:51]
Maybe I'm good or bad, we just all get through this.
[1:02:59]
We invite you to look at 400 artists.
[1:03:01]
Make your pick maybe a little bit.
[1:03:01]
Maybe 350 artists.
[1:03:01]
Take care..
[1:03:01]
Maybe they can do them by filter.
[1:03:02]
What is the next one?
[1:03:04]
>> We have Nicole Sherman.
[1:03:06]
With an average of 13.4.
[1:03:09]
These scores will close together 12 as a low.
[1:03:13]
15 as a high.
[1:03:15]
>> That would violate base code.
[1:03:18]
No signs.
[1:03:20]
>> Definitely advertisement.
[1:03:23]
>> Yeah.
[1:03:25]
>> I would say no.
[1:03:28]
>> Everybody else?
[1:03:29]
>> Okay.
[1:03:34]
[Crosstalk] Maybe Brooke has the highest number paramedic
[1:03:48]
always the lowest number.
[1:03:49]
We wouldn't be here Brooke and.
[1:03:49]
Maybe my the group.
[1:03:49]
On this one.
[1:03:49]
There's nobody that I'm like -- if it was something it was
[1:03:49]
extremely passionate about --
[1:03:51]
I would say it.
[1:03:52]
Okay.
[1:03:53]
Stephen Schuster?
[1:03:54]
Low of 18.
[1:03:56]
High of 18.
[1:03:57]
Low of eight.
[1:04:01]
>> I had to go back and look at this guy three times.
[1:04:05]
I didn't quite understand what I was looking at.
[1:04:31]
>> I just want to say
[1:04:32]
>> He was literally one of the last things I graded.
[1:04:32]
I don't understand.
[1:04:32]
>> Butterflies.
[1:04:32]
>> He's a bug dude.
[1:04:42]
[Crosstalk]
[1:04:42]
>> I think it's well done.
[1:04:43]
I studied it. (Indistinct) I don't
[1:04:46]
know that's a great fit for the roster?
[1:04:48]
it's lovely work.
[1:04:48]
>> Wow.
[1:04:48]
>> I saw that one.
[1:04:48]
Okay.
[1:04:48]
I can see where it could be public facing in that way.
[1:04:49]
With some of the stuff I was looking
[1:04:50]
at going I don't understand how this is public
[1:04:52]
facing in some way.
[1:05:20]
>> Chelsea average again.
[1:05:21]
>> 13.4.
[1:05:27]
>> Are you okay with letting him in?
[1:05:35]
[Indistinct conversation]
[1:05:38]
>> It doesn't bug me.
[1:05:42]
[Laughter]
[1:05:43]
>> Butterflies two miles from anything like that.
[1:05:45]
We don't have a moth at.
[1:05:46]
That is good.
[1:05:50]
>> I love the Beatles?
[1:05:51]
>> Artist Justin Tyler Tate.
[1:05:51]
With average of 13.
[1:05:51]
Low of nine.
[1:05:51]
High of 18.
[1:05:51]
>> This was just in Tyler Tate?
[1:05:51]
>> Yes.
[1:05:51]
>> I put a one on him.
[1:05:51]
>> Finally.
[1:05:52]
>> I'm not joking.
[1:05:53]
For two reasons.
[1:05:54]
One -- I was not impressed at all with the artwork.
[1:05:57]
Two -- I was offended by the statement that was made within
[1:06:02]
his packet.
[1:06:03]
About references.
[1:06:05]
Did anybody else read that?
[1:06:07]
>> I read that.
[1:06:08]
What did it say?
[1:06:09]
>> That was -- how dare the committee ask her?
[1:06:13]
This is an outdated archaic request.
[1:06:18]
I was like, don.
[1:06:21]
I don't need you on the roster.
[1:06:25]
Minimum just tell him he's watching.
[1:06:45]
[Crosstalk] It was there this whole time
[1:06:46]
I'm ready to because I'm trying to get pregnant according
[1:06:46]
to the letter extended to himself
[1:06:46]
as if it was a reference letter.
[1:06:46]
Wrote an entire letter in the packet.
[1:06:46]
I think basically he said he did not want to be on this roster
[1:06:47]
maybe that was the long and short of it.
[1:06:48]
How dare you submit to?
[1:06:50]
The artwork, it was not good for Justin Tyler Tate.
[1:06:56]
Justin Tyler Tate.
[1:07:01]
To was reminiscent to Burning Man.
[1:07:28]
>> You gave it a one.
[1:07:28]
Did you give it an 18?
[1:07:28]
>> I gave it a nine.
[1:07:28]
Okay.
[1:07:29]
Good.
[1:07:34]
[Crosstalk]
[1:07:35]
>> I thought that kind of matched the work I don't know
[1:07:37]
if I didn't know almost like an edgy.
[1:07:37]
You know.
[1:07:38]
Here is my application.
[1:07:48]
>> It does look like it could be set on fire.
[1:07:50]
>> Definitely gave Burning Man.
[1:07:50]
>> Again, I like Burning Man.
[1:07:50]
I'll be honest.
[1:07:50]
I thought this was some of the more interesting stuff that
[1:07:50]
was submitted.
[1:07:50]
I would love to see something more like this in Ocala.
[1:07:50]
Standard traditional Whirligigs.
[1:07:51]
There are some things here, I wish
[1:07:54]
somebody would do something more interesting and push it.
[1:07:58]
And edgy.
[1:08:20]
>> (Indistinct)
[1:08:23]
>> I loved it I'm so glad I was in town when it happened I
[1:08:23]
remember saying oh my God.
[1:08:23]
Thank you thank you.
[1:08:23]
>> When you all tell me I like it.
[1:08:23]
It's doing something different.
[1:08:23]
I see that it's doing something different but I wouldn't walk
[1:08:23]
by that I think -- that is art.
[1:08:23]
>> That is scaffolding.
[1:08:23]
>> This I agree with you.
[1:08:24]
[Crosstalk] I went to his Instagram page.
[1:08:39]
When I was judging this.
[1:08:40]
Why didn't you put this in here I honestly had I not read his
[1:08:40]
letter -- initially did when I saw that letter --
[1:08:40]
I went -- okay.
[1:08:40]
Done.
[1:08:40]
Like, like, like, literally door slamming down.
[1:08:40]
The fact that he wrote that letter I
[1:08:40]
was like, like, I don't want your art
[1:08:40]
looks like at this point.
[1:08:42]
Because, you're kind of a jerk.
[1:08:45]
Your approach.
[1:08:46]
I don't think that was polite.
[1:08:48]
>> Is he doing a bit?
[1:09:08]
[Crosstalk] Maybe I don't have a person to talk to I have what
[1:09:10]
you submitted in your application.
[1:09:10]
If 300 plus people submitted comment had zero problems
[1:09:10]
submitting references -- you're the one dude who is like,
[1:09:10]
I cannot believe it.
[1:09:11]
>> There's one in every >> I think it's an F to.
[1:09:33]
>> 13 was the average.
[1:09:34]
>> 13.. ..
[1:09:34]
Over?
[1:09:35]
>> Thank you.
[1:09:45]
>> I liked it.
[1:09:46]
Everybody needs to have a voice.
[1:09:47]
>> What are you thinking?
[1:09:54]
>> I'm just double checking.
[1:09:55]
>> I put him at 13.
[1:09:55]
>> I would say okay.
[1:09:56]
>> You say okay to push him over?
[1:10:09]
[Indistinct conversation]
[1:10:12]
>> A yes Tito?
[1:10:12]
A yes or no, Tito.
[1:10:18]
>> I think it's creative.
[1:10:19]
I think it's different.
[1:10:19]
I would keep it.
[1:10:19]
There's nothing like it.
[1:10:20]
>> I would keep it.
[1:10:30]
[Crosstalk]
[1:10:41]
>> (Indistinct)
[1:10:41]
>> I would say I'm okay with the vote being 423.
[1:10:43]
Yes two no.
[1:10:43]
I guess it means I'm a yes.
[1:10:44]
I can push him over.
[1:10:50]
[Laughs] I was on the panel I want
[1:10:51]
to know what the letter was about?
[1:10:51]
You need to get over yourself.
[1:10:51]
Young man.
[1:10:51]
Thinking with Jessie Thomas.
[1:10:51]
With an average score of 13.7.
[1:10:51]
These were close.
[1:10:51]
Louis score of 11.
[1:10:52]
High score of 15.
[1:11:24]
>> I love the way they work around the architecture permit
[1:11:33]
(Indistinct) Quite a mixture of.
[1:11:36]
>> That was lowered.
[1:11:37]
Have to push him over.
[1:11:39]
>> He's pretty close.
[1:11:41]
Arnold?
[1:11:41]
What say you?
[1:11:44]
Okay.
[1:11:44]
Okay.
[1:11:45]
Push him over to the register, please.
[1:11:57]
We have Jose Trejo Mario.
[1:12:01]
With average score of 13.14.
[1:12:03]
Low score a high score of 16.
[1:12:14]
I know Titus would like this there's nothing that really
[1:12:20]
lends itself to be outdoors.
[1:12:25]
At least not to too much.
[1:12:35]
Opinions.
[1:12:44]
I will clarify by saying it's more of an installation
[1:12:48]
kind of a thing.
[1:12:49]
In a museum or a gallery.
[1:12:53]
>> I felt the same way.
[1:12:56]
I want to understand it better.
[1:12:58]
I don't know if it's about the photos themselves or just
[1:13:02]
difficult to capture in photos --
[1:13:03]
in a way that I would find it compelling and really grasp --
[1:13:07]
just what it is about.
[1:13:09]
Do you know what I mean did you all feel that?
[1:13:35]
>> The record show broke and I felt bad about Justin Tyler
[1:13:37]
Tate.
[1:13:37]
Yes.
[1:13:37]
>> That I could see everything.
[1:13:37]
Just a different point of view.
[1:13:37]
I really don't know that I'm saying it
[1:13:37]
well enough in pictures.
[1:13:37]
>> I thought it was kind of cool.
[1:13:37]
We got to see the smaller pieces.
[1:13:37]
Then you saw how they were realized on a larger sculpture
[1:13:37]
as well.
[1:13:37]
I thought that was kind of interesting.
[1:13:39]
Got a little bit more detail in the smaller imaging as well.
[1:14:03]
>> I guess I thought it was more of a written kind of written
[1:14:05]
work as art it's more about the words and the poems.
[1:14:05]
Rather than the visual element connect to the guys.
[1:14:05]
Love them it'll be fun.
[1:14:05]
Maybe they're adorable.
[1:14:05]
>> It feels like it wants to be in a gallery or a museum.
[1:14:08]
What if you had a coffee shop?
[1:14:12]
You want to type like that with a message?
[1:14:16]
>> That's true.
[1:14:19]
>> That's what you need to put ourselves I think.
[1:14:21]
The different applications we're not really
[1:14:24]
judging the art in that basically chin interpretation
[1:14:55]
(Indistinct)
[1:14:55]
>> This is cool.
[1:14:55]
I would say he'll be put into place in a public location as
[1:14:55]
opposed to just a small little pieces.
[1:14:55]
Once I got to this one.
[1:14:55]
I was like kind of like.
[1:14:55]
Oh.
[1:14:55]
This looks pretty cool.
[1:14:55]
>> Can we consider somebody do an article and say there's a new
[1:14:55]
public roster at places like coffee shops should look at it.
[1:14:55]
Do you know what I mean?
[1:14:55]
I don't think people know I don't think they get
[1:14:55]
the connection of -- that's a reason for this.
[1:14:59]
The public needs to know about it if they
[1:15:02]
don't get a lot of things.
[1:15:04]
How many of the people that come to the civic
[1:15:06]
are like I didn't know you guys were here.
[1:15:09]
The same idea.
[1:15:11]
Getting the word out in general.
[1:15:15]
>> I think we probably are a little more visible
[1:15:40]
(Indistinct).
[1:15:41]
I wish more people would get it.
[1:15:41]
Hear about it.
[1:15:41]
>> Let's go ahead and go.
[1:15:42]
Approve.
[1:15:57]
>> The ones that we have the most discussion on --
[1:15:59]
will be the first ones I get picked.
[1:15:59]
>> Cool.
[1:15:59]
Very interesting we would end up with some very interesting stuff
[1:15:59]
in town.
[1:15:59]
I think that would be awesome now we have Max Valentine.
[1:15:59]
With an average of 13.85.
[1:15:59]
Total score eight.
[1:16:00]
High score 16.
[1:16:25]
>> Push him over.
[1:16:27]
[Crosstalk]
[1:16:30]
>> There is a cat.
[1:16:32]
[Laughter]
[1:16:37]
[Crosstalk]
[1:16:37]
>> I have a tattoo of a cat.
[1:16:37]
Maybe my dog ate.
[1:16:37]
I'm with you.
[1:16:37]
>> They did have a good mural experience.
[1:16:37]
>> This is our last artist.
[1:16:37]
>> What?
[1:16:38]
>> Let's go back through all of this again.
[1:16:56]
[Laughter]
[1:16:57]
>> One more time we have Jim Woodson.
[1:16:59]
An average of 12.71.
[1:16:59]
The lowest score was eight.
[1:16:59]
High score, 16.
[1:16:59]
>> This one didn't have any large scale works.
[1:17:12]
>> You said Jim Woodson.
[1:17:13]
I would say no.
[1:17:13]
It's all mixed media.
[1:17:13]
There's no sculptures or murals.
[1:17:13]
Or anything.
[1:17:13]
>> Everything was oil on canvas and small.
[1:17:13]
In our next five years we do this again.
[1:17:15]
That would be one the staff would weed out.
[1:17:17]
>> A great suggestion.
[1:17:19]
>> Never come to the light of day.
[1:17:22]
Very lovely work.
[1:17:28]
Jamie do you need anything else from us?
[1:17:33]
>> I think we can save that conversation for when we go back
[1:17:37]
to discussing the roster.
[1:17:39]
If we have size requirements we would like to have in place.
[1:17:41]
I think it's mentioned we talk about it being public art.
[1:17:45]
And considering that for applying.
[1:17:47]
Maybe if we have some specifics we can add?
[1:18:14]
>> Large scale.
[1:18:15]
>> Not Gallery.
[1:18:16]
>> That is subjective.
[1:18:25]
>> Are you making this report?
[1:18:26]
Is this for tomorrow?
[1:18:26]
What are we doing tomorrow?
[1:18:26]
>> Tomorrow -- didn't meet quorum.
[1:18:26]
You guys are free tomorrow.
[1:18:26]
>> We got through all these.
[1:18:26]
>> Right.
[1:18:26]
That was the point.
[1:18:26]
>> Are we done?
[1:18:26]
The creative registry?
[1:18:26]
Do we have more?
[1:18:26]
>> Those are all the ones.
[1:18:26]
I made notes of the scores that you
[1:18:26]
believe should be just high enough to make a.
[1:18:26]
I will send you an email with those names.
[1:18:28]
We have to use what's in Cafe as our record.
[1:18:32]
We will need -- if we voted a little more skeptical
[1:18:35]
of your artist -- you know coming to reevaluate.
[1:18:38]
I will detail that out.
[1:18:41]
And the artist that you agree -- the score was appropriate --
[1:18:48]
I will leave those names out.
[1:18:49]
They will just keep that score.
[1:18:51]
>> Okay.
[1:18:52]
>> Only ones that we pass through we need to go back --
[1:18:56]
>> Correct which means, y'all can sit tight I will just fix
[1:18:59]
my scores.
[1:19:04]
[Laughter] We will be fine we are so good I'm taking the fall.
[1:19:32]
[Crosstalk]
[1:19:33]
>>.
[1:19:33]
For two notes you gave him a 14 or above,
[1:19:33]
you would not need to. .
[1:19:33]
>> That's true.
[1:19:33]
>> Okay.
[1:19:33]
We have accomplished magical things.
[1:19:33]
>> I'm just going to do 14.
[1:19:33]
It's going to work itself out.
[1:19:33]
My lowest score was a 14.
[1:19:33]
I think I did a 12 on somebody.
[1:19:33]
Did a 13 on somebody.
[1:19:33]
I was like --
[1:19:33]
I can't vote that low.
[1:19:34]
It just hurts my heart.
[1:19:58]
[Laughter] People put such effort into that.
[1:20:00]
I am an artist.
[1:20:00]
Have a heart for them.
[1:20:00]
No.
[1:20:00]
I can't give you a three.
[1:20:00]
I just can't do it.
[1:20:00]
If you're a singer -- would be like, oh no.
[1:20:00]
>> I said come I did that for almost everybody.
[1:20:00]
>> Miss Bailey.
[1:20:00]
>> Yes?
[1:20:00]
>> Do we still have more things on the agenda?
[1:20:00]
>> That's what I said.
[1:20:01]
Thank you thank you.
[1:20:02]
>> Six.
[1:20:29]
[Crosstalk]
[1:20:33]
>> Other business.
[1:20:34]
>> Our total that we have is $8,381.93.
[1:20:34]
As of this morning.
[1:20:34]
With the last two applications that we are awarded --
[1:20:34]
one has already been written as a check and delivered the other
[1:20:34]
one, we are waiting on the building owner to give
[1:20:34]
permission for the mural.
[1:20:34]
We will be getting that hopefully soon.
[1:20:36]
We will only have $800 left.
[1:20:37]
That was the whole purpose behind splitting that approval
[1:20:42]
for our film Derby.
[1:21:09]
>> Just out of curiosity -- did we know when we approved
[1:21:12]
the grant, the building owner had not given approval?
[1:21:12]
>> It was acknowledged that there was a verbal agreement
[1:21:12]
the board agreed, we need to have a written.
[1:21:12]
>> Okay.
[1:21:12]
I just needed a refresher.
[1:21:34]
>> Public comments.
[1:21:35]
The agenda.
[1:21:35]
Hello.
[1:21:35]
Any comments?
[1:21:35]
>> Anybody home?
[1:21:35]
>> Anybody home?
[1:21:35]
Informational items.
[1:21:35]
Staff comments?
[1:21:35]
>> Thank you for all your work.
[1:21:35]
I know that was a lot.
[1:21:35]
Thank you for keeping us straight, Jamie.
[1:21:35]
Board comments?
[1:21:35]
Start with Tito.
[1:21:36]
>> This is my last meeting.
[1:21:38]
I did send a letter.
[1:21:41]
I really appreciate everyone of you guys
[1:22:07]
I know it's going to be great.
[1:22:08]
It doesn't matter if I'm here or not.
[1:22:08]
You guys have done a great job.
[1:22:08]
>> I will miss you.
[1:22:08]
Thank you for your years of service.
[1:22:08]
>> I've been here almost 15 years.
[1:22:10]
[Laughs] I think it's time to give somebody else a chance.
[1:22:22]
>> Thank you.
[1:22:23]
Brooke.
[1:22:23]
>> I've got nothing.
[1:22:23]
>> Fine Arts of Ocala is prepping for our Ocala Fine Arts
[1:22:23]
Festival on October 24th and 25th.
[1:22:23]
I'm headed to the festival meeting right after this.
[1:22:23]
Maybe with Brooke?
[1:22:23]
I think?
[1:22:23]
We're looking forward to that.
[1:22:23]
We will probably be talking about it from here
[1:22:25]
until October.
[1:22:51]
>> Out of five Keller has annual adult spelling bee next
[1:22:53]
Wednesday evening.
[1:22:53]
From 6 to 8 p.m..
[1:22:53]
Which I changed from Thursday so that one
[1:22:53]
of the cast members from rent could be in the spelling bee
[1:22:53]
come and compete.
[1:22:53]
It's a fun and free event to the Marion Theater from 6 p.m..
[1:22:53]
Next Wednesday.
[1:22:53]
Come cheer them on.
[1:22:53]
We've raised funds for the Marion County Literacy Council.
[1:22:53]
For our Maker Space program.
[1:22:56]
>> Awesome.
[1:22:57]
You don't have stuff?
[1:22:59]
>> I do.
[1:23:00]
I will go last.
[1:23:01]
>> Okay.
[1:23:02]
We have all kinds of stuff.
[1:23:05]
Rent opens tomorrow night.
[1:23:07]
Which we are super excited about.
[1:23:10]
We actually have the highest enrollment in our academy
[1:23:13]
that we've ever had.
[1:23:14]
This fall.
[1:23:15]
Which we are super stoked about.
[1:23:18]
Usually the fall is a little leaner.
[1:23:20]
It gets Fuller in the winter.
[1:23:21]
We actually fall in the fall.
[1:23:23]
Almost fall in the winter.
[1:23:25]
The interest there has been incredible.
[1:23:26]
We are thrilled about that.
[1:23:31]
If you know a kid that wants to study theater send them over.
[1:23:34]
We had a really exciting thing.
[1:23:35]
A couple things happened.
[1:23:37]
MCBIA made us their charity for last Thursday.
[1:23:42]
Friday.
[1:23:43]
Whatever.
[1:23:44]
The Casino night.
[1:23:45]
They've been really great to us and helping
[1:23:47]
us getting us some more people involved through that we now
[1:23:50]
have a connection with habitat for humanity
[1:23:53]
is coming in to volunteer in our shop at.
[1:23:58]
And getting involved with helping
[1:23:59]
the building so on and so forth that's a really cool thing.
[1:24:07]
In fact -- (Indistinct) grant application that will be
[1:24:27]
the first time coming and doing a slam as they're calling it --
[1:24:29]
in the shop.
[1:24:29]
The next day that set has to be on stage.
[1:24:29]
They will come in and help us slam it come as they're
[1:24:29]
calling it onto the stage.
[1:24:29]
Yeah.
[1:24:29]
Gala is October 8th.
[1:24:29]
We have 30 seats left.
[1:24:29]
We sold 120.
[1:24:29]
If you would love to join us for the gala
[1:24:29]
come and we'd love to have you.
[1:24:30]
If you want to join us tomorrow night opening night
[1:24:33]
of rent Irwin's lilac is sponsoring a really great
[1:24:36]
opening night party.
[1:24:37]
Please RSVP to the box office premiere
[1:24:44]
(Indistinct) the show tomorrow night that's it for us.
[1:25:08]
>> Thank you Madam Chair.
[1:25:09]
I am the new board president for the Magnolia Art exchange.
[1:25:09]
For the Magnolia Art exchange.
[1:25:09]
It's an art incubator for emerging and mid-career artists.
[1:25:09]
We on the board of next have a lot of work to do.
[1:25:11]
We are going to do that -- because we've got a great team.
[1:25:16]
Everybody is stepping up.
[1:25:17]
We're really excited.
[1:25:18]
The last Saturday of this month we having our fun event.
[1:25:23]
The Art heist.
[1:25:24]
You come in and have tickets turmeric when your ticket is
[1:25:30]
drawn -- you get to pick a work of art.
[1:25:32]
You get to hold that until somebody picks one
[1:25:35]
and decide say instead of something else while the wall
[1:25:42]
it's a lot of fun we have all of great people on the board
[1:25:44]
now that have all kinds of experience and fundraising.
[1:25:48]
And putting on parties.
[1:25:51]
We've got a lot of support from work we're really excited.
[1:25:55]
That's Saturday September 26th from 6 to 9.
[1:26:00]
>> I'm hosting.
[1:26:02]
Pam M.S. That's right.
[1:26:03]
Is.
[1:26:04]
Is RMC.
[1:26:04]
M I saved it.
[1:26:07]
Yeah and I just learned that today I didn't know myself.
[1:26:11]
I think that's going to be great.
[1:26:15]
He is going to be herding cats.
[1:26:20]
>> All day long I can't wait.
[1:26:22]
>> Actually I had a question.
[1:26:24]
I think it was answered I was going
[1:26:26]
to ask if anybody was associated with the Magnolia Art exchange.
[1:26:31]
>> Durian was as well.
[1:26:33]
>> I didn't know.
[1:26:35]
That's great.
[1:26:35]
Can we speak after?
[1:26:36]
I have some questions.
[1:26:38]
>> I don't know. (Indistinct) maybe my people waiting in line
[1:27:06]
for this?
[1:27:07]
Actually has to do with the high.
[1:27:07]
Maybe I'm of course I'm happy to speak with him.
[1:27:07]
About anything.
[1:27:07]
>> Anything.
[1:27:07]
Alright.
[1:27:07]
This will be specific this time.
[1:27:07]
>> I don't think it is still up.
[1:27:07]
Is sculpture double bronze sculpture.
[1:27:07]
Was in the show with the museum.
[1:27:07]
It was actually featured in the c f publication.
[1:27:09]
It was very nice.
[1:27:36]
[Indistinct conversation] Actually
[1:27:37]
it was about donating a couple sculptures to your contest
[1:27:37]
>> Yes please.
[1:27:37]
>> That's not going to be the bronze.
[1:27:39]
I think we could have for that anyway thank you.
[1:28:02]
>> Our auction is live now.
[1:28:03]
You can go online.
[1:28:03]
There are 80 items.
[1:28:03]
Trips.
[1:28:03]
Experiences.
[1:28:03]
Food.
[1:28:03]
Local food.
[1:28:03]
A basket from chewy.
[1:28:03]
All kinds of wonderful baskets and the Civic Theater.
[1:28:03]
Check it out.
[1:28:03]
It runs through September 10th you can all be done
[1:28:03]
on your phone.
[1:28:03]
We have an in-person party on the 10th at five.
[1:28:03]
Everybody is welcome to come.
[1:28:03]
You do not have to be at that party to win.
[1:28:05]
You can see all the items out.
[1:28:09]
You will get up to the time the auction closes
[1:28:12]
you're getting notice because you've been on things
[1:28:14]
and you're on we will let you know.
[1:28:16]
What you are pursuing.
[1:28:22]
We applaud the arts following the heels of its gala season.
[1:28:27]
Our October 29th at.
[1:28:31]
Gorgeous 1850 barn that has been retrofitted to an event space.
[1:28:36]
The orchestra will be there.
[1:28:38]
Plated dinner.
[1:28:39]
An amazing night.
[1:28:41]
Be on a grant recipients we are going to skinny that part down
[1:28:48]
this year.
[1:28:49]
Less talking.
[1:28:52]
Morphine.
[1:28:54]
Open bar.
[1:28:54]
Grapefruit.
[1:28:55]
Auction items there.
[1:28:56]
If you havent seen protégé go on.
[1:28:58]
It's gorgeous.
[1:28:59]
They've got candidates.
[1:29:00]
Built in 1815.
[1:29:01]
It's a wheat barn.
[1:29:04]
A marvelous space.
[1:29:08]
You sell tickets on sale come until December 14th for tribute.
[1:29:12]
If you ever wanted a chance for a course sorry.
[1:29:17]
It's not a dog?
[1:29:18]
We found out we can't do dogs.
[1:29:21]
Anyway tickets are $75.
[1:29:23]
If you don't have a place for it --
[1:29:26]
the city has agreed that you can donate it in your name if you
[1:29:29]
went to their collection of horses thank you all
[1:29:33]
for your patience.
[1:29:34]
Thank you staff.
[1:29:36]
It's wonderful to get out to before the anticipated time
[1:29:39]
of 5:00.
[1:29:40]
Beat the traffic.
[1:29:42]
We will see you probably won't see you tomorrow.
[1:29:44]
We will see you in October come back the first Wednesday
[1:29:47]
in October.
[1:30:18]
>> October 7th.